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35 Sonnets

Chapter 13: XII.
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About This Book

These sonnets probe the gap between inner life and outward expression, arguing that the soul resists full translation into words and often presents itself behind masks of consciousness. They shift between intimate anxieties—memory’s preservation of love, the material facts of death, and daily needs that squander creative intention—and broader doubts about identity, fate, and the capacity of thought. The poet repeatedly examines how self-awareness both enables and impoverishes feeling, while recurring images of storms, mirrors, and childhood fear dramatize the friction between desire for action and the paralysis of inaction.

XII.

As the lone, frighted user of a night-road
Suddenly turns round, nothing to detect,
Yet on his fear’s sense keepeth still the load
Of that brink-nothing he doth but suspect;
And the cold terror moves to him more near
Of something that from nothing casts a spell,
That, when he moves, to fright more is not there,
And’s only visible when invisible
So I upon the world turn round in thought,
And nothing viewing do no courage take,
But my more terror, from no seen cause got,
To that felt corporate emptiness forsake,
    And draw my sense of mystery’s horror from
    Seeing no mystery’s mystery alone.