35 Sonnets

Chapter 14: XIII.

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About This Book

These sonnets probe the gap between inner life and outward expression, arguing that the soul resists full translation into words and often presents itself behind masks of consciousness. They shift between intimate anxieties—memory’s preservation of love, the material facts of death, and daily needs that squander creative intention—and broader doubts about identity, fate, and the capacity of thought. The poet repeatedly examines how self-awareness both enables and impoverishes feeling, while recurring images of storms, mirrors, and childhood fear dramatize the friction between desire for action and the paralysis of inaction.

XIII.

When I should be asleep to mine own voice
In telling thee how much thy love’s my dream,
I find me listening to myself, the noise
Of my words othered in my hearing them.
Yet wonder not: this is the poet’s soul.
I could not tell thee well of how I love,
Loved I not less by knowing it, were all
My self my love and no thought love to prove.
What consciousness makes more by consciousness,
It makes less, for it makes it less itself,
My sense of love could not my love rich-dress
Did it not for it spend love’s own love-pelf.
Poet’s love’s this (as in these words I prove thee):
I love my love for thee more than I love thee.