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35 Sonnets

Chapter 7: VI.
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About This Book

These sonnets probe the gap between inner life and outward expression, arguing that the soul resists full translation into words and often presents itself behind masks of consciousness. They shift between intimate anxieties—memory’s preservation of love, the material facts of death, and daily needs that squander creative intention—and broader doubts about identity, fate, and the capacity of thought. The poet repeatedly examines how self-awareness both enables and impoverishes feeling, while recurring images of storms, mirrors, and childhood fear dramatize the friction between desire for action and the paralysis of inaction.

VI.

As a bad orator, badly o’er-book-skilled,
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct’s feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless care labours but to be spurned,
Courting in alien speech the Muse’s pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling’s nature is violent;
    As who would learn to swim without the river,
    When nearest to the trick, as far as ever.