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35 Sonnets

Chapter 9: VIII.
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About This Book

These sonnets probe the gap between inner life and outward expression, arguing that the soul resists full translation into words and often presents itself behind masks of consciousness. They shift between intimate anxieties—memory’s preservation of love, the material facts of death, and daily needs that squander creative intention—and broader doubts about identity, fate, and the capacity of thought. The poet repeatedly examines how self-awareness both enables and impoverishes feeling, while recurring images of storms, mirrors, and childhood fear dramatize the friction between desire for action and the paralysis of inaction.

VIII.

How many masks wear we, and undermasks,
Upon our countenance of soul, and when,
If for self-sport the soul itself unmasks,
Knows it the last mask off and the face plain?
The true mask feels no inside to the mask
But looks out of the mask by co-masked eyes.
Whatever consciousness begins the task
The task’s accepted use to sleepness ties.
Like a child frighted by its mirrored faces,
Our souls, that children are, being thought-losing,
Foist otherness upon their seen grimaces
And get a whole world on their forgot causing;
    And, when a thought would unmask our soul’s masking,
    Itself goes not unmasked to the unmasking.