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A Book of Marionettes

Chapter 2: Note
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About This Book

This book presents a comprehensive survey of marionette art, tracing their presence from antiquity through regional traditions in Asia, Italy and southern Europe, France, Germany, England, and America. It combines historical overview, descriptive accounts of styles and figures, and photographic and diagrammatic illustrations of puppet types and stages. Practical chapters offer guidance on construction and staging, patterns and stage diagrams, alongside discussions of toy theatres, puppet plays for children, and the mechanics of shadow and string manipulation. A bibliography and index support further research, while the author intersperses personal anecdotes about puppet-making, rehearsals, and the practical life of performers.

Note

The story of the marionette is endless, in fact it has neither beginning nor end. The marionette has been everywhere and is everywhere. One cannot write of the puppets without saying more than one had intended and less than one desired: there is such a piquant insistency in them. The purpose of this book is altogether modest, but the length of it has grown to be presumptuous. As to its merit, that must be found in the subject matter and in the sources from which the material was gathered. If this volume is but a sign-post pointing the way to better historians and friends of the puppets and through them on to more puppet play it will have proven merit enough.

The bibliography appended is a far from complete list of puppet literature. It includes, however, the most important works of modern times upon marionettes and much comment, besides, that is casual or curious or close at hand.

The author is under obligation to those friendly individuals who generously gave of their time and interest and whose suggestions, explanations and kind assistance have made possible this publication. There are many who have been gracious and helpful, among them particularly Mrs. Maurice Browne, Mr. Michael Carmichael Carr, Professor A. K. Coomaraswamy, Mr. Stewart Culin, Dr. Jesse Walter Fewkes, Mr. Henry Festing Jones, Dr. Berthold Laufer, Mr. Richard Laukhuff, Mr. J. Arthur MacLean, Professor Brander Matthews, Dr. Ida Trent O’Neil, Mr. Raymond O’Neil, Mr. Alfred Powell, Dr. R. Meyer Riefstahl, Mr. Tony Sarg, and Mr. G. Bernard Shaw.

Above all, however, acknowledgment is due to the steady encouragement and interested criticism of Ernest Joseph. Although he did not live to see the finished volume, his stimulating buoyancy and excellent judgment constantly inspired the composition of this simple account of puppets.