FOOTNOTES:
[1] Vinet, L’Art et l’Archæologie, Mission de Phénicée, Paris, 1862.
[2] Fauriel, Hist. de la Poésie Provençale, 1846, i., pp. 169-171.
[3] Renaissance in Italy: “The Catholic Revival,” ii. c. 12.
[4] So Virgil speaks of the soldiers singing as they marched, according to rhythmic music—
“With measured pace they march along,
And make their monarch’s deeds their song.”
Æneid, viii., 698-9.
[5] Renaissance in Italy. “Italian Literature,” i., c. 2.
[6] See Elton’s Origins of English History. London: 1890, pp. 6-32.
[7] Stanley Poole, The Barbary Pirates.
[8] La Provence Maritime, 1897, p. 356.
[9] The tomb of Raimond de Cabane, the maître d’hôtel, is in the Church of S. Chiara, Naples.
[10] The portraits of Joanna and of Louis of Tarentum may be seen in the Church of Sta. Maria l’Incarnata, which she built in Naples. Her marriage is there represented in a fresco by one of the pupils of Giotto; again, another picture is of her in Confession. She is also represented on the tomb of King Robert, her grandfather, in the Church of S. Chiara, Naples.
[11] His tomb and statue, a life-like portrait, by Ciaccione, is in the church of S. Giovanni a Carbonara, Naples.
[12] La Provence Maritime, Paris, 1897.
[13] Les Grands Artistes, Fragonard, par C. Mauclair, Paris (n.d.)
[14] A fantastic derivation. Actually, Arluc is By the Mere.
[15] Hopkins (Tighe) The Man in the Iron Mask, Lond. 1901.
[16] A fine head, dug out from the ruins, and supposed to be that of Drusus, is now in the Copenhagen museum.
[17] Bennet, Winter and Spring on the Mediterranean. London, 1870.
[18] Age of the Despots, ch. ii.
[19] J. A. Symonds, Age of the Despots.
[20] Hare, Cities of Northern Italy, i. p. 34.
[21] Lane Poole, The Barbary Corsairs, p. 104.
[22] “Tre sue famigliari e care anzelle, lussuria, simonia, e crudeltade” (Opere, Flor., 1843, p. 882).