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A Channel Passage and Other Poems / Taken from The Collected Poetical Works of Algernon Charles / Swinburne—Vol VI cover

A Channel Passage and Other Poems / Taken from The Collected Poetical Works of Algernon Charles / Swinburne—Vol VI

Chapter 85: DEDICATION
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About This Book

This collection assembles lyric and narrative poems that move between vivid natural description and declamatory public verse. Several extended pieces render stormy seas and high mountain lakes in lush, musical language, while shorter lyrics attend to hawthorn, domestic moments, mourning, and memory. Civic and historical odes, prologues for plays, and classical hymns sit beside intimate miniatures, all exploring transience, intense perception, beauty, and the tension between sensual joy and solemn remembrance. The volume alternates ecstatic celebration with grave reflection and uses a range of forms from compact rondelets to expansive narrative stanzas.

Sound of trumpets blowing down the merriest winds of morn,
Flash of hurtless lightnings, laugh of thunders loud and glad,
Here should hail the summer day whereon a light was born
Whence the sun grew brighter, seeing the world less dark and sad.
Man of men by right divine of boyhood everlasting,
France incarnate, France immortal in her deathless boy,
Brighter birthday never shone than thine on earth, forecasting
More of strenuous mirth in manhood, more of manful joy.
Child of warriors, friend of warriors, Garibaldi's friend,
Even thy name is as the splendour of a sunbright sword:
While the boy's heart beats in man, thy fame shall find not end:
Time and dark oblivion bow before thee as their lord.
Youth acclaims thee gladdest of the gods that gild his days:
Age gives thanks for thee, and death lacks heart to quench thy praise.

AT A DOG'S GRAVE

I
Good night, we say, when comes the time to win
The daily death divine that shuts up sight,
Sleep, that assures for all who dwell therein
Good night.
The shadow shed round those we love shines bright
As love's own face, when death, sleep's gentler twin,
From them divides us even as night from light.
Shall friends born lower in life, though pure of sin,
Though clothed with love and faith to usward plight,
Perish and pass unbidden of us, their kin,
Good night?
II
To die a dog's death once was held for shame.
Not all men so beloved and mourned shall lie
As many of these, whose time untimely came
To die.
His years were full: his years were joyous: why
Must love be sorrow, when his gracious name
Recalls his lovely life of limb and eye?
If aught of blameless life on earth may claim
Life higher than death, though death's dark wave rise high,
Such life as this among us never came
To die.
III
White violets, there by hands more sweet than they
Planted, shall sweeten April's flowerful air
About a grave that shows to night and day
White violets there.
A child's light hands, whose touch makes flowers more fair,
Keep fair as these for many a March and May
The light of days that are because they were.
It shall not like a blossom pass away;
It broods and brightens with the days that bear
Fresh fruits of love, but leave, as love might pray,
White violets there.

THREE WEEKS OLD

Three weeks since there was no such rose in being;
Now may eyes made dim with deep delight
See how fair it is, laugh with love, and seeing
Praise the chance that bids us bless the sight.
Three weeks old, and a very rose of roses,
Bright and sweet as love is sweet and bright.
Heaven and earth, till a man's life wanes and closes,
Show not life or love a lovelier sight.
Three weeks past have renewed the rosebright creature
Day by day with life, and night by night.
Love, though fain of its every faultless feature,
Finds not words to match the silent sight.

A CLASP OF HANDS

I
Soft, small, and sweet as sunniest flowers
That bask in heavenly heat
When bud by bud breaks, breathes, and cowers,
Soft, small, and sweet.
A babe's hands open as to greet
The tender touch of ours
And mock with motion faint and fleet
The minutes of the new strange hours
That earth, not heaven, must mete;
Buds fragrant still from heaven's own bowers,
Soft, small, and sweet.
II
A velvet vice with springs of steel
That fasten in a trice
And clench the fingers fast that feel
A velvet vice—
What man would risk the danger twice,
Nor quake from head to heel?
Whom would not one such test suffice?
Well may we tremble as we kneel
In sight of Paradise,
If both a babe's closed fists conceal
A velvet vice.
III
Two flower-soft fists of conquering clutch,
Two creased and dimpled wrists,
That match, if mottled overmuch,
Two flower-soft fists—
What heart of man dare hold the lists
Against such odds and such
Sweet vantage as no strength resists?
Our strength is all a broken crutch,
Our eyes are dim with mists,
Our hearts are prisoners as we touch
Two flower-soft fists.

PROLOGUE TO DOCTOR FAUSTUS

Light, as when dawn takes wing and smites the sea,
Smote England when his day bade Marlowe be.
No fire so keen had thrilled the clouds of time
Since Dante's breath made Italy sublime.
Earth, bright with flowers whose dew shone soft as tears,
Through Chaucer cast her charm on eyes and ears:
The lustrous laughter of the love-lit earth
Rang, leapt, and lightened in his might of mirth.
Deep moonlight, hallowing all the breathless air,
Made earth and heaven for Spenser faint and fair.
But song might bid not heaven and earth be one
Till Marlowe's voice gave warning of the sun.
Thought quailed and fluttered as a wounded bird
Till passion fledged the wing of Marlowe's word.
Faith born of fear bade hope and doubt be dumb
Till Marlowe's pride bade light or darkness come.
Then first our speech was thunder: then our song
Shot lightning through the clouds that wrought us wrong.
Blind fear, whose faith feeds hell with fire, became
A moth self-shrivelled in its own blind flame.
We heard, in tune with even our seas that roll,
The speech of storm, the thunders of the soul.
Men's passions, clothed with all the woes they wrought,
Shone through the fire of man's transfiguring thought.
The thirst of knowledge, quenchless at her springs,
Ambition, fire that clasps the thrones of kings,
Love, light that makes of life one lustrous hour,
And song, the soul's chief crown and throne of power,
The hungering heart of greed and ravenous hate,
Made music high as heaven and deep as fate.
Strange pity, scarce half scornful of her tear,
In Berkeley's vaults bowed down on Edward's bier.
But higher in forceful flight of song than all
The soul of man, its own imperious thrall,
Rose, when his royal spirit of fierce desire
Made life and death for man one flame of fire.
Incarnate man, fast bound as earth and sea,
Spake, when his pride would fain set Faustus free.
Eternal beauty, strong as day and night,
Shone, when his word bade Helen back to sight.
Fear, when he bowed the soul before her spell,
Thundered and lightened through the vaults of hell.
The music known of all men's tongues that sing,
When Marlowe sang, bade love make heaven of spring;
The music none but English tongues may make,
Our own sole song, spake first when Marlowe spake;
And on his grave, though there no stone may stand,
The flower it shows was laid by Shakespeare's hand.

PROLOGUE TO ARDEN OF FEVERSHAM

Love dark as death and fierce as fire on wing
Sustains in sin the soul that feels it cling
Like flame whose tongues are serpents: hope and fear
Die when a love more dire than hate draws near,
And stings to death the heart it cleaves in twain,
And leaves in ashes all but fear and pain.
Our lustrous England rose to life and light
From Rome's and hell's immitigable night,
And music laughed and quickened from her breath,
When first her sons acclaimed Elizabeth.
Her soul became a lyre that all men heard
Who felt their souls give back her lyric word.
Yet now not all at once her perfect power
Spake: man's deep heart abode awhile its hour,
Abode its hour of utterance; not to wake
Till Marlowe's thought in thunderous music spake.
But yet not yet was passion's tragic breath
Thrilled through with sense of instant life and death,
Life actual even as theirs who watched the strife,
Death dark and keen and terrible as life.
Here first was truth in song made perfect: here
Woke first the war of love and hate and fear.
A man too vile for thought's or shame's control
Holds empire on a woman's loftier soul,
And withers it to wickedness: in vain
Shame quickens thought with penitential pain:
In vain dark chance's fitful providence
Withholds the crime, and chills the spirit of sense:
It wakes again in fire that burns away
Repentance, weak as night devoured of day.
Remorse, and ravenous thirst of sin and crime,
Rend and consume the soul in strife sublime,
And passion cries on pity till it hear
And tremble as with love that casts out fear.
Dark as the deed and doom he gave to fame
For ever lies the sovereign singer's name.
Sovereign and regent on the soul he lives
While thought gives thanks for aught remembrance gives,
And mystery sees the imperial shadow stand
By Marlowe's side alone at Shakespeare's hand.

PROLOGUE TO OLD FORTUNATUS

The golden bells of fairyland, that ring
Perpetual chime for childhood's flower-sweet spring,
Sang soft memorial music in his ear
Whose answering music shines about us here.
Soft laughter as of light that stirs the sea
With darkling sense of dawn ere dawn may be,
Kind sorrow, pity touched with gentler scorn,
Keen wit whose shafts were sunshafts of the morn,
Love winged with fancy, fancy thrilled with love,
An eagle's aim and ardour in a dove,
A man's delight and passion in a child,
Inform it as when first they wept and smiled.
Life, soiled and rent and ringed about with pain
Whose touch lent action less of spur than chain,
Left half the happiness his birth designed,
And half the power, unquenched in heart and mind.
Comrade and comforter, sublime in shame,
A poor man bound in prison whence he came
Poor, and took up the burden of his life
Smiling, and strong to strive with sorrow and strife,
He spake in England's ear the poor man's word,
Manful and mournful, deathless and unheard.
His kind great heart was fire, and love's own fire,
Compassion, strong as flesh may feel desire,
To enkindle pity and mercy toward a soul
Sunk down in shame too deep for shame's control.
His kind keen eye was light to lighten hope
Where no man else might see life's darkness ope
And pity's touch bring forth from evil good,
Sweet as forgiveness, strong as fatherhood.
Names higher than his outshine it and outsoar,
But none save one should memory cherish more:
Praise and thanksgiving crown the names above,
But him we give the gift he gave us, love.

PROLOGUE TO THE DUCHESS OF MALFY

When Shakespeare soared from life to death, above
All praise, all adoration, save of love,
As here on earth above all men he stood
That were or are or shall be—great, and good,
Past thank or thought of England or of man—
Light from the sunset quickened as it ran.
His word, who sang as never man may sing
And spake as never voice of man may ring,
Not fruitless fell, as seed on sterile ways,
But brought forth increase even to Shakespeare's praise.
Our skies were thrilled and filled, from sea to sea,
With stars outshining all their suns to be.
No later light of tragic song they knew
Like his whose lightning clove the sunset through.
Half Shakespeare's glory, when his hand sublime
Bade all the change of tragic life and time
Live, and outlive all date of quick and dead,
Fell, rested, and shall rest on Webster's head.
Round him the shadows cast on earth by light
Rose, changed, and shone, transfiguring death and night.
Where evil only crawled and hissed and slew
On ways where nought save shame and bloodshed grew,
He bade the loyal light of honour live,
And love, when stricken through the heart, forgive.
Deep down the midnight of the soul of sin
He lit the star of mercy throned therein.
High up the darkness of sublime despair
He set the sun of love to triumph there.
Things foul or frail his touch made strong and pure,
And bade things transient like to stars endure.
Terror, on wings whose flight made night in heaven,
Pity, with hands whence life took love for leaven,
Breathed round him music whence his mortal breath
Drew life that bade forgetfulness and death
Die: life that bids his light of fiery fame
Endure with England's, yea, with Shakespeare's name.

PROLOGUE TO THE REVENGER'S TRAGEDY

Fire, and behind the breathless flight of fire
Thunder that quickens fear and quells desire,
Make bright and loud the terror of the night
Wherein the soul sees only wrath for light.
Wrath winged by love and sheathed by grief in steel
Sets on the front of crime death's withering seal.
The heaving horror of the storms of sin
Brings forth in fear the lightning hid therein,
And flashes back to darkness: truth, found pure
And perfect, asks not heaven if shame endure.
What life and death were his whose raging song
Bore heaven such witness of the wild world's wrong,
What hand was this that grasped such thunder, none
Knows: night and storm seclude him from the sun.
By daytime none discerns the fire of Mars:
Deep darkness bares to sight the sterner stars,
The lights whose dawn seems doomsday. None may tell
Whence rose a world so lit from heaven and hell.
Life-wasting love, hate born of raging lust,
Fierce retribution, fed with death's own dust
And sorrow's pampering poison, cross and meet,
And wind the world in passion's winding-sheet.
So, when dark faith in faith's dark ages heard
Falsehood, and drank the poison of the Word,
Two shades misshapen came to monstrous birth,
A father fiend in heaven, a thrall on earth:
Man, meanest born of beasts that press the sod,
And die: the vilest of his creatures, God.
A judge unjust, a slave that praised his name,
Made life and death one fire of sin and shame.
And thence reverberate even on Shakespeare's age
A light like darkness crossed his sunbright stage.
Music, sublime as storm or sorrow, sang
Before it: tempest like a harpstring rang.
The fiery shadow of a name unknown
Rose, and in song's high heaven abides alone.

PROLOGUE TO THE BROKEN HEART

The mightiest choir of song that memory hears
Gave England voice for fifty lustrous years.
Sunrise and thunder fired and shook the skies
That saw the sun-god Marlowe's opening eyes.
The morn's own music, answered of the sea,
Spake, when his living lips bade Shakespeare be,
And England, made by Shakespeare's quickening breath
Divine and deathless even till life be death,
Brought forth to time such godlike sons of men
That shamefaced love grows pride, and now seems then.
Shame that their day so shone, so sang, so died,
Remembering, finds remembrance one with pride.
That day was clouding toward a stormlit close
When Ford's red sphere upon the twilight rose.
Sublime with stars and sunset fire, the sky
Glowed as though day, nigh dead, should never die.
Sorrow supreme and strange as chance or doom
Shone, spake, and shuddered through the lustrous gloom.
Tears lit with love made all the darkening air
Bright as though death's dim sunrise thrilled it there
And life re-risen took comfort. Stern and still
As hours and years that change and anguish fill,
The strong secluded spirit, ere it woke,
Dwelt dumb till power possessed it, and it spoke.
Strange, calm, and sure as sense of beast or bird,
Came forth from night the thought that breathed the word;
That chilled and thrilled with passion-stricken breath
Halls where Calantha trod the dance of death.
A strength of soul too passionately pure
To change for aught that horror bids endure,
To quail and wail and weep faint life away
Ere sovereign sorrow smite, relent, and slay,
Sustained her silent, till her bridal bloom
Changed, smiled, and waned in rapture toward the tomb.
Terror twin-born with pity kissed and thrilled
The lips that Shakespeare's word or Webster's filled:
Here both, cast out, fell silent: pity shrank,
Rebuked, and terror, spirit-stricken, sank:
The soul assailed arose afar above
All reach of all but only death and love.

PROLOGUE TO A VERY WOMAN

Swift music made of passion's changeful power,
Sweet as the change that leaves the world in flower
When spring laughs winter down to deathward, rang
From grave and gracious lips that smiled and sang
When Massinger, too wise for kings to hear
And learn of him truth, wisdom, faith, or fear,
Gave all his gentler heart to love's light lore,
That grief might brood and scorn breed wrath no more.
Soft, bright, fierce, tender, fitful, truthful, sweet,
A shrine where faith and change might smile and meet,
A soul whose music could but shift its tune
As when the lustrous year turns May to June
And spring subsides in summer, so makes good
Its perfect claim to very womanhood.
The heart that hate of wrong made fire, the hand
Whose touch was fire as keen as shame's own brand
When fraud and treason, swift to smile and sting,
Crowned and discrowned a tyrant, knave or king,
False each and ravenous as the fitful sea,
Grew gently glad as love that fear sets free.
Like eddying ripples that the wind restrains,
The bright words whisper music ere it wanes.
Ere fades the sovereign sound of song that rang
As though the sun to match the sea's tune sang,
When noon from dawn took life and light, and time
Shone, seeing how Shakespeare made the world sublime,
Ere sinks the wind whose breath was heaven's and day's,
The sunset's witness gives the sundawn praise.

PROLOGUE TO THE SPANISH GIPSY

The wind that brings us from the springtide south
Strange music as from love's or life's own mouth
Blew hither, when the blast of battle ceased
That swept back southward Spanish prince and priest,
A sound more sweet than April's flower-sweet rain,
And bade bright England smile on pardoned Spain.
The land that cast out Philip and his God
Grew gladly subject where Cervantes trod.
Even he whose name above all names on earth
Crowns England queen by grace of Shakespeare's birth
Might scarce have scorned to smile in God's wise down
And gild with praise from heaven an earthlier crown.
And he whose hand bade live down lengthening years
Quixote, a name lit up with smiles and tears,
Gave the glad watchword of the gipsies' life,
Where fear took hope and grief took joy to wife.
Times change, and fame is fitful as the sea:
But sunset bids not darkness always be,
And still some light from Shakespeare and the sun
Burns back the cloud that masks not Middleton.
With strong swift strokes of love and wrath he drew
Shakespearean London's loud and lusty crew:
No plainer might the likeness rise and stand
When Hogarth took his living world in hand.
No surer then his fire-fledged shafts could hit,
Winged with as forceful and as faithful wit:
No truer a tragic depth and heat of heart
Glowed through the painter's than the poet's art.
He lit and hung in heaven the wan fierce moon
Whose glance kept time with witchcraft's air-struck tune:
He watched the doors where loveless love let in
The pageant hailed and crowned by death and sin:
He bared the souls where love, twin-born with hate,
Made wide the way for passion-fostered fate.
All English-hearted, all his heart arose
To scourge with scorn his England's cowering foes:
And Rome and Spain, who bade their scorner be
Their prisoner, left his heart as England's free.
Now give we all we may of all his due
To one long since thus tried and found thus true.

PROLOGUE TO THE TWO NOBLE KINSMEN

Sweet as the dewfall, splendid as the south,
Love touched with speech Boccaccio's golden mouth,
Joy thrilled and filled its utterance full with song,
And sorrow smiled on doom that wrought no wrong.
A starrier lustre of lordlier music rose
Beyond the sundering bar of seas and snows
When Chaucer's thought took life and light from his
And England's crown was one with Italy's.
Loftiest and last, by grace of Shakespeare's word,
Arose above their quiring spheres a third,
Arose, and flashed, and faltered: song's deep sky
Saw Shakespeare pass in light, in music die.
No light like his, no music, man might give
To bid the darkened sphere, left songless, live.
Soft though the sound of Fletcher's rose and rang
And lit the lunar darkness as it sang,
Below the singing stars the cloud-crossed moon
Gave back the sunken sun's a trembling tune.
As when at highest high tide the sovereign sea
Pauses, and patience doubts if passion be,
Till gradual ripples ebb, recede, recoil,
Shine, smile, and whisper, laughing as they toil,
Stark silence fell, at turn of fate's high tide,
Upon his broken song when Shakespeare died,
Till Fletcher's light sweet speech took heart to say
What evening, should it speak for morning, may.
And fourfold now the gradual glory shines
That shows once more in heaven two twinborn signs,
Two brethren stars whose light no cloud may fret,
No soul whereon their story dawns forget.

THE AFTERGLOW OF SHAKESPEARE

Let there be light, said Time: and England heard:
And manhood grew to godhead at the word.
No light had shone, since earth arose from sleep,
So far; no fire of thought had cloven so deep.
A day beyond all days bade life acclaim
Shakespeare: and man put on his crowning name.
All secrets once through darkling ages kept
Shone, sang, and smiled to think how long they slept.
Man rose past fear of lies whereon he trod:
And Dante's ghost saw hell devour his God.
Bright Marlowe, brave as winds that brave the sea
When sundawn bids their bliss in battle be,
Lit England first along the ways whereon
Song brighter far than sunlight soared and shone.
He died ere half his life had earned his right
To lighten time with song's triumphant light.
Hope shrank, and felt the stroke at heart: but one
She knew not rose, a man to match the sun.
And England's hope and time's and man's became
Joy, deep as music's heart and keen as flame.
Not long, for heaven on earth may live not long,
Light sang, and darkness died before the song.
He passed, the man above all men, whose breath
Transfigured life with speech that lightens death.
He passed: but yet for many a lustrous year
His light of song bade England shine and hear.
As plague and fire and faith in falsehood spread,
So from the man of men, divine and dead,
Contagious godhead, seen, unknown, and heard,
Fulfilled and quickened England; thought and word,
When men would fain set life to music, grew
More sweet than years which knew not Shakespeare knew.
The simplest soul that set itself to song
Sang, and may fear not time's or change's wrong.
The lightest eye that glanced on life could see
Through grief and joy the God that man might be.
All passion whence the living soul takes fire
Till death fulfil despair and quench desire,
All love that lightens through the cloud of chance,
All hate that lurks in hope and smites askance,
All holiness of sorrow, all divine
Pity, whose tears are stars that save and shine,
All sunbright strength of laughter like the sea's
When spring and autumn loose their lustrous breeze,
All sweet, all strange, all sad, all glorious things,
Lived on his lips, and hailed him king of kings.
All thought, all strife, all anguish, all delight,
Spake all he bade, and speak till day be night.
No soul that heard, no spirit that beheld,
Knew not the God that lured them and compelled.
On Beaumont's brow the sun arisen afar
Shed fire which lit through heaven the younger star
That sank before the sunset: one dark spring
Slew first the kinglike subject, then the king.
The glory left above their graves made strong
The heart of Fletcher, till the flower-sweet song
That Shakespeare culled from Chaucer's field, and died,
Found ending on his lips that smiled and sighed.
From Dekker's eyes the light of tear-touched mirth
Shone as from Shakespeare's, mingling heaven and earth.
Wild witchcraft's lure and England's love made one
With Shakespeare's heart the heart of Middleton.
Harsh, homely, true, and tragic, Rowley told
His heart's debt down in rough and radiant gold.
The skies that Tourneur's lightning clove and rent
Flamed through the clouds where Shakespeare's thunder went.
Wise Massinger bade kings be wise in vain
Ere war bade song, storm-stricken, cower and wane.
Kind Heywood, simple-souled and single-eyed,
Found voice for England's home-born praise and pride.
Strange grief, strange love, strange terror, bared the sword
That smote the soul by grace and will of Ford.
The stern grim strength of Chapman's thought found speech
Loud as when storm at ebb-tide rends the beach:
And all the honey brewed from flowers in May
Made sweet the lips and bright the dreams of Day.
But even as Shakespeare caught from Marlowe's word
Fire, so from his the thunder-bearing third,
Webster, took light and might whence none but he
Hath since made song that sounded so the sea
Whose waves are lives of men—whose tidestream rolls
From year to darkening year the freight of souls.
Alone above it, sweet, supreme, sublime,
Shakespeare attunes the jarring chords of time;
Alone of all whose doom is death and birth,
Shakespeare is lord of souls alive on earth.


CLEOPATRA

"Her beauty might outface the jealous hours,
Turn shame to love and pain to a tender sleep,
And the strong nerve of hate to sloth and tears;
Make spring rebellious in the sides of frost,
Thrust out lank winter with hot August growths,
Compel sweet blood into the husks of death,
And from strange beasts enforce harsh courtesy."

T. Hayman, Fall of Antony, 1655.


CLEOPATRA

I
Her mouth is fragrant as a vine,
A vine with birds in all its boughs;
Serpent and scarab for a sign
Between the beauty of her brows
And the amorous deep lids divine.
II
Her great curled hair makes luminous
Her cheeks, her lifted throat and chin
Shall she not have the hearts of us
To shatter, and the loves therein
To shred between her fingers thus?
III
Small ruined broken strays of light,
Pearl after pearl she shreds them through
Her long sweet sleepy fingers, white
As any pearl's heart veined with blue,
And soft as dew on a soft night.
IV
As if the very eyes of love
Shone through her shutting lids, and stole
The slow looks of a snake or dove;
As if her lips absorbed the whole
Of love, her soul the soul thereof.
V
Lost, all the lordly pearls that were
Wrung from the sea's heart, from the green
Coasts of the Indian gulf-river;
Lost, all the loves of the world—so keen
Towards this queen for love of her.
VI
You see against her throat the small
Sharp glittering shadows of them shake;
And through her hair the imperial
Curled likeness of the river snake,
Whose bite shall make an end of all.
VII
Through the scales sheathing him like wings,
Through hieroglyphs of gold and gem,
The strong sense of her beauty stings,
Like a keen pulse of love in them,
A running flame through all his rings.
VIII
Under those low large lids of hers
She hath the histories of all time;
The fruit of foliage-stricken years;
The old seasons with their heavy chime
That leaves its rhyme in the world's ears.
IX
She sees the hand of death made bare,
The ravelled riddle of the skies,
The faces faded that were fair,
The mouths made speechless that were wise,
The hollow eyes and dusty hair;
X
The shape and shadow of mystic things,
Things that fate fashions or forbids;
The staff of time-forgotten Kings
Whose name falls off the Pyramids,
Their coffin-lids and grave-clothings;
XI
Dank dregs, the scum of pool or clod,
God-spawn of lizard-footed clans,
And those dog-headed hulks that trod
Swart necks of the old Egyptians,
Raw draughts of man's beginning God;
XII
The poised hawk, quivering ere he smote,
With plume-like gems on breast and back;
The asps and water-worms afloat
Between the rush-flowers moist and slack;
The cat's warm black bright rising throat.
XIII
The purple days of drouth expand
Like a scroll opened out again;
The molten heaven drier than sand,
The hot red heaven without rain,
Sheds iron pain on the empty land.
XIV
All Egypt aches in the sun's sight;
The lips of men are harsh for drouth,
The fierce air leaves their cheeks burnt white,
Charred by the bitter blowing south,
Whose dusty mouth is sharp to bite.
XV
All this she dreams of, and her eyes
Are wrought after the sense hereof.
There is no heart in her for sighs;
The face of her is more than love—
A name above the Ptolemies.
XVI
Her great grave beauty covers her
As that sleek spoil beneath her feet
Clothed once the anointed soothsayer;
The hallowing is gone forth from it
Now, made unmeet for priests to wear.
XVII
She treads on gods and god-like things,
On fate and fear and life and death,
On hate that cleaves and love that clings,
All that is brought forth of man's breath
And perisheth with what it brings.
XVIII
She holds her future close, her lips
Hold fast the face of things to be;
Actium, and sound of war that dips
Down the blown valleys of the sea,
Far sails that flee, and storms of ships;
XIX
The laughing red sweet mouth of wine
At ending of life's festival;
That spice of cerecloths, and the fine
White bitter dust funereal
Sprinkled on all things for a sign;
XX
His face, who was and was not he,
In whom, alive, her life abode;
The end, when she gained heart to see
Those ways of death wherein she trod,
Goddess by god, with Antony.

DEDICATION


DEDICATION