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A dictionary of the art of printing cover

A dictionary of the art of printing

Chapter 12: J.
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About This Book

An encyclopedic handbook defining the technical terms, processes, tools, and materials of printing, with practical instruction for production. Entries are arranged alphabetically and accompanied by specimen alphabets, extensive imposition and type-count tables, and procedural notes on electrotyping and foundry practice. The work compiles abbreviations and record conventions, reproduces statutes and legal guidance relevant to the trade, and traces procedural changes by comparing older methods with contemporary practice. Appendices and illustrated tables provide ready reference for printers, librarians, and others involved in producing and describing books.

J.

Jeff. See Throw.

JOB.

Any thing which printed does not exceed a sheet, is termed a Job, and is paid for extra to the compositor, because there is no return of furniture or of letter: he has generally to put up fresh cases, and has some additional trouble in getting the right letter, and in making up the furniture. See Scale of Prices.

JOB HOUSE.

A printing office, the general run of business in which is the printing of Jobs; namely, cards, shop bills, bills for articles stolen, or lost, play bills, lottery bills, large posting bills, and all other things of a similar description. These houses seldom execute book work to any extent, as their materials, particularly with respect to types, are not calculated for it; and few houses undertake both kinds of work to any great degree. The principal job houses in London have a variety of types, both as to size and shape, such as few or no book houses ever think of laying in; consequently they are enabled to execute such work in a style superior to that in which a book house could, with regard to producing effect, and, in general, more expeditiously. Jobbing is an extensive business in London. See Book House.

Johnson, Richard. See Donations.

JOIN.

When two or more compositors are employed on the same piece of work, and one of them composes all his copy, so that there is no intervening matter between his copy and that in the hands of another of the companions who has followed him, he says, he has joined, or, he has set up close. Also, if a compositor be on a piece of work without a companion, and from any cause he be obliged to suspend composing one part of his copy, and to proceed with a succeeding part; then, when he has been enabled to compose this intervening part, and has got it completed, he says, he has joined, or, he has joined his matter.

JOINTS.

Tympan joints, and frisket joints.—M.

Justifiers. See Quotation Quadrats.

JUSTIFYING.

Spacing a line out so that it fits with a proper degree of tightness in the measure of the composing stick;—placing a wood cut in a page, and filling up the vacancies with leads, scaleboards, quadrats, quotations, or furniture, so that when the form is locked up, the wood cut shall be fast, and the lines above and below it even;—fixing any other matter in a similar way in a page.—With pressmen, putting cards into the head of a wooden press, and screwing it up until the pull be proper, is termed Justifying the Head, or Justifying the Pull. See Hard Pull.

Justifying the Head. This amounts to the same thing as justifying the pull, which see.

Justifying Links. See Composing.

JUSTIFY THE PULL.

Putting additional cards into the mortises of the cheeks of a press, or taking some out, as the case may require, in order to regulate the pull: for a small light form, the pressure requires to be comparatively slight; but for a large, solid form of small letters, it requires a heavy soaking pull to do justice to the work; in this case, additional cards are put into the mortises of the head. This refers only to the wooden press; for justifying the pull of iron presses, see under the respective articles.

JUSTIFY A STICK;

viz. a composing stick. Screwing the slides of his composing stick to the measure wanted—M.