At Night
A deep-voiced song of rushing cadences
And crashing intervals. No summer breeze
Is this, though hot July is at its height,
Gone is her gentler music; with delight
She listens to this booming like the seas,
These elemental, loud necessities
Which call to her to answer their swift might.
Above the tossing trees shines down a star,
Quietly bright; this wild, tumultuous joy
Quickens nor dims its splendour. And my mind,
O Star! is filled with your white light, from far,
So suffer me this one night to enjoy
The freedom of the onward sweeping wind.
The Fruit Garden Path
A moonlit path, hemmed in by beds of bloom,
Where phlox and marigolds dispute for room
With tall, red dahlias and the briar rose.
'T is reckless prodigality which throws
Into the night these wafts of rich perfume
Which sweep across the garden like a plume.
Over the trees a single bright star glows.
Dear garden of my childhood, here my years
Have run away like little grains of sand;
The moments of my life, its hopes and fears
Have all found utterance here, where now I stand;
My eyes ache with the weight of unshed tears,
You are my home, do you not understand?
Mirage
And all the long nights are made glad by thee?
No loneliness is this, nor misery,
But great content that these should be the ways
Whereby the Fancy, dreaming as she strays,
Makes bright and present what she would would be.
And who shall say if the reality
Is not with dreams so pregnant. For delays
And hindrances may bar the wished-for end;
A thousand misconceptions may prevent
Our souls from coming near enough to blend;
Let me but think we have the same intent,
That each one needs to call the other, "friend!"
It may be vain illusion. I'm content.
To a Friend
That always you will be my dream of you;
That never shall I wake to find untrue
All this I have believed and rested on,
Forever vanished, like a vision gone
Out into the night. Alas, how few
There are who strike in us a chord we knew
Existed, but so seldom heard its tone
We tremble at the half-forgotten sound.
The world is full of rude awakenings
And heaven-born castles shattered to the ground,
Yet still our human longing vainly clings
To a belief in beauty through all wrongs.
O stay your hand, and leave my heart its songs!
A Fixed Idea
When grown too constant, and however kind,
However welcome still, the weary mind
Aches with its presence. Dull remembrance taught
Remembers on unceasingly; unsought
The old delight is with us but to find
That all recurring joy is pain refined,
Become a habit, and we struggle, caught.
You lie upon my heart as on a nest,
Folded in peace, for you can never know
How crushed I am with having you at rest
Heavy upon my life. I love you so
You bind my freedom from its rightful quest.
In mercy lift your drooping wings and go.
Dreams
Your speech evokes a thousand sympathies,
And all my being's silent harmonies
Wake trembling into music. When you go
It is as if some sudden, dreadful blow
Had severed all the strings with savage ease.
No, do not talk; but let us rather seize
This intimate gift of silence which we know.
Others may guess your thoughts from what you say,
As storms are guessed from clouds where darkness broods.
To me the very essence of the day
Reveals its inner purpose and its moods;
As poplars feel the rain and then straightway
Reverse their leaves and shimmer through the woods.
Frankincense and Myrrh
Vibrate most readily to minor chords,
Searching and sad; my mind is stuffed with words
Which voice the passion and the ache of things:
Illusions beating with their baffled wings
Against the walls of circumstance, and hoards
Of torn desires, broken joys; records
Of all a bruised life's maimed imaginings.
Now you are come! You tremble like a star
Poised where, behind earth's rim, the sun has set.
Your voice has sung across my heart, but numb
And mute, I have no tones to answer. Far
Within I kneel before you, speechless yet,
And life ablaze with beauty, I am dumb.
From One Who Stays
A wilderness of sad streets, where gaunt walls
Hide nothing to desire; sunshine falls
Eery, distorted, as it long had shone
On white, dead faces tombed in halls of stone.
The whir of motors, stricken through with calls
Of playing boys, floats up at intervals;
But all these noises blur to one long moan.
What quest is worth pursuing? And how strange
That other men still go accustomed ways!
I hate their interest in the things they do.
A spectre-horde repeating without change
An old routine. Alone I know the days
Are still-born, and the world stopped, lacking you.
Crepuscule du Matin
Which knocked insurgent at the gates of thought.
The crumbled wreck of years behind has wrought
Its disillusion; now I only cry
For peace, for power to forget the lie
Which hope too long has whispered. So I sought
The sleep which would not come, and night was fraught
With old emotions weeping silently.
I heard your voice again, and knew the things
Which you had promised proved an empty vaunt.
I felt your clinging hands while night's broad wings
Cherished our love in darkness. From the lawn
A sudden, quivering birdnote, like a taunt.
My arms held nothing but the empty dawn.
Aftermath
And every letter was a piece I chipped
From off my heart, a fragment newly clipped
From the mosaic of life; its blues and grays,
Its throbbing reds, I gave to earn your praise.
To make a pavement for your feet I stripped
My soul for you to walk upon, and slipped
Beneath your steps to soften all your ways.
But now my letters are like blossoms pale
We strew upon a grave with hopeless tears.
I ask no recompense, I shall not fail
Although you do not heed; the long, sad years
Still pass, and still I scatter flowers frail,
And whisper words of love which no one hears.
The End
I hear your words in mournful cadence toll
Like some slow passing-bell which warns the soul
Of sundering darkness. Unrelenting, fain
To batter down resistance, fall again
Stroke after stroke, insistent diastole,
The bitter blows of truth, until the whole
Is hammered into fact made strangely plain.
Where shall I look for comfort? Not to you.
Our worlds are drawn apart, our spirit's suns
Divided, and the light of mine burnt dim.
Now in the haunted twilight I must do
Your will. I grasp the cup which over-runs,
And with my trembling lips I touch the rim.
The Starling
Sterne's 'Sentimental Journey'.
Of self confines my poor rebellious soul,
I never see the towering white clouds roll
Before a sturdy wind, save through the small
Barred window of my jail. I live a thrall
With all my outer life a clipped, square hole,
Rectangular; a fraction of a scroll
Unwound and winding like a worsted ball.
My thoughts are grown uneager and depressed
Through being always mine, my fancy's wings
Are moulted and the feathers blown away.
I weary for desires never guessed,
For alien passions, strange imaginings,
To be some other person for a day.
Market Day
Spotted and sprigged with shadows. Double rows
Of bartering booths spread out their tempting shows
Of globed and golden fruit, the morning air
Smells sweet with ripeness, on the pavement there
A wicker basket gapes and overflows
Spilling out cool, blue plums. The market glows,
And flaunts, and clatters in its busy care.
A stately minster at the northern side
Lifts its twin spires to the distant sky,
Pinnacled, carved and buttressed; through the wide
Arched doorway peals an organ, suddenly —
Crashing, triumphant in its pregnant tide,
Quenching the square in vibrant harmony.
Epitaph in a Church-Yard in Charleston, South Carolina
A NATIVE OF LIVERPOOL,
DIED SUDDENLY OF "STRANGER'S FEVER"
NOV'R 5th 1843
AGED 22
Had scarcely melted into manhood, so
The chiselled legend runs; a brother's woe
Laid bare for epitaph. The savage ruth
Of a sunny, bright, but alien land, uncouth
With cruel caressing dealt a mortal blow,
And by this summer sea where flowers grow
In tropic splendor, witness to the truth
Of ineradicable race he lies.
The law of duty urged that he should roam,
Should sail from fog and chilly airs to skies
Clear with deceitful welcome. He had come
With proud resolve, but still his lonely eyes
Ached with fatigue at never seeing home.
Francis II, King of Naples
Written after reading Trevelyan's "Garibaldi and the making of Italy"
Decaying victim of a race of kings,
Swift Destiny shook out her purple wings
And caught him in their shadow; not again
Could furtive plotting smear another stain
Across his tarnished honour. Smoulderings
Of sacrificial fires burst their rings
And blotted out in smoke his lost domain.
Bereft of courtiers, only with his queen,
From empty palace down to empty quay.
No challenge screamed from hostile carabine.
A single vessel waited, shadowy;
All night she ploughed her solitary way
Beneath the stars, and through a tranquil sea.
To John Keats
Whose orbed and ripened genius lightly hung
From life's slim, twisted tendril and there swung
In crimson-sphered completeness; guardian
Of crystal portals through whose openings fan
The spiced winds which blew when earth was young,
Scattering wreaths of stars, as Jove once flung
A golden shower from heights cerulean.
Crumbled before thy majesty we bow.
Forget thy empurpled state, thy panoply
Of greatness, and be merciful and near;
A youth who trudged the highroad we tread now
Singing the miles behind him; so may we
Faint throbbings of thy music overhear.
THE BOSTON ATHENAEUM
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And as in some gay garden stretched upon
A genial southern slope, warmed by the sun,
The flowers give their fragrance joyously
To the caressing touch of the hot noon;
So books give up the all of what they mean
Only in a congenial atmosphere,
Only when touched by reverent hands, and read
By those who love and feel as well as think.
For books are more than books, they are the life,
The very heart and core of ages past,
The reason why men lived, and worked, and died,
The essence and quintessence of their lives.
And we may know them better, and divine
The inner motives whence their actions sprang,
Far better than the men who only knew
Their bodily presence, the soul forever hid
From those with no ability to see.
They wait here quietly for us to come
And find them out, and know them for our friends;
These men who toiled and wrote only for this,
To leave behind such modicum of truth
As each perceived and each alone could tell.
Silently waiting that from time to time
It may be given them to illuminate
Dull daily facts with pristine radiance
For some long-waited-for affinity
Who lingers yet in the deep womb of time.
The shifting sun pierces the young green leaves
Of elm trees, newly coming into bud,
And splashes on the floor and on the books
Through old, high, rounded windows, dim with age.
The noisy city-sounds of modern life
Float softened to us across the old graveyard.
The room is filled with a warm, mellow light,
No garish colours jar on our content,
The books upon the shelves are old and worn.
'T was no belated effort nor attempt
To keep abreast with old as well as new
That placed them here, tricked in a modern guise,
Easily got, and held in light esteem.
Our fathers' fathers, slowly and carefully
Gathered them, one by one, when they were new
And a delighted world received their thoughts
Hungrily; while we but love the more,
Because they are so old and grown so dear!
The backs of tarnished gold, the faded boards,
The slightly yellowing page, the strange old type,
All speak the fashion of another age;
The thoughts peculiar to the man who wrote
Arrayed in garb peculiar to the time;
As though the idiom of a man were caught
Imprisoned in the idiom of a race.
A nothing truly, yet a link that binds
All ages to their own inheritance,
And stretching backward, dim and dimmer still,
Is lost in a remote antiquity.
Grapes do not come of thorns nor figs of thistles,
And even a great poet's divinest thought
Is coloured by the world he knows and sees.
The little intimate things of every day,
The trivial nothings that we think not of,
These go to make a part of each man's life;
As much a part as do the larger thoughts
He takes account of. Nay, the little things
Of daily life it is which mold, and shape,
And make him apt for noble deeds and true.
And as we read some much-loved masterpiece,
Read it as long ago the author read,
With eyes that brimmed with tears as he saw
The message he believed in stamped in type
Inviolable for the slow-coming years;
We know a certain subtle sympathy,
We seem to clasp his hand across the past,
His words become related to the time,
He is at one with his own glorious creed
And all that in his world was dared and done.
The long, still, fruitful hours slip away
Shedding their influences as they pass;
We know ourselves the richer to have sat
Upon this dusty floor and dreamed our dreams.
No other place to us were quite the same,
No other dreams so potent in their charm,
For this is ours! Every twist and turn
Of every narrow stair is known and loved;
Each nook and cranny is our very own;
The dear, old, sleepy place is full of spells
For us, by right of long inheritance.
The building simply bodies forth a thought
Peculiarly inherent to the race.
And we, descendants of that elder time,
Have learnt to love the very form in which
The thought has been embodied to our years.
And here we feel that we are not alone,
We too are one with our own richest past;
And here that veiled, but ever smouldering fire
Of race, which rarely seen yet never dies,
Springs up afresh and warms us with its heat.
And must they take away this treasure house,
To us so full of thoughts and memories;
To all the world beside a dismal place
Lacking in all this modern age requires
To tempt along the unfamiliar paths
And leafy lanes of old time literatures?
It takes some time for moss and vines to grow
And warmly cover gaunt and chill stone walls
Of stately buildings from the cold North Wind.
The lichen of affection takes as long,
Or longer, ere it lovingly enfolds
A place which since without it were bereft,
All stript and bare, shorn of its chiefest grace.
For what to us were halls and corridors
However large and fitting, if we part
With this which is our birthright; if we lose
A sentiment profound, unsoundable,
Which Time's slow ripening alone can make,
And man's blind foolishness so quickly mar.
VERSES FOR CHILDREN
Sea Shell
Sing me a song, O Please!
A song of ships, and sailor men,
And parrots, and tropical trees,
Of islands lost in the Spanish Main
Which no man ever may find again,
Of fishes and corals under the waves,
And seahorses stabled in great green caves.
Sea Shell, Sea Shell,
Sing of the things you know so well.
Fringed Gentians
As blue as blue can be, winds make
It dance as they go blowing by.
I think it curtseys to the sky.
It's just a lake of lovely flowers
And my Mamma says they are ours;
But they are not like those we grow
To be our very own, you know.
We have a splendid garden, there
Are lots of flowers everywhere;
Roses, and pinks, and four o'clocks
And hollyhocks, and evening stocks.
Mamma lets us pick them, but never
Must we pick any gentians — ever!
For if we carried them away
They'd die of homesickness that day.
The Painted Ceiling
With a great many windows and doors,
There are stairs that go up, and stairs that go down,
And such beautiful, slippery floors.
But of all of the rooms, even mother's and mine,
And the bookroom, and parlour and all,
I like the green dining-room so much the best
Because of its ceiling and wall.
Right over your head is a funny round hole
With apples and pears falling through;
There's a big bunch of grapes all purply and sweet,
And melons and pineapples too.
They tumble and tumble, but never come down
Though I've stood underneath a long while
With my mouth open wide, for I always have hoped
Just a cherry would drop from the pile.
No matter how early I run there to look
It has always begun to fall through;
And one night when at bedtime I crept in to see,
It was falling by candle-light too.
I am sure they are magical fruits, and each one
Makes you hear things, or see things, or go
Forever invisible; but it's no use,
And of course I shall just never know.
For the ladder's too heavy to lift, and the chairs
Are not nearly so tall as I need.
I've given up hope, and I feel I shall die
Without having accomplished the deed.
It's a little bit sad, when you seem very near
To adventures and things of that sort,
Which nearly begin, and then don't; and you know
It is only because you are short.
The Crescent Moon
Little horned, happy moon,
Can you hear me up so high?
Will you come down soon?
On my nursery window-sill
Will you stay your steady flight?
And then float away with me
Through the summer night?
Brushing over tops of trees,
Playing hide and seek with stars,
Peeping up through shiny clouds
At Jupiter or Mars.
I shall fill my lap with roses
Gathered in the milky way,
All to carry home to mother.
Oh! what will she say!
Little rocking, sailing moon,
Do you hear me shout — Ahoy!
Just a little nearer, moon,
To please a little boy.
Climbing
With the sky above me, the earth below.
Each branch is the step of a wonderful stair
Which leads to the town I see shining up there.
Climbing, climbing, higher and higher,
The branches blow and I see a spire,
The gleam of a turret, the glint of a dome,
All sparkling and bright, like white sea foam.
On and on, from bough to bough,
The leaves are thick, but I push my way through;
Before, I have always had to stop,
But to-day I am sure I shall reach the top.
Today to the end of the marvelous stair,
Where those glittering pinacles flash in the air!
Climbing, climbing, higher I go,
With the sky close above me, the earth far below.
The Trout
Can't I coax you to come out?
Is it such great fun to play
In the water every day?
Do you pull the Naiads' hair
Hiding in the lilies there?
Do you hunt for fishes' eggs,
Or watch tadpoles grow their legs?
Do the little trouts have school
In some deep sun-glinted pool,
And in recess play at tag
Round that bed of purple flag?
I have tried so hard to catch you,
Hours and hours I've sat to watch you;
But you never will come out,
Naughty little speckled trout!
Wind
He steals the down from the honeybee,
He makes the forest trees rustle and sing,
He twirls my kite till it breaks its string.
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.
He calls up the fog and hides the hills,
He whirls the wings of the great windmills,
The weathercocks love him and turn to discover
His whereabouts — but he's gone, the rover!
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.
The pine trees toss him their cones with glee,
The flowers bend low in courtesy,
Each wave flings up a shower of pearls,
The flag in front of the school unfurls.
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.
The Pleiades
For it is up so very high.
You look and look, but it's so blue
That you can never see right through.
But when night comes it is quite plain,
And all the stars are there again.
They seem just like old friends to me,
I've known them all my life you see.
There is the dipper first, and there
Is Cassiopeia in her chair,
Orion's belt, the Milky Way,
And lots I know but cannot say.
One group looks like a swarm of bees,
Papa says they're the Pleiades;
But I think they must be the toy
Of some nice little angel boy.
Perhaps his jackstones which to-day
He has forgot to put away,
And left them lying on the sky
Where he will find them bye and bye.
I wish he'd come and play with me.
We'd have such fun, for it would be
A most unusual thing for boys
To feel that they had stars for toys!
THE END
| Advertisements of books by the same author |
(These are taken from the back of the 1916 printing.)
A Dome of Many-Coloured Glass
By AMY LOWELL New edition, cloth, $1.25
PRESS NOTICES
"These poems arouse interest, and justify it by the result. Miss Lowell is the sister of President Lowell of Harvard. Her art, however, needs no reflection from such distinguished influence to make apparent its distinction. Such verse as this is delightful, has a sort of personal flavour, a loyalty to the fundamentals of life and nationality. . . . The child poems are particularly graceful." — 'Boston Evening Transcript', Boston, Mass.
"Miss Lowell has given expression in exquisite form to many beautiful thoughts, inspired by a variety of subjects and based on some of the loftiest ideals. . . .
"The verses are grouped under the captions 'Lyrical Poems', 'Sonnets', and 'Verses for Children'. . . .
"It is difficult to say which of these are the most successful. Indeed, all reveal Miss Lowell's powers of observation from the view-point of a lover of nature. Moreover, Miss Lowell writes with a gentle philosophy and a deep knowledge of humanity. . . .
"The sonnets are especially appealing and touch the heart strings so tenderly that there comes immediate response in the same spirit. . . .
"That she knows the workings of the juvenile mind is plainly indicated by her verses written for their reading." — 'Boston Sunday Globe', Boston, Mass.
"A quite delightful little collection of verses." — 'Toronto Globe', Toronto, Canada.
"The Lyrics are true to the old definition; they would sing well to the accompaniment of the strings. We should like to hear "Hora Stellatrix" rendered by an artist." — 'Hartford Courant', Hartford, Conn.
"Verses that show delicate appreciation of the beautiful, and imaginative quality. A sonnet entitled 'Dreams' is peculiarly full of sympathy and feeling." — 'The Sun', Baltimore, Md.
—————
By the same author Sword Blades and Poppy Seed Price, $1.25
Opinions of Leading Reviewers
"Against the multitudinous array of daily verse our times produce this volume utters itself with a range and brilliancy wholly remarkable. I cannot see that Miss Lowell's use of unrhymed 'vers libre' has been surpassed in English. Read 'The Captured Goddess', 'Music', and 'The Precinct. Rochester', a piece of mastercraft in this kind. A wealth of subtleties and sympathies, gorgeously wrought, full of macabre effects (as many of the poems are) and brilliantly worked out. The things of splendor she has made she will hardly outdo in their kind." — Josephine Preston Peabody, 'The Boston Herald'.
"For quaint pictorial exactitude and bizarrerie of color these poems remind one of Flemish masters and Dutch tulip gardens; again, they are fine and fantastic, like Venetian glass; and they are all curiously flooded with the moonlight of dreams. . . . Miss Lowell has a remarkable gift of what one might call the dramatic-decorative. Her decorative imagery is intensely dramatic, and her dramatic pictures are in themselves vivid and fantastic decorations." — Richard Le Gallienne, 'New York Times Book Review'.
"The book as a whole is notable for the organic relation it bears to life and to art. Miss Lowell can find authentic inspiration equally in the lapidarian stanzas of Henri de Regnier and in the color effects produced by the flicking of the tail of the great northern pike. Her work is always vivid, sincere, poetically energetic. Throughout it run, in the quaint phrase of an old poet, 'bright shoots of everlastingnesse'." — Ferris Greenslet, in the 'New Republic'.
"Such poems as 'A Lady', 'Music', 'White and Green', are well-nigh flawless in their beauty — perfect 'images'." — Harriet Monroe, 'Poetry'.