A Mere Accident

Like Juggernaut's car, Catholicism had passed over John's mind, crushing all individualism, and leaving it but a wreck of quaking mysticism. Twenty times a day the spectre of his conscience rose and with menacing finger threatened him with flames and demons. And his love was a source of continual suffering. How often did he ask himself if he were surrendering his true vocation? How often did he beg of God to guide him aright? But these mental agitations were visible to no one. He preserved his calm exterior and the keenest eye detected in him only an ordinary young man with more than usually strict business habits. He had appointments with his solicitor. He consulted with him, he went into complex calculations concerning necessary repairs, and he laid plans for the more advantageous letting of the farms.

His mother encouraged him to attend to his business. Her head was full of other matters. A dispensation had to be obtained; it was said that the Pope was more than ever opposed to mixed marriages. But no objection would be made to this one. It would be madness to object.... A rich Catholic family at Henfield—nearly four thousand a-year—must not be allowed to become extinct. Thornby Place was the link between the Duke of Norfolk and the So and So's. If those dreadful cousins came in for the property, Protestantism would again be established at Thornby Place. And what a pity that would be; and just at a time when Catholicism was beginning to make headway in Sussex. And if John did not marry now he would never marry; of that she was quite sure.

As may be imagined, these were not the arguments with which Mrs Norton sought to convince the Rev. William Hare; they were those with which she besieged the Brompton Oratory, Farm Street, and the Pro-Cathedral. She played one off against the other. The Jesuits were nettled at having lost him, but it was agreeable to learn that the Carmelites had been no less unfortunate than they. The Oratorians on the whole thought he was not in their "line"; and as their chance of securing him was remote, they agreed that John would prove more useful to the Church as a married man than as a priest. A few weeks later the Papal sanction was obtained.

The clause concerning the children affected Mr Hare deeply, but he was told that he must not stand in the way of the happiness of two young people. He considered the question from many points of view, but in the meantime Mrs Norton continued to deluge Kitty with presents, and to talk to everybody of her son's marriage. The parson's difficulties were thereby increased, and eventually he found he could not withhold his consent.

And as time went on, John seemed to take a more personal delight in life than he had done before. He forgot his ancient prejudices if not his ancient ideals, and, as was characteristic of him, he avoided thinking with any definiteness on the nature of the new life into which he was to enter soon. His neighbours declared he was very much improved; and there were dinner parties at Thornby Place. One of his great pleasures was to start early in the morning, and having spent a long day with Kitty, to return home across the downs. The lofty, lonely landscape, with its lengthy hills defined upon the flushes of July, came in happy contrast with the noisy hours of tennis and girls; and standing on the gently ascending slopes, rising almost from the wicket gate of the rectory, he would wave farewells to Kitty and the Austins. And in the glittering morning, grey and dewy, when he descended these slopes to the strip of land that lies between them and the sea, he would pause on the last verge where the barn stands. Squire Austin's woods are in front, and they stretch by the town to the sleepy river with its spiderlike bridge crossing the sandy marshes. The church spire and roofs show through each break in the elm trees, and higher still the horizon of the sea is shimmering.

The rectory is rich brown brick and tiles. About it there is an ample farmyard. Mr Hare has but the house and an adjoining field, the three great ricks are Mr Austin's; the sunlight is upon them, and through the long shadows the cart horses are moving with the drays; and now a hundred pigeons rise and are seen against the green velvet of the elms, and one bird's wings are white upon the white sea.

Mr Hare is sitting in the verandah smoking, Kitty is attending to her birds.

"Good morning, John," she cried, "but I can't shake hands with you, my hands are dirty. Do you talk to father, I haven't a moment. There is such a lot to do. You know the Miss Austins are coming here to early dinner, and we have two young men coming from Worthing to play tennis. The court isn't marked yet."

"I will help you to mark it."

"Very well, but I am not ready yet."

John lit a cigar, and he spoke of books to Mr Hare, whom he considered a gross Philistine, although a worthy man. The shadows of the Virginia creeper fell on the red pavement, and Kitty's light voice was heard on the staircase. Presently she appeared, and lifting the trailing foliage, she spoke to him. She took him away, and the parson watched the white lines being marked on the sward. He watched them walk by the iron railing that separated Little Leywood from Leywood, the Squire's house. They passed through a small wooden gate into a bit of thick wood, and so gained the drive. Mr Austin took John to see the horses, Kitty ran to see the girls who were in their room dressing. How they chattered as they came down stairs, and with what lightness and laughter they went to Little Leywood. Their interests were centred in John, and Kitty took the foremost place as an engaged girl. After dinner young men arrived, and tennis was played unceasingly. At six o'clock, tired and hot with air and exercise, all went in to tea—a high tea. At seven John said he must be thinking of getting home; and happy and glad with all the pleasant influences of the day upon them, Kitty and the Miss Austins accompanied him as far as the farm gate.

"What a beautiful walk you will have, Mr Norton; but aren't you tired? Seven miles in the morning and seven in the evening!"

"But I have had the whole day to rest in."

"What a lovely evening! Let's all walk a little way with him," said Kitty.

"I should like to," said the elder Miss Austin, "but we promised father to be home for dinner. The one sure way of getting into his black books is to keep his dinner waiting, and he wouldn't dine without us."

"Well, good-bye, dear," said Kitty, "I shall walk as far as the burgh."

The Miss Austins turned into the rich trees that encircle Leywood, Kitty and John faced the hill. They were soon silhouettes, and ascending, they stood, tiny specks upon the pink evening hours. The table-land swept about them in multitudinous waves; it was silent and solitary as the sea. Lancing College, some miles distant, stood lonely as a lighthouse, and beneath it the Ada flowed white and sluggish through the marshes, the long spine of the skeleton bridge was black, and there, by that low shore, the sea was full of mist, and sea and shore and sky were lost in opal and grey. Old Shoreham, with its air of commerce, of stagnant commerce, stood by the sea. The tide was out, the sea gates were dry, only a few pools flashed silver amid the ooze; and the masts of the tall vessels,—tall vessels aground in that strange canal or rather dyke which runs parallel with and within a few yards of the sea for so many miles,—tapered and leaned out over the sea banks, and the points of the top masts could be counted. Then on the left hand towards Brighton, the sea streamed with purple, it was striped with green, and it hung like a blue veil behind the rich trees of Leywood and Little Leywood, and the trees and the fields were full of golden rays.

The lovers stood on a grassy plain; sheep were travelling over the great expanses of the valleys; rooks were flying about. Looking over the plain you saw Southwick,—a gleam of gables, a gleam of walls,—skirting a plantation; and further away still, Brighton lay like a pile of rocks heaped about a low shore.

To the lovers life was now as an assortment of simple but beautiful flowers; and they passed the blossoms to and fro and bound them into a bouquet. They talked of the Miss Austins, of their flirtations, of the Rectory, of Thornby Place, of Italy, for there they were going next month on their honeymoon. The turnip and corn lands were as inconceivable widths of green and yellow satin rolling through the rich light of the crests into the richer shadow of the valleys. And there there was a farm-house surrounded by buildings, surrounded by trees,—it looked like a nest in its snug hollow; the smoke ascended blue and peacefully. It was the last habitation. Beyond it the downs extend, in almost illimitable ranges ascending to the wild golden gorse, to the purple heather.

We are on the burgh. The hills tumble this way and that; below is the great weald of Sussex, blue with vapour, spotted with gold fields, level as a landscape by Hobbema; Chanctonbury Ring stands up like a gaunt watcher; its crown of trees is pressed upon its brow, a dark and imperial crown.

Overhead the sky is full of dark grey clouds; through them the sun breaks and sheds silver dust over the landscape; in the passing gleams the green of the furze grows vivid. If you listen you hear the tinkling of the bell-wether; if you look you see a solitary rabbit. A stunted hawthorn stands by the circle of stone, and by it the lovers were sitting. He was talking to her of Italy, of cathedrals and statues, for although he now loves her as a man should love, he still saw his honeymoon in a haze of Botticellis, cardinals, and chants. They stood up and bid each other good-bye, and waving hands they parted.

Night was coming on apace, a long way lay still before him, and he walked hastily; she being nearer home, sauntered leisurely, swinging her parasol. The sweetness of the evening was in her blood and brain, and the architectural beauty of the landscape—the elliptical arches of the hills—swam before her. But she had not walked many minutes before a tramp, like a rabbit out of a bush, sprang out of the furze where he had been sleeping. He was a gaunt hulking fellow, six feet high.

"Now 'aven't you a copper or two for a poor fellow, Missie?"

Kitty started from him frightened. "No, I haven't, I have nothing ... go away."

He laughed hoarsely, she ran from him. "Now, don't run so fast, Missie, won't you give a poor fellow something?"

"I have nothing."

"Oh, yes you 'ave; what about those pretty lips?"

A few strides brought him again to her side. He laid his hand upon her arm. She broke her parasol across his face, he laughed hoarsely. She saw his savage beast-like eyes fixed hungrily upon her. She fainted for fear of his look of dull tigerish cruelty. She fell....

When shaken and stunned and terrified she rose from the ground, she saw the tall gaunt figure passing away like a shadow. The wild solitary landscape was pale and dim. In the fading light it was a drawing made on blue paper with a hard pencil. The long undulating lines were defined on the dead sky, the girdle of blue encircling sea was an image of eternity. All now was the past, there did not seem to be a present. Her mind was rocked to and fro, and on its surface words and phrases floated like sea weed.... To throw her down and ill-treat her. Her frock is spoilt; they will ask her where she has been to, and how she got herself into such a state. Mechanically she brushed herself, and mechanically, very mechanically she picked bits of furze from her dress. She held each away from her and let it drop in a silly vacant way, all the while running the phrases over in her mind: "What a horrible man ... he threw me down and ill-treated me; my frock is ruined, utterly ruined, what a state it is in! I had a narrow escape of being murdered. I will tell them that ... that will explain ... I had a narrow escape of being murdered." But presently she grew conscious that these thoughts were fictitious thoughts, and that there was a thought, a real thought, lying in the background of her mind, which she dared not face, which she could not think of, for she did not think as she desired to; her thoughts came and went at their own wild will, they flitted lightly, touching with their wings but ever avoiding this deep and formless thought which lay in darkness, almost undiscoverable, like a monster in a nightmare.

She rose to her feet, she staggered, her sight seemed to fail her. There was a darkness in the summer evening which she could not account for; the ground seemed to slide beneath her feet, the landscape seemed to be in motion and to be rolling in great waves towards the sea. Would it precipitate itself into the sea, and would she be engulphed in the universal ruin? O! the sea, how implacably serene, how remorselessly beautiful; green along the shore, purple along the horizon! But the land was rolling to it. By Lancing College it broke seaward in a soft lapsing tide, in front of her it rose in angry billows; and Leywood hill, green, and grand, and voluted, stood up a great green wave against the waveless sea.

"What a horrible man ... he attacked me, ill-treated me ... what for?" Her thoughts turned aside. "He should be put in prison.... If father knew it, or John knew it, he would be put in prison, and for a very long time.... Why did he attack me?... Perhaps to rob me; yes, to rob me, of course to rob me." The evening seemed to brighten, the tumultuous landscape to grow still, To rob her, and of what?... of her watch; where was it? It was gone. The happiness of a dying saint when he opens arms to heaven descended upon her. The watch was gone ... but, had she lost it? Should she go back and see if she could find it? Oh! impossible; see the place again—impossible! search among the gorse—impossible! Horror! She would die. O to die on the lonely hills, to lie stark and cold beneath the stars! But no, she would not be found upon these hills. She would die and be seen no more. O to die, to sink in that beautiful sea, so still, so calm, so calm—why would it not take her to its bosom and hide her away? She would go to it, but she could not get to it; there were thousands of men between her and it.... An icy shiver passed through her.

Then as her thoughts broke away, she thought of how she had escaped being murdered. How thankful she ought to be—but somehow she is not thankful. And she was above all things conscious of a horror of returning, of returning to where she would see men and women's faces... men's faces. And now with her eyes fixed on the world that awaited her, she stood on the hillside. There was Brighton far away, sparkling in the dying light; nearer, Southwick showed amid woods, winding about the foot of the hills; in front Shoreham rose out of the massy trees of Leywood, the trees slanted down to the lawn and foliage and walls, made spots of white and dark green upon a background of blue sea; further to the right there was a sluggish silver river, the spine of the skeleton bridge, a spur of Lancing hill, and then mist, pale mist, pale grey mist.

"I cannot go home", thought the girl, and acting in direct contradiction to her thoughts, she walked forward. Her parasol—where was it? It was broken. The sheep, how sweet and quiet they looked, and the clover, how deliciously it smelt.... This is Mr Austin's farm, and how well kept it is. There is the barn. And Evy and Mary, when would they be married? Not so soon as she, she was going to be married in a month. In a month. She repeated the words over to herself; she strove to collect her thoughts, and failing to do so, she walked on hurriedly, she almost ran as if in the motion to force out of sight the thoughts that for a moment threatened to define themselves in her mind. Suddenly she stopped; there were some children playing by the farm gate. They did not know that she was by, and she listened to their childish prattle unsuspected. To listen was an infinite assuagement, one that was overpoweringly sweet, and for some moments she almost forgot. But she woke from her ecstacy in deadly fear and great pain, for coming along the hedgerow the voice of a man was heard, and the children ran away. And she ran too, like a terrified fawn, trembling in every limb, and sick with fear she sped across the meadows. The front door was open; she heard her father calling. To see him she felt would be more than she could bear; she must hide from his sight for ever, and dashing upstairs she double locked her door.

The sky was still flushed, there was light upon the sea, but the room was dim and quiet. The room! Kitty had seen it under all aspects, she had lived in it many years: then why does she look with strained eyes? Why does she shrink? Nothing has been changed. There is her little narrow bed, and her little bookcase full of novels and prayer-books; there is her work-basket by the fireplace, by the fireplace closed in with curtains that she herself embroidered; above her pillow there is a crucifix; there are photographs of the Miss Austins, and pictures of pretty children cut from the Christmas Numbers on the walls. She starts at the sight of these familiar objects! She trembles in the room which she thought of as a haven of refuge. Why does she grasp the rail of the bed—why? She scarcely knows: something that is at once remembrance and suspicion fills her mind. Is this her room?

The thought ended. She walked hurriedly to and fro, and as she passed the fuchsia in the window a blossom fell.

She sat down and stared into dark space. She walked languidly and purposelessly to the wardrobe. She stopped to pick a petal from the carpet. The sound of the last door was over, the retiring footfall had died away in the distance, the last voice was hushed; the moon was shining on the sea. A lovely scene, silver and blue; but how the girl's heart was beating! She sighed.

She sighed as if she had forgotten, and approaching her bedside she raised her hands to her neck. It was the instinctive movement of undressing. Her hands dropped, she did not even unbutton her collar. She could not. She resumed her walk, she picked up a blossom that had fallen, she looked out on the pale white sea. There was moonlight now in the room, a ghastly white spot was on the pillow. She was tired. The moonlight called her. She lay down with her profile in the light.

But there were smell and features in the glare—the odour was that of the tramp's skin, the features—a long thin nose, pressed lips, small eyes, a look of dull liquorish cruelty. And this presence was beside her; she could not rid herself of it, she repulsed it with cries, but it came again, and mocking, lay on the pillow.

Horrible, too horrible! She sprang from the bed. Was there anyone in her room? How still it was! The mysterious moonlight, the sea white as a shroud, the sward so chill and death-like. What! Did it move? Was it he? That fearsome shadow! Was she safe? Had they forgotten to bar up the house? Her father's house! Horrible, too horrible, she must shut out this treacherous light—darkness were better....

The curtains are closed, but a ray glinting between the wall and curtain shows her face convulsed. Something follows her: she knows not what, her thoughts are monstrous and obtuse. She dares not look round, she would turn to see if her pursuer is gaining upon her, but some invincible power restrains her.... Agony! Her feet catch in, and she falls over great leaves. She falls into the clefts of ruined tombs, and her hands as she attempts to rise are laid on sleeping snakes—rattlesnakes: they turn to attack her, and they glide away and disappear in moss and inscriptions. O, the calm horror of this region! Before her the trees extend in complex colonnades, silent ruins are grown through with giant roots, and about the mysterious entrances of the crypts there lingers yet the odour of ancient sacrifices. The stem of a rare column rises amid the branches, the fragment of an arch hangs over and is supported by a dismantled tree trunk. Ages ago the leaves fell, and withered; ages ago; and now the skeleton arms, lifted in fantastic frenzy against the desert skies, are as weird and symbolic as the hieroglyphics on the tombs below.

And through the torrid twilight of the approaching storm the cry of the hyena is heard.

Flowers hang on every side,—flowers as strange and as gorgeous as Byzantine chalices; flowers narrow and fluted and transparent as long Venetian glasses; opaque flowers bulging and coloured with gold devices like Chinese vases, flowers striped with cinnamon and veined with azure; a million flower-cups and flower chalices, and in these as in censers strange and deadly perfumes are melting, and the heavy fumes descend upon the girl, and they mix with the polluting odour of the ancient sacrifices. She sinks, her arms are raised like those of a victim; she sinks overcome, done to death or worse in some horrible asphyxiation.

And through the torrid twilight of the approaching storm the cry of the hyena is heard. His claws are upon the crumbling tombs.

The suffocating girl utters a thin wail. The vulture pauses, and is stationary on the white and desert skies. She strives with her last strength to free herself from the thrall of the great lianas, and she falls into fresh meshes.... The claws are heard amid the ruins, there is a hirsute smell; she turns with terrified eyes to plead, but she meets only the dull liquorish eyes, and the breath of the obscene animal is on her face.

Then she finds herself in the pleasure grounds of Thornby Place. There are the evergreen oaks, there is the rosary flaring all its wealth of red, purple, and white flowers, there is the park encircled by elms, there is the vista filled in with the line of the lofty downs. For a moment she is surprised, and fails to understand. Then she forgets the change of place in new sensations of terror. For across the park something is coming, she knows not what; it will pass her by. She watches a brown and yellow serpent, cubits high. Cubits high. It rears aloft its tawny hide, scenting its prey. The great coiling body, the small head, small as a man's hand, the black beadlike eyes shine out upon the intoxicating blue of the sky. The narrow long head, the fixed black eyes are dull, inexorable desire, conscious of nothing beyond, and only dimly conscious of itself. Will the snake pass by the hiding girl? She rushes to meet it. What folly! She turns and flies.

She takes refuge in the rosary. It follows her, gathering its immense body into horrible and hideous heights. How will she save herself? She will pluck roses, and build a wall between her and it. She collects huge bouquets, armfuls of beautiful flowers, garlands and wreaths. The flower-wall rises, and hoping to combat the fury of the beast with purity, she goes to where beautiful and snowy blossoms grow in clustering millions. She gathers them in haste; her arms and hands are streaming with blood, but she pays no heed, and as the snake surmounts one barricade, she builds another. But in vain. The reptile leans over them all, and the sour dirty smell of the scaly hide befouls the odorous breath of the roses. The long thin neck is upon her; she feels the horrid strength of the coils as they curl and slip about her, drawing her whole life into one knotted and loathsome embrace. And all the while the roses fall in a red and white rain about her. And through the ruin of the roses she escapes from the stench and the coils, and all the while the snake pursues her even into the fountain. The waves and the snake close about her.

Then without any transition in place or time, she finds herself listening to the sound of rippling water. There is an iron drinking cup close to her hand. She seems to recognise the spot. It is Shoreham. There are the streets she knows so well, the masts of the vessels, the downs. But suddenly something darkens the sunlight, the tawny body of the snake oscillates, the people cry to her to escape. She flies along the streets, like the wind she seems to pass. She calls for help. Sometimes the crowds are stationary as if frozen into stone, sometimes they follow the snake and attack it with sticks and knives. One man with colossal shoulders wields a great sabre; it flashes about him like lightning. Will he kill it? He turns and chases a dog, and disappears. The people too have disappeared. She is flying now along a wild plain covered with coarse grass and wild poppies. When she glances behind her she sees the outline of the little coast town, the snake is near her, and there is no one to whom she can call for help. But the sea is in front of her, bound like a blue sash about the cliff's edge. She will escape down the rocks—there is still a chance! The descent is sheer, but somehow she retains foothold. Then the snake drops, she feels his weight upon her, and both fall, fall, fall, and the sea is below them....

With a shriek she sprang from the bed, and still under the influence of the dream, rushed to the window. The moon hung over the sea, the sea flowed with silver, the world was as chill as an icicle.

"The roses, the snake, the cliff's edge, was it then only a dream?" the girl thought. "It was only a dream, a terrible dream, but after all only a dream!" In her hope breathes again, and she smiles like one who thinks he is going to hear that he will not die, but as the old pain returns when the last portion of the deceptive sentence is spoken, so despair came back to her when remembrance pierced the cloud of hallucination, and told her that all was not a dream—there was something that was worse than a dream.

She uttered a low cry, and she moaned. Centuries seemed to have passed, and yet the evil deed remained. It was still night, but what would the day bring to her? There was no hope. Abstract hope from life, and what blank agony you create!

She drew herself up on her bed, and lay with her face buried in the pillow. For the face was beside her: the foul smell was in her nostrils, and the dull, liquorish look of the eyes shone through the darkness. Then sleep came again, and she lay stark and straight as if she were dead, with the light of the moon upon her face. And she sees herself dead. And all her friends are about her crowning her with flowers, beautiful garlands of white roses, and dressing her in a long white robe, white as the snowiest cloud in heaven, and it lies in long straight plaits about her limbs like the robes of those who lie in marble in cathedral aisles. And it falls over her feet, and her hands are crossed over her breast, and all praise in low but ardent words the excessive whiteness of the garment. For none sees but she that there is a black spot upon the robe which they believe to be immaculate. And she would warn them of their error, but she cannot; and when they avert their faces to wipe away their tears, the stain might be easily seen, but when they turn to continue the last offices, folds or flowers have mysteriously fallen over the stain, and hide it from view.

And it is great pain to her to feel herself thus unable to tell them of their error, for she well knows that when she is placed in the tomb, and the angels come, that they will not fail to perceive the stain, and seeing it they will not fail to be shocked and sorrowful,—and seeing it they will turn away weeping, saying, "She is not for us, alas, she is not for us!"

And Kitty, who is conscious of this fatal oversight, the results of which she so clearly foresees, is grievously afflicted, and she makes every effort to warn her friends of their error: but in vain, for there appears to be one amid the mourners who knows that she is endeavouring to announce to them the black stain, and this one whose face she cannot readily distinguish, maliciously and with diabolical ingenuity withdraws attention at the moment when it should fall upon it.

And so it comes that she is buried in the stained robe, and she is carried amid flowers and white cloths to a white marble tomb, where incense is burning, and where the walls are hung with votive wreaths and things commemorative of virginal life and its many lovelinesses. But, strange to say, upon all these, upon the flowers and images alike there is some small stain which none sees but she and the one in shadow, the one whose face she cannot recognise. And although she is nailed fast in her coffin, she sees these stains vividly, and the one whose face she cannot recognise sees them too. And this is certain, for the shadow of the face is sometimes stirred by a horrible laugh.

The mourners go, the evening falls, and the wild sunset floats for a while through the western Heavens; and the cemetery becomes a deep green, and in the wind that blows out of Heaven, the cypresses rock like things sad and mute.

And the blue night comes with stars in her tresses, and out of those stars a legion of angels float softly; their white feet hang out of the blown folds, their wings are pointed to the stars. And from out of the earth, out of the mist, but whence and how it is impossible to say, there come other angels dark of hue and foul smelling. But the white angels carry swords, and they wave these swords, and the scene is reflected in them as in a mirror; and the dark angels cower in a corner of the cemetery, but they do not utterly retire.

And then the tomb is opened, and the white angels enter the tomb. And the coffin is opened, and the girl trembles lest the angels should discover the stain she knew of. But lo! to her great joy they do not see it, and they bear her away through the blue night, past the sacred stars, even within the glory of Paradise. And it is not until one whose face she cannot recognize, and whose presence among the angels of Heaven she cannot comprehend, steals away one of the garlands of white with which she was entwined, that the fatal stain becomes visible. The angels are overcome with a mighty sorrow, and relinquishing their burden, they break into song, and the song they sing is one of grief; and above an accompaniment of spheral music it travels through the spaces of Heaven; and she listens to its wailing echoes as she falls, falls,—falls past the sacred stars to the darkness of terrestrial skies,—falls towards the sea where the dark angels are waiting for her; and as she falls she leans with reverted neck and strives to see their faces, and as she nears them she distinguishes one into whose arms she is going; it is, it is—the...

"Save me, save me!" she cried; and bewildered and dazed with the dream, she stared on the room, now chill with summer dawn; the pale light broke over the Shoreham sea, over the lordly downs and rich plantations of Leywood. Again she murmured, it was only a dream, it was only a dream; again a sort of presentiment of happiness spread like light through her mind, and again remembrance came with its cruel truths—there was something that was not a dream, but that was worse than the dream. And then with despair in her heart she sat watching the cold sky turn to blue, the delicate bright blue of morning, and the garden grow into yellow and purple and red. There lay the sea, joyous and sparkling in the light of the mounting sun, and the masts of the vessels at anchor in the long water way. The tapering masts were faint on the shiny sky, and now between them and about them a face seemed to be. Sometimes it was fixed on one, sometimes it flashed like a will o' the wisp, and appeared a little to the right or left of where she had last seen it. It was the face that was now buried in her very soul, and sometimes it passed out of the sky into the morning mist, which still heaved about the edges of the woods; and there she saw something grovelling, crouching, crawling,—a wild beast, or was it a man?

She did not weep, nor did she moan. She sat thinking. She dwelt on the remembrance of the hills and the tramp with strange persistency, and yet no more now than before did she attempt to come to conclusions with her thought; it was vague, she would not define it; she brooded over it sullenly and obtusely. Sometimes her thoughts slipped away from it, but with each returning, a fresh stage was marked in the progress of her nervous despair.

So the hours went by. At eight o'clock the maid knocked at the door. Kitty opened it mechanically, and she fell into the woman's arms, weeping and sobbing passionately. The sight of the female face brought infinite relief; it interrupted the jarred and strained sense of the horrible; the secret affinities of sex quickened within her. The woman's presence filled Kitty with the feelings that the harmlessness of a lamb or a soft bird inspires.