A Modern Chronicle — Complete

There is a famous river in the western part of our country that disappears into a canon, the walls of which are some thousands of feet high, and the bottom so narrow that the confined waters roar through it at breakneck speed. Sometimes they disappear entirely under the rock, to emerge again below more furiously than ever. From the river-bed can be seen, far, far above, a blue ribbon of sky. Once upon a time, not long ago, two heroes in the service of the government of the United States, whose names should be graven in the immortal rock and whose story read wherever the language is spoken, made the journey through this canon and came out alive. That journey once started, there could be no turning back. Down and down they were buffeted by the rushing waters, over the falls and through the tunnels, with time to think only of that which would save them from immediate death, until they emerged into the sunlight of the plain below.

All of which by way of parallel. For our own chronicle, hitherto leisurely enough, is coming to its canon—perhaps even now begins to feel the pressure of the shelving sides. And if our heroine be somewhat rudely tossed from one boulder to another, if we fail wholly to understand her emotions and her acts, we must blame the canon. She had, indeed, little time to think.

One evening, three weeks or so after the conversation with Ethel Wing just related, Honora's husband entered her room as her maid was giving the finishing touches to her toilet.

“You're not going to wear that dress!” he exclaimed.

“Why not?” she asked, without turning from the mirror.

He lighted a cigarette.

“I thought you'd put on something handsome—to go to the Graingers'. And where are your jewels? You'll find the women there loaded with 'em.”

“One string of pearls is all I care to wear,” said Honora—a reply with which he was fain to be content until they were in the carriage, when she added: “Howard, I must ask you as a favour not to talk that way before the servants.”

“What way?” he demanded.

“Oh,” she exclaimed, “if you don't know I suppose it is impossible to explain. You wouldn't understand.”

“I understand one thing, Honora, that you're too confoundedly clever for me,” he declared.

Honora did not reply. For at that moment they drew up at a carpet stretched across the pavement.

Unlike the mansions of vast and imposing facades that were beginning everywhere to catch the eye on Fifth Avenue, and that followed mostly the continental styles of architecture, the house of the Cecil Graingers had a substantial, “middle of-the-eighties” appearance. It stood on a corner, with a high iron fence protecting the area around it. Within, it gave one an idea of space that the exterior strangely belied; and it was furnished, not in a French, but in what might be called a comfortably English, manner. It was filled, Honora saw, with handsome and priceless things which did not immediately and aggressively strike the eye, but which somehow gave the impression of having always been there. What struck her, as she sat in the little withdrawing room while the maid removed her overshoes, was the note of permanence.

Some of those who were present at Mrs. Grainger's that evening remember her entrance into the drawing-room. Her gown, the colour of a rose-tinted cloud, set off the exceeding whiteness of her neck and arms and vied with the crimson in her cheeks, and the single glistening string of pearls about the slender column of her neck served as a contrast to the shadowy masses of her hair. Mr. Reginald Farwell, who was there, afterwards declared that she seemed to have stepped out of the gentle landscape of an old painting. She stood, indeed, hesitating for a moment in the doorway, her eyes softly alight, in the very pose of expectancy that such a picture suggested.

Honora herself was almost frightened by a sense of augury, of triumph, as she went forward to greet her hostess. Conversation, for the moment, had stopped. Cecil Grainger, with the air of one who had pulled aside the curtain and revealed this vision of beauty and innocence, crossed the room to welcome her. And Mrs. Grainger herself was not a little surprised; she was not a dramatic person, and it was not often that her drawing-room was the scene of even a mild sensation. No entrance could have been at once so startling and so unexceptionable as Honora's.

“I was sorry not to find you when I called,” she said. “I was sorry, too,” replied Mrs. Grainger, regarding her with an interest that was undisguised, and a little embarrassing. “I'm scarcely ever at home, except when I'm with the children. Do you know these people?”

“I'm not sure,” said Honora, “but—I must introduce my husband to you.”

“How d'ye do!” said Mr. Grainger, blinking at her when this ceremony was accomplished. “I'm awfully glad to see you, Mrs. Spence, upon my word.”

Honora could not doubt it. But he had little time to express his joy, because of the appearance of his wife at Honora's elbow with a tall man she had summoned from a corner.

“Before we go to dinner I must introduce my cousin, Mr. Chiltern—he is to have the pleasure of taking you out,” she said.

His name was in the class of those vaguely familiar: vaguely familiar, too, was his face. An extraordinary face, Honora thought, glancing at it as she took his arm, although she was struck by something less tangible than the unusual features. He might have belonged to any nationality within the limits of the Caucasian race. His short, kinky, black hair suggested great virility, an effect intensified by a strongly bridged nose, sinewy hands, and bushy eyebrows. But the intangible distinction was in the eyes that looked out from under these brows the glimpse she had of them as he bowed to her gravely, might be likened to the hasty reading of a chance page in a forbidden book. Her attention was arrested, her curiosity aroused. She was on that evening, so to speak, exposed for and sensitive to impressions. She was on the threshold of the Alhambra.

“Hugh has such a faculty,” complained Mr. Grainger, “of turning up at the wrong moment!”

Dinner was announced. She took Chiltern's arm, and they fell into file behind a lady in yellow, with a long train, who looked at her rather hard. It was Mrs. Freddy Maitland. Her glance shifted to Chiltern, and it seemed to Honora that she started a little.

“Hello, Hugh,” she said indifferently, looking back over her shoulder; “have you turned up again?”

“Still sticking to the same side of your horse, I see.” he replied, ignoring the question. “I told you you'd get lop-sided.”

The deformity, if there were any, did not seem to trouble her.

“I'm going to Florida Wednesday. We want another man. Think it over.”

“Sorry, but I've got something else to do,” he said.

“The devil and idle hands,” retorted Mrs. Maitland.

Honora was sure as she could be that Chiltern was angry, although he gave no visible sign of this. It was as though the current ran from his arm into hers.

“Have you been away?” she asked.

“It seems to me as though I had never been anywhere else,” he answered, and he glanced curiously at the guests ranging about the great, flower-laden table. They sat down.

She was a little repelled, a little piqued; and a little relieved when the man on her other side spoke to her, and she recognized Mr. Reginald Farwell, the architect. The table capriciously swung that way. She did not feel prepared to talk to Mr. Chiltern. And before entering upon her explorations she was in need of a guide. She could have found none more charming, none more impersonal, none more subtly aware of her wants (which had once been his) than Mr. Farwell. With his hair parted with geometrical precision from the back of his collar to his forehead, with his silky mustache and eyes of soft hazel lights, he was all things to all men and women—within reason. He was an achievement that civilization had not hitherto produced, a combination of the Beaux Arts and the Jockey Club and American adaptability. He was of those upon whom labour leaves no trace.

There were preliminaries, mutually satisfactory. To see Mrs. Spence was never to forget her, but more delicately intimated. He remembered to have caught a glimpse of her at the Quicksands Club, and Mrs. Dallam nor her house were not mentioned by either. Honora could not have been in New York Long. No, it was her first winter, and she felt like a stranger. Would Mr. Farwell tell her who some of these people were? Nothing charmed Mr. Farwell so much as simplicity—when it was combined with personal attractions. He did not say so, but contrived to intimate the former.

“It's always difficult when one first comes to New York,” he declared, “but it soon straightens itself out, and one is surprised at how few people there are, after all. We'll begin on Cecil's right. That's Mrs. George Grenfell.”

“Oh, yes,” said Honora, looking at a tall, thin woman of middle age who wore a tiara, and whose throat was covered with jewels. Honora did not imply that Mrs. Grenfell's name, and most of those that followed, were extremely familiar to her.

“In my opinion she's got the best garden in Newport, and she did most of it herself. Next to her, with the bald head, is Freddy Maitland. Next to him is Miss Godfrey. She's a little eccentric, but she can afford to be—the Godfreys for generations have done so much for the city. The man with the beard, next her, is John Laurens, the philanthropist. That pretty woman, who's just as nice as she looks, is Mrs. Victor Strange. She was Agatha Pendleton—Mrs. Grainger's cousin. And the gentleman with the pink face, whom she is entertaining—”

“Is my husband,” said Honora, smiling. “I know something about him.”

Mr. Farwell laughed. He admired her aplomb, and he did not himself change countenance. Indeed, the incident seemed rather to heighten the confidence between them. Honora was looking rather critically at Howard. It was a fact that his face did grow red at this stage of a dinner, and she wondered what Mrs. Strange found to talk to him about.

“And the woman on the other side of him?” she asked. “By the way, she has a red face, too.”

“So she has,” he replied amusedly. “That is Mrs. Littleton Pryor, the greatest living rebuke to the modern woman. Most of those jewels are inherited, but she has accustomed herself by long practice to carry them, as well as other burdens. She has eight children, and she's on every charity list. Her ancestors were the very roots of Manhattan. She looks like a Holbein—doesn't she?”

“And the extraordinary looking man on my right?” Honora asked. “I've got to talk to him presently.”

“Chiltern!” he said. “Is it possible you haven't heard something about Hugh Chiltern?”

“Is it such lamentable ignorance?” she asked.

“That depends upon one's point of view,” he replied. “He's always been a sort of a—well, Viking,” said Farwell.

Honora was struck by the appropriateness of the word.

“Viking—yes, he looks it exactly. I couldn't think. Tell me something about him.”

“Well,” he laughed, lowering his voice a little, “here goes for a little rough and ready editing. One thing about Chiltern that's to be admired is that he's never cared a rap what people think. Of course, in a way, he never had to. His family own a section of the state, where they've had woollen mills for a hundred years, more or less. I believe Hugh Chiltern has sold 'em, or they've gone into a trust, or something, but the estate is still there, at Grenoble—one of the most beautiful places I've ever seen. The General—this man's father—was a violent, dictatorial man. There is a story about his taking a battery at Gettysburg which is almost incredible. But he went back to Grenoble after the war, and became the typical public-spirited citizen; built up the mills which his own pioneer grandfather had founded, and all that. He married an aunt of Mrs. Grainger's,—one of those delicate, gentle women who never dare to call their soul their own.”

“And then?” prompted Honora, with interest.

“It's only fair to Hugh,” Farwell continued, “to take his early years into account. The General never understood him, and his mother died before he went off to school. Men who were at Harvard with him say he has a brilliant mind, but he spent most of his time across the Charles River breaking things. It was, probably, the energy the General got rid of at Gettysburg. What Hugh really needed was a war, and he had too much money. He has a curious literary streak, I'm told, and wrote a rather remarkable article—I've forgotten just where it appeared. He raced a yacht for a while in a dare-devil, fiendish way, as one might expect; and used to go off on cruises and not be heard of for months. At last he got engaged to Sally Harrington—Mrs. Freddy Maitland.”

Honora glanced across the table.

“Exactly,” said Mr. Farwell. “That was seven or eight years ago. Nobody ever knew the reason why she broke it—though it may have been pretty closely guessed. He went away, and nobody's laid eyes on him until he turned up to-night.”

Honora's innocence was not too great to enable her to read between the lines of this biography which Reginald Farwell had related with such praiseworthy delicacy. It was a biography, she well knew, that, like a score of others, had been guarded as jealously as possible within the circle on the borders of which she now found herself. Mrs. Grainger with her charities, Mrs. Littleton Pryor with her good works, Miss Godfrey with her virtue—all swallowed it as gracefully as possible. Noblesse oblige. Honora had read French and English memoirs, and knew that history repeats itself. And a biography that is printed in black letter and illuminated in gold is attractive in spite of its contents. The contents, indeed, our heroine had not found uninteresting, and she turned now to the subject with a flutter of anticipation.

He looked at her intently, almost boldly, she thought, and before she dropped her eyes she had made a discovery. The thing stamped upon his face and burning in his eyes was not world-weariness, disappointment, despair. She could not tell what it was, yet; that it was none of these, she knew. It was not unrelated to experience, but transcended it. There was an element of purpose in it, of determination, almost—she would have believed—of hope. That Mrs. Maitland nor any other woman was a part of it she became equally sure. Nothing could have been more commonplace than the conversation which began, and yet it held for her, between the lines as in the biography, the thrill of interest. She was a woman, and embarked on a voyage of discovery.

“Do you live in New York?” he asked.

“Yes,” said Honora, “since this autumn.”

“I've been away a good many years,” he said, in explanation of his question. “I haven't quite got my bearings. I can't tell you how queerly this sort of thing affects me.”

“You mean civilization?” she hazarded.

“Yes. And yet I've come back to it.”

Of course she did not ask him why. Their talk was like the starting of a heavy train—a series of jerks; and yet both were aware of an irresistible forward traction. She had not recovered from her surprise in finding herself already so far in his confidence.

“And the time will come, I suppose, when you'll long to get away again.”

“No,” he said, “I've come back to stay. It's taken me a long while to learn it, but there's only one place for a man, and that's his own country.”

Her eyes lighted.

“There's always so much for a man to do.”

“What would you do?” he asked curiously.

She considered this.

“If you had asked me that question two years ago—even a year ago—I should have given you a different answer. It's taken me some time to learn it, too, you see, and I'm not a man. I once thought I should have liked to have been a king amongst money changers, and own railroad and steamship lines, and dominate men by sheer power.”

He was clearly interested.

“And now?” he prompted her.

She laughed a little, to relieve the tension.

“Well—I've found out that there are some men that kind of power can't control—the best kind. And I've found out that that isn't the best kind of power. It seems to be a brutal, barbarous cunning power now that I've seen it at close range. There's another kind that springs from a man himself, that speaks through his works and acts, that influences first those around him, and then his community, convincing people of their own folly, and that finally spreads in ever widening circles to those whom he cannot see, and never will see.”

She paused, breathing deeply, a little frightened at her own eloquence. Something told her that she was not only addressing her own soul—she was speaking to his.

“I'm afraid you'll think I'm preaching,” she apologized.

“No,” he said impatiently, “no.”

“To answer your question, then, if I were a man of independent means, I think I should go into politics. And I should put on my first campaign banner the words, 'No Compromise.'”

It was a little strange that, until now—to-night-she had not definitely formulated these ambitions. The idea of the banner with its inscription had come as an inspiration. He did not answer, but sat regarding her, drumming on the cloth with his strong, brown fingers.

“I have learned this much in New York,” she said, carried on by her impetus, “that men and women are like plants. To be useful, and to grow properly, they must be firmly rooted in their own soil. This city seems to me like a luxurious, overgrown hothouse. Of course,” she added hastily, “there are many people who belong here, and whose best work is done here. I was thinking about those whom it attracts. And I have seen so many who are only watered and fed and warmed, and who become—distorted.”

“It's extraordinary,” replied Chiltern, slowly, “that you should say this to me. It is what I have come to believe, but I couldn't have said it half so well.”

Mrs. Grainger gave the signal to rise. Honora took Chiltern's arm, and he led her back to the drawing-room. She was standing alone by the fire when Mrs. Maitland approached her.

“Haven't I seen you before?” she asked.

CHAPTER III. VINELAND

It was a pleasant Newport to which Honora went early in June, a fair city shining in the midst of summer seas, a place to light the fires of imagination. It wore at once an air of age, and of a new and sparkling unreality. Honora found in the very atmosphere a certain magic which she did not try to define, but to the enjoyment of which she abandoned herself; and in those first days after her arrival she took a sheer delight in driving about the island. Narrow Thames Street, crowded with gay carriages, with its aspect of the eighteenth and it shops of the twentieth century; the whiffs of the sea; Bellevue Avenue, with its glorious serried ranks of trees, its erring perfumes from bright gardens, its massed flowering shrubs beckoning the eye, its lawns of a truly enchanted green. Through tree and hedge, as she drove, came ever changing glimpses of gleaming palace fronts; glimpses that made her turn and look again; that stimulated but did not satisfy, and left a pleasant longing for something on the seeming verge of fulfilment.

The very stillness and solitude that seemed to envelop these palaces suggested the enchanter's wand. To-morrow, perhaps, the perfect lawns where the robins hopped amidst the shrubbery would become again the rock-bound, windswept New England pasture above the sea, and screaming gulls circle where now the swallows hovered about the steep blue roof of a French chateau. Hundreds of years hence, would these great pleasure houses still be standing behind their screens and walls and hedges? or would, indeed, the shattered, vine-covered marble of a balustrade alone mark the crumbling terraces whence once the fabled owners scanned the sparkling waters of the ocean? Who could say?

The onward rush of our story between its canon walls compels us reluctantly to skip the narrative of the winter conquests of the lady who is our heroine. Popularity had not spoiled her, and the best proof of this lay in the comments of a world that is nothing if not critical. No beauty could have received with more modesty the triumph which had greeted her at Mrs. Grenfell's tableaux, in April, when she had appeared as Circe, in an architectural frame especially designed by Mr. Farwell himself. There had been a moment of hushed astonishment, followed by an acclaim that sent the curtain up twice again.

We must try to imagine, too, the logical continuation of that triumph in the Baiae of our modern republic and empire, Newport. Open, Sesame! seems, as ever, to be the countersign of her life. Even the palace gates swung wide to her: most of them with the more readiness because she had already passed through other gates—Mrs. Grainger's, for instance. Baiae, apparently, is a topsy-turvy world in which, if one alights upside down, it is difficult to become righted. To alight upside down, is to alight in a palace. The Graingers did not live in one, but in a garden that existed before the palaces were, and one that the palace owners could not copy: a garden that three generations of Graingers, somewhat assisted by a remarkable climate, had made with loving care. The box was priceless, the spreading trees in the miniature park no less so, and time, the unbribeable, alone could now have produced the wide, carefully cherished Victorian mansion. Likewise not purchasable by California gold was a grandfather whose name had been written large in the pages of American history. His library was now lined with English sporting prints; but these, too, were old and mellow and rare.

To reach Honora's cottage, you turned away from the pomp and glitter and noise of Bellevue Avenue into the inviting tunnel of a leafy lane that presently stopped of itself. As though to provide against the contingency of a stray excursionist, a purple-plumed guard of old lilac trees massed themselves before the house, and seemed to look down with contempt on the new brick wall across the lane. 'Odi profanum vulgus'. It was on account of the new brick wall, in fact, that Honora, through the intervention of Mrs. Grainger and Mrs. Shorter, had been able to obtain this most desirable of retreats, which belonged to a great-aunt of Miss Godfrey, Mrs. Forsythe.

Mr. Chamberlin, none other than he of whom we caught a glimpse some years ago in a castle near Silverdale, owned the wall and the grounds and the palace it enclosed. This gentleman was of those who arrive in Newport upside down; and was even now, with the somewhat doubtful assistance of his wife, making lavish and pathetic attempts to right himself. Newport had never forgiven him for the razing of a mansion and the felling of trees which had been landmarks, and for the driving out of Mrs. Forsythe. The mere sight of the modern wall had been too much for this lady—the lilacs and the leaves in the lane mercifully hid the palace—and after five and thirty peaceful summers she had moved out, and let the cottage. It was furnished with delightful old-fashioned things that seemed to express, at every turn, the aristocratic and uncompromising personality of the owner who had lived so long in their midst.

Mr. Chamberlin, who has nothing whatever to do with this chronicle except to have been the indirect means of Honora's installation, used to come through the wall once a week or so to sit for half an hour on her porch as long as he ever sat anywhere. He had reddish side-whiskers, and he reminded her of a buzzing toy locomotive wound up tight and suddenly taken from the floor. She caught glimpses of him sometimes in the mornings buzzing around his gardeners, his painters, his carpenters, and his grooms. He would buzz the rest of his life, but nothing short of a revolution could take his possessions away.

The Graingers and the Grenfells and the Stranges might move mountains, but not Mr. Chamberlin's house. Whatever heart-burnings he may have had because certain people refused to come to his balls, he was in Newport to remain. He would sit under the battlements until the crack of doom; or rather—and more appropriate in Mr. Chamberlin's case—walk around them and around, blowing trumpets until they capitulated.

Honora magically found herself within them, and without a siege. Behold her at last in the setting for which we always felt she was destined. Why is it, in this world, that realization is so difficult a thing? Now that she is there, how shall we proceed to give the joys of her Elysium their full value? Not, certainly, by repeating the word pleasure over and over again: not by describing the palaces at which she lunched and danced and dined, or the bright waters in which she bathed, or the yachts in which she sailed. During the week, indeed, she moved untrammelled in a world with which she found herself in perfect harmony: it was new, it was dazzling, it was unexplored. During the week it possessed still another and more valuable attribute—it was real. And she, Honora Leffingwell Spence, was part and parcel of its permanence. The life relationships of the people by whom she was surrounded became her own. She had little time for thought—during the week.

We are dealing, now, in emotions as delicate as cloud shadows, and these drew on as Saturday approached. On Saturdays and Sundays the quality and texture of life seemed to undergo a change. Who does not recall the Monday mornings of the school days of youth, and the indefinite feeling betwixt sleep and waking that to-day would not be as yesterday or the day before? On Saturday mornings, when she went downstairs, she was wont to find the porch littered with newspapers and her husband lounging in a wicker chair behind the disapproving lilacs. Although they had long ceased to bloom, their colour was purple—his was pink.

Honora did not at first analyze or define these emotions, and was conscious only of a stirring within her, and a change. Reality became unreality. The house in which she lived, and for which she felt a passion of ownership, was for two days a rented house. Other women in Newport had week-end guests in the guise of husbands, and some of them went so far as to bewail the fact. Some had got rid of them. Honora kissed hers dutifully, and picked up the newspapers, drove him to the beach, and took him out to dinner, where he talked oracularly of finance. On Sunday night he departed, without visible regrets, for New York.

One Monday morning a storm was raging over Newport. Seized by a sudden whim, she rang her bell, breakfasted at an unusual hour, and nine o'clock found her, with her skirts flying, on the road above the cliffs that leads to the Fort. The wind had increased to a gale, and as she stood on the rocks the harbour below her was full of tossing white yachts straining at their anchors. Serene in the midst of all this hubbub lay a great grey battleship.

Presently, however, her thoughts were distracted by the sight of something moving rapidly across her line of vision. A sloop yacht, with a ridiculously shortened sail, was coming in from the Narrows, scudding before the wind like a frightened bird. She watched its approach in a sort of fascination, for of late she had been upon the water enough to realize that the feat of which she was witness was not without its difficulties. As the sloop drew nearer she made out a bare-headed figure bent tensely at the wheel, and four others clinging to the yellow deck. In a flash the boat had rounded to, the mainsail fell, and a veil of spray hid the actors of her drama. When it cleared the yacht was tugging like a wild thing at its anchor.

That night was Mrs. Grenfell's ball, and many times in later years has the scene come back to Honora. It was not a large ball, by no means on the scale of Mr. Chamberlin's, for instance. The great room reminded one of the gallery of a royal French chateau, with its dished ceiling, in the oval of which the colours of a pastoral fresco glowed in the ruby lights of the heavy chandeliers; its grey panelling, hidden here and there by tapestries, and its series of deep, arched windows that gave glimpses of a lantern-hung terrace. Out there, beyond a marble balustrade, the lights of fishing schooners tossed on a blue-black ocean. The same ocean on which she had looked that morning, and which she heard now, in the intervals of talk and laughter, crashing against the cliffs,—although the wind had gone down. Like a woman stirred to the depths of her being, its bosom was heaving still at the memory of the passion of the morning.

This night after the storm was capriciously mild, the velvet gown of heaven sewn with stars. The music had ceased, and supper was being served at little tables on the terrace. The conversation was desultory.

“Who is that with Reggie Farwell?” Ethel Wing asked.

“It's the Farrenden girl,” replied Mr. Cuthbert, whose business it was to know everybody. “Chicago wheat. She looks like Ceres, doesn't she? Quite becoming to Reggie's dark beauty. She was sixteen, they tell me, when the old gentleman emerged from the pit, and they packed her off to a convent by the next steamer. Reggie may have the blissful experience of living in one of his own houses if he marries her.”

The fourth at the table was Ned Carrington, who had been first secretary at an Embassy, and he had many stories to tell of ambassadors who spoke commercial American and asked royalties after their wives. Some one had said about him that he was the only edition of the Almanach de Gotha that included the United States. He somewhat resembled a golden seal emerging from a cold bath, and from time to time screwed an eyeglass into his eye and made a careful survey of Mrs. Grenfell's guests.

“By George!” he exclaimed. “Isn't that Hugh Chiltern?”

Honora started, and followed the direction of Mr. Carrington's glance. At sight of him, a vivid memory of the man's personality possessed her.

“Yes,” Cuthbert was saying, “that's Chiltern sure enough. He came in on Dicky Farnham's yacht this morning from New York.”

“This morning!” said Ethel Wing. “Surely not! No yacht could have come in this morning.”

“Nobody but Chiltern would have brought one in, you mean,” he corrected her. “He sailed her. They say Dicky was half dead with fright, and wanted to put in anywhere. Chiltern sent him below and kept right on. He has a devil in him, I believe. By the way, that's Dicky Farnham's ex-wife he's talking to—Adele. She keeps her good looks, doesn't she? What's happened to Rindge?”

“Left him on the other side, I hear,” said Carrington. “Perhaps she'll take Chiltern next. She looked as though she were ready to. And they say it's easier every time.”

“C'est le second mari qui coute,” paraphrased Cuthbert, tossing his cigar over the balustrade. The strains of a waltz floated out of the windows, the groups at the tables broke up, and the cotillon began.

As Honora danced, Chiltern remained in the back of her mind, or rather an indefinite impression was there which in flashes she connected with him. She wondered, at times, what had become of him, and once or twice she caught herself scanning the bewildering, shifting sheen of gowns and jewels for his face. At last she saw him by the windows, holding a favour in his hand, coming in her direction. She looked away, towards the red uniforms of the Hungarian band on the raised platform at the end of the room. He was standing beside her.

“Do you remember me, Mrs. Spence?” he asked.

She glanced up at him and smiled. He was not a person one would be likely to forget, but she did not say so.

“I met you at Mrs. Granger's,” was what she said.

He handed her the favour. She placed it amongst the collection at the back of her chair and rose, and they danced. Was it dancing? The music throbbed; nay, the musicians seemed suddenly to have been carried out of themselves, and played as they had not played before. Her veins were filled with pulsing fire as she was swung, guided, carried out of herself by the extraordinary virility of the man who held her. She had tasted mastery.

“Thank you,” she faltered, as they came around the second time to her seat.

He released her.

“I stayed to dance with you,” he said. “I had to await my opportunity.”

“It was kind of you to remember me,” she replied, as she went off with Mr. Carrington.

A moment later she saw him bidding good night to his hostess. His face, she thought, had not lost that strange look of determination that she recalled. And yet—how account for his recklessness?

“Rum chap, Chiltern,” remarked Carrington. “He might be almost anything, if he only knew it.”

In the morning, when she awoke, her eye fell on the cotillon favours scattered over the lounge. One amongst them stood out—a silver-mounted pin-cushion. Honora arose, picked it up contemplatively, stared at it awhile, and smiled. Then she turned to her window, breathing in the perfumes, gazing out through the horse-chestnut leaves at the green, shadow-dappled lawn below.

On her breakfast tray, amidst some invitations, was a letter from her. uncle. This she opened first.

Honora put down the letter, and sat staring at the cheque in her hand. Nine thousand dollars—and her own! Her first impulse was to send it back to her uncle. But that would be, she knew, to hurt his feelings—he had taken such a pride in handing her this inheritance. She read the letter again, and resolved that she would not ask Howard to invest the money. This, at least, should be her very own, and she made up her mind to take it to a bank in Thames Street that morning.

While she was still under the influence of the excitement aroused by the unexpected legacy, Mrs. Shorter came in, a lady with whom Honora's intimacy had been of steady growth. The tie between them might perhaps have been described as intellectual, for Elsie Shorter professed only to like people who were “worth while.” She lent Honora French plays, discussed them with her, and likewise a wider range of literature, including certain brightly bound books on evolution and sociology.

In the eighteenth century, Mrs. Shorter would have had a title and a salon in the Faubourg: in the twentieth, she was the wife of a most fashionable and successful real estate agent in New York, and was aware of no incongruity. Bourgeoise was the last thing that could be said of her; she was as ready as a George Sand to discuss the whole range of human emotions; which she did many times a week with certain gentlemen of intellectual bent who had the habit of calling on her. She had never, to the knowledge of her acquaintances, been shocked. But while she believed that a great love carried, mysteriously concealed in its flame, its own pardon, she had through some fifteen years of married life remained faithful to Jerry Shorter: who was not, to say the least, a Lochinvar or a Roland. Although she had had nervous prostration and was thirty-four, she was undeniably pretty. She was of the suggestive, and not the strong-minded type, and the secret of her strength with the other sex was that she was in the habit of submitting her opinions for their approval.

“My dear,” she said to Honora, “you may thank heaven that you are still young enough to look beautiful in negligee. How far have you got? Have you guessed of which woman Vivarce was the lover? And isn't it the most exciting play you've ever read? Ned Carrington saw it in Paris, and declares it frightened him into being good for a whole week!”

“Oh, Elsie,” exclaimed Honora, apologetically, “I haven't read a word of it.”

Mrs. Shorter glanced at the pile of favours.

“How was the dance?” she asked. “I was too tired to go. Hugh Chiltern offered to take me.”

“I saw Mr. Chiltern there. I met him last winter at the Graingers'.”

“He's staying with us,” said Mrs. Shorter; “you know he's a sort of cousin of Jerry's, and devoted to him. He turned up yesterday morning on Dicky Farnham's yacht, in the midst of all that storm. It appears that Dicky met him in New York, and Hugh said he was coming up here, and Dicky offered to sail him up. When the storm broke they were just outside, and all on board lost their heads, and Hugh took charge and sailed in. Dicky told me that himself.”

“Then it wasn't—recklessness,” said Honora, involuntarily. But Mrs. Shorter did not appear to be surprised by the remark.

“That's what everybody thinks, of course,” she answered. “They say that he had a chance to run in somewhere, and browbeat Dicky into keeping on for Newport at the risk of their lives. They do Hugh an injustice. He might have done that some years ago, but he's changed.”

Curiosity got the better of Honora.

“Changed?” she repeated.

“Of course you didn't know him in the old days, Honora,” said Mrs. Shorter. “You wouldn't recognize him now. I've seen a good deal of men, but he is the most interesting and astounding transformation I've ever known.”

“How?” asked Honora. She was sitting before the glass, with her hand raised to her hair.

Mrs. Shorter appeared puzzled.

“That's what interests me,” she said. “My dear, don't you think life tremendously interesting? I do. I wish I could write a novel. Between ourselves, I've tried. I had Mr. Dewing send it to a publisher, who said it was clever, but had no plot. If I only could get a plot!”

Honora laughed.

“How would I The Transformation of Mr. Chiltern' do, Elsie?”

“If I only knew what's happened to him, and how he's going to end!” sighed Mrs. Shorter.

“You were saying,” said Honora, for her friend seemed to have relapsed into a contemplation of this problem, “you were saying that he had changed.”

“He goes away for seven years, and he suddenly turns up filled with ambition and a purpose in life, something he had never dreamed of. He's been at Grenoble, where the Chiltern estate is, making improvements and preparing to settle down there. And he's actually getting ready to write a life of his father, the General—that's the most surprising thing! They never met but to strike fire while the General was alive. It appears that Jerry and Cecil Grainger and one or two other people have some of the old gentleman's letters, and that's the reason why Hugh's come to Newport. And the strangest thing about it, my dear,” added Mrs. Shorter, inconsequently, “is that I don't think it's a love affair.”

Honora laughed again. It was the first time she had ever heard Mrs. Shorter attribute unusual human phenomena to any other source. “He wrote Jerry that he was coming back to live on the estate,—from England. And he wasn't there a week. I can't think where he's seen any women—that is,” Mrs. Shorter corrected herself hastily, “of his own class. He's been in the jungle—India, Africa, Cores. That was after Sally Harrington broke the engagement. And I'm positive he's not still in love with Sally. She lunched with me yesterday, and I watched him. Oh, I should have known it. But Sally hasn't got over it. It wasn't a grand passion with Hugh. I don't believe he's ever had such a thing. Not that he isn't capable of it—on the contrary, he's one of the few men I can think of who is.”

At this point in the conversation Honora thought that her curiosity had gone far enough.