A Modern Chronicle — Complete

CHAPTER III. CONCERNING PROVIDENCE

What quality was it in Honora that compelled Bridget to stop her ironing on Tuesdays in order to make hot waffles for a young woman who was late to breakfast? Bridget, who would have filled the kitchen with righteous wrath if Aunt Mary had transgressed the rules of the house, which were like the laws of the Medes and Persians! And in Honora's early youth Mary Ann, the housemaid, spent more than one painful evening writing home for cockle shells and other articles to propitiate our princess, who rewarded her with a winning smile and a kiss, which invariably melted the honest girl into tears. The Queen of Scots never had a more devoted chamber woman than old Catherine,—who would have gone to the stake with a smile to save her little lady a single childish ill, and who spent her savings, until severely taken to task by Aunt Mary, upon objects for which a casual wish had been expressed. The saints themselves must at times have been aweary from hearing Honora's name.

Not to speak of Christmas! Christmas in the little house was one wild delirium of joy. The night before the festival was, to all outward appearances, an ordinary evening, when Uncle Tom sat by the fire in his slippers, as usual, scouting the idea that there would be any Christmas at all. Aunt Mary sewed, and talked with maddening calmness of the news of the day; but for Honora the air was charged with coming events of the first magnitude. The very furniture of the little sitting-room had a different air, the room itself wore a mysterious aspect, and the cannel-coal fire seemed to give forth a special quality of unearthly light.

“Is to-morrow Christmas?” Uncle Tom would exclaim. “Bless me! Honora, I am so glad you reminded me.”

“Now, Uncle Tom, you knew it was Christmas all the time!”

“Kiss your uncle good night, Honora, and go right to sleep, dear,”—from Aunt Mary.

The unconscious irony in that command of Aunt Mary's!—to go right to sleep! Many times was a head lifted from a small pillow, straining after the meaning of the squeaky noises that came up from below! Not Santa Claus. Honora's belief in him had merged into a blind faith in a larger and even more benevolent, if material providence: the kind of providence which Mr. Meredith depicts, and which was to say to Beauchamp: “Here's your marquise;” a particular providence which, at the proper time, gave Uncle Tom money, and commanded, with a smile, “Buy this for Honora—she wants it.” All-sufficient reason! Soul-satisfying philosophy, to which Honora was to cling for many years of life. It is amazing how much can be wrung from a reluctant world by the mere belief in this kind of providence.

Sleep came at last, in the darkest of the hours. And still in the dark hours a stirring, a delicious sensation preceding reason, and the consciousness of a figure stealing about the room. Honora sat up in bed, shivering with cold and delight.

“Is it awake ye are, darlint, and it but four o'clock the morn!”

“What are you doing, Cathy?”

“Musha, it's to Mass I'm going, to ask the Mother of God to give ye many happy Christmases the like of this, Miss Honora.” And Catherine's arms were about her.

“Oh, it's Christmas, Cathy, isn't it? How could I have forgotten it!”

“Now go to sleep, honey. Your aunt and uncle wouldn't like it at all at all if ye was to make noise in the middle of the night—and it's little better it is.”

Sleep! A despised waste of time in childhood. Catherine went to Mass, and after an eternity, the grey December light began to sift through the shutters, and human endurance had reached its limit. Honora, still shivering, seized a fleecy wrapper (the handiwork of Aunt Mary) and crept, a diminutive ghost, down the creaking stairway to the sitting-room. A sitting-room which now was not a sitting-room, but for to-day a place of magic. As though by a prearranged salute of the gods,—at Honora's entrance the fire burst through the thick blanket of fine coal which Uncle Tom had laid before going to bed, and with a little gasp of joy that was almost pain, she paused on the threshold. That one flash, like Pizarro's first sunrise over Peru, gilded the edge of infinite possibilities.

Needless to enumerate them. The whole world, as we know, was in a conspiracy to spoil Honora. The Dwyers, the Cartwrights, the Haydens, the Brices, the Ishams, and I know not how many others had sent their tributes, and Honora's second cousins, the Hanburys, from the family mansion behind the stately elms of Wayland Square—of which something anon. A miniature mahogany desk, a prayer-book and hymnal which the Dwyers had brought home from New York, endless volumes of a more secular and (to Honora) entrancing nature; roller skates; skates for real ice, when it should appear in the form of sleet on the sidewalks; a sled; humbler gifts from Bridget, Mary Ann, and Catherine, and a wonderful coat, with hat to match, of a certain dark green velvet. When Aunt Mary appeared, an hour or so later, Honora was surveying her magnificence in the glass.

“Oh, Aunt Mary!” she cried, with her arms tightly locked around her aunt's neck, “how lovely! Did you send all the way to New York for it?”

“No, Honora,” said her aunt, “it didn't come from New York.” Aunt Mary did not explain that this coat had been her one engrossing occupation for six weeks, at such times when Honora was out or tucked away safely in bed.

Perhaps Honora's face fell a little. Aunt Mary scanned it rather anxiously.

“Does that cause you to like it any less, Honora?” she asked.

“Aunt Mary!” exclaimed Honora, in a tone of reproval. And added after a little, “I suppose Mademoiselle made it.”

“Does it make any difference who made it, Honora?”

“Oh, no indeed, Aunt Mary. May I wear it to Cousin Eleanor's to-day?”

“I gave it to you to wear, Honora.”

Not in Honora's memory was there a Christmas breakfast during which Peter Erwin did not appear, bringing gifts. Peter Erwin, of whom we caught a glimpse doing an errand for Uncle Tom in the bank. With the complacency of the sun Honora was wont to regard this most constant of her satellites. Her awakening powers of observation had discovered him in bondage, and in bondage he had been ever since: for their acquaintance had begun on the first Sunday afternoon after Honora's arrival in St. Louis at the age of eighteen months. It will be remembered that Honora was even then a coquette, and as she sat in her new baby-carriage under the pear tree, flirted outrageously with Peter, who stood on one foot from embarrassment.

“Why, Peter,” Uncle Tom had said slyly, “why don't you kiss her?”

That kiss had been Peter's seal of service. And he became, on Sunday afternoons, a sort of understudy for Catherine. He took an amazing delight in wheeling Honora up and down the yard, and up and down the sidewalk. Brunhilde or Queen Elizabeth never wielded a power more absolute, nor had an adorer more satisfactory; and of all his remarkable talents, none were more conspicuous than his abilities to tell a story and to choose a present. Emancipated from the perambulator, Honora would watch for him at the window, and toddle to the gate to meet him, a gentleman-in-waiting whose zeal, however arduous, never flagged.

On this particular Christmas morning, when she heard the gate slam, Honora sprang up from the table to don her green velvet coat. Poor Peter! As though his subjugation could be more complete!

“It's the postman,” suggested Uncle Tom, wickedly.

“It's Peter!” cried Honora, triumphantly, from the hall as she flunk open the door, letting in a breath of cold Christmas air out of the sunlight.

It was Peter, but a Peter who has changed some since perambulator days,—just as Honora has changed some. A Peter who, instead of fourteen, is six and twenty; a full-fledged lawyer, in the office of that most celebrated of St. Louis practitioners, Judge Stephen Brice. For the Peter Erwins of this world are queer creatures, and move rapidly without appearing to the Honoras to move at all. A great many things have happened to Peter since he had been a messenger boy in the bank.

Needless to say, Uncle Tom had taken an interest in him. And, according to Peter, this fact accounted for all the good fortune which had followed. Shortly before the news came of his brother's death, Uncle Tom had discovered that the boy who did his errands so willingly was going to night school, and was the grandson of a gentleman who had fought with credit in the Mexican War, and died in misfortune: the grandmother was Peter's only living relative. Through Uncle Tom, Mr. Isham became interested, and Judge Brice. There was a certain scholarship in the Washington University which Peter obtained, and he worked his way through the law school afterwards.

A simple story, of which many a duplicate could be found in this country of ours. In the course of the dozen years or so of its unravelling the grandmother had died, and Peter had become, to all intents and purposes, a member of Uncle Tom's family. A place was set for him at Sunday dinner; and, if he did not appear, at Sunday tea. Sometimes at both. And here he was, as usual, on Christmas morning, his arms so full that he had had to push open the gate with his foot.

“Well, well, well, well!” he said, stopping short on the doorstep and surveying our velvet-clad princess, “I've come to the wrong house.”

The princess stuck her finger into her cheek.

“Don't be silly, Peter!” she said; “and Merry Christmas!”

“Merry Christmas!” he replied, edging sidewise in at the door and depositing his parcels on the mahogany horsehair sofa. He chose one, and seized the princess—velvet coat and all!—in his arms and kissed her. When he released her, there remained in her hand a morocco-bound diary, marked with her monogram, and destined to contain high matters.

“How could you know what I wanted, Peter?” she exclaimed, after she had divested it of the tissue paper, holly, and red ribbon in which he had so carefully wrapped it. For it is a royal trait to thank with the same graciousness and warmth the donors of the humblest and the greatest offerings.

There was a paper-knife for Uncle Tom, and a workbasket for Aunt Mary, and a dress apiece for Catherine, Bridget, and Mary Ann, none of whom Peter ever forgot. Although the smoke was even at that period beginning to creep westward, the sun poured through the lace curtains into the little dining-room and danced on the silver coffeepot as Aunt Mary poured out Peter's cup, and the blue china breakfast plates were bluer than ever because it was Christmas. The humblest of familiar articles took on the air of a present. And after breakfast, while Aunt Mary occupied herself with that immemorial institution,—which was to lure hitherwards so many prominent citizens of St. Louis during the day,—eggnogg, Peter surveyed the offerings which transformed the sitting-room. The table had been pushed back against the bookcases, the chairs knew not their time-honoured places, and white paper and red ribbon littered the floor. Uncle Tom, relegated to a corner, pretended to read his newspaper, while Honora flitted from Peter's knees to his, or sat cross-legged on the hearth-rug investigating a bottomless stocking.

“What in the world are we going to do with all these things?” said Peter.

“We?” cried Honora.

“When we get married, I mean,” said Peter, smiling at Uncle Tom. “Let's see!” and he began counting on his fingers, which were long but very strong—so strong that Honora could never loosen even one of them when they gripped her. “One—two—three—eight Christmases before you are twenty-one. We'll have enough things to set us up in housekeeping. Or perhaps you'd rather get married when you are eighteen?”

“I've always told you I wasn't going to marry you, Peter,” said Honora, with decision.

“Why by not?” He always asked that question.

Honora sighed.

“I'll make a good husband,” said Peter; “I'll promise. Ugly men are always good husbands.”

“I didn't say you were ugly,” declared the ever considerate Honora.

“Only my nose is too big,” he quoted; “and I am too long one way and not wide enough.”

“You have a certain air of distinction in spite of it,” said Honora.

Uncle Tom's newspaper began to shake, and he read more industriously than ever.

“You've been reading—novels!” said Peter, in a terrible judicial voice.

Honora flushed guiltily, and resumed her inspection of the stocking. Miss Rossiter, a maiden lady of somewhat romantic tendencies, was librarian of the Book Club that year. And as a result a book called “Harold's Quest,” by an author who shall be nameless, had come to the house. And it was Harold who had had “a certain air of distinction.”

“It isn't very kind of you to make fun of me when I pay you a compliment,” replied Honora, with dignity.

“I was naturally put out,” he declared gravely, “because you said you wouldn't marry me. But I don't intend to give up. No man who is worth his salt ever gives up.”

“You are old enough to get married now,” said Honora, still considerate.

“But I am not rich enough,” said Peter; “and besides, I want you.”

One of the first entries in the morocco diary—which had a lock and key to it—was a description of Honora's future husband. We cannot violate the lock, nor steal the key from under her pillow. But this much, alas, may be said with discretion, that he bore no resemblance to Peter Erwin. It may be guessed, however, that he contained something of Harold, and more of Randolph Leffingwell; and that he did not live in St. Louis.

An event of Christmas, after church, was the dinner of which Uncle Tom and Aunt Mary and Honora partook with Cousin Eleanor Hanbury, who had been a Leffingwell, and was a first cousin of Honora's father. Honora loved the atmosphere of the massive, yellow stone house in Wayland Square, with its tall polished mahogany doors and thick carpets, with its deferential darky servants, some of whom had been the slaves of her great uncle. To Honora, gifted with imagination, the house had an odour all its own; a rich, clean odour significant, in later life, of wealth and luxury and spotless housekeeping. And she knew it from top to bottom. The spacious upper floor, which in ordinary dwellings would have been an attic, was the realm of young George and his sisters, Edith and Mary (Aunt Mary's namesake). Rainy Saturdays, all too brief, Honora had passed there, when the big dolls' house in the playroom became the scene of domestic dramas which Edith rehearsed after she went to bed, although Mary took them more calmly. In his tenderer years, Honora even fired George, and riots occurred which took the combined efforts of Cousin Eleanor and Mammy Lucy to quell. It may be remarked, in passing, that Cousin Eleanor looked with suspicion upon this imaginative gift of Honora's, and had several serious conversations with Aunt Mary on the subject.

It was true, in a measure, that Honora quickened to life everything she touched, and her arrival in Wayland Square was invariably greeted with shouts of joy. There was no doll on which she had not bestowed a history, and by dint of her insistence their pasts clung to them with all the reality of a fate not by any means to be lived down. If George rode the huge rocking-horse, he was Paul Revere, or some equally historic figure, and sometimes, to Edith's terror, he was compelled to assume the role of Bluebeard, when Honora submitted to decapitation with a fortitude amounting to stoicism. Hide and seek was altogether too tame for her, a stake of life and death, or imprisonment or treasure, being a necessity. And many times was Edith extracted from the recesses of the cellar in a condition bordering on hysterics, the day ending tamely with a Bible story or a selection from “Little Women” read by Cousin Eleanor.

In autumn, and again in spring and early summer before the annual departure of the Hanbury family for the sea, the pleasant yard with its wide shade trees and its shrubbery was a land of enchantment threatened by a genie. Black Bias, the family coachman, polishing the fat carriage horses in the stable yard, was the genie; and George the intrepid knight who, spurred by Honora, would dash in and pinch Bias in a part of his anatomy which the honest darky had never seen. An ideal genie, for he could assume an astonishing fierceness at will.

“I'll git you yit, Marse George!”

Had it not been for Honora, her cousins would have found the paradise in which they lived a commonplace spot, and indeed they never could realize its tremendous possibilities in her absence. What would the Mediterranean Sea and its adjoining countries be to us unless the wanderings of Ulysses and AEneas had made them real? And what would Cousin Eleanor's yard have been without Honora? Whatever there was of romance and folklore in Uncle Tom's library Honora had extracted at an early age, and with astonishing ease had avoided that which was dry and uninteresting. The result was a nomenclature for Aunt Eleanor's yard, in which there was even a terra incognita wherefrom venturesome travellers never returned, but were transformed into wild beasts or monkeys.

Although they acknowledged her leadership, Edith and Mary were sorry for Honora, for they knew that if her father had lived she would have had a house and garden like theirs, only larger, and beside a blue sea where it was warm always. Honora had told them so, and colour was lent to her assertions by the fact that their mother, when they repeated this to her, only smiled sadly, and brushed her eyes with her handkerchief. She was even more beautiful when she did so, Edith told her,—a remark which caused Mrs. Hanbury to scan her younger daughter closely; it smacked of Honora.

“Was Cousin Randolph handsome?” Edith demanded. Mrs. Hanbury started, so vividly there arose before her eyes a brave and dashing figure, clad in grey English cloth, walking by her side on a sunny autumn morning in the Rue de la Paix. Well she remembered that trip abroad with her mother, Randolph's aunt, and how attentive he was, and showed them the best restaurants in which to dine. He had only been in France a short time, but his knowledge of restaurants and the world in general had been amazing, and his acquaintances legion. He had a way, which there was no resisting, of taking people by storm.

“Yes, dear,” answered Mrs. Hanbury, absently, when the child repeated the question, “he was very handsome.”

“Honora says he would have been President,” put in George. “Of course I don't believe it. She said they lived in a palace by the sea in the south of France, with gardens and fountains and a lot of things like that, and princesses and princes and eunuchs—”

“And what!” exclaimed Mrs. Hanbury, aghast.

“I know,” said George, contemptuously, “she got that out of the Arabian Nights.” But this suspicion did not prevent him, the next time Honora regaled them with more adventures of the palace by the summer seas, from listening with a rapt attention. No two tales were ever alike. His admiration for Honora did not wane, but increased. It differed from that of his sisters, however, in being a tribute to her creative faculties, while Edith's breathless faith pictured her cousin as having passed through as many adventures as Queen Esther. George paid her a characteristic compliment, but chivalrously drew her aside to bestow it. He was not one to mince matters.

“You're a wonder, Honora,” he said. “If I could lie like that, I wouldn't want a pony.”

He was forced to draw back a little from the heat of the conflagration he had kindled.

“George Hanbury,” she cried, “don't you ever speak to me again! Never! Do you understand?”

It was thus that George, at some cost, had made a considerable discovery which, for the moment, shook even his scepticism. Honora believed it all herself.

Cousin Eleanor Hanbury was a person, or personage, who took a deep and abiding interest in her fellow-beings, and the old clothes of the Hanbury family went unerringly to the needy whose figures most resembled those of the original owners. For Mrs. Hanbury had a wide but comparatively unknown charity list. She was, secretly, one of the many providence which Honora accepted collectively, although it is by no means certain whether Honora, at this period, would have thanked her cousin for tuition at Miss Farmer's school, and for her daily tasks at French and music concerning which Aunt Mary was so particular. On the memorable Christmas morning when, arrayed in green velvet, she arrived with her aunt and uncle for dinner in Wayland Square, Cousin Eleanor drew Aunt Mary into her bedroom and shut the door, and handed her a sealed envelope. Without opening it, but guessing with much accuracy its contents, Aunt Mary handed it back.

“You are doing too much, Eleanor,” she said.

Mrs. Hanbury was likewise a direct person.

“I will, take it back on one condition, Mary. If you will tell me that Tom has finished paying Randolph's debts.”

Mrs. Leffingwell was silent.

“I thought not,” said Mrs. Hanbury. “Now Randolph was my own cousin, and I insist.”

Aunt Mary turned over the envelope, and there followed a few moments' silence, broken only by the distant clamour of tin horns and other musical instruments of the season.

“I sometimes think, Mary, that Honora is a little like Randolph, and-Mrs. Randolph. Of course, I did not know her.”

“Neither did I,” said Aunt Mary.

“Mary,” said Mrs. Hanbury, again, “I realize how you worked to make the child that velvet coat. Do you think you ought to dress her that way?”

“I don't see why she shouldn't be as well dressed as the children of my friends, Eleanor.”

Mrs. Hanbury laid her hand impulsively on Aunt Mary's.

“No child I know of dresses half as well,” said Mrs. Hanbury. “The trouble you take—”

“Is rewarded,” said Aunt Mary.

“Yes,” Mrs. Hanbury agreed. “If my own daughters were half as good looking, I should be content. And Honora has an air of race. Oh, Mary, can't you see? I am only thinking of the child's future.”

“Do you expect me to take down all my mirrors, Eleanor? If she has good looks,” said Aunt Mary, “she has not learned it from my lips.”

It was true: Even Aunt Mary's enemies, and she had some, could not accuse her of the weakness of flattery. So Mrs. Hanbury smiled, and dropped the subject.

CHAPTER IV. OF TEMPERAMENT

We have the word of Mr. Cyrus Meeker that Honora did not have to learn to dance. The art came to her naturally. Of Mr. Cyrus Meeker, whose mustaches, at the age of five and sixty, are waxed as tight as ever, and whose little legs to-day are as nimble as of yore. He has a memory like Mr. Gladstone's, and can give you a social history of the city that is well worth your time and attention. He will tell you how, for instance, he was kicked by the august feet of Mr. George Hanbury on the occasion of his first lesson to that distinguished young gentleman; and how, although Mr. Meeker's shins were sore, he pleaded nobly for Mr. George, who was sent home in the carriage by himself,—a punishment, by the way, which Mr. George desired above all things.

This celebrated incident occurred in the new ballroom at the top of the new house of young Mrs. Hayden, where the meetings of the dancing class were held weekly. Today the soot, like the ashes of Vesuvius, spouting from ten thousand soft-coal craters, has buried that house and the whole district fathoms deep in social obscurity. And beautiful Mrs. Hayden what has become of her? And Lucy Hayden, that doll-like darling of the gods?

All this belongs, however, to another history, which may some day be written. This one is Honora's, and must be got on with, for it is to be a chronicle of lightning changes. Happy we if we can follow Honora, and we must be prepared to make many friends and drop them in the process.

Shortly after Mrs. Hayden had built that palatial house (which had a high fence around its grounds and a driveway leading to a porte-cochere) and had given her initial ball, the dancing class began. It was on a blue afternoon in late November that Aunt Mary and Honora, with Cousin Eleanor and the two girls, and George sulking in a corner of the carriage, were driven through the gates behind Bias and the fat horses of the Hanburys.

Honora has a vivid remembrance of the impression the house made on her, with its polished floors and spacious rooms filled with a new and mysterious and altogether inspiring fashion of things. Mrs. Hayden represented the outposts in the days of Richardson and Davenport—had Honora but known it. This great house was all so different from anything she (and many others in the city) had ever seen. And she stood gazing into the drawing room, with its curtains and decorously drawn shades, in a rapture which her aunt and cousins were far from guessing.

“Come, Honora,” said her aunt. “What's the matter, dear?”

How could she explain to Aunt Mary that the sight of beautiful things gave her a sort of pain—when she did not yet know it herself? There was the massive stairway, for instance, which they ascended, softly lighted by a great leaded window of stained glass on the first landing; and the spacious bedrooms with their shining brass beds and lace spreads (another innovation which Honora resolved to adopt when she married); and at last, far above all, its deep-set windows looking out above the trees towards the park a mile to the westward, the ballroom,—the ballroom, with its mirrors and high chandeliers, and chairs of gilt and blue set against the walls, all of which made no impression whatever upon George and Mary and Edith, but gave Honora a thrill. No wonder that she learned to dance quickly under such an inspiration!

And how pretty Mrs. Hayden looked as she came forward to greet them and kissed Honora! She had been Virginia Grey, and scarce had had a gown to her back when she had married the elderly Duncan Hayden, who had built her this house and presented her with a checkbook,—a check-book which Virginia believed to be like the widow's cruse of oil-unfailing. Alas, those days of picnics and balls; of dinners at that recent innovation, the club; of theatre-parties and excursions to baseball games between the young men in Mrs. Hayden's train (and all young men were) who played at Harvard or Yale or Princeton; those days were too care-free to have endured.

“Aunt Mary,” asked Honora, when they were home again in the lamplight of the little sitting-room, “why was it that Mr. Meeker was so polite to Cousin Eleanor, and asked her about my dancing instead of you?”

Aunt Mary smiled.

“Because, Honora,” she said, “because I am a person of no importance in Mr. Meeker's eyes.”

“If I were a man,” cried Honora, fiercely, “I should never rest until I had made enough money to make Mr. Meeker wriggle.”

“Honora, come here,” said her aunt, gazing in troubled surprise at the tense little figure by the mantel. “I don't know what could have put such things into your head, my child. Money isn't everything. In times of real trouble it cannot save one.”

“But it can save one from humiliation!” exclaimed Honora, unexpectedly. Another sign of a peculiar precociousness, at fourteen, with which Aunt Mary was finding herself unable to cope. “I would rather be killed than humiliated by Mr. Meeker.”

Whereupon she flew out of the room and upstairs, where old Catherine, in dismay, found her sobbing a little later.

Poor Aunt Mary! Few people guessed the spirit which was bound up in her, aching to extend its sympathy and not knowing how, save by an unswerving and undemonstrative devotion. Her words of comfort were as few as her silent deeds were many.

But Honora continued to go to the dancing class, where she treated Mr. Meeker with a hauteur that astonished him, amused Virginia Hayden, and perplexed Cousin Eleanor. Mr. Meeker's cringing soul responded, and in a month Honora was the leading spirit of the class, led the marches, and was pointed out by the little dancing master as all that a lady should be in deportment and bearing.

This treatment, which succeeded so well in Mr. Meeker's case, Honora had previously applied to others of his sex. Like most people with a future, she began young. Of late, for instance, Mr. George Hanbury had shown a tendency to regard her as his personal property; for George had a high-handed way with him,—boys being an enigma to his mother. Even in those days he had a bullet head and a red face and square shoulders, and was rather undersized for his age—which was Honora's.

Needless to say, George did not approve of the dancing class; and let it be known, both by words and deeds, that he was there under protest. Nor did he regard with favour Honora's triumphal progress, but sat in a corner with several congenial spirits whose feelings ranged from scorn to despair, commenting in loud whispers upon those of his sex to whom the terpsichorean art came more naturally. Upon one Algernon Cartwright, for example, whose striking likeness to the Van Dyck portrait of a young king had been more than once commented upon by his elders, and whose velveteen suits enhanced the resemblance. Algernon, by the way, was the favourite male pupil of Mr. Meeker; and, on occasions, Algernon and Honora were called upon to give exhibitions for the others, the sight of which filled George with contemptuous rage. Algernon danced altogether too much with Honora,—so George informed his cousin.

The simple result of George's protests was to make Honora dance with Algernon the more, evincing, even at this period of her career, a commendable determination to resent dictation. George should have lived in the Middle Ages, when the spirit of modern American womanhood was as yet unborn. Once he contrived, by main force, to drag her out into the hall.

“George,” she said, “perhaps, if you'd let me alone perhaps I'd like you better.”

“Perhaps,” he retorted fiercely, “if you wouldn't make a fool of yourself with those mother's darlings, I'd like you better.”

“George,” said Honora, “learn to dance.”

“Never!” he cried, but she was gone. While hovering around the door he heard Mrs. Hayden's voice.

“Unless I am tremendously mistaken, my dear,” that lady was remarking to Mrs. Dwyer, whose daughter Emily's future millions were powerless to compel youths of fourteen to dance with her, although she is now happily married, “unless I am mistaken, Honora will have a career. The child will be a raving beauty. And she has to perfection the art of managing men.”

“As her father had the art of managing women,” said Mrs. Dwyer. “Dear me, how well I remember Randolph! I would have followed him to—to Cheyenne.”

Mrs. Hayden laughed. “He never would have gone to Cheyenne, I imagine,” she said.

“He never looked at me, and I have reason to be profoundly thankful for it,” said Mrs. Dwyer.

Virginia Hayden bit her lip. She remembered a saying of Mrs. Brice, “Blessed are the ugly, for they shall not be tempted.”

“They say that poor Tom Leffingwell has not yet finished paying his debts,” continued Mrs. Dwyer, “although his uncle, Eleanor Hanbury's father, cancelled what Randolph had had from him in his will. It was twenty-five thousand dollars. James Hanbury, you remember, had him appointed consul at Nice. Randolph Leffingwell gave the impression of conferring a favour when he borrowed money. I cannot understand why he married that penniless and empty-headed beauty.”

“Perhaps,” said Mrs. Hayden, “it was because of his ability to borrow money that he felt he could afford to.”

The eyes of the two ladies unconsciously followed Honora about the room.

“I never knew a better or a more honest woman than Mary Leffingwell, but I tremble for her. She is utterly incapable of managing that child. If Honora is a complicated mechanism now, what will she be at twenty? She has elements in her which poor Mary never dreamed of. I overheard her with Emily, and she talks like a grown-up person.”

Mrs. Hayden's dimples deepened.

“Better than some grown-up women,” she said. “She sat in my room while I dressed the other afternoon. Mrs. Leffingwell had sent her with a note about that French governess. And, by the way, she speaks French as though she had lived in Paris.”

Little Mrs. Dwyer raised her hands in protest.

“It doesn't seem natural, somehow. It doesn't seem exactly—moral, my dear.”

“Nonsense,” said Mrs. Hayden. “Mrs. Leffingwell is only giving the child the advantages which her companions have—Emily has French, hasn't she?”

“But Emily can't speak it—that way,” said Mrs. Dwyer. “I don't blame Mary Leffingwell. She thinks she is doing her duty, but it has always seemed to me that Honora was one of those children who would better have been brought up on bread and butter and jam.”

“Honora would only have eaten the jam,” said Mrs. Hayden. “But I love her.”

“I, too, am fond of the child, but I tremble for her. I am afraid she has that terrible thing which is called temperament.”

George Hanbury made a second heroic rush, and dragged Honora out once more.

“What is this disease you've got?” he demanded.

“Disease?” she cried; “I haven't any disease.”

“Mrs Dwyer says you have temperament, and that it is a terrible thing.”

Honora stopped him in a corner.

“Because people like Mrs. Dwyer haven't got it,” she declared, with a warmth which George found inexplicable.

“What is it?” he demanded.

“You'll never know, either, George,” she answered; “it's soul.”

“Soul!” he repeated; “I have one, and its immortal,” he added promptly.

In the summer, that season of desolation for Honora, when George Hanbury and Algernon Cartwright and other young gentlemen were at the seashore learning to sail boats and to play tennis, Peter Erwin came to his own. Nearly every evening after dinner, while the light was still lingering under the shade trees of the street, and Aunt Mary still placidly sewing in the wicker chair on the lawn, and Uncle Tom making the tour of flowers with his watering pot, the gate would slam, and Peter's tall form appear.

It never occurred to Honora that had it not been for Peter those evenings would have been even less bearable than they were. To sit indoors with a light and read in a St. Louis midsummer was not to be thought of. Peter played backgammon with her on the front steps, and later on—chess. Sometimes they went for a walk as far as Grand Avenue. And sometimes when Honora grew older—she was permitted to go with him to Uhrig's Cave. Those were memorable occasions indeed!

What Saint Louisan of the last generation does not remember Uhrig's Cave? nor look without regret upon the thing which has replaced it, called a Coliseum? The very name, Uhrig's Cave, sent a shiver of delight down one's spine, and many were the conjectures one made as to what might be enclosed in that half a block of impassible brick wall, over which the great trees stretched their branches. Honora, from comparative infancy, had her own theory, which so possessed the mind of Edith Hanbury that she would not look at the wall when they passed in the carriage. It was a still and sombre place by day; and sometimes, if you listened, you could hear the whisperings of the forty thieves on the other side of the wall. But no one had ever dared to cry “Open, Sesame!” at the great wooden gates.

At night, in the warm season, when well brought up children were at home or at the seashore, strange things were said to happen at Uhrig's Cave.

Honora was a tall slip of a girl of sixteen before it was given her to know these mysteries, and the Ali Baba theory a thing of the past. Other theories had replaced it. Nevertheless she clung tightly to Peter's arm as they walked down Locust Street and came in sight of the wall. Above it, and under the big trees, shone a thousand glittering lights: there was a crowd at the gate, and instead of saying, “Open, Sesame,” Peter slipped two bright fifty-cent pieces to the red-faced German ticketman, and in they went.

First and most astounding of disillusions of passing childhood, it was not a cave at all! And yet the word “disillusion” does not apply. It was, after all, the most enchanting and exciting of spots, to make one's eye shine and one's heart beat. Under the trees were hundreds of tables surrounded by hovering ministering angels in white, and if you were German, they brought you beer; if American, ice-cream. Beyond the tables was a stage, with footlights already set and orchestra tuning up, and a curtain on which was represented a gentleman making decorous love to a lady beside a fountain. As in a dream, Honora followed Peter to a table, and he handed her a programme.

“Oh, Peter,” she cried, “it's going to be 'Pinafore'!”

Honora's eyes shone like stars, and elderly people at the neighbouring tables turned more than once to smile at her that evening. And Peter turned more than once and smiled too. But Honora did not consider Peter. He was merely Providence in one of many disguises, and Providence is accepted by his beneficiaries as a matter of fact.

The rapture of a young lady of temperament is a difficult thing to picture. The bird may feel it as he soars, on a bright August morning, high above amber cliffs jutting out into indigo seas; the novelist may feel it when the four walls of his room magically disappear and the profound secrets of the universe are on the point of revealing themselves. Honora gazed, and listened, and lost herself. She was no longer in Uhrig's Cave, but in the great world, her soul a-quiver with harmonies.

“Pinafore,” although a comic opera, held something tragic for Honora, and opened the flood-gates to dizzy sensations which she did not understand. How little Peter, who drummed on the table to the tune of:

imagined what was going on beside him! There were two factors in his pleasure; he liked the music, and he enjoyed the delight of Honora.

What is Peter? Let us cease looking at him through Honora's eyes and taking him like daily bread, to be eaten and not thought about. From one point of view, he is twenty-nine and elderly, with a sense of humour unsuspected by young persons of temperament. Strive as we will, we have only been able to see him in his role of Providence, or of the piper. Has he no existence, no purpose in life outside of that perpetual gentleman in waiting? If so, Honora has never considered it.

After the finale had been sung and the curtain dropped for the last time, Honora sighed and walked out of the garden as one in a trance. Once in a while, as he found a way for them through the crowd, Peter glanced down at her, and something like a smile tugged at the corners of a decidedly masculine mouth, and lit up his eyes. Suddenly, at Locust Street, under the lamp, she stopped and surveyed him. She saw a very real, very human individual, clad in a dark nondescript suit of clothes which had been bought ready-made, and plainly without the bestowal of much thought, on Fifth Street. The fact that they were a comparative fit was in itself a tribute to the enterprise of the Excelsior Clothing Company, for Honora's observation that he was too long one way had been just. He was too tall, his shoulders were too high, his nose too prominent, his eyes too deep-set; and he wore a straw hat with the brim turned up.

To Honora his appearance was as familiar as the picture of the Pope which had always stood on Catherine's bureau. But to-night, by grace of some added power of vision, she saw him with new and critical eyes. She was surprised to discover that he was possessed of a quality with which she had never associated him—youth. Not to put it too strongly—comparative youth.

“Peter,” she demanded, “why do you dress like that?”

“Like what?” he said.

Honora seized the lapel of his coat.

“Like that,” she repeated. “Do you know, if you wore different clothes, you might almost be distinguished looking. Don't laugh. I think it's horrid of you always to laugh when I tell you things for your own good.”

“It was the idea of being almost distinguished looking that—that gave me a shock,” he assured her repentantly.

“You should dress on a different principle,” she insisted.

Peter appeared dazed.

“I couldn't do that,” he said.

“Why not?”

“Because—because I don't dress on any principle now.”

“Yes, you do,” said Honora, firmly. “You dress on the principle of the wild beasts and fishes. It's all in our natural history at Miss Farmer's. The crab is the colour of the seaweed, and the deer of the thicket. It's a device of nature for the protection of weak things.”

Peter drew himself up proudly.

“I have always understood, Miss Leffingwell, that the king of beasts was somewhere near the shade of the jungle.”

Honora laughed in spite of this apparent refutation of her theory of his apparel, and shook her head.

“Do be serious, Peter. You'd make much more of an impression on people if you wore clothes that had—well, a little more distinction.”

“What's the use of making an impression if you can't follow it up?” he said.

“You can,” she declared. “I never thought of it until to-night, but you must have a great deal in you to have risen all the way from an errand boy in the bank to a lawyer.”

“Look out!” he cautioned her; “I shall become insupportably conceited.”

“A little more conceit wouldn't hurt you,” said Honora, critically. “You'll forgive me, Peter, if I tell you from time to time what I think. It's for your own good.”

“I try to realize that,” replied Peter, humbly. “How do you wish me to dress—like Mr. Rossiter?”

The picture evoked of Peter arrayed like Mr. Harland Rossiter, who had sent flowers to two generations and was preparing to send more to a third, was irresistible. Every city, hamlet, and village has its Harland Rossiter. He need not be explained. But Honora soon became grave again.

“No, but you ought to dress as though you were somebody, and different from the ordinary man on the street.”

“But I'm not,” objected Peter.

“Oh,” cried Honora, “don't you want to be? I can't understand any man not wanting to be. If I were a man, I wouldn't stay here a day longer than I had to.”

Peter was silent as they went in at the gate and opened the door, for on this festive occasion they were provided with a latchkey. He turned up the light in the hall to behold a transformation quite as wonderful as any contained in the “Arabian Nights” or Keightley's “Fairy Mythology.” This was not the Honora with whom he had left the house scarce three hours before! The cambric dress, to be sure, was still no longer than the tops of her ankles and the hair still hung in a heavy braid down her back. These were positively all that remained of the original Honora, and the change had occurred in the incredibly brief space required for the production of the opera “Pinafore.” This Honora was a woman in a strange and disturbing state of exaltation, whose eyes beheld a vision. And Peter, although he had been the subject of her conversation, well knew that he was not included in the vision. He smiled a little as he looked at her. It is becoming apparent that he is one of those unfortunate unimaginative beings incapable of great illusions.

“You're not going!” she exclaimed.

He glanced significantly at the hall clock.

“Why, it's long after bedtime, Honora.”

“I don't want to go to bed. I feel like talking,” she declared. “Come, let's sit on the steps awhile. If you go home, I shan't go to sleep for hours, Peter.”

“And what would Aunt Mary say to me?” he inquired.

“Oh, she wouldn't care. She wouldn't even know it.”

He shook his head, still smiling.

“I'd never be allowed to take you to Uhrig's Cave, or anywhere else, again,” he replied. “I'll come to-morrow evening, and you can talk to me then.”

“I shan't feel like it then,” she said in a tone that implied his opportunity was now or never. But seeing him still obdurate, with startling suddenness she flung her arms mound his neck—a method which at times had succeeded marvellously—and pleaded coaxingly: “Only a quarter of an hour, Peter. I've got so many things to say, and I know I shall forget them by to-morrow.”

It was a night of wonders. To her astonishment the hitherto pliant Peter, who only existed in order to do her will, became transformed into a brusque masculine creature which she did not recognize. With a movement that was almost rough he released himself and fled, calling back a “good night” to her out of the darkness. He did not even wait to assist her in the process of locking up. Honora, profoundly puzzled, stood for a while in the doorway gazing out into the night. When at length she turned, she had forgotten him entirely.

It was true that she did not sleep for hours, and on awaking the next morning another phenomenon awaited her. The “little house under the hill” was immeasurably shrunken. Poor Aunt Mary, who did not understand that a performance of “Pinafore” could give birth to the unfulfilled longings which result in the creation of high things, spoke to Uncle Tom a week later concerning an astonishing and apparently abnormal access of industry.

“She's been reading all day long, Tom, or else shut up in her room, where Catherine tells me she is writing. I'm afraid Eleanor Hanbury is right when she says I don't understand the child. And yet she is the same to me as though she were my own.”

It was true that Honora was writing, and that the door was shut, and that she did not feel the heat. In one of the bookcases she had chanced upon that immortal biography of Dr. Johnson, and upon the letters of another prodigy of her own sex, Madame d'Arblay, whose romantic debut as an authoress was inspiration in itself. Honora actually quivered when she read of Dr. Johnson's first conversation with Miss Burney. To write a book of the existence of which even one's own family did not know, to publish it under a nom de plume, and to awake one day to fetes and fame would be indeed to live!

Unfortunately Honora's novel no longer exists, or the world might have discovered a second Evelina. A regard for truth compels the statement that it was never finished. But what rapture while the fever lasted! Merely to take up the pen was to pass magically through marble portals into the great world itself.

The Sir Charles Grandison of this novel was, needless to say, not Peter Erwin. He was none other than Mr. Randolph Leffingwell, under a very thin disguise.