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A pair of blue eyes

Chapter 2: PREFACE
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About This Book

A young woman whose emotions lie near the surface becomes the center of a love triangle with two very different admirers while a neighbouring church restoration and windswept coastal setting frame the action. The narrative follows her inner life, shifting attachments, and social encounters, contrasting practical workmanship and artistic sensibility and showing how class anxieties, pride, and misjudgment shape courtship and consequence. Episodes move between domestic intimacy, public judgment, and a tense cliffside crisis; recurring motifs include architecture, the sea, and the uneasy collision of medieval ruins with modern impulses. The conclusion records the emotional outcomes of these entanglements and the cost of misplaced expectations.

PREFACE

The following chapters were written at a time when the craze for indiscriminate church-restoration had just reached the remotest nooks of western England, where the wild and tragic features of the coast had long combined in perfect harmony with the crude Gothic Art of the ecclesiastical buildings scattered along it, throwing into extraordinary discord all architectural attempts at newness there. To restore the grey carcases of a mediævalism whose spirit had fled, seemed a not less incongruous act than to set about renovating the adjoining crags themselves.

Hence it happened that an imaginary history of three human hearts, whose emotions were not without correspondence with these material circumstances, found in the ordinary incidents of such church-renovations a fitting frame for its presentation.

The shore and country about “Castle Boterel” is now getting well known, and will be readily recognized. The spot is, I may add, the furthest westward of all those convenient corners wherein I have ventured to erect my theatre for these imperfect little dramas of country life and passions; and it lies near to, or no great way beyond, the vague border of the Wessex kingdom on that side, which, like the westering verge of modern American settlements, was progressive and uncertain.

This, however, is of little importance. The place is pre-eminently (for one person at least) the region of dream and mystery. The ghostly birds, the pall-like sea, the frothy wind, the eternal soliloquy of the waters, the bloom of dark purple cast, that seems to exhale from the shoreward precipices, in themselves lend to the scene an atmosphere like the twilight of a night vision.

One enormous sea-bord cliff in particular figures in the narrative; and for some forgotten reason or other this cliff was described in the story as being without a name. Accuracy would require the statement to be that a remarkable cliff which resembles in many points the cliff of the description bears a name that no event has made famous.

T. H.

March 1899

THE PERSONS

ELFRIDE SWANCOURTa young Lady
CHRISTOPHER SWANCOURTa Clergyman
STEPHEN SMITHan Architect
HENRY KNIGHTa Reviewer and Essayist
CHARLOTTE TROYTONa rich Widow
GERTRUDE JETHWAYa poor Widow
SPENSER HUGO LUXELLIANa Peer
LADY LUXELLIANhis Wife
MARY AND KATEtwo little Girls
WILLIAM WORMa dazed Factotum
JOHN SMITHa Master-mason
JANE SMITHhis Wife
MARTIN CANNISTERa Sexton
UNITYa Maid-servant

Other servants, masons, labourers, grooms, nondescripts, etc., etc.

THE SCENE

Mostly on the outskirts of Lower Wessex.