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A Roadside Harp: A Book of Verses

Chapter 18: The Cherry Bough
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About This Book

This collection gathers lyrical and narrative poems that range from ballads and sonnets to short meditations. The verses move between rural and urban settings, evoking English and Irish countryside, Italian art and London streets, and blend historical, religious, and classical allusion with close natural observation. Recurring concerns include time and memory, faith and loss, friendship and artistic response; many pieces treat ruined churches, portraiture, and small domestic scenes with musical language and formal polish. Alternating narrative storytelling and reflective shorter lyrics, the work balances nostalgic melancholy with bright sensory detail and a cultivated, songlike cadence.

IN a new poet’s and a new friend’s honor,
Forth from the scornèd town and her gold-getting,
Come men with lutes and bowls, and find a welcome
Here in my garden,
O naught but you, kind head that far in prison
Sunk on a weary arm, feels no god’s pity
Stroking and sighing where the kingly laurels
Were once so plenty,
Nor dreams, from revels and strange faces turning,
How on the strength of my fair tree that knew you,
I lean to-day, when most my heart is laden
With your rich verses!
Since, long ago, in other gentler weather
Ere wrath and exile were, you lay beneath it,
(Your symbol then, your innocent wild brother,
Glad with your gladness,)
What has befallen in the world of wonder,
That still it puts forth bubbles of sweet color,
And you, and you that burst our eyes with beauty,
Are sapped and rotten?
Alas! When my young guests have done with singing,
I break it, leaf and fruit, my garden’s glory,
And hold it high among them, and say after:
“O my poor Ovid,
“Years pass, and loves pass too; and yet remember
For the clear time when we were boys together,
These tears at home are shed; and with you also
Your bough is dying.”