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A Roadside Harp: A Book of Verses

Chapter 32: On the Pre-Reformation Churches about Oxford
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About This Book

This collection gathers lyrical and narrative poems that range from ballads and sonnets to short meditations. The verses move between rural and urban settings, evoking English and Irish countryside, Italian art and London streets, and blend historical, religious, and classical allusion with close natural observation. Recurring concerns include time and memory, faith and loss, friendship and artistic response; many pieces treat ruined churches, portraiture, and small domestic scenes with musical language and formal polish. Alternating narrative storytelling and reflective shorter lyrics, the work balances nostalgic melancholy with bright sensory detail and a cultivated, songlike cadence.

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Is this the end? is this the pilgrim’s day
For dread, for dereliction, and for tears?
Rather, from grass and air and many spheres
In prophecy his spirit sinks away;
And under English eaves, more still than they,
Far-off, incoming, wonderful, he hears
The long-arrested and believing years
Carry the sea-wall! Shall he, sighing, say,
“Farewell to Faith, for she is dead at best
Who had such beauty”? or with kisses lain
For witness on her darkened doors, go by
With a new psalm: “O banished light so nigh!
Of them was I who bore thee and who blest;
Even here remember me when thou shalt reign.”