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A Roadside Harp: A Book of Verses

Chapter 34: A Foot-note to a Famous Lyric
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About This Book

This collection gathers lyrical and narrative poems that range from ballads and sonnets to short meditations. The verses move between rural and urban settings, evoking English and Irish countryside, Italian art and London streets, and blend historical, religious, and classical allusion with close natural observation. Recurring concerns include time and memory, faith and loss, friendship and artistic response; many pieces treat ruined churches, portraiture, and small domestic scenes with musical language and formal polish. Alternating narrative storytelling and reflective shorter lyrics, the work balances nostalgic melancholy with bright sensory detail and a cultivated, songlike cadence.

TRUE love’s own talisman, which here
Shakespeare and Sidney failed to teach,
A steel-and-velvet Cavalier
Gave to our Saxon speech:
Chief miracle of theme and touch
That upstart enviers adore:
I could not love thee, dear, so much,
Loved I not Honour more.
No critic born since Charles was king
But sighed in smiling, as he read:
“Here ’s theft of the supremest thing
A poet might have said!”
Young knight and wit and beau, who won
Mid war’s adventure, ladies’ praise,
Was’t well of you, ere you had done,
To blight our modern bays?
O yet to you, whose random hand
Struck from the dark whole gems like these,
Archaic beauty, never planned
Nor reared by wan degrees,
Which leaves an artist poor, and art
An earldom richer all her years;
To you, dead on your shield apart,
Be “Ave!” passed in tears.
How shall this singing era spurn
Her master, and in lauds be loath?
Your worth, your work, bid us discern
Light exquisite in both.
’T was virtue’s breath inflamed your lyre,
Heroic from the heart it ran;
Nor for the shedding of such fire
Lives since a manlier man.
And till your strophe sweet and bold
So lovely aye, so lonely long,
Love’s self outdo, dear Lovelace! hold
The pinnacles of song.