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A Spring Walk in Provence

Chapter 23: CHAPTER XX
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About This Book

A walking travelogue records a spring journey across Provence, combining close observations of olive-covered hills, markets, and seasonal scents with guided visits to towns, monuments, and archaeological sites. Each chapter concentrates on a particular place—coastal villages, Aix, Avignon, Arles, Nîmes, Les Baux and the Camargue—mixing architectural and historical notes, local legends, and literary associations such as Mistral. The narrative is episodic and photographic, blending practical route detail and personal reflection, sometimes tempered by the author's wartime recollections of how the recent conflict altered the region's people and atmosphere.

CHAPTER XVIII

Saintes-Maries de la Mer

I was on the road early the next morning with a twenty-mile walk before me to Saintes-Maries de la Mer. I had to follow the canal for a couple of miles to the north, then to strike across the plain to the westward, then to follow the course of the Little Rhône to the south. This took me through country that has been for the most part reclaimed, and grows acres upon acres of vines. To the south and west of Aigues-Mortes it is nothing but étangs and unreclaimed marsh, and if there is a way through it all I could hardly have expected to find it and should certainly have been cut off by water besides.

The walk was not very inspiring. Any one who knows the reclaimed fen lands of Lincolnshire and Cambridgeshire will agree that, fertile though these flats may be, they provide the modicum of picturesque scenery. I imagine that the vine-growing industry hereabouts is a comparatively new thing, but it is already a big one. After walking along a straight road between vineyards—flat fields regularly planted with vines about the size of small gooseberry bushes—for five miles, I saw ahead of me an enormous castellated, spired building which I afterwards learnt to be a wine lodge, but which was not on my map at all. And just outside the walls of Aigues-Mortes they have recently erected a building having to do with the shipping or storage of wine over which there has been a good deal of controversy; for it is built in a sham castellated style, and interferes with the effect of the ancient fortifications.

My road turned before I came to the big building I have mentioned, and presently the fields became less ruled and planed, and little bits of untouched marshland began to encroach upon them. I came to the hamlet of Sylvéreal at a turn of the Little Rhône, where there is a bridge and a road running to Saintes-Maries on either side of the river. I refreshed myself at a poor little inn and was heavily charged for sour bread and hard cheese. But these regions are really out of the world, habitations are sparse and communications rare. Five miles further on I came to a ferry—the Bac du Sauvage—and was put across the Little Rhône, which is not little at all, but a big river with a rapid flow. Except for the quite good road, one might well have imagined oneself during these last miles in a new country gradually being opened up. The river carries no merchandise, its banks are deserted. Since Aigues-Mortes, in sixteen miles or so, I had passed no village except Sylvéreal, and there cannot be more than a dozen houses there. I could not rid myself of the feeling of being somewhere in the bush of Australia, which I know best of the new countries. Even the occasional wayside shanties were not absent—little groups of them occasionally, in which there was nearly always one announcing itself as that of a coiffeur.

The feeling vanished when I came within sight of the fortress church of Saintes-Maries towering above the low roofs of the village that surrounds it. It could be seen from afar across the plain, and immediately carried the mind back to the past, which is never very far away from you wherever you go in Provence. And this is one of the most ancient and storied places of the whole country. The walls and towers of Aigues-Mortes are new beside it. If you reject the story of the landing of the New Testament saints here—and you will find it hard to reject in Saintes-Maries itself—still the church itself dates partly from the tenth century; it was built on the site of another church destroyed by the Saracens; and that church was built on the site of a temple erected by Augustus. In Roman times there was a sort of island here, and a prosperous settlement. The state of almost destitution to which the wretched little town has come must be owing to the defertilization of the Camargue, of which I have already written. But in the time of King René it was a prosperous town with many privileges, afterwards confirmed to it by the kings of France, and at least since that time the church has been the object of a yearly pilgrimage that has kept its fame alive to an extent that is perhaps not equalled anywhere in France, except at Lourdes.

I cannot but think that "Les Saintes," as it is commonly called, must be now at the very nadir of its poverty. It is right on the edge of the Mediterranean, and beautiful firm sands backed by sand dunes stretch away from it on either side. It is on a little line of railway from Arles; and by far the nearest possible watering-place to that city, and even to Avignon. In fact, Le Grau du Roi, near Aigues-Mortes, would be its only rival for the central cities of Provence. In England, a place of this historical importance and advantageous situation would be a prosperous town instead of a squalid village.

I need scarcely say that to the sentimental traveller the present dejected state of Saintes-Maries, in which nothing detracts from the extraordinary interest of its shrine, is a boon almost beyond gratitude. But one can hardly help being struck by its possibilities, and the difference between France and England in respect of making use of such; nor by the fact that at any time the whole aspect of the place may become changed.

There are two inns in Saintes-Maries, and I went to the worst of them, because it faced the sea. It was the dirtiest inn I struck in Provence, but that was not altogether the fault of the proprietors, as part of it was rebuilding. Perhaps the visitors to Saintes-Maries have already begun to demand more accommodation, and this is the sign of it. I did come across one honeymoon couple, or one that looked like it, sunning themselves below the stones of the dike in view of the shining Mediterranean, but I walked along the sands to the mouth of the Little Rhône, a distance of about two miles, without seeing any one else, except a few fishermen. And at the mouth of the river there were only a few scattered huts. It seemed almost ludicrous that a mighty and famous river—even if only the lesser branch of it—should be allowed to take to the sea with so little ceremony. Again the likeness to a stretch of coast in a brand-new country was overwhelming. But one only had to turn round and see that ancient church for the odd sensation to pass away again; and only the peace and the windy solitude of the sea remained of it.

256a

SAINTES-MARIES, THE FORTRESS CHURCH

257a

SAINT-GILLES, THE CENTRAL PORCH

Page 268

The church is, I think, the most compelling thing in Provence. The photograph will give an idea of its fortress exterior, but not of the way it dominates the country for miles around. That is a thing to remember, but unfortunately my own photograph, taken from the shore some little way off, went wrong.

The first thing that strikes one in the dark interior—what windows there are are mere slits in the thick wall—are the rows of rough deal seating that run round three sides of the church in a sort of narrow gallery. These are for the crowds that come on May 24th, and during the following week for the great annual festival, when the coffin containing the bones of the blessed saints is let down from the chapel above the apse, and the church is packed full of pilgrims. They are a makeshift affair and do not add to the dignity of the church, although they serve to remind one that this church does not depend for its fame on its age or architecture.

The high altar with its simple decoration of wrought iron stands forward. The priest celebrates facing the congregation; it is a privilege granted by the Pope to this church. Immediately in front of it is the entrance to the crypt. In front of that, just aside from the main aisle, is the miraculous well, with pitcher and pulley all complete.

When the saints landed near to this place, they set about building a little oratory, "erecting an altar for the celebration of the holy mysteries, as near as possible like to the one which Moses constructed by the order of God. The two Marys, with Martha and Magdalene, prepared the ground for this purpose, and God made known to them how agreeable in his eyes were their devotion and their sacrifices, by causing to spring up a fountain of sweet water in a place where hitherto only salt water had been known."

This well must have been of the utmost value to those who stood a siege in the church some hundreds of years later, and may be thought to have been sunk for that purpose. But its miraculous properties are still recognized, and its waters are resorted to by "persons bitten by enraged animals."

The narrow little chapels that line the church are fuller of votive offerings than any others I have seen. Besides the usual ex voto tablets, and chaplets and ribbons of first communions, there is a regular picture gallery of miraculous escapes, most of them, it must be confessed, of the lowest possible artistic value, but going a long way back, and telling a series of tales of considerable interest.

A characteristic one, which bears the date of 1777, is of a man being attacked by five dogs. His companion is not going to his assistance, but is represented on his knees, and in an upper corner of the picture appear the two Marys, who presumably saved the victim from any ill effects of the attack. Another rather well-executed pencil drawing represents a man dragging a horse out of a swollen river. Another is of a child being run over—or possibly just not run over—by a cart. Many are of elderly people in bed with friends and relatives standing around them—and the saints in their usual corner.

In one of the chapels are the old carved wood figures of the two Marys in their boat, which are carried every year in procession to the sea, and into it, in commemoration of the miraculous voyage which ended at this place.

I don't know how it was that I did not realize on my first visit to the church that the chapel containing the sacred remains, the outside of which can be seen in the photograph above the apse, was to be seen by taking a little trouble about it. From the inside of the church appear the doors from which the double ark is let down by ropes and carried in procession, but I had not thought that there was rather an elaborate chapel up there behind the doors. It was rather late in the evening when the old priest came out from his presbytery to take me up to it.

It is approached by a narrow, winding stairway from the outside of the church, and is about forty feet from the ground. It was enriched in the time of Louis XV, but its decorations were much damaged by the Revolutionaries. The pictured coffer containing the relics of the saints is in a chamber closed by ornamented double doors, in which are also the pulleys and cords by which it is lowered to the floor of the church on the great day of the pilgrimage. All round the little chapel are the crutches and other offerings of those who have been cured by attendance at the shrine. One of the latest is a sort of strait-waistcoat left behind by a cripple who had used it for many years, but went away, as the curé told me, on his own feet, and praising God and the blessed saints.

I walked all round the strong battlements, from which a glorious view extends itself, of the plain with its bright sheets of water on the one side, and the sea and the sands on the other. It was a lovely, peaceful evening, and the old priest admired it as much as I did. He said he liked to come up here away from the world, and often said his Mass in the quiet chapel high above the low roofs of the town. I bought from him the little book he has written about his church, which contains the hymns and prayers and canticles, partly in Latin, partly in French, partly in Provençal, that are used during the days of pilgrimage.

Of the church as a work of defence, he writes: "It is a fortress, with its sentry's walk, its watch tower, its crenellations and machicolations. When Saracens or pirates invaded us, and during the wars of religion, the men went up to the high chapel for defence, at the summons of the watchman, who gave the alarm, while the women and children were shut up in the church, which communicated by two staircases with the roof. During the religious wars, the church was smoked out several times by the assailants."

It was nearly dark when we went down into the crypt, and what I saw of the tomb of the servant Sarah was by the light of a candle which the curé lit for me, dropping the grease about plentifully, as seems to be the way of those who show sacred treasures. It will be remembered that this black servant of the holy ladies accompanied them on their miraculous voyage to Provence. Her body, exhumed with theirs, under the auspices of the good King René, and in his presence, was reburied here, and this half subterranean chapel at Saintes-Maries has been from time immemorial the centre of a cult, the strangest of any with which we have to do.

At the time of the yearly pilgrimage, when good Catholics come to venerate die remains of the saints, there come also hordes of gipsies, who prostrate themselves before the tomb of the servant Sarah, and practise strange rites which have nothing to do with the Christian religion. The good curé in his book mentions the fact that they come in, but says nothing about their worship, which is said to include the adoration of fire, and other mysteries of an immemorially old religion.

I have been able to find nothing very illuminating that bears upon this strange survival and its origins. The Marquis de Baroncelli-Javon has published a little illustrated pamphlet which is of some interest on the subject of gipsies in general, and those that are to be found in this stretch of seaboard in particular, but he is not able to suggest why St. Sarah, as he calls her—but I do not think that she was ever canonized, or regarded as a Christian saint—should have attracted to herself this ancient worship, except by reminding us that she was commonly supposed to be an Egyptian, which is hardly convincing. But that the gipsies should gather at this particular spot and perform their rites, he does find some reason for, and his theories are at least interesting.

He says, first of all, that there are two distinct races of Bohémiens different in feature, in bone formation, colour, character, language and traditions; that they have nothing in common and treat each other not only as strangers but often as enemies. "A gipsy who traffics in horses will never have anything to do with one who leads about dancing bears or works in copper; there will be no understanding between them and they will treat one another with indifference if not with hatred. But this trafficker in horses will immediately recognize as his blood brother another maquignon at Saintes-Maries, it matters not where he comes from."

Now at Saintes-Maries the gipsies with performing bears, or the tinsmiths, are never to be met with. These are the Zingaris, and their home is in the east of Europe. They talk the languages of the north and the east willingly and easily, but with difficulty those of the south.

The gipsies who are to be found in Spain, Languedoc, Provence and parts of Italy call themselves Gitanos or Gitans. These are they who come once at least during their life wanderings to Saintes-Maries, "to salute the earth, to fulfil strange rites, and to regard the sea, their eyes fixed in ecstasy." Where do they come from?

"From the parts where the sun sets," they say of themselves; and if you ask an American Indian the same question he will tell you that he comes "from the parts where the sun rises." They are the ancient inhabitants, says M. de Baroncelli-Javon, of the lost Atlantis, which lay between the old world and the new.

The resemblances between the Gitanos and the Redskins are curious, not only in appearance and language but in many small details and habits. They use, for instance, exactly the same actions when they examine a horse's teeth. The author adds to the list of survivors of Atlantis the Basques, the Bretons and perhaps the Copts of Egypt, and finds resemblances in them too. My small ethnological knowledge prompts me to reject the Bretons, but the Basques have always been a puzzle, and seem to fit in with this theory. There is also a hint, in a footnote, of the inclusion of the Laps, Samoyeds, and Esquimaux, whom we might perhaps accept in place of the Celts.

But to continue. The Egyptians and the Gitanos—probably two branches of the same family—found themselves on either side of the Mediterranean. The Egyptians moved westwards to the Nile and the Red Sea, the Gitanos took up a roving life and were to be found everywhere along the coast, from the Gaudalquiver to the Var. They are thus not descendants, but brothers of the Egyptian race.

"Little by little arrive the Iberians, and then others and still others. The Gitano flies before the invader; he finds refuge nearer and nearer to the coast, following the last wild horses into the most lonely places, among the lagoons and the unhealthy marshes, uninhabitable by all except him, the aboriginal. There he erects his temples, in which he adores Fire and the Sun, like the Redskin and the Egyptian, where he buries his chiefs and his wise men, thus consecrating special places. And he is always moving on, with the wild horse, along the line of the sea. Centuries and centuries pass, Christianity shines forth, which founds the altars of its saints on those of the pagans, and it is not unscientific to think that the pilgrimage to the place of the Saintes-Maries existed long before Christianity, and honoured first the gods of the soil, then those of the Iberians and Ligurians, before it honoured our saints."


CHAPTER XIX

Saint-Gilles and Montmajour

This was to be the last full day's walk. I had to meet a friend at Avignon the next afternoon; then to Arles with no further time for walking; and then home.

There was a lot of ground to cover. The first stage, after going halfway to Arles by train, was an eight-mile walk across the plain to Saint-Gilles. The train started at six, and soon after seven I was on the road, on a fine still spring morning, and in company with an old peasant woman who was also going to Saint-Gilles, and had suggested in the train that we should walk together. I had not known quite how to refuse, but had thought that after a mile or so I might say that I was in a hurry, and push on from her. Provençal was her tongue, and French is not mine; the burden of a conversation lasting for two hours daunted me.

We walked and talked together for about a mile, and although she must have been getting on for seventy, and carried a heavy basket, her steady pace was just a trifle faster than my usual one at the beginning of a long day's walk. I could not for shame suggest that I should drop back; besides, she would have offered to walk more slowly. So when we had exhausted the first burst of conversation, I drew myself together, lifted my hat, and with a word of apology, forged on ahead with all the air of a Marathon racer.

She chased me for miles. Whenever I looked back I saw her plodding form on the straight road across the marsh. I was ashamed of myself, but I couldn't keep it up. The walk to Saint-Gilles was only to be the beginning of my day. At a wide turn of the road I took what looked to be an easy short cut across the marsh. If it had been easy, of course she would have taken it too, and the end of it was that when I came out on to the road again after my windings there was her black determined figure a quarter of a mile ahead of me. So I let her take her pace, and I took mine, and she crossed the great suspension bridge into Saint-Gilles nearly half an hour before I did. I saw her the whole way, and she never looked round. I hope she thought I was ahead of her.

Scarcely any of its original importance is left to Saint-Gilles, which dates from the earliest dawn of Provençal history. It was the Phœnician Heraktra. In those days the branch of the Rhône upon which it stands was an open trade route. The Phœnician traders came to it from their expeditions to Britain, by way of the Seine valley and the Rhône. Early in the twelfth century the building of one of the noblest churches in Provence was begun here; and its remains, in spite of the successive destructions and mutilations it has received, make it still well worth a visit.

All that is left in its original state is the wonderful carved façade, which is finer even than the famous one, of about the same date, of St. Trophimus at Arles, and takes in three portals instead of one. It is in its original state only as far as its main structure is concerned, for its figures have been sadly mutilated by successive generations of enraged Protestants. But one can be thankful to them for sparing it at all, instead of treating it as they did the church behind it.

The story of St. Gilles is charmingly told by M. J. Charles-Roux, in his "Légendes de Provence."

He was a Greek, of royal lineage. In all the country there was not to be found a man richer than his father, or a woman more chaste and charitable than his mother. He was baptized with great rejoicing, and from an early age his parents sought to bring him up in their faith. At seven years of age he was taught his letters, and thus early he devoted himself to study and the service of God. Modest and of fine address, he grew into the flower of his country's youth; his hair was fair and curling, his skin as white as milk, he had a delicate nose and ears, white teeth and a sweet mouth.

The day came when God was ready to show His designs concerning him. He was on his way to school, when he saw crouching in the gutter a poor cripple, pale, hideous and horrible. The child addressed him, and he replied, "Sir, hunger is killing and cold overwhelming me; death is near, and I only want to die." Gilles's eyes filled with tears, and as he had neither silver nor gold he gave the poor wretch his coat, and he at once arose cured and thanked God with such fervour that presently more than a hundred persons appeared on the scene.

The fame of Gilles's holiness began to spread, and soon afterward he healed a man bitten by a venomous snake.

After his father and mother died he was pressed to marry by his vassals, who wished him to continue his royal race, but he begged a respite. He was much troubled by the crowd that besieged his doors—crippled, dumb, blind, lame,—who besought him to heal them. He was willing to do so, but dreaded the worldly fame that was beginning to attach itself to his name. He wished to seek a road that would bring him nearer to God, and he determined to go to Rome.

He ordered a great feast in his palace, and at night, when all were sleeping, overcome with the fumes of wine, after praying for a long time he left his chamber softly, and made his escape from the battlements, hidden in a fog. He was never seen there again.

After wandering on foot for a long time, he came to the sea, and saw a ship being driven on to the rocks in a storm. He prayed to God, and the storm abated, and the ship came safe to shore. He asked the sailors to take him to Rome, and they, recognizing him for a holy man, took him on board.

They were for the most part Provençals, and were carrying a rich cargo of corn from Russia, silks, precious stuffs and spices. They sailed for days under a clear sky, and never had to touch a rope, for God was guiding them.

They landed at Marseilles, and Gilles, who had been so rich, went from door to door, begging his food. After a time, having heard of the good bishop, Cæsar of Arles, he went to that ancient city. He lodged with a widow whose daughter had been paralysed for twelve years. When he had prayed for a moment beside her bed she arose well and joyful. When the good bishop heard of this miracle, he sent his archdeacon to bring Gilles to him. The archdeacon found him praying in the church. The bishop received him with affection and honour and kept him by him for twelve years, during which time he wrought many miracles.

But this was not the sort of life Gilles had dreamed of. He escaped from Arles and plunged into the wild forest which surrounded it. At last he came to a monstrous rock in which some steps had been cut. He climbed up them and found a pious hermit with whom he lived for twelve years in perfect communion of prayer and meditation.

Although his retreat was remote and hidden, the piety and the miracles of St. Gilles were so renowned that at last it was discovered. So he resolved to find a hiding-place more impenetrable still.

He wandered far into the forest until he came to a cave choked with brambles. He hid its opening with branches, leaves and clods of turf, and took it as his hermitage. A fresh spring welled up at a short distance from it, round which grew a cress upon which he sustained himself until God sent him a doe which gave him milk. Every day while he was at his prayers she went into the forest to feed, and returned at fixed hours to the cave, where Gilles had prepared for her a couch near his own.

At this time Florenz was king in Provence, under Charlemagne. Holding his Christmas court at Montpelier, he entertained all the lords of the country round at banquets and parties of the chase. One evening as they were feasting news was brought in by the royal huntsman of a wonderful white hind that had been tracked to her hiding-place in the forest, and early the following morning the king set out with a great retinue to chase her. The chase was long and Florenz found himself ahead of his companions with the hind flying in front of him. As she was disappearing among the trees, he launched an arrow at her, and immediately the hermit, Gilles, appeared, to whom the hind had flown for shelter, and whose hand the king's arrow had pierced.

After this the king conceived a great veneration for the saint, visited him often alone and pressed him to accept presents. Gilles resisted him for a long time, but said at last: "Sire, if you really wish to give me a portion of your lands, of your treasures, of your vessels of gold and silver, found a monastery upon this spot, and fill it with monks for the service of God, who shall pray day and night for your people and for your law."

"I will do so," said the king, "if you will be their abbot."

After much hesitation Gilles consented, and the noble abbey was built and greatly enriched by gifts from the king. Gilles continued to live in it the same life as he had lived in the woods, and that his flesh might be still further mortified he prayed that the wound in his hand might never heal; which prayer was granted to him.

After a time Gilles's great renown reached Charlemagne, who wished to confess his sins to so holy a man, and sent an embassy to invite him to Paris. After consultation with his brethren he went there, and was received with the utmost veneration and magnificence. But the honour done to him caused him nothing but shame.

Charlemagne confessed all his sins but one, which he had not the courage to avow. Gilles pleaded with him for twenty days, but in vain. One Sunday, as he was going to celebrate the Mass at St. Croix he saw a demoniac chained to a pillar of the church. His prayers drove out the demon; all the bells in the city began to ring, and the king came with a great crowd to hear the Mass. During the celebration Gilles prayed that the king might be brought to confess the sin that it would cost him so much to acknowledge, and an angel appeared above the altar and deposited near the sacred Host a little letter which God Himself had sent His faithful servant. You can see the scene sculptured on a pillar in the cathedral of Chartres. The letter announced that the famous sin, of which we do not know the details, might be remitted to the king together with all other sins humbly confessed and secretly detested; also that the saint's own life would soon end and his reign in glory begin.

Gilles, refusing the king's rich presents, made the journey back to his monastery in great pain because of his still open wound, but in great joy, and learnt that during his absence his monks had behaved in all respects as he could have wished them. He resumed his customary life of prayer and meditation, but feeling that he would not for long continue to direct the affairs of his flourishing abbey, and that the favour of kings was fleeting, he determined to go to Rome to put his monastery under the protection of the Holy See.

The Pope received him with great honour and granted his request. He also showed his interest in the church that St. Gilles had built by giving him two doors of cypress wood, wonderfully carved. St. Gilles threw them into the Tiber, commanding the water to carry them to his church. He himself arrived at the moment when they stranded on the banks of the river, in perfect preservation, and was made happy by this still further proof of divine favour.

His work was now done, and he prepared himself for death. His monks stood around him, scarcely able to recite the sacred offices because of their sobs. Just before midnight he began to recall to them events in the life of the Saviour, and at the moment of death he had a vision of the glorious resurrection of Our Lord, and prayed St. Michael to conduct him to God. These were his last words; he made signs of blessing those who knelt around him, and two of them saw angels take the soul that issued from his lips, to carry it to Paradise.

Although the story which I have condensed speaks of Charlemagne, it was his grandfather, Charles Martel, in whose reign St. Gilles lived, and who gave him shelter when he fled from the Saracens who had attacked his monastery. But St. Gilles did die in peace in it in 721, and he had long before handed over the property to the Holy See, for the Pope's Bull taking it over in 685 is still extant.

The fine crypt, which fortunately still remains, was constructed in the eleventh century to receive the tomb of the saint, and its high altar consecrated by the Pope in 1095. The church above it was begun twenty years later, and its magnificence can be judged from the ruins of the choir, which stretch far to the east of the present building, as well as from the carving of the front which took over thirty years to complete. In 1562 the victorious Protestant troops murdered the priests and the choir boys and threw their bodies into the well that is still to be seen in the crypt. The church, says Mr. T. A. Cook, "was alternately desecrated by the reformers and used as a fortress by the churchmen." It was completely destroyed in 1622, the tomb of St. Gilles removed and the crypt filled with rubbish; "and the façade itself seems only to have been left standing in order that its carvings might the more openly be debased and mutilated." At the Revolution still further havoc was wrought, and it was not until seventy years later that the crypt was excavated and restored under the auspices of the Commission of "Monuments Historiques," who also restored as far as possible the façade.

Considering the vicissitudes it has gone through this splendid work retains a surprising effect. It stretches right across the front of the church, except for the two narrow towers on each flank, and is of a wonderful interest and richness. Another wonderful relic is the Vis de St. Gilles, the spiral stone staircase that stands among the ruins of the choir, and the tower. It is famous everywhere among architects for the delicacy and preciseness of its stone-cutting and vaulting.

Another thing to see in Saint-Gilles is the Maison-Romaine, a tall town house of the twelfth century which was restored at the same time as the church. It comes as something of a surprise to the inexpert, it looks so very modern—rather like the sort of house an advanced architect might build in Munich today. But its proportions are beautiful, and the quiet wall space contrasting with the decorations of the windows is very effective. Indeed, the advanced architect might do worse than copy such a model. After eight hundred years he could learn more of the twelfth century builder than he could teach him.

276a

THE MAISON-ROMAINE

277a

THE STAIRCASE IN THE FARMYARD AT MONTMAJOUR

I took train to Arles and walked straight out of the station towards the Abbey of Montmajour two miles distant. Arles itself was to wait for a few days.

The road lay along a broad shady avenue too full of traffic for pleasurable tramping, but turned off presently from the main road to Tarascon, and the mass of the great Abbey could be seen towering above the trees across the open country.

This great Benedictine abbey, under the stones of which lie buried the ancient kings of Arles, was founded in the sixth century, and its splendid church was rebuilt in the eleventh and thirteenth centuries.

It was situated on an island among the lagoons of the Camargue, but now stands overlooking the fertile plain right away to the sea, on what is no more than a low hill overgrown on one side by a little wood.

I left the road, which goes round by the front, and climbed up through the trees, to find myself in a littered farmyard, with the walls of a seventeenth century building, now in ruins, towering above me. The remains of a carved stone staircase finished off by a rickety wooden bridge ran up under a bold arch, and had a very extraordinary effect, springing thus out of the straw and muck of the yard. This great palace, joined on to the original monastic buildings, seems strangely out of place even now, more than a hundred years after both suffered the same destruction. It was built when the abbey was at its richest and proudest, but was not occupied for long, for the Revolution swept new and old alike away. Of all the treasures it contained, only three remain—a Bible of 1320, which is in the museum at Arles, an abbatial cross in the museum of Cluny, and a twelfth century pyx, now in the Louvre.

What remain of the buildings themselves have suffered no less changes of ownership. When they were sold by the state after the Revolution many of the walls were broken down and the stones taken away to build bridges and houses and to mend roads. The painter Réatlu of Arles bought the great tower and saved it. The chapel of St. Croix became the property of a fisherman, but finally fell into the hands of the city of Arles, and was restored and maintained by them. This stands apart from the rest of the abbey, of which the site is still private property. Until recently the later buildings were partly inhabited by peasants. Gradually the rest has been bought back, and classed among the "Monuments Historiques." The buildings thus saved from further desecration are the church with its crypt and cloisters, the tower, the "Confessional" of St. Trophimus, and the chapel of St. Croix, and each and all of these are remarkable.

The church, which was begun early in the eleventh century and was never quite finished, is of a severe and grateful simplicity. The enormous crypt beneath it is of a still earlier date, and is still more remarkable. The apse is divided into five little chapels opening on to an ambulatory, and from each can be seen the high altar. The cloisters are best preserved of anything, and retain their stone penthouse roofing.

But the most interesting thing about Montmajour is the little chapel, part scooped out of the living rock, part built in the ninth century, which is called the Confessional of St. Trophimus.

You descend to it down stairs cut in the side of the rock. It stands in a sort of overgrown garden, and looks as if it were trying to hide itself. Its rock chambers were no doubt used by the early Christians for hiding and shelter, in the same way as the catacombs at Rome. At the east end is a big chamber almost entirely filled with a stone bench, which opens into two other chambers. Whether St. Trophimus was ever there or not, it has very much the appearance of a confessional. And scepticism sinks before this pathetic little secret place, in which beyond doubt the holy mysteries were celebrated and the faith taught at a date before one can be certain of perhaps any other ecclesiastical remains in the country, whatever antiquity they may claim.

The curious Eastern-looking Chapel of St. Croix stands at some little distance from the rest of the abbey buildings. It is in the form of a Greek cross with four semi-circular apses radiating from a central square-domed tower, and a porch attached to that on the west. Its date is 1019, but there was probably a cemetery on this spot at a much earlier date, and it was built entirely as a mortuary chapel. Viollet le Duc wrote of it:

"The monks brought their dead here processionally; the body was placed in the porch and the brethren remained outside. When Mass was said, the body was blessed, and it was conveyed through the chapel and out at the little south door, to lay it in the grave. The only windows which lighted this chapel looked into the walled cemetery. At night, a lamp burned in the centre of this monument, and, in conformity with the use of the first centuries of the Middle Ages, these three little windows let the gleam of the lamp fall upon the graves. During the office for the dead a brother tolled the bell hung in the turret, by means of a hole reserved for the purpose in the centre of the dome."

This little architectural gem with its delicate exterior carvings has been very carefully preserved. Up to the eighteenth century it was the object of a popular and crowded pilgrimage on May 3rd, but on the destruction of the abbey the precious indulgences with which it had been dowered by successive Popes were transferred to the church of St. Julian at Arles, and it is now nothing but a "Monument Historique."


CHAPTER XX

The Last Walk. St. Michel de Frigolet

I walked on from Montmajour through the most delightful country. The road dipped up and down, crossed thymy, brambly, rocky heaths, and gave promise of pleasant villages to come. One begins here to get out of the plain, and on the low heights the comfortable land, dotted with nestling farms and towers and steeples, can be seen stretching away to the white Alpilles, upon which Les Baux perches and makes its romantic presence felt, though it cannot be seen.

This little corner is full of curiosities, but I had a long walk before me and a fair one behind, and turned aside to see none of them. There are the remains of the Roman aqueduct, built to carry the waters of Vaucluse into the Arena at Arles. It is still called Ouide de Sarrasin (stonework of the Saracens) by the country people, because the Spanish Moors marched along it to attack Arles. At the foot of the Montagne de Cordes are the remains of fortifications, contemporary and perhaps built by the invading Saracens. On the top of the same hill is the Grotto of the Fairies, with its curious pavement and stones which were cut in prehistoric times. And there are other megalithic remains in the little hill of Castellet, and a cavern in which were found a hundred skeletons, and among other objects ornaments of a stone only to be found in the Indies and the Caucasus. The French call it calaïs; I do not know its English name. All these things are to be seen within a mile or two of Montmajour.

But two of the sights I did see, because they lay right on my road, and the second of them I would have gone out of it a reasonable distance to see in any case.

The first was the "allées couvertes," of which signposts obligingly give notice, at so many metres from the road. They are subterranean passages, running at a short distance beneath the surface, on either side of the road and parallel to it, broken into here and there, and their entrances covered with brambles. When they were constructed, or what for, I have not the slightest idea, and no book that I have been able to get hold of tells me. My impression is that they extend for some miles, but I don't know where I got it from, and perhaps I am wrong. The "allées couvertes" are a mystery of which I am content to be without the key.

But nearly halfway between Arles and Tarascon is the charming little village of Fontvieille, and there is something to see there that I would not willingly have missed. It is the disused mill which Alphonse Daudet bought to retire to as a young man, and from which he wrote that delightful collection of tales and essays about his beloved native country to which he gave the title "Lettres de Mon Moulin." They breathe Provence, as nothing modern does, except the works of Mistral and his brother Félibres, and some of the tales of Jean Aicard, and if one wanted to make a pilgrimage to the heart of it, one would come either to the "Mas" at Maillane in which Mistral was born, or to Daudet's mill at Fontvieille.

Nevertheless when I came within sight of it I was a trifle disappointed. There it stood on its thymy hill overlooking the village, familiar enough in its aspect from the photograph in my edition of this book. But there were two other mills exactly like it on the little hill, and all three quite close together; and it was in full view of the village, and not very far from it. I had imagined a place of more reflective solitude. I was glad to have seen it, but did not trouble to go up and examine it more closely.

284a

SAINT-MICHEL DE FRIGOLET

285a

THE CORONATION OF THE VIRGIN, VILLENEUVE-SUR-AVIGNON

Page 303

In the evening I came to the roadside chapel of St. Gabriel, which was marked on my map with a cross, showing it to be something worth looking at, but was left without mention alike by the German Baedeker and the French Joanne. It is just a single, heavily buttressed nave with a richly carved porch, within the arch of which is a curious relief representing Adam and Eve in the Garden of Eden. It stands in an olive garden by the side of the road and there are no other buildings quite near to it, so that it comes as something of a surprise. It is important, as I have learnt since from Mr. T. A. Cook, as a link in the progression of early Provençal architecture, and is certainly worth seeing on its own account.

A little farther on was an auberge, before which some great wagons were standing while their drivers refreshed themselves within. It was in a quiet and pleasant corner, where four roads met, all overshadowed by trees now in their full leafage. I should have liked to get a bed and a dinner there, as by this time I had walked quite far enough, and it was the sort of peaceful countrified place that it is pleasant to wake up in. But they did not want me, and after sitting there for a time I tramped the three or four miles into Tarascon.

It was dark by the time I got there, and I saw very little of the immortal Tartarin's town. I went up under an old gateway, and wandered about the streets on the lookout for an inn. I would have taken the first that came, for I was very tired by this time. But I could not find one at all. At last I was directed to a large hotel, where they gave me a bad dinner and charged me preposterously.

But I got a good deal of fun out of it. Tarascon is a military town, and the big dining-room in a corner of which I sat was providing entertainment for many of the soldiers of the regiments quartered there, and their friends among the townspeople. There were cavalry officers in natty little Cambridge-blue tunics, and troopers with tunics of a deeper shade of blue. They did not mix, but their friends were all of the same class, and of course a trooper of a French cavalry regiment may be just as well bred as his officers. It seemed to me, remembering the character that Daudet fixed upon the Tarasconnais, that he had done them no injustice. There was a sort of theatrical swagger about those that came within my view that marked them off from their companions of the military even more than their civilian garb. I remember Sir Henry Irving in "The Lyons Mail" taking a meal with his back to the audience. He seemed to be eating chiefly with his shoulders, and that was exactly the way in which these gentlemen of Tarascon ate, as if they were in the limelight, and everything must be done for effect. When they talked, they did so with terrific emphasis and gesticulation, and when somebody else was talking they would suddenly withdraw themselves from the conversation and reflectively twirl their moustaches. And when my waiter, who was tremendously overworked, did bring my long pauses of reflection to an end, he served me with a flourishing air that would have made it almost indecent to complain of being kept waiting, since my reward was to be attended to with an amount of pomp and circumstance that must warm the coldest of victuals.

I was up early next morning and walked out of the town by a roundabout way, which gave me a sight of its quaint arcaded streets, King René's castle, which would have been worth a visit if I had had time for it, and the suspension bridge across the river to Beaucaire. I passed along a plane-shaded boulevard on the outskirts of the town, always on the lookout for Tartarin's villa, which I think I saw, though there were no signs of the india-rubber tree in its elegant little garden.

I was on a literary pilgrimage. You remember Daudet's story "L'Elixir du Révérend Père Gaucher"—how the monastery of the White Canons had fallen upon such evil times that even the belfry was as silent as a deserted dovecot, and the monks, for lack of money, were obliged to sound to matins with rattles of almond-wood; how the humble cowherd restored them to affluence by the cordial cunningly distilled from Provençal herbs, of which he had learnt the secret from the naughty old woman who had brought him up; and the dreadful things that followed when the wonderful elixir proved too seductive for his soul's health. Now this monastery was St. Michel de Frigolet, up in the hills a mile or two off the road from Tarascon to Avignon, and there is a good deal more attached to it than Daudet's story.

To begin with, Mistral went to school there, and I will make use of another chapter of his Memoirs to describe its situation and tell its story.

It was nearly eighty years ago that he was taken there from Maillane in the farm cart, together with a small folding bed, a deal box to hold his papers and a bristly pigskin trunk containing his books and belongings.

"At the Revolution, the lands of Saint-Michel had been sold piece by piece for paper money, and the despoiled abbey, deserted and solitary, remained up there, bereft in the wilds, open to the four winds and the wild animals. Sometimes smugglers would use it to make their powder in. When it rained the shepherds would shelter their sheep in the church. The gamblers of the neighbourhood would hide there in winter at midnight to avoid the police, and there by the pale light of a few candles, as the gold followed the movement of the cards, the vaulted roof echoed with oaths and blasphemies instead of psalms. Then when their game was finished these rakes ate and drank and revelled and rioted until dawn.

"About 1832 some mendicant friars established themselves there. They had put a bell in the old Roman belfry, and rang it on Sundays. But they rang in vain; nobody came up the hill to their offices, for they had no faith in them. The Duchess de Berry about this time had come to Provence to raise the Carlists against Louis Philippe, and I remember it being whispered that these runaway friars were nothing but Spanish bandits under their black robes plotting some dubious intrigue.

"Following these friars a worthy native of Cavaillon, M. Donnat, came and started a boarding-school for boys at the Convent of Saint-Michel, which he had bought on credit.

"He was an old bachelor, yellow and swarthy in complexion, with lank hair, flat nose, large mouth with prominent teeth, in a long black frock-coat and tanned shoes. Very devout, and as poor as a church mouse, he had made shift to start his school and to find pupils without a penny to bless himself with.

"For instance, he would go to Graveson, or Tarascon, or Barbentane or Saint-Pierre to a farmer who had boys.

"'I have come to tell you,' he would say, 'that I have opened a school at Saint-Michel de Frigolet. You have thus at your very door an excellent institution to which you can send your sons and have them prepared for their examinations.'

"'My dear sir,' the father of the family would reply, 'that may be all very well for rich people, but we are not the sort of folk to give our boys so much learning. They will have quite enough for working on the land.'

"'Look here,' M. Donnat would say, 'there is nothing better than a good education. Don't worry about payment. Give me every year so many measures of corn, so many casks of wine, so many drums of oil, and arrange matters in that way.'

"So the worthy farmer would send his children to Saint-Michel de Frigolet.

"Then I suppose M. Donnat would go to a tradesman and begin thus:

"'What a fine boy you have there! He looks sharp enough, too. I suppose you are not going to turn him into a counter-jumper.'

"'Oh, sir, if we only could, we should be glad to give him a little education, but schools are dear, and when there isn't much money——!'

"'If it's a question of a school,' M. Donnat would reply, 'send him to mine at Saint-Michel de Frigolet. We will teach him Latin and make a man of him. As for payment, let it come out of the shop. You will have an extra customer in me, and a very good customer too.'

"And then and there the shopkeeper would promise him his son.

"Another time he would pass a carpenter's house, and supposing he saw a child playing in the gutter who looked pale, he would say to his mother: 'What's the matter with this pretty little fellow? He looks very white. Is he ill, or has he been eating cinders?'

"'Oh, no,' she would reply, 'it is always playing about that makes him look like that. Play is meat and drink to him, sir.'

"'Well, then, why not send him to my school at Saint-Michel de Frigolet?' M. Donnat would say. 'The good air alone will give him rosy cheeks in a fortnight. And he will be watched over and taught his lessons; and when he has been well educated he will find an easier occupation than a carpenter's.'

"'Ah, sir! But when one is poor!'

"'Don't trouble about that. We have up there I don't know how many doors and windows to mend. I can promise your husband more work as a carpenter than he will know how to get through; and so, my good woman, we shall settle the matter of fees.'

"So this child would also find himself at Saint-Michel, with those of the butcher, the baker and the candlestick-maker, and by these means M. Donnat collected into his school about forty boys, of whom I was one. Out of them all, I and a few others were there for a money payment, but three-quarters of them were paid for in kind, or by the labour of their parents. In a word, M. Donnat had solved the problem of the Bank of Exchange, quite simply and without any fuss, which the celebrated Proudhom tried in vain to establish in Paris in 1848....

"In those days Saint-Michel was of much less importance than it has since become. There was left just the cloister of the Augustinian monks, with its green in the middle of the court; to the south the refectory and chapter-house; then the dilapidated church of St. Michael, with its frescoes of the damned, and of demons armed with forks, and the battle between the devil and the great archangel in the middle; and then the kitchen and stables.

"But apart from this little group of buildings there was a buttressed chapel, dedicated to Our Lady of Succour, with a porch in front of it. Masses of ivy covered the walls, and the interior was lined with gilded carvings which enclosed pictures said to be by Mignard representing scenes in the life of the Virgin. Anne of Austria, mother of Louis XIV, had given these decorations in accordance with a vow she had made to the Virgin if she should bear a son.

"This chapel, a real gem, hidden in the mountains, had been saved during the Revolution by the good people who piled up fagots under the porch and hid the entrance. It was there that every morning in the year, at five o'clock in summer and six in winter, we were taken to hear Mass; it was there that I prayed, I remember—we all prayed—with a faith that was really angelic....

"The little hills all around were covered with thyme, rosemary, asphodel, box and lavender. In odd corners there were vines, which produced a wine of some repute-the wine of Frigolet; patches of olives on the lower slopes; plantations of almond-trees, twisted, dark and stunted, on the stony ground; and wild fig-trees in the clefts of the rocks. This sparse vegetation was all that these rugged hills could show; the rest was nothing but waste and scattered rocks. But how delicious it smelt! The scent of the mountains at sunrise intoxicated us....

"We became as rugged as a troop of gipsies. But how we revelled in these hills and gorges and ravines, with their sonorous Provençal names ... eternal monuments of the country and its language, all embalmed in thyme and rosemary and lavender, all illumined in gold and azure. Oh, sweet land of scents and colours and delights and illusions, what happiness, what dreams of paradise thou didst reveal to my childhood!"[31]

This idyllic existence came suddenly to an end. M. Donnat, being frequently away collecting pupils, neglected to educate them when he had found them, and being anxious to increase his numbers took pupils who paid little or nothing, and they were not those who ate the least. One morning the cook disappeared.

"No cook, no broth for us. The masters left us in the lurch one after the other. M. Donnat had disappeared. His poor old mother boiled us some potatoes for a few days, and then his father said to us one morning, 'Children, there is nothing more to eat; you had better go home.'"[32]

This was the end of poor M. Donnat's experiment, and he finally died in an almshouse.

The old monastery was abandoned for twelve years, and was then bought by a Premonstrant, who restored it under the rules of his order, which had ceased to exist in France.

"Thanks to the activity and preaching and begging of this ardent zealot, the little monastery grew enormously. Numerous crenellated buildings were added to it, a new, magnificently decorated church was built, with a nave and two aisles and two towers. A hundred monks or novices occupied its cells, and every Sunday the neighbouring people drove up to admire the elaborate pomp of their offices. The abbey of the White Fathers became so popular that when in 1880 the Republic ordered the convents to be closed a thousand peasants or inhabitants of the plains shut themselves up in it to protest against the execution of the decree. And it was then that we saw a whole army on the march—cavalry, infantry, generals and captains, with their commissariat and all the apparatus of war—and encamping round the Convent of Saint-Michel de Frigolet, seriously undertaking the siege of a comic-opera citadel, which would have given in to four or five gendarmes."[33]

It may be remembered that the romantic heart of the immortal Tartarin was stirred within him to take part in these proceedings. Equipped with a regular arsenal of weapons, he led his followers up the hill one dark night and taking immense pains to circumvent the investing troops crawled laboriously to the gates of the monastery. As he was crouching behind a stone, an officer on guard, who had often met him at his club, called out affably, "Bon soir, M. Tartarin," and made no difficulty whatever about his proceeding. The more people there were inside the monastery to consume its stock of provisions the quicker the siege would end. It has been made the basis of other stories and poems, but Mistral assures us that none of them are half as comic as were the facts themselves. I have read elsewhere that two thousand soldiers, horse and foot, united to expel twenty recalcitrant but unarmed monks, who were finally reduced by hunger and led triumphantly between two files of dragoons to Tarascon.

I do not know when or how the monks came back to their monastery, but they were finally expelled with all the rest ten years ago, and settled themselves somewhere in Belgium.

Well, you will agree that Saint-Michel de Frigolet was a place to see. I got up to it by a winding track among the hills. It was a clear, sunny morning, and the bees were humming among the scented herbs that give such a character to these stony hills, just as they did in the poet's happy childhood. On this side of the hill were a few olives here and there, but no other sign of cultivation until I came to the top of a hill, where there was a patch of dug ground, and beyond it a collection of pinnacles and walls conveying the impression that I had unexpectedly hit upon a large modern cemetery.

The first building I came to was a tall, jerry-built structure which seemed to have been used as a sort of factory. Its doors were open and its chambers empty and already beginning to fall to pieces. I walked down the hill between this and another building of the same sort, modern, hideous and deserted, and came to a large church, which looked on the outside much like a pretentious Nonconformist chapel in a London suburb. The west doors stood open, and I looked over an iron railing to find the interior blazing with gold and bright blues and reds and greens on every inch of wall and roof, and with coloured windows to match. At first sight it looked gorgeous, at second, its gorgeousness was seen to be mere garish vulgarity. The sacristan was inside, and I pushed open the iron gate and went in. He showed me the glories of the church with pride. He said that the decorations alone had cost one million six hundred thousand francs, which is £64,000, and the more I looked the more depressed I became at the senseless, conscienceless waste of it all. This was the building that the Premonstrants had erected in 1854, the "magnificently decorated church" to which Mistral describes all the neighbouring countryside flocking to admire the elaborate pomp of its offices. But all Mistral's artistic genius went into his poetry. He seems to have been incapable of appreciating the art that surrounded him so richly. I was told that the tomb he had erected for himself in the churchyard at Maillane was a close copy of the Pavillon de la Reine Jeanne at Les Baux, but that he had substituted the heads of favourite dogs for the carvings on the keystones of the arches; and I came across another instance of his lack of artistic understanding later on in his Musée Arlaten.

The Premonstrants have for their object the celebration of the ceremonies of the Church with the highest possible degree of elaboration, and I suppose that when they acquired this monastery money was lavished upon them for enriching it. It was the same spirit, one would have said, that had created the treasures of ecclesiastical art and architecture of which Provence is so full, but if so, what had become of its creative force? And yet the people—the uncontaminated sons of the soil, to whom the latest doctrine would have us look for the truest appreciation of art—flocked to this pinchbeck shrine, and took its gaudy ignorance for a true revival of ancient splendours.

The sacristan took me over the rest of the buildings. They had all been bought a few years before by a rich priest who admirably uses them for the training of boys whom he sends out to the colonies. He has bought farms and large tracts of land all around, and the score or so of youths that he looks after work on them. I should have liked a chat with him, but he was away for the day, and I suppose the boys were all out at work, for I did not see any of them.

Some of the buildings that were used by the original monks—and I suppose also by M. Donnat—are used now; others, even of the newer ones, are empty and some of them dilapidated. I was shown the library—two big rooms fitted up with painted deal shelves from which all the books had been removed. They looked poor and desolate, and there was not a trace of architectural dignity about anything else I saw that had been built in the last century, though it was all convenient enough for its purpose.

And yet there was the old church which these aspiring religionists had left to its quiet decay while they built their vulgar modern one, the sweet little peaceful cloister, the chapel of Our Lady of Succour, which Mistral has described, with its gilded Louis XIV boiseries round the altar, from which, however, the pictures had been removed. They had models around them, if they had had the wit to use them.

I went down the expensively embanked road towards Graveson, when I had seen all that there was to see. It was lined on either side with heavily built shrines exhibiting the Stations of the Cross, which looked like the rooks of a set of clumsy chessmen. And the last thing I saw of this derelict monument of bad taste, before the windings of the road hid it, was a large cross toppling over sideways, as if even that had not been built to last.