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A Voice on the Wind, and Other Poems

Chapter 45: OPTIMIST
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About This Book

This collection of lyric poems evokes rural and mythic landscapes, using vivid sensory imagery and personification to render winds, seasons, woods, and water as living presences. Short lyrics range from contemplations of autumnal loss, mortality, and longing to celebratory summer scenes and pastoral reveries; several pieces conjure naiads, dryads, and fauns, blending classical myth with local natural detail. Recurrent motifs include the passage of time, dreams and desire, and nature’s consolations, presented in musical cadences and ornate descriptive language.

From out the hills, where twilight stands,
Above the shadowy pasture lands,
With strained and strident cry,
Beneath pale skies that sunset bands,
The bull-bats fly.
A cloud hangs over, strange of shape,
And, colored like the half-ripe grape,
Seems some uneven stain
On heaven's azure, thin as crape,
And blue as rain.
By ways, that sunset's sardonyx
O'erflares, and gates the farmboy clicks,
Through which the cattle came,
The mullein stalks seem giant wicks
Of downy flame.
From woods no glimmer enters in,
Above the streams that wandering win
From out the violet hills,
Those haunters of the dusk begin,
The whippoorwills.
Adown the dark the firefly marks
Its flight in golden-emerald sparks;
And, loosened from his chain,
The shaggy watchdog bounds and barks,
And barks again.
Each breeze brings scents of hill-heaped hay;
And now an owlet, far away,
Cries twice or thrice, "Twohoo;"
And cool dim moths of mottled gray
Flit through the dew.
The silence sounds its frog-bassoon,
Where on the woodland creek's lagoon,
Pale as a ghostly girl
Lost 'mid the trees, looks down the moon
With face of pearl.
Within the shed where logs, late hewed,
Smell forest-sweet, and chips of wood
Make blurs of white and brown,
The brood-hen cuddles her warm brood
Of teetering down.
The clattering guineas in the tree
Din for a time; and quietly
The henhouse, near the fence,
Sleeps, save for some brief rivalry
Of cocks and hens.
A cow-bell tinkles by the rails,
Where, streaming white in foaming pails,
Milk makes an uddery sound;
While overhead the black bat trails
Around and 'round.
The night is still. The slow cows chew
A drowsy cud. The bird that flew
And sang is in its nest.
It is the time of falling dew,
Of dreams and rest.
The brown bees sleep; and 'round the walk,
The garden path, from stalk to stalk
The bungling beetle booms,
Where two soft shadows stand and talk
Among the blooms.
The stars are thick: the light is dead
That dyed the West: and Drowsyhead,
Tuning his cricket-pipe,
Nods, and some apple, round and red,
Drops over ripe.
Now down the road, that shambles by,
A window, shining like an eye
Through climbing rose and gourd,
Shows where Toil sups and these things lie,
His heart and hoard.

THE BROOK

To it the forest tells
The mystery that haunts its heart and folds
Its form in cogitation deep, that holds
The shadow of each myth that dwells
In nature—be it Nymph or Fay or Faun—
And whispering of them to the dales and dells,
It wanders on and on.
To it the heaven shows
The secret of its soul; true images
Of dreams that form its aspect; and with these
Reflected in its countenance it goes,
With pictures of the skies, the dusk and dawn,
Within its breast, as every blossom knows,
For them to gaze upon.
Through it the world-soul sends
Its heart's creating pulse that beats and sings
The music of maternity whence springs
All life; and shaping earthly ends,
From the deep sources of the heavens drawn,
Planting its ways with beauty, on it wends,
On and forever on.

SUMMER NOONTIDE

The slender snail clings to the leaf,
Gray on its silvered underside:
And slowly, slowlier than the snail, with brief
Bright steps, whose ripening touch foretells the sheaf,
Her warm hands berry-dyed,
Comes down the tanned Noontide.
The pungent fragrance of the mint
And pennyroyal drench her gown,
That leaves long shreds of trumpet-blossom tint
Among the thorns, and everywhere the glint
Of gold and white and brown
Her flowery steps waft down.
The leaves, like hands with emerald veined,
Along her way try their wild best
To reach the jewel—whose hot hue was drained
From some rich rose that all the June contained—
The butterfly, soft pressed
Upon her sunny breast.
Her shawl, the lace-like elder bloom,
She hangs upon the hillside brake,
Smelling of warmth and of her breast's perfume,
And, lying in the citron-colored gloom
Beside the lilied lake,
She stares the buds awake.
Or, with a smile, through watery deeps
She leads the oaring turtle's legs;
Or guides the crimson fish, that swims and sleeps,
From pad to pad, from which the young frog leaps;
And to its nest's green eggs
The bird that pleads and begs.
Then 'mid the fields of unmown hay
She shows the bees where sweets are found;
And points the butterflies, at airy play,
And dragonflies, along the water-way,
Where honeyed flowers abound
For them to flicker 'round.
Or where ripe apples pelt with gold
Some barn—around which, coned with snow,
The wild-potato blooms—she mounts its old
Mossed roof, and through warped sides, the knots have holed,
Lets her long glances glow
Into the loft below.
To show the mud-wasp at its cell
Slenderly busy; swallows, too,
Packing against a beam their nest's clay shell;
And crouching in the dark the owl as well
With all her downy crew
Of owlets gray of hue.
These are her joys, and until dusk
Lounging she walks where reapers reap,
From sultry raiment shaking scents of musk,
Rustling the corn within its silken husk,
And driving down heav'n's deep
White herds of clouds like sheep.

HEAT

I

Now is it as if Spring had never been,
And Winter but a memory and dream,
Here where the Summer stands, her lap of green
Heaped high with bloom and beam,
Among her blackberry-lilies, low that lean
To kiss her feet; or, freckle-browed, that stare
Upon the dragonfly which, slimly seen,
Like a blue jewel flickering in her hair,
Sparkles above them there.

II

Knee-deep among the tepid pools the cows
Chew a slow cud or switch a slower tail.
Half-sunk in sleep beneath the beechen boughs,
Where thin the wood-gnats ail.
From bloom to bloom the languid butterflies drowse;
The sleepy bees make hardly any sound;
The only things the sunrays can arouse,
It seems, are two black beetles rolling 'round
Upon the dusty ground.

III

Within its channel glares the creek and shrinks,
Beneath whose rocks the furtive crawfish hides
In stagnant places, where the green frog blinks,
And water-spider glides.
And water-spider glides.
Far hotter seems it for the bird that drinks,
The startled kingfisher that screams and flies;
Hotter and lonelier for the purple pinks
Of weeds that bloom, whose sultry perfumes rise
Stifling the swooning skies.

IV

From ragweed fallows, rye fields, heaped with sheaves,
From blistering rocks, no moss or lichens crust,
And from the road, where every hoof-stroke heaves
A cloud of burning dust,
The hotness quivers, making limp the leaves,
That loll like tongues of panting hounds. The heat
Is a wan wimple that the Summer weaves,
A veil, in which she wraps, as in a sheet,
The shriveling corn and wheat.

V

Furious, incessant in the weeds and briers
The sawing weed-bugs sing; and, heat-begot,
The grasshoppers, so many strident wires,
Staccato fiercely hot:
A lash of whirling sound that never tires,
The locust flails the noon, where harnessed Thirst,
Beside the road-spring, many a shod hoof mires,
Into the trough thrusts his hot head, immersed,
'Round which cool bubbles burst.

VI

The sad, sweet voice of some wood-spirit who
Laments while watching a loved oak tree die,
From the deep forest comes the wood-dove's coo.
A long, lost, lonely cry.
Oh, for a breeze, a mighty wind to woo
The woods to stormy laughter; sow like grain
The world with freshness of invisible dew.
And pile above far, fevered hill and plain.
Vast bastions black with rain.

JULY

Now 'tis the time when, tall,
The long blue torches of the bellflower gleam
Among the trees; and, by the wooded stream.
In many a fragrant ball.
Blooms of the button-bush fall.
Let us go forth and seek
Woods where the wild plums redden and the beech
Plumps its packed burs: and, swelling, just in reach.
The pawpaw, emerald sleek.
Ripens along the creek.
Now 'tis the time when ways
Of glimmering green flaunt white the misty plumes
Of the black-cohosh; and through bramble glooms,
A blur of orange rays,
The butterfly-blossoms blaze.
Let us go forth and hear
The spiral music that the locusts beat,
And that small spray of sound, so grassy sweet,
Dear to a country ear,
The cricket's summer cheer.
Now golden celandine
Is hairy hung with silvery sacks of seeds.
And bugled o'er with freckled gold, like beads.
Beneath the fox-grape vine,
The jewel-weed's blossoms shine.
Let us go forth and see
The dragon- and the butterfly, like gems,
Spangling the sunbeams; and the clover stems,
Weighed down by many a bee,
Nodding mellifluously.
Now morns are full of song;
The catbird and the redbird and the jay
Upon the hilltops rouse the rosy day,
Who, dewy, blithe, and strong,
Lures their wild wings along.
Now noons are full of dreams;
The clouds of heaven and the wandering breeze
Follow a vision; and the flowers and trees,
The hills and fields and streams,
Are lapped in mystic gleams.
The nights are full of love;
The stars and moon take up the golden tale
Of the sunk sun, and passionate and pale,
Mixing their fires above,
Grow eloquent thereof.
Such days are like a sigh
That beauty heaves from a full heart of bliss:
Such nights are like the sweetness of a kiss
On lips that half deny,
The warm lips of July.

TO THE LOCUST

Thou pulse of hotness, who, with reed-like breast,
Makest meridian music, long and loud,
Accentuating summer!—dost thy best
To make the sunbeams fiercer, and to crowd
With lonesomeness the long, close afternoon
When Labor leans, swart-faced and beady browed,
Upon his sultry scythe—thou tangible tune
Of heat, whose waves incessantly arise
Quivering and clear beneath the cloudless skies.
Thou singest, and upon his haggard hills
Drouth yawns and rubs his heavy eyes and wakes;
Brushes the hot hair from his face; and fills
The land with death as sullenly he takes
Downward his dusty way: 'midst woods and fields
At every pool his burning thirst he slakes:
No grove so deep, no bank so high it shields
A spring from him; no creek evades his eye;
He needs but look and they are withered dry.
Thou singest, and thy song is as a spell
Of somnolence to charm the land with sleep;
A thorn of sound that pierces dale and dell,
Diffusing slumber over vale and steep.
Diffusing slumber over vale and steep.
Sleepy the forest, nodding sleepy boughs;
The pastures sleepy with their sleepy sheep;
Sleepy the creek where sleepily the cows
Stand knee-deep: and the very heaven seems
Sleepy and lost in undetermined dreams.
Art thou a rattle that Monotony,
Summer's dull nurse, old sister of slow Time,
Shakes for Day's peevish pleasure, who in glee
Takes its discordant music for sweet rhyme?
Or oboe that the Summer Noontide plays,
Sitting with Ripeness 'neath the orchard-tree,
Trying repeatedly the same shrill phrase,
Until the musky peach with drowsiness
Drops, and the hum of bees grows less and less?

YOUNG SEPTEMBER


UNDER THE HUNTER'S MOON


RAIN IN THE WOODS

When on the leaves the rain persists,
And every gust brings showers down;
When all the woodland smokes with mists,
I take the old road out of town
Into the hills through which it twists.
I find the vale where catnip grows,
Where boneset blooms, with moisture bowed;
The vale through which the red creek flows,
Turbid with hill-washed clay, and loud
As some wild horn a hunter blows.
Around the root the beetle glides,
A living beryl; and the ant,
Large, agate-red, a garnet, slides
Beneath the rock; and every plant
Is roof for some frail thing that hides.
Like knots against the trunks of trees
The lichen-colored moths are pressed;
And, wedged in hollow blooms, the bees
Seem clots of pollen; in its nest
The wasp has crawled and lies at ease.
The locust harsh, that sharply saws
The silence of the summer noon;
The katydid that thinly draws
Its fine file o'er the bars of moon;
And grasshopper that drills each pause:
The mantis, long-clawed, furtive, lean—
Fierce feline of the insect hordes—
And dragonfly, gauze-winged and green,
Beneath the wild-grape's leaves and gourd's,
Have housed themselves and rest unseen.
The butterfly and forest-bird
Are huddled on the same gnarled bough,
From which, like some rain-voweled word
That dampness hoarsely utters now,
The tree-toad's voice is vaguely heard.
I crouch and listen; and again
The woods are filled with phantom forms—
With shapes, grotesque in mystic train,
That rise and reach to me cool arms
Of mist; the wandering wraiths of rain.
I see them come; fantastic, fair;
Chill, mushroom-colored: sky and earth
Grow ghostly with their floating hair
And trailing limbs, that have their birth
In wetness—fungi of the air.
O wraiths of rain! O ghosts of mist!
Still fold me, hold me, and pursue!
Still let my lips by yours be kissed!
Still draw me with your hands of dew
Unto the tryst, the dripping tryst.

IN THE LANE


A FOREST IDYL

I

Beneath an old beech-tree
They sat together,
Fair as a flower was she
Of summer weather.
They spoke of life and love,
While, through the boughs above,
The sunlight, like a dove,
Dropped many a feather.

II

And there the violet,
The bluet near it,
Made blurs of azure wet—
As if some spirit,
Or woodland dream, had gone
Sprinkling the earth with dawn,
When only Fay and Faun
Could see or hear it.

III

She with her young, sweet face
And eyes gray-beaming,
Made of that forest place
A spot for dreaming:
A spot for Oreads
To smooth their nut-brown braids,
For Dryads of the glades
To dance in, gleaming.

IV

So dim the place, so blest.
One had not wondered
Had Dian's moonéd breast
The deep leaves sundered,
And there on them awhile
The goddess deigned to smile.
While down some forest aisle
The far hunt thundered.

V

I deem that hour perchance
Was but a mirror
To show them Earth's romance
And draw them nearer:
A mirror where, meseems.
All that this Earth-life dreams,
All loveliness that gleams,
Their souls saw clearer.

VI

Beneath an old beech-tree
They dreamed of blisses;
Fair as a flower was she
That summer kisses:
They spoke of dreams and days,
Of love that goes and stays,
Of all for which life prays,
Ah me! and misses.

UNDER THE ROSE

He told a story to her,
A story old yet new—
And was it of the Faëry Folk
That dance along the dew?
The night was hung with silence
As a room is hung with cloth,
And soundless, through the rose-sweet hush,
Swooned dim the down-white moth.
Along the east a shimmer,
A tenuous breath of flame,
From which, as from a bath of light,
Nymph-like, the girl-moon came.
And pendent in the purple
Of heaven, like fireflies,
Bubbles of gold the great stars blew
From windows of the skies.
He told a story to her,
A story full of dreams—
And was it of the Elfin things
That haunt the thin moonbeams?
Upon the hill a thorn-tree,
Crooked and gnarled and gray,
Against the moon seemed some crutch'd hag
Dragging a child away.
And in the vale a runnel,
That dripped from shelf to shelf,
Seemed, in the night, a woodland witch
Who muttered to herself.
Along the land a zephyr,
Whose breath was wild perfume,
That seemed a sorceress who wove
Sweet spells of beam and bloom.
He told a story to her,
A story young yet old—
And was it of the mystic things
Men's eyes shall ne'er behold?
They heard the dew drip faintly
From out the green-cupped leaf;
They heard the petals of the rose
Unfolding from their sheaf.
They saw the wind light-footing
The waters into sheen;
They saw the starlight kiss to sleep
The blossoms on the green.
They heard and saw these wonders;
These things they saw and heard;
And other things within the heart
For which there is no word.
He told a story to her,
The story men call Love,
Whose echoes fill the ages past,
And the world ne'er tires of.

IN AUTUMN

I

Sunflowers wither and lilies die,
Poppies are pods of seeds;
The first red leaves on the pathway lie,
Like blood of a heart that bleeds.
Weary alway will it be to-day,
Weary and wan and wet;
Dawn and noon will the clouds hang gray,
And the autumn wind will sigh and say,
"He comes not yet, not yet.
Weary alway, alway!"

II

Hollyhocks bend all tattered and torn,
Marigolds all are gone;
The last pale rose lies all forlorn,
Like love that is trampled on.
Weary, ah me! to-night will be,
Weary and wild and hoar;
Rain and mist will blow from the sea,
And the wind will sob in the autumn tree,
"He comes no more, no more.
Weary, ah me! ah me!"

EPIPHANY

There is nothing that eases my heart so much
As the wind that blows from the purple hills;
'Tis a hand of balsam whose healing touch
Unburdens my bosom of ills.
There is nothing that causes my soul to rejoice
Like the sunset flaming without a flaw:
'Tis a burning bush whence God's own voice
Addresses my spirit with awe.
There is nothing that hallows my mind, meseems,
Like the night with its moon and its stars above;
'Tis a mystical lily whose golden gleams
Fulfill my being with love.
There is nothing, no, nothing, we see and feel.
That speaks to our souls some beautiful thought,
That was not created to help us, and heal
Our lives that are overwrought.

LIFE

I

PESSIMIST

There is never a thing we dream or do
But was dreamed and done in the ages gone;
Everything's old; there is nothing that's new,
And so it will be while the world goes on.
The thoughts we think have been thought before;
The deeds we do have long been done;
We pride ourselves on our love and lore
And both are as old as the moon and sun.
We strive and struggle and swink and sweat,
And the end for each is one and the same;
Time and the sun and the frost and wet
Will wear from its pillar the greatest name.
No answer comes for our prayer or curse,
No word replies though we shriek in air;
Ever the taciturn universe
Stretches unchanged for our curse or prayer.
With our mind's small light in the dark we crawl,—
Glow-worm glimmers that creep about,—
Tilt the Power that shaped us, over us all
Poises His foot and treads us out.
Unasked He fashions us out of clay,
A little water, a little dust,
And then in our holes He thrusts us away,
With never a word, to rot and rust.
'Tis a sorry play with a sorry plot,
This life of hate and of lust and pain,
Where we play our parts and are soon forgot,
And all that we do is done in vain.

II

OPTIMIST

There is never a dream but it shall come true,
And never a deed but was wrought by plan;
And life is filled with the strange and new,
And ever has been since the world began.
As mind develops and soul matures
These two shall parent Earth's mightier acts;
Love is a fact, and 'tis love endures
'Though the world make wreck of all other facts.
Through thought alone shall our Age obtain
Above all Ages gone before;
The tribes of sloth, of brawn, not brain,
Are the tribes that perish, are known no more.
Within ourselves is a voice of Awe,
And a hand that points to Balanced Scales;
The one is Love and the other Law,
And their presence alone it is avails.
For every shadow about our way
There is a glory of moon and sun;
But the hope within us hath more of ray
Than the light of the sun and moon in one.
Behind all being a purpose lies,
Undeviating as God hath willed;
And he alone it is who dies,
Who leaves that purpose unfulfilled.
Life is an epic the Master sings,
Whose theme is Man, and whose music, Soul,
Where each is a word in the Song of Things,
That shall roll on while the ages roll.

NEVER

(Song)