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A Voice on the Wind, and Other Poems

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This collection of lyric poems evokes rural and mythic landscapes, using vivid sensory imagery and personification to render winds, seasons, woods, and water as living presences. Short lyrics range from contemplations of autumnal loss, mortality, and longing to celebratory summer scenes and pastoral reveries; several pieces conjure naiads, dryads, and fauns, blending classical myth with local natural detail. Recurrent motifs include the passage of time, dreams and desire, and nature’s consolations, presented in musical cadences and ornate descriptive language.

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Title: A Voice on the Wind, and Other Poems

Author: Madison Julius Cawein

Release date: October 6, 2010 [eBook #33940]

Language: English

Credits: Produced by David Garcia, Dianne Nolan and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)

*** START OF THE PROJECT GUTENBERG EBOOK A VOICE ON THE WIND, AND OTHER POEMS ***

Transcriber's Notes

List of Poems did not appear in original book. Original spellings and punctuation have been retained. Typographical error marked with mouse-hover pop-up.

LIST OF POEMS

PROEM.
A VOICE ON THE WIND
THE LAND OF HEARTS MADE WHOLE
THE WIND OF WINTER
THE WIND OF SUMMER
THE SPIRIT OF THE FOREST SPRING
TO THE LEAF-CRICKET
THE OWLET
VINE AND SYCAMORE
THE POET
EVENING ON THE FARM
THE BROOK
SUMMER NOONTIDE
HEAT
JULY
TO THE LOCUST
YOUNG SEPTEMBER
UNDER THE HUNTER'S MOON
RAIN IN THE WOODS
IN THE LANE
A FOREST IDYL
UNDER THE ROSE
IN AUTUMN
EPIPHANY
LIFE
NEVER
MEETING IN THE WOODS
A MAID WHO DIED OLD
COMMUNICANTS
THE DEAD DAY
KNIGHT-ERRANT
THE END OF SUMMER
LIGHT AND WIND
SUPERSTITION
UNCALLED
LOVE DESPISED
THE DEATH OF LOVE
GERALDINE, GERALDINE
ALLUREMENT
BLACK VESPER'S PAGEANTS.


A Voice on the Wind

And Other Poems

by

Madison Cawein

Louisville
John P. Morton & Company, Publishers
1902

Copyrighted 1902, by Madison Cawein


For permission to reprint several of the poems included in this volume thanks are due to the Atlantic Monthly,
Harper's Magazine, The Century Magazine, Smart Set, Saturday Evening Post, and Lippincott's Magazine.

INSCRIBED

TO

EDMUND GOSSE

AS A SLIGHT TOKEN OF APPRECIATION AND ESTEEM

PROEM.

Oh, for a soul that fulfills
Music like that of a bird!
Thrilling with rapture the hills,
Heedless if any one heard.
Or, like the flower that blooms
Lone in the midst of the trees,
Filling the woods with perfumes,
Careless if any one sees.
Or, like the wandering wind,
Over the meadows that swings,
Bringing wild sweets to mankind,
Knowing not that which it brings.
Oh, for a way to impart
Beauty, no matter how hard!
Like unto nature, whose art
Never once dreams of reward.

A Voice on the Wind

A VOICE ON THE WIND

She walks with the wind on the windy height
When the rocks are loud and the waves are white,
And all night long she calls through the night,
"O, my children, come home!"
Her bleak gown, torn as a tattered cloud,
Tosses around her like a shroud,
While over the deep her voice rings loud,—
"O, my children, come home, come home!
O, my children, come home!"
Who is she who wanders alone,
When the wind drives sheer and the rain is blown?
Who walks all night and makes her moan,
"O, my children, come home!"
Whose face is raised to the blinding gale;
Whose hair blows black and whose eyes are pale,
While over the world is heard her wail,—
"O, my children, come home, come home!
O, my children, come home!"
She walks with the wind in the windy wood;
The sad rain drips from her hair and hood,
And her cry sobs by, like a ghost pursued,
"O, my children, come home!"
"O, my children, come home!"
Where the trees are gaunt and the rocks are drear,
The owl and the fox crouch down in fear,
While wild through the wood her voice they hear,—
"O, my children, come home, come home!
O, my children, come home!"
Who is she who shudders by
When the boughs blow bare and the dead leaves fly?
Who walks all night with her wailing cry,
"O, my children, come home!"
Who, strange of look, and wild of tongue,
With pale feet wounded and hands wan-wrung,
Sweeps on and on with her cry, far-flung,—
"O, my children, come home, come home!
O, my children, come home!"
'Tis the Spirit of Autumn, no man sees,
The mother of Death and Mysteries,
Who cries on the wind all night to these,
"O, my children, come home!"
The Spirit of Autumn, pierced with pain,
Calling her children home again,
Death and Dreams, through ruin and rain,
"O, my children, come home, come home!
O, my children, come home!"

THE LAND OF HEARTS MADE WHOLE

Do you know the way that goes
Over fields of rue and rose,—
Warm of scent and hot of hue,
Roofed with heaven's bluest blue,—
To the Vale of Dreams Come True?
Do you know the path that twines,
Banked with elder-bosks and vines,
Under boughs that shade a stream,
Hurrying, crystal as a gleam,
To the Hills of Love a-Dream?
Tell me, tell me, have you gone
Through the fields and woods of dawn,
Meadowlands and trees that roll,
Great of grass and huge of bole,
To the Land of Hearts Made Whole?
On the way, amid the woods,
Mandrakes muster multitudes,
'Mid whose blossoms, white as tusk,
Glides the glimmering Forest-Dusk,
With her fluttering moths of musk.
Here you hear the stealthy stir
Of shy lives of hoof and fur;
Harmless things that hide and peer,
Hearts that sucked the milk of fear—
Fox and rabbit, squirrel and deer.
Here you see the mossy flight
Of faint forms that love the night—
Whippoorwill- and owlet-things,
Whose far call before you brings
Wonder-worlds of happenings.
Now in sunlight, now in shade,
Water, like a brandished blade,
Foaming forward, wild of flight,
Startles then arrests the sight,
Whirling steely loops of light.
Thro' the tree-tops, down the vale,
Breezes pass and leave a trail
Of cool music that the birds,
Following in happy herds,
Gather up in twittering words.
Blossoms, frail and manifold,
Strew the way with pearl and gold;
Blurs, that seem the darling print
Of the Springtime's feet, or glint
Of her twinkling gown's torn tint.
There the myths of old endure:
Dreams that are the world-soul's cure;
Things that have no place or play
In the facts of Everyday
'Round your presence smile and sway.
Suddenly your eyes may see,
Stepping softly from her tree,
Slim of form and wet with dew,
The brown dryad; lips the hue
Of a berry bit into.
You may mark the naiad rise
From her pool's reflected skies;
In her gaze the heaven that dreams,
Starred, in twilight-haunted streams,
Mixed with water's grayer gleams.
You may see the laurel's girth,
Big of bloom, give fragrant birth
To the oread whose hair,
Musk and darkness, light and air,
Fills the hush with wonder there.
You may mark the rocks divide,
And the faun before you glide,
Piping on a magic reed,
Sowing many a music seed,
From which bloom and mushroom bead.
Of the rain and sunlight born,
Young of beard and young of horn,
You may see the satyr lie,
With a very knowing eye,
Teaching youngling birds to fly.
These shall cheer and follow you
Through the Vale of Dreams Come True;
Wind-like voices, leaf-like feet;
Forms of mist and hazy heat,
In whose pulses sunbeams beat.
Lo! you tread enchanted ground!
From the hollows all around
Elf and spirit, gnome and fay,
Guide your feet along the way
Till the dewy close of day.
Then beside you, jet on jet,
Emerald-hued or violet,
Flickering swings a firefly light,
Aye to guide your steps a-right
From the valley to the height.
Steep the way is; when at last
Vale and wood and stream are passed,
From the heights you shall behold
Panther heavens of spotted gold
Tiger-tawny deeps unfold.
You shall see on stocks and stones
Sunset's bell-deep color tones
Fallen; and the valleys filled
With dusk's purple music, spilled
On the silence rapture-thrilled.
Then, as answering bell greets bell,
Night ring in her miracle
Of the doméd dark, o'er-rolled,
Note on note, with starlight cold,
'Twixt the moon's broad peal of gold.
On the hill-top Love-a-Dream
Shows you then her window-gleam;
Brings you home and folds your soul
In the peace of vale and knoll,
In the Land of Hearts Made Whole.

THE WIND OF WINTER

The Winter Wind, the wind of death,
Who knocked upon my door,
Now through the key-hole entereth,
Invisible and hoar;
He breathes around his icy breath
And treads the flickering floor.
I heard him, wandering in the night,
Tap at my window pane,
With ghostly fingers, snowy white,
I heard him tug in vain,
Until the shuddering candle-light
With fear did cringe and strain.
The fire, awakened by his voice,
Leapt up with frantic arms,
Like some wild babe that greets with noise
Its father home who storms,
With rosy gestures that rejoice
And crimson kiss that warms.
Now in the hearth he sits and, drowned
Among the ashes, blows;
Or through the room goes stealing 'round
On cautious-stepping toes,
Deep mantled in the drowsy sound
Of night that sleets and snows.
And oft, like some thin fairy-thing,
The stormy hush amid,
I hear his captive trebles ring
Beneath the kettle's lid;
Or now a harp of elfland string
In some dark cranny hid.
Again I hear him, imp-like, whine
Cramped in the gusty flue;
Or knotted in the resinous pine
Raise goblin cry and hue,
While through the smoke his eyeballs shine,
A sooty red and blue.
At last I hear him, nearing dawn,
Take up his roaring broom,
And sweep wild leaves from wood and lawn,
And from the heavens the gloom,
To show the gaunt world lying wan,
And morn's cold rose a-bloom.

THE WIND OF SUMMER

From the hills and far away
All the long, warm summer day
Comes the wind and seems to say:
"Come, oh, come! and let us go
Where the meadows bend and blow,
Waving with the white-tops' snow.
"'Neath the hyssop-colored sky
'Mid the meadows we will lie
Watching the white clouds roll by;
"While your hair my hands shall press
With a cooling tenderness
Till your grief grows less and less.
"Come, oh, come! and let us roam
Where the rock-cut waters comb
Flowing crystal into foam.
"Under trees whose trunks are brown,
On the banks that violets crown,
We will watch the fish flash down;
"Come! where forests, line on line,
Armies of the oak and pine,
Scale the hills and shout and shine.
"We will wander, hand in hand,
Ways where tall the toadstools stand,
Mile-stones white of Fairyland.
"While your eyes my lips shall kiss,
Dewy as a wild rose is,
Till they gaze on naught but bliss.
"On the meadows you will hear,
Leaning low your spirit ear,
Cautious footsteps drawing near.
"You will deem it but a bee,
Murmuring soft and sleepily,
Till your inner sight shall see
"'Tis a presence passing slow,
All its shining hair ablow,
Through the white-tops' tossing snow.
"By the waters, if you will,
And your inmost soul be still,
Melody your ears shall fill.
"You will deem it but the stream
Rippling onward in a dream,
Till upon your gaze shall gleam
"Arm of spray and throat of foam—
'Tis a spirit there aroam
Where the radiant waters comb.
"In the forest, if you heed,
You shall hear a magic reed
Sow sweet notes like silver seed.
"You will deem your ears have heard
Stir of tree or song of bird,
Till your startled eyes are blurred
"By a vision, instant seen,
Naked gold and beryl green,
Glimmering bright the boughs between.
"Follow me! and you shall see
Wonder-worlds of mystery
That are only known to me!"
Thus outside my city door
Speaks the Wind its wildwood lore,
Speaks and lo! I go once more.

THE SPIRIT OF THE FOREST SPRING


TO THE LEAF-CRICKET

I

Small twilight singer
Of dew and mist: thou ghost-gray, gossamer winger
Of dusk's dim glimmer,
How cool thy note sounds; how thy wings of shimmer
Vibrate, soft-sighing,
Meseems, for Summer that is dead or dying.
I stand and listen,
And at thy song the garden-beds, that glisten
With rose and lily,
Seem touched with sadness; and the tuberose chilly,
Breathing around its cold and colorless breath,
Fills the pale evening with wan hints of death.

II

I see thee quaintly
Beneath the leaf; thy shell-shaped winglets faintly—
As thin as spangle
Of cobwebbed rain—held up at airy angle;
I hear thy tinkle,
Thy fairy notes, the silvery stillness sprinkle;
Investing wholly
The moonlight with divinest melancholy:
Until, in seeming,
I see the Spirit of the Summer dreaming
Amid her ripened orchards, apple-strewn,
Her great, grave eyes fixed on the harvest-moon.

III

As dew-drops beady,
As mist minute, thy notes ring low and reedy:
The vaguest vapor
Of melody, now near; now, like some taper
Of sound, far fading—
Thou will-o'-wisp of music aye evading.
Among the bowers,
The fog-washed stalks of Autumn's weeds and flowers,
By hill and hollow,
I hear thy murmur and in vain I follow—
Thou jack-o'-lantern voice, thou elfin cry,
Thou dirge, that tellest Beauty she must die.

IV

And when the frantic
Wild winds of Autumn with the dead leaves antic;
And walnuts scatter
The mire of lanes; and dropping acorns patter
In grove and forest,
Like some frail grief, with the rude blast thou warrest,
Sending thy slender
Far cry against the gale, that, rough, untender,
Untouched of sorrow,
Sweeps thee aside, where, haply, I to-morrow
Shall find thee lying, tiny, cold and crushed,
Thy weak wings folded and thy music hushed.

THE OWLET

I

When dusk is drowned in drowsy dreams,
And slow the hues of sunset die;
When firefly and moth go by,
And in still streams the new-moon gleams,
A sickle in the sky;
Then from the hills there comes a cry,
The owlet's cry;
A shivering voice that sobs and screams,
That, frightened, screams:
"Who is it, who is it, who?
Who rides through the dusk and dew,
With a pair o' horns,
As thin as thorns,
And face a bubble blue?
Who, who, who!
Who is it, who is it, who?"

II

When night has dulled the lily's white,
And opened wide the primrose eyes;
When pale mists rise and veil the skies,
And 'round the height in whispering flight
The night-wind sounds and sighs;
Then in the woods again it cries,
The owlet cries;
A shivering voice that calls in fright,
In maundering fright:
"Who is it, who is it, who?
Who walks with a shuffling shoe,
'Mid the gusty trees,
With a face none sees,
And a form as ghostly too?
Who, who, who!
Who is it, who is it, who?"

III

When midnight leans a listening ear
And tinkles on her insect lutes;
When 'mid the roots the cricket flutes,
And marsh and mere, now far, now near,
A jack-o'-lantern foots;
Then o'er the pool again it hoots,
The owlet hoots;
A voice that shivers as with fear,
That cries in fear:
"Who is it, who is it, who?
Who creeps with his glow-worm crew
Above the mire
With a corpse-light fire,
As only dead men do?
Who, who, who!
Who is it, who is it, who?"

VINE AND SYCAMORE

I

Here where a tree and its wild liana,
Leaning over the streamlet, grow,
Once a nymph, like the moon'd Diana,
Sat in the ages long ago.
Sat with a mortal with whom she had mated,
Sat and laughed with a mortal youth,
Ere he of the forest, the god who hated,
Saw and changed to a form uncouth....

II

Once in the woods she had heard a shepherd,
Heard a reed in a golden glade;
Followed, and clad in the skin of a leopard,
Found him fluting within the shade.
Found him sitting with bare brown shoulder,
Lithe and strong as a sapling oak,
And leaning over a mossy boulder,
Love in her wildwood heart awoke.

III

White she was as a dogwood flower,
Pinkly white as a wild-crab bloom,
Sweetly white as a hawtree bower
Full of dew and the May's perfume.
He who saw her above him burning,
Beautiful, naked, in light arrayed,
Deemed her Diana, and from her turning,
Leapt to his feet and fled afraid.

IV

Far she followed and called and pleaded,
Ever he fled with never a look;
Fled, till he came to this spot, deep-reeded,
Came to the bank of this forest brook.
Here for a moment he stopped and listened,
Heard in her voice her heart's despair,
Saw in her eyes the love that glistened,
Sank on her bosom and rested there.

V

Close to her beauty she strained and pressed him,
Held and bound him with kiss on kiss;
Soft with her arms and her lips caressed him,
Sweeter of touch than a blossom is.
Spoke to his heart, and with sweet persuasion
Mastered his soul till its fear was flown;
Spoke to his soul till its mortal evasion
Vanished, and body and soul were her own.

VI

Many a day had they met and mated,
Many a day by this woodland brook,
When he of the forest, the god who hated,
Came on their love and changed with a look.
There on the shore, while they joyed and jested,
He in the shadows, unseen, espied
Her, like the goddess Diana breasted,
Him, like Endymion by her side.

VII

Lo! at a word, at a sign, their folded
Limbs and bodies assumed new form,
Hers to the shape of a tree were molded,
His to a vine with surrounding arm....
So they stand with their limbs enlacing,
Nymph and mortal, upon this shore,
He forever a vine embracing
Her a silvery sycamore.

THE POET

He stands above all worldly schism,
And, gazing over life's abysm,
Beholds within the starry range
Of heaven laws of death and change,
That, through his soul's prophetic prism,
Are turned to rainbows wild and strange.
Through nature is his hope made surer
Of that ideal, his allurer,
By whom his life is upward drawn
To mount pale pinnacles of dawn,
'Mid which all that is fairer, purer
Of love and lore it comes upon.
An alkahest, that makes gold metal
Of dross, his mind is—where one petal
Of one wild-rose will all outweigh
The piled-up facts of everyday—
Where commonplaces, there that settle,
Are changed to things of heavenly ray.
He climbs by steps of stars and flowers,
Companioned of the dreaming hours,
And sets his feet in pastures where
No merely mortal feet may fare;
And higher than the stars he towers
Though lowlier than the flowers there.
His comrades are his own high fancies
And thoughts in which his soul romances;
And every part of heaven or earth
He visits, lo, assumes new worth;
And touched with loftier traits and trances
Re-shines as with a lovelier birth.
He is the play, likewise the player;
The word that's said, also the sayer;
And in the books of heart and head
There is no thing he has not read;
Of time and tears he is the weigher,
And mouthpiece 'twixt the quick and dead.
He dies: but, mounting ever higher,
Wings Phœnix-like from out his pyre
Above our mortal day and night,
Clothed on with sempiternal light;
And raimented in thought's far fire
Flames on in everlasting flight.
Unseen, yet seen, on heights of visions,
Above all praise and world derisions,
His spirit and his deathless brood
Of dreams fare on, a multitude,
While on the pillar of great missions
His name and place are granite-hewed.

EVENING ON THE FARM