The Project Gutenberg eBook of A Window in Thrums
Title: A Window in Thrums
Author: J. M. Barrie
Release date: March 26, 2007 [eBook #20914]
Language: English
Credits: E-text prepared by Al Haines
E-text prepared by Al Haines
| Transcriber's note: |
| The volume from which this e-book was created contained two books, A Window in Thrums and Auld Licht Idylls. |
Photograph of J. M. Barrie
A WINDOW IN THRUMS
BY
J. M. BARRIE
ILLUSTRATED
NEW YORK
CHARLES SCRIBNER'S SONS
1918
COPYRIGHT, 1896, BY
CHARLES SCRIBNER'S SONS
CONTENTS
ILLUSTRATIONS
J. M. BARRIE . . . . . . . . . . . . Frontispiece
The square foot of glass where Jess sat in her chair and looked down the brae
INTRODUCTION
When the English publishers read "A Window in Thrums" in manuscript they thought it unbearably sad and begged me to alter the end. They warned me that the public do not like sad books. Well, the older I grow and the sadder the things I see, the more do I wish my books to be bright and hopeful, but an author may not always interfere with his story, and if I had altered the end of "A Window in Thrums" I think I should never have had any more respect for myself. It is a sadder book to me than it can ever be to anyone else. I see Jess at her window looking for the son who never came back as no other can see her, and I knew that unless I brought him back in time the book would be a pain to me all my days, but the thing had to be done.
I think there are soft-hearted readers here and there who will be glad to know that there never was any Jess. There is a little house still standing at the top of the brae which can be identified as her house, I chose it for her though I was never in it myself, but it is only the places in my books about Thrums that may be identified. The men and women, with indeed some very subsidiary exceptions, who now and again cross the square, are entirely imaginary, and Jess is of them. But anything in her that was rare or beautiful she had from my mother; the imaginary woman came to me as I looked into the eyes of the real one. And as it is the love of mother and son that has written everything of mine that is of any worth, it was natural that the awful horror of the untrue son should dog my thoughts and call upon me to paint the picture. That, I believe now, though I had no idea of it at the time, is how "A Window in Thrums" came to be written, less by me than by an impulse from behind. And so it wrote itself, very quickly. I have read that I rewrote it eight times, but it was written once only, nearly every chapter, I think, at a sitting.
A WINDOW IN THRUMS
CHAPTER I
THE HOUSE ON THE BRAE
On the bump of green round which the brae twists, at the top of the brae, and within cry of T'nowhead Farm, still stands a one-storey house, whose whitewashed walls, streaked with the discoloration that rain leaves, look yellow when the snow comes. In the old days the stiff ascent left Thrums behind, and where is now the making of a suburb was only a poor row of dwellings and a manse, with Hendry's cot to watch the brae. The house stood bare, without a shrub, in a garden whose paling did not go all the way round, the potato pit being only kept out of the road, that here sets off southward, by a broken dyke of stones and earth. On each side of the slate-coloured door was a window of knotted glass. Ropes were flung over the thatch to keep the roof on in wind.
Into this humble abode I would take any one who cares to accompany me. But you must not come in a contemptuous mood, thinking that the poor are but a stage removed from beasts of burden, as some cruel writers of these days say; nor will I have you turn over with your foot the shabby horse-hair chairs that Leeby kept so speckless, and Hendry weaved for years to buy, and Jess so loved to look upon.
I speak of the chairs, but if we go together into the "room" they will not be visible to you. For a long time the house has been to let. Here, on the left of the doorway, as we enter, is the room, without a shred of furniture in it except the boards of two closed-in beds. The flooring is not steady, and here and there holes have been eaten into the planks. You can scarcely stand upright beneath the decaying ceiling. Worn boards and ragged walls, and the rusty ribs fallen from the fireplace, are all that meet your eyes, but I see a round, unsteady, waxcloth-covered table, with four books lying at equal distances on it. There are six prim chairs, two of them not to be sat upon, backed against the walls, and between the window and the fireplace a chest of drawers, with a snowy coverlet. On the drawers stands a board with coloured marbles for the game of solitaire, and I have only to open the drawer with the loose handle to bring out the dambrod. In the carved wood frame over the window hangs Jamie's portrait; in the only other frame a picture of Daniel in the den of lions, sewn by Leeby in wool. Over the chimney-piece with its shells, in which the roar of the sea can be heard, are strung three rows of birds' eggs. Once again we might be expecting company to tea.
The passage is narrow. There is a square hole between the rafters, and a ladder leading up to it. You may climb and look into the attic, as Jess liked to hear me call my tiny garret-room. I am stiffer now than in the days when I lodged with Jess during the summer holiday I am trying to bring back, and there is no need for me to ascend. Do not laugh at the newspapers with which Leeby papered the garret, nor at the yarn Hendry stuffed into the windy holes. He did it to warm the house for Jess. But the paper must have gone to pieces and the yarn rotted decades ago.
I have kept the kitchen for the last, as Jamie did on the dire day of which I shall have to tell. It has a flooring of stone now, where there used only to be hard earth, and a broken pane in the window is indifferently stuffed with rags. But it is the other window I turn to, with a pain at my heart, and pride and fondness too, the square foot of glass where Jess sat in her chair and looked down the brae.
The square foot of glass where Jess sat in her chair
and looked down the brae.
Ah, that brae! The history of tragic little Thrums is sunk into it like the stones it swallows in the winter. We have all found the brae long and steep in the spring of life. Do you remember how the child you once were sat at the foot of it and wondered if a new world began at the top? It climbs from a shallow burn, and we used to sit on the brig a long time before venturing to climb. As boys we ran up the brae. As men and women, young and in our prime, we almost forgot that it was there. But the autumn of life comes, and the brae grows steeper; then the winter, and once again we are as the child pausing apprehensively on the brig. Yet are we no longer the child; we look now for no new world at the top, only for a little garden and a tiny house, and a handloom in the house. It is only a garden of kail and potatoes, but there may be a line of daisies, white and red, on each side of the narrow footpath, and honeysuckle over the door. Life is not always hard, even after backs grow bent, and we know that all braes lead only to the grave.
This is Jess's window. For more than twenty years she had not been able to go so far as the door, and only once while I knew her was she ben in the room. With her husband, Hendry, or their only daughter, Leeby, to lean upon, and her hand clutching her staff, she took twice a day, when she was strong, the journey between her bed and the window where stood her chair. She did not lie there looking at the sparrows or at Leeby redding up the house, and I hardly ever heard her complain. All the sewing was done by her; she often baked on a table pushed close to the window, and by leaning forward she could stir the porridge. Leeby was seldom off her feet, but I do not know that she did more than Jess, who liked to tell me, when she had a moment to spare, that she had a terrible lot to be thankful for.
To those who dwell in great cities Thrums is only a small place, but what a clatter of life it has for me when I come to it from my school-house in the glen. Had my lot been cast in a town I would no doubt have sought country parts during my September holiday, but the school-house is quiet even when the summer takes brakes full of sportsmen and others past the top of my footpath, and I was always light-hearted when Craigiebuckle's cart bore me into the din of Thrums. I only once stayed during the whole of my holiday at the house on the brae, but I knew its inmates for many years, including Jamie, the son, who was a barber in London. Of their ancestry I never heard. With us it was only some of the articles of furniture, or perhaps a snuff-mull, that had a genealogical tree. In the house on the brae was a great kettle, called the boiler, that was said to be fifty years old in the days of Hendry's grandfather, of whom nothing more is known. Jess's chair, which had carved arms and a seat stuffed with rags, had been Snecky Hobart's father's before it was hers, and old Snecky bought it at a roup in the Tenements. Jess's rarest possession was, perhaps, the christening robe that even people at a distance came to borrow. Her mother could count up a hundred persons who had been baptized in it.
Every one of the hundred, I believe, is dead, and even I cannot now pick out Jess and Hendry's grave; but I heard recently that the christening robe is still in use. It is strange that I should still be left after so many changes, one of the three or four who can to-day stand on the brae and point out Jess's window. The little window commands the incline to the point where the brae suddenly jerks out of sight in its climb down into the town. The steep path up the commonty makes for this elbow of the brae, and thus, whichever way the traveller takes, it is here that he comes first into sight of the window. Here, too, those who go to the town from the south get their first glimpse of Thrums.
Carts pass up and down the brae every few minutes, and there comes an occasional gig. Seldom is the brae empty, for many live beyond the top of it now, and men and women go by to their work, children to school or play. Not one of the children I see from the window to-day is known to me, and most of the men and women I only recognize by their likeness to their parents. That sweet-faced old woman with the shawl on her shoulders may be one of the girls who was playing at the game of palaulays when Jamie stole into Thrums for the last time; the man who is leaning on the commonty gate gathering breath for the last quarter of the brae may, as a barefooted callant, have been one of those who chased Cree Queery past the poor-house. I cannot say; but this I know, that the grandparents of most of these boys and girls were once young with me. If I see the sons and daughters of my friends grown old, I also see the grandchildren spinning the peerie and hunkering at I-dree-I-dree—I-droppit-it—as we did so long ago. The world remains as young as ever. The lovers that met on the commonty in the gloaming are gone, but there are other lovers to take their place, and still the commonty is here. The sun had sunk on a fine day in June, early in the century, when Hendry and Jess, newly married, he in a rich moleskin waistcoat, she in a white net cap, walked to the house on the brae that was to be their home. So Jess has told me. Here again has been just such a day, and somewhere in Thrums there may be just such a couple, setting out for their home behind a horse with white ears instead of walking, but with the same hopes and fears, and the same love light in their eyes. The world does not age. The hearse passes over the brae and up the straight burying-ground road, but still there is a cry for the christening robe.
Jess's window was a beacon by night to travellers in the dark, and it will be so in the future when there are none to remember Jess. There are many such windows still, with loving faces behind them. From them we watch for the friends and relatives who are coming back, and some, alas! watch in vain. Not every one returns who takes the elbow of the brae bravely, or waves his handkerchief to those who watch from the window with wet eyes, and some return too late. To Jess, at her window always when she was not in bed, things happy and mournful and terrible came into view. At this window she sat for twenty years or more looking at the world as through a telescope; and here an awful ordeal was gone through after her sweet untarnished soul had been given back to God.
CHAPTER II
ON THE TRACK OF THE MINISTER
On the afternoon of the Saturday that carted me and my two boxes to Thrums, I was ben in the room playing Hendry at the dambrod. I had one of the room chairs, but Leeby brought a chair from the kitchen for her father. Our door stood open, and as Hendry often pondered for two minutes with his hand on a "man," I could have joined in the gossip that was going on but the house.
"Ay, weel, then, Leeby," said Jess, suddenly, "I'll warrant the minister 'll no be preachin' the morn."
This took Leeby to the window.
"Yea, yea," she said (and I knew she was nodding her head sagaciously); I looked out at the room window, but all I could see was a man wheeling an empty barrow down the brae.
"That's Robbie Tosh," continued Leeby; "an' there's nae doot 'at he's makkin for the minister's, for he has on his black coat. He'll be to row the minister's luggage to the post-cart. Ay, an' that's Davit Lunnan's barrow. I ken it by the shaft's bein' spliced wi' yarn. Davit broke the shaft at the saw-mill."
"He'll be gaen awa for a curran (number of) days," said Jess, "or he would juist hae taen his bag. Ay, he'll be awa to Edinbory, to see the lass."
"I wonder wha'll be to preach the morn—tod, it'll likely be Mr. Skinner, frae Dundee; him an' the minister's chief, ye ken."
"Ye micht' gang up to the attic, Leeby, an' see if the spare bedroom vent (chimney) at the manse is gaen. We're sure, if it's Mr. Skinner, he'll come wi' the post frae Tilliedrum the nicht, an' sleep at the manse."
"Weel, I assure ye," said Leeby, descending from the attic, "it'll no be Mr. Skinner, for no only is the spare bedroom vent no gaen, but the blind's drawn doon frae tap to fut, so they're no even airin' the room. Na, it canna be him; an' what's mair, it'll be naebody 'at's to bide a' nicht at the manse."
"I wouldna say that; na, na. It may only be a student; an' Marget Dundas" (the minister's mother and housekeeper) "michtna think it necessary to put on a fire for him."
"Tod, I'll tell ye wha it'll be. I wonder I didna think o' 'im sooner. It'll be the lad Wilkie; him 'at's mither mairit on Sam'l Duthie's wife's brither. They bide in Cupar, an' I mind 'at when the son was here twa or three year syne he was juist gaen to begin the diveenity classes in Glesca."
"If that's so, Leeby, he would be sure to bide wi' Sam'l. Hendry, hae ye heard 'at Sam'l Duthie's expeckin' a stranger the nicht?"
"Haud yer tongue," replied Hendry, who was having the worst of the game.
"Ay, but I ken he is," said Leeby triumphantly to her mother, "for ye mind when I was in at Johnny Watt's (the draper's) Chirsty (Sam'l's wife) was buyin' twa yards o' chintz, an' I couldna think what she would be wantin' 't for!"
"I thocht Johnny said to ye 'at it was for a present to Chirsty's auntie?"
"Ay, but he juist guessed that; for, though he tried to get oot o' Chirsty what she wanted the chintz for, she wouldna tell 'im. But I see noo what she was after. The lad Wilkie 'll be to bide wi' them, and Chirsty had bocht the chintz to cover the airm-chair wi'. It's ane o' thae hair-bottomed chairs, but terrible torn, so she'll hae covered it for 'im to sit on."
"I wouldna wonder but ye're richt, Leeby; for Chirsty would be in an oncommon fluster if she thocht the lad's mither was likely to hear 'at her best chair was torn. Ay, ay, bein' a man, he wouldna think to tak off the chintz an' hae a look at the chair withoot it."
Here Hendry, who had paid no attention to the conversation, broke in—
"Was ye speirin' had I seen Sam'l Duthie? I saw 'im yesterday buyin' a fender at Will'um Crook's roup."
"A fender! Ay, ay, that settles the queistion," said Leeby; "I'll warrant the fender was for Chirsty's parlour. It's preyed on Chirsty's mind, they say, this fower-and-thirty year 'at she doesna hae a richt parlour fender."
"Leeby, look! That's Robbie Tosh wi' the barrow. He has a michty load o' luggage. Am thinkin' the minister's bound for Tilliedrum."
"Na, he's no, he's gaen to Edinbory, as ye micht ken by the bandbox. That'll be his mither's bonnet he's takkin' back to get altered. Ye'll mind she was never pleased wi' the set o' the flowers."
"Weel, weel, here comes the minister himsel, an' very snod he is. Ay, Marget's been puttin' new braid on his coat, an' he's carryin' the sma' black bag he bocht in Dundee last year: he'll hae's nicht-shirt an' a comb in't, I dinna doot. Ye micht rin to the corner, Leeby, an' see if he cries in at Jess McTaggart's in passin'."
"It's my opeenion," said Leeby, returning excitedly from the corner, "'at the lad Wilkie's no to be preachin' the morn, after a'. When I gangs to the corner, at ony rate, what think ye's the first thing I see but the minister an' Sam'l Duthie meetin' face to face? Ay, weel, it's gospel am tellin' ye when I say as Sam'l flung back his head an' walkit richt by the minister!"
"Losh keep's a', Leeby; ye say that? They maun hae haen a quarrel."
"I'm thinkin' we'll hae Mr. Skinner i' the poopit the morn after a'."
"It may be, it may be. Ay, ay, look, Leeby, whatna bit kimmer's that wi' the twa jugs in her hand?"
"Eh? Ou, it'll be Lawyer Ogilvy's servant lassieky gaen to the farm o' T'nowhead for the milk. She gangs ilka Saturday nicht. But what did ye say—twa jugs? Tod, let's see! Ay, she has so, a big jug an' a little ane. The little ane 'll be for cream; an', sal, the big ane's bigger na usual."
"There maun be something gaen on at the lawyer's if they're buyin' cream, Leeby. Their reg'lar thing's twopence worth o' milk."
"Ay, but I assure ye that sma' jug's for cream, an' I dinna doot mysel but 'at there's to be fowerpence worth o' milk this nicht."
"There's to be a puddin' made the morn, Leeby. Ou, ay, a' thing points to that; an' we're very sure there's nae puddins at the lawyer's on the Sabbath onless they hae company."
"I dinna ken wha they can hae, if it be na that brither o' the wife's 'at bides oot by Aberdeen."
"Na, it's no him, Leeby; na, na. He's no weel to do, an' they wouldna be buyin' cream for 'im."
"I'll run up to the attic again, an' see if there's ony stir at the lawyer's hoose."
By and by Leeby returned in triumph.
"Ou, ay," she said, "they're expectin' veesitors at the lawyer's, for I could see twa o' the bairns dressed up to the nines, an' Mistress Ogilvy doesna dress at them in that wy for naething."
"It fair beats me though, Leeby, to guess wha's comin' to them. Ay, but stop a meenute, I wouldna wonder, no, really I would not wonder but what it'll be—"
"The very thing 'at was passin' through my head, mother."
"Ye mean 'at the lad Wilkie 'll be to bide wi' the lawyer i'stead o' wi' Sam'l Duthie? Sal, am thinkin' that's it. Ye ken Sam'l an' the lawyer married on cousins; but Mistress Ogilvy ay lookit on Chirsty as dirt aneath her feet. She would be glad to get a minister, though, to the hoose, an' so I warrant the lad Wilkie 'll be to bide a' nicht at the lawyer's."
"But what would Chirsty be doin' gettin' the chintz an' the fender in that case?"
"Ou, she'd been expeckin' the lad, of course. Sal, she'll be in a michty tantrum aboot this. I wouldna wonder though she gets Sam'l to gang ower to the U. P's."
Leeby went once more to the attic.
"Ye're wrang, mother," she cried out. "Whaever's to preach the morn is to bide at the manse, for the minister's servant's been at Baker Duft's buyin' short-bread—half a lippy, nae doot."
"Are ye sure o' that, Leeby?"
"Oh, am certain. The servant gaed in to Duffs the noo, an', as ye ken fine, the manse fowk doesna deal wi' him, except they're wantin' short-bread. He's Auld Kirk."
Leeby returned to the kitchen, and Jess sat for a time ruminating.
"The lad Wilkie," she said at last, triumphantly, "'ll be to bide at Lawyer Ogilvy's; but he'll be gaen to the manse the morn for a tea-dinner."
"But what," asked Leeby, "aboot the milk an' the cream for the lawyer's?"
"Ou, they'll be hae'n a puddin' for the supper the nicht. That's a michty genteel thing, I've heard."
It turned out that Jess was right in every particular.
CHAPTER III
PREPARING TO RECEIVE COMPANY
Leeby was at the fire brandering a quarter of steak on the tongs, when the house was flung into consternation by Hendry's casual remark that he had seen Tibbie Mealmaker in the town with her man.
"The Lord preserv's!" cried Leeby.
Jess looked quickly at the clock.
"Half fower!" she said, excitedly.
"Then it canna be dune," said Leeby, falling despairingly into a chair, "for they may be here ony meenute."
"It's most michty," said Jess, turning on her husband, "'at ye should tak a pleasure in bringin' this hoose to disgrace. Hoo did ye no tell's suner?"
"I fair forgot," Hendry answered, "but what's a' yer steer?"
Jess looked at me (she often did this) in a way that meant, "What a man is this I'm tied to!"
"Steer!" she exclaimed. "Is't no time we was makkin' a steer? They'll be in for their tea ony meenute, an' the room no sae muckle as sweepit. Ay, an' me lookin' like a sweep; an' Tibbie Mealmaker 'at's sae partikler genteel seein' you sic a sicht as ye are?"
Jess shook Hendry out of his chair, while Leeby began to sweep with the one hand, and agitatedly to unbutton her wrapper with the other.
"She didna see me," said Hendry, sitting down forlornly on the table.
"Get aff that table!" cried Jess. "See haud o' the besom," she said to Leeby.
"For mercy's sake, mother," said Leeby, "gie yer face a dicht, an' put on a clean mutch."
"I'll open the door if they come afore you're ready," said Hendry, as Leeby pushed him against the dresser.
"Ye daur to speak aboot openin'the door, an' you sic a mess!" cried Jess, with pins in her mouth.
"Havers!" retorted Hendry. "A man canna be aye washin' at 'imsel."
Seeing that Hendry was as much in the way as myself, I invited him upstairs to the attic, whence we heard Jess and Leeby upbraiding each other shrilly. I was aware that the room was speckless; but for all that, Leeby was turning it upside down.
"She's aye ta'en like that," Hendry said to me, referring to his wife, "when she's expectin' company. Ay, it's a peety she canna tak things cannier."
"Tibbie Mealmaker must be some one of importance?" I asked.
"Ou, she's naething by the ord'nar'; but ye see she was mairit to a Tilliedrum man no lang syne, an' they're said to hae a michty grand establishment. Ay, they've a wardrobe spleet new; an' what think ye Tibbie wears ilka day?"
I shook my head.
"It was Chirsty Miller 'at put it through the toon," Henry continued. "Chirsty was in Tilliedrum last Teisday or Wednesday, an' Tibbie gae her a cup o' tea. Ay, weel, Tibbie telt Chirsty 'at she wears hose ilka day."
"Wears hose?"
"Ay. It's some michty grand kind o' stockin'. I never heard o't in this toon. Na, there's naebody in Thrums 'at wears hose."
"And who did Tibbie get?" I asked; for in Thrums they say, "Wha did she get?" and "Wha did he tak?"
"His name's Davit Curly. Ou, a crittur fu' o' maggots, an' nae great match, for he's juist the Tilliedrum bill-sticker."
At this moment Jess shouted from her chair (she was burnishing the society teapot as she spoke), "Mind, Hendry McQumpha, 'at upon nae condition are you to mention the bill-stickin' afore Tibbie!"
"Tibbie," Hendry explained to me, "is a terrible vain tid, an' doesna think the bill-stickin' genteel. Ay, they say 'at if she meets Davit in the street wi' his paste-pot an' the brush in his hands she pretends no to ken 'im."
Every time Jess paused to think she cried up orders, such as—
"Dinna call her Tibbie, mind ye. Always address her as Mistress Curly."
"Shak' hands wi' baith o' them, an' say ye hope they're in the enjoyment o' guid health."
"Dinna put yer feet on the table."
"Mind, you're no' to mention 'at ye kent they were in the toon."
"When onybody passes ye yer tea say, 'Thank ye.'"
"Dinna stir yer tea as if ye was churnin' butter, nor let on 'at the scones is no our am bakin'."
"If Tibbie says onything aboot the china yer no' to say 'at we dinna use it ilka day."
"Dinna lean back in the big chair, for it's broken, an' Leeby's gi'en it a lick o' glue this meenute."
"When Leeby gies ye a kick aneath the table that'll be a sign to ye to say grace."
Hendry looked at me apologetically while these instructions came up.
"I winna dive my head wi' sic nonsense," he said; "it's no' for a man body to be sae crammed fu' o' manners."
"Come awa doon," Jess shouted to him, "an' put on a clean dickey."
"I'll better do't to please her," said Hendry, "though for my ain part I dinna like the feel o' a dickey on week-days. Na, they mak's think it's the Sabbath."
Ten minutes afterwards I went downstairs to see how the preparations were progressing. Fresh muslin curtains had been put up in the room. The grand footstool, worked by Leeby, was so placed that Tibbie could not help seeing it; and a fine cambric handkerchief, of which Jess was very proud, was hanging out of a drawer as if by accident. An antimacassar lying carelessly on the seat of a chair concealed a rent in the horse-hair, and the china ornaments on the mantelpiece were so placed that they looked whole. Leeby's black merino was hanging near the window in a good light, and Jess's Sabbath bonnet, which was never worn, occupied a nail beside it. The tea-things stood on a tray in the kitchen bed, whence they could be quickly brought into the room, just as if they were always ready to be used daily. Leeby, as yet in deshabille, was shaving her father at a tremendous rate, and Jess, looking as fresh as a daisy, was ready to receive the visitors. She was peering through the tiny window-blind looking for them.
"Be cautious, Leeby," Hendry was saying, when Jess shook her hand at him. "Wheesht," she whispered; "they're comin'."
Hendry was hustled into his Sabbath coat, and then came a tap at the door, a very genteel tap. Jess nodded to Leeby, who softly shoved Hendry into the room.
The tap was repeated, but Leeby pushed her father into a chair and thrust Barrow's Sermons open into his hand. Then she stole but the house, and swiftly buttoned her wrapper, speaking to Jess by nods the while. There was a third knock, whereupon Jess said, in a loud, Englishy voice—
"Was that not a chap (knock) at the door?"
Hendry was about to reply, but she shook her fist at him. Next moment Leeby opened the door. I was upstairs, but I heard Jess say—
"Dear me, if it's not Mrs. Curly—and Mr. Curly! And hoo are ye? Come in, by. Weel, this is, indeed, a pleasant surprise!"
CHAPTER IV
WAITING FOR THE DOCTOR
Jess had gone early to rest, and the door of her bed in the kitchen was pulled to. From her window I saw Hendry buying dulse.
Now and again the dulseman wheeled his slimy boxes to the top of the brae, and sat there stolidly on the shafts of his barrow. Many passed him by, but occasionally some one came to rest by his side. Unless the customer was loquacious, there was no bandying of words, and Hendry merely unbuttoned his east-trouser pocket, giving his body the angle at which the pocket could be most easily filled by the dulseman. He then deposited his half-penny, and moved on. Neither had spoken; yet in the country they would have roared their predictions about to-morrow to a ploughman half a field away.
Dulse is roasted by twisting it round the tongs fired to a red-heat, and the house was soon heavy with the smell of burning sea-weed. Leeby was at the dresser munching it from a broth-plate, while Hendry, on his knees at the fireplace, gingerly tore off the blades of dulse that were sticking to the tongs, and licked his singed fingers.
"Whaur's yer mother?" he asked Leeby.
"Ou," said Leeby, "whaur would she be but in her bed?"
Hendry took the tongs to the door, and would have cleaned them himself, had not Leeby (who often talked his interfering ways over with her mother) torn them from his hands.
"Leeby!" cried Jess at that moment.
"Ay," answered Leeby, leisurely, not noticing, as I happened to do, that Jess spoke in an agitated voice.
"What is't?" asked Hendry, who liked to be told things.
He opened the door of the bed.
"Yer mother's no weel," he said to Leeby.
Leeby ran to the bed, and I went ben the house. In another two minutes we were a group of four in the kitchen, staring vacantly. Death could not have startled us more, tapping thrice that quiet night on the window-pane.
"It's diphtheria!" said Jess, her hands trembling as she buttoned her wrapper.
She looked at me, and Leeby looked at me.
"It's no, it's no," cried Leeby, and her voice was as a fist shaken at my face. She blamed me for hesitating in my reply. But ever since this malady left me a lonely dominie for life, diphtheria has been a knockdown word for me. Jess had discovered a great white spot on her throat. I knew the symptoms.
"Is't dangerous?" asked Hendry, who once had a headache years before, and could still refer to it as a reminiscence.
"Them 'at has 't never recovers," said Jess, sitting down very quietly. A stick fell from the fire, and she bent forward to replace it.
"They do recover," cried Leeby, again turning angry eyes on me.
I could not face her; I had known so many who did not recover. She put her hand on her mother's shoulder.
"Mebbe ye would be better in yer bed," suggested Hendry.
No one spoke.
"When I had the headache," said Hendry, "I was better in my bed."
Leeby had taken Jess's hand—a worn old hand that had many a time gone out in love and kindness when younger hands were cold. Poets have sung and fighting men have done great deeds for hands that never had such a record.
"If ye could eat something," said Hendry, "I would gae to the flesher's for 't. I mind when I had the headache, hoo a small steak—"
"Gae awa for the doctor, rayther," broke in Leeby.
Jess started, for sufferers think there is less hope for them after the doctor has been called in to pronounce sentence.
"I winna hae the doctor," she said, anxiously.
In answer to Leeby's nods, Hendry slowly pulled out his boots from beneath the table, and sat looking at them, preparatory to putting them on. He was beginning at last to be a little scared, though his face did not show it.
"I winna hae ye," cried Jess, getting to her feet, "ga'en to the doctor's sic a sicht. Yer coat's a' yarn."
"Havers," said Hendry, but Jess became frantic.
I offered to go for the doctor, but while I was up-stairs looking for my bonnet I heard the door slam. Leeby had become impatient, and darted off herself, buttoning her jacket probably as she ran. When I returned to the kitchen, Jess and Hendry were still by the fire. Hendry was beating a charred stick into sparks, and his wife sat with her hands in her lap. I saw Hendry look at her once or twice, but he could think of nothing to say. His terms of endearment had died out thirty-nine years before with his courtship. He had forgotten the words. For his life he could not have crossed over to Jess and put his arm round her. Yet he was uneasy. His eyes wandered round the poorly lit room.
"Will ye hae a drink o' watter?" he asked.
There was a sound of footsteps outside.
"That'll be him," said Hendry in a whisper.
Jess started to her feet, and told Hendry to help her ben the house.
The steps died away, but I fancied that Jess, now highly strung, had gone into hiding, and I went after her. I was mistaken. She had lit the room lamp, turning the crack in the globe to the wall. The sheepskin hearthrug, which was generally carefully packed away beneath the bed, had been spread out before the empty fireplace, and Jess was on the arm-chair hurriedly putting on her grand black mutch with the pink flowers.
"I was juist makkin' mysel respectable," she said, but without life in her voice.
This was the only time I ever saw her in the room.
Leeby returned panting to say that the doctor might be expected in an hour. He was away among the hills.
The hour passed reluctantly. Leeby lit a fire ben the house, and then put on her Sabbath dress. She sat with her mother in the room. Never before had I seen Jess sit so quietly, for her way was to work until, as she said herself, she was ready "to fall into her bed."
Hendry wandered between the two rooms, always in the way when Leeby ran to the window to see if that was the doctor at last. He would stand gaping in the middle of the room for five minutes, then slowly withdraw to stand as drearily but the house. His face lengthened. At last he sat down by the kitchen fire, a Bible in his hand. It lay open on his knee, but he did not read much. He sat there with his legs outstretched, looking straight before him. I believe he saw Jess young again. His face was very solemn, and his mouth twitched. The fire sank into ashes unheeded.
I sat alone at my attic window for hours, waiting for the doctor. From the attic I could see nearly all Thrums, but, until very late, the night was dark, and the brae, except immediately before the door, was blurred and dim. A sheet of light canopied the square as long as a cheap Jack paraded his goods there. It was gone before the moon came out. Figures tramped, tramped up the brae, passed the house in shadow and stole silently on. A man or boy whistling seemed to fill the valley. The moon arrived too late to be of service to any wayfarer. Everybody in Thrums was asleep but ourselves, and the doctor who never came.
About midnight Hendry climbed the attic stair and joined me at the window. His hand was shaking as he pulled back the blind. I began to realize that his heart could still overflow.
"She's waur," he whispered, like one who had lost his voice.
For a long time he sat silently, his hand on the blind. He was so different from the Hendry I had known, that I felt myself in the presence of a strange man. His eyes were glazed with staring at the turn of the brae where the doctor must first come into sight. His breathing became heavier, till it was a gasp. Then I put my hand on his shoulder, and he stared at me.
"Nine-and-thirty years come June," he said, speaking to himself.
For this length of time, I knew, he and Jess had been married. He repeated the words at intervals.
"I mind—" he began, and stopped. He was thinking of the spring-time of Jess's life.
The night ended as we watched; then came the terrible moment that precedes the day—the moment known to shuddering watchers by sick-beds, when a chill wind cuts through the house, and the world without seems cold in death. It is as if the heart of the earth did not mean to continue beating.
"This is a fearsome nicht," Hendry said, hoarsely.
He turned to grope his way to the stairs, but suddenly went down on his knees to pray.…
There was a quick step outside. I arose in time to see the doctor on the brae. He tried the latch, but Leeby was there to show him in. The door of the room closed on him.
From the top of the stair I could see into the dark passage, and make out Hendry shaking at the door. I could hear the doctor's voice, but not the words he said. There was a painful silence, and then Leeby laughed joyously.
"It's gone," cried Jess; "the white spot's gone! Ye juist touched it, an' it's gone! Tell Hendry."
But Hendry did not need to be told. As Jess spoke I heard him say, huskily: "Thank God!" and then he tottered back to the kitchen. When the doctor left, Hendry was still on Jess's armchair, trembling like a man with the palsy. Ten minutes afterwards I was preparing for bed, when he cried up the stair—
"Come awa' doon."
I joined the family party in the room: Hendry was sitting close to Jess.
"Let us read," he said, firmly, "in the fourteenth of John."