COPYRIGHT, 1911, BY HARPER & BROTHERS

PRINTED IN THE UNITED STATES OF AMERICA
PUBLISHED OCTOBER, 1911

TO

GABRIELLE FRANCESCA LILIAN MARY

THIS BOOK IS DEDICATED. UPON
HER BIRTHDAY. AS A LOVE-TOKEN

BY
LUCAS MALET

THE ORCHARD, EVERSLEY AUGUST 28, 1911

CONTENTS

I
CONCERNING THE DEAD AND THE LIVING

CHAP.

I
CONCERNING THE DEAD AND THE LIVING

ADRIAN SAVAGE

CHAPTER I

IN WHICH THE READER IS INVITED TO MAKE THE
ACQUAINTANCE OF THE HERO OF THIS BOOK

Adrian Savage—a noticeably distinct, well-groomed, and well-set-up figure, showing dark in the harsh light of the winter afternoon against the pallor of the asphalt—walked rapidly across the Pont des Arts, and, about half-way along the Quai Malaquais, turned in under the archway of a cavernous porte-cochère. The bare, spindly planes and poplars, in the center of the courtyard to which this gave access, shivered visibly. Doubtless the lightly clad, lichen-stained nymph to whom they acted as body-guard would have shivered likewise had her stony substance permitted, for icicles fringed the lip of her tilted pitcher and caked the edge of the shell-shaped basin into which, under normal conditions, its waters dripped with a not unmusical tinkle. Yet the atmosphere of the courtyard struck the young man as almost mild compared with that of the quay outside, along which the northeasterly wind scourged bitingly. Upon the farther bank of the turgid, gray-green river the buildings of the Louvre stood out pale and stark against a sullen backing of snow-cloud. For the past week Paris had cowered, sunless, in the grip of a black frost. If those leaden heavens would only elect to unload themselves of their burden the weather might take up! To Adrian Savage, in excellent health and prosperous circumstances, the cold in itself mattered nothing—would, indeed, rather have acted as a stimulus to his chronic appreciation of the joy of living but for the fact that he had to-day been suddenly and unexpectedly called upon to leave Paris and bid farewell to one of its inhabitants eminently and even perplexingly dear to him. Having, for all his young masculine optimism, the artist's exaggerated sensibility to the aspects of outward things, and equally exaggerated capacity for conceiving—highly improbable—disaster, it troubled him to make his adieux under such forbidding meteorologic conditions. His regrets and alarms would, he felt, have been decidedly lessened had kindly sunshine set a golden frame about his parting impressions.

Nevertheless, as—raising his hat gallantly to the concierge, seated in her glass-fronted lodge, swathed mummy-like in shawls and mufflers—he turned shortly to the left along the backs of the tall, gray houses, a high expectation, at once delightful and disturbing, took possession of him to the exclusion of all other sensations. For the past eighteen months—ever since, indeed, the distressingly sudden death of his old friend, the popular painter Horace St. Leger—he had made this selfsame little pilgrimage as frequently as respectful discretion permitted. And invariably, at the selfsame spot—it was where, as he noted amusedly, between the third and fourth of the heavily barred ground-floor windows a square leaden water-pipe, running the height of the house wall from the parapet of the steep slated roof, reached the grating in the pavement—this quickening of his whole being came upon him, however occupied his thoughts might previously have been with his literary work, or with the conduct of the bi-monthly review of which he was at once assistant editor and part proprietor. This quickening remained with him, moreover, as he entered a doorway set in the near corner of the courtyard and ran up the flights of waxed wooden stairs to the third story. In no country of the civilized world, it may be confidently asserted, do affairs of the heart, even when virtuous, command more indulgent sympathy than in France. It followed that Adrian entertained his own emotions with the same eager and friendly amenity which he would have extended to those of another man in like case. He was not in the least contemptuous or suspicious of them. He permitted cynicism no smallest word in the matter. On the contrary, he hailed the present ebullience of his affections as among those captivating surprises of earthly existence upon which one should warmly congratulate oneself, having liveliest cause for rejoicing.

To-day, as usual, there was a brief pause before the door of the vestibule opened. A space of delicious anxiety—-carrying him back to the poignant hopes and despairs of childhood, when the fate of some anticipated treat hangs in the balance—while he inquired of the trim waiting-maid whether her mistress was or was not receiving. Followed by that other moment, childlike, too, in its deliciously troubled emotion and vision, when, passing from the corridor into the warm, vaguely fragrant atmosphere of the long, pale, rose-red and canvas-colored drawing-room, he once again beheld the lady of his desires and of his heart.

From the foregoing it may be deduced, and rightly, that Adrian Savage was of a romantic temperament, and that he was very much in love. Let it be immediately added, however, that he was a young gentleman whose head, to employ a vulgarism, was most emphatically screwed on the right way. Only child of an eminent English physician of good family, long resident in Paris, and of a French mother—a woman of great personal charm and some distinction as a poetess—he had inherited, along with a comfortable little income of about eighteen hundred pounds a year, a certain sagacity and decision in dealing with men and with affairs, as well as quick sensibility in relation to beauty and to drama. Artist and practical man of the world went, for the most part, very happily hand and hand in him. At moments, however, they quarreled, to the production of complications.

The death of both his parents occurred during his tenth year, leaving him to the guardianship of a devoted French grandmother. Under the terms of Doctor Savage's will one-third of his income was to be applied to the boy's maintenance and education until his majority, the remaining two-thirds being set aside to accumulate until his twenty-third birthday. "At that age," so the document in question stated, "I apprehend that my son will have discovered in what direction his talents and aptitudes lie. I do not wish to fetter his choice of a profession; still I do most earnestly request him not to squander the considerable sum of money into possession of which he will then come, but to spend it judiciously, in the service of those talents and aptitudes, with the purpose of securing for himself an honorable and distinguished career." This idea that something definite, something notable even in the matter of achievement was demanded from him, clung to the boy through school and college, acting—since he was healthy, high-spirited, and confident—as a wholesome incentive to effort. Even before fulfilling his term of military service, Adrian had decided what his career should be. Letters called him with no uncertain voice. He would be a writer—dramatist, novelist, an artist in psychology, in touch at all points with the inexhaustible riches of the human scene. His father's science, his mother's poetic gift, should combine, so he believed, to produce in him a very special vocation. His ambitions at this period were colossal. The raw material of his selected art appeared to him nothing less than the fee-simple of creation. He planned literary undertakings beside which the numerically formidable volumes of Balzac or Zola shriveled to positive next-to-nothingness. Fortunately fuller knowledge begot a juster sense of proportion, while his native shrewdness lent a hand to knocking extravagant conceptions on the head. By the time he came into possession of the comfortable sum of money that had accumulated during his minority and he was free to follow his bent, Adrian found himself contented with quite modest first steps in authorship. For a couple of years he traveled, resolved to broaden his acquaintance with men and things, to get some clear first-hand impressions both of the ancient, deep-rooted civilizations of the East and the amazing mushroom growths of America. On his return to Paris, it so happened that a leading bi-monthly review, which had shown hospitality to his maiden literary productions, stood badly in need of financial support. Adrian bought a preponderating interest in it; and by the time in question—namely, the winter of 190- and the dawn of his thirtieth year—had contrived to make it not only a powerful factor in contemporary criticism and literary output, but a solid commercial success.

To be nine-and-twenty, the owner of a well-favored person, of admitted talent and business capacity, and to be honestly in love, is surely to be as happily circumstanced as mortal man can reasonably ask to be. That the course of true love should not run quite smooth, that the beloved one should prove elusive, difficult of access, that obstacles should encumber the path of achievement, that mists of doubt and uncertainty should drift across the face of the situation, obscuring its issues, only served in Adrian's case to heighten interest and whet appetite. The last thing he asked was that the affair should move on fashionable, conventional lines, a matter for newspaper paragraphs and social gossip. The justifying charm of it, to his thinking, resided in precisely those elements of uncertainty and difficulty. If, in the twentieth century, a man is to subscribe to the constraints of marriage at all, let it at least be in some sort marriage by capture! And, as he told himself, what man worth the name, let alone what artist, what poet—vowed by his calling to confession of the transcendental, the eternally mystic and sacred in this apparently most primitive, even savage, of human relations—would choose to capture his exquisite prey amid the blatant materialism, the vulgar noise and chaffer of the modern social highway; rather than pursue it through the shifting lights and shadows of mysterious woodland places, the dread of its final escape always upon him, till his feet were weary with running, and his hands with dividing the thick, leafy branches, his ears, all the while, tormented by the baffling, piercing sweetness of the half-heard Pipes of Pan?

Not infrequently Adrian would draw himself up short in the midst of such rhapsodizings, humorously conscious that the artistic side of his nature had got the bit, so to speak, very much between its teeth and was running away altogether too violently with its soberer, more practical, stable companion. For, as he frankly admitted, to the ordinary observer it must seem a rather ludicrously far cry from Madame St. Leger's pleasant, well-found flat, in the center of cosmopolitan twentieth-century Paris, to the arcana of pagan myth and legend! Yet, speaking quite soberly and truthfully, it was of such ancient, secret, and symbolic things he instinctively thought when looking into Gabrielle St. Leger's golden-brown eyes and noting the ironic loveliness of her smiling lips. That was just the delight, just the provocation, just what differentiated her from all other women of his acquaintance, from any other woman who, so far, had touched his heart or stirred his senses. Her recondite beauty—to quote the phrase of this analytical lover—challenged his imagination with the excitement of something hidden; though whether hidden by intentional and delicate malice, or merely by lack of opportunity for self-declaration, he was at a loss to determine. Daughter, wife, mother, widow—young though she still was, she had sounded the gamut of woman's most vital experiences. Yet, it seemed to him, although she had fulfilled, and was fulfilling, the obligations incident to each of these several conditions in so gracious and irreproachable a manner, her soul had never been effectively snared in the meshes of any net. Good Catholic, good housewife, sympathetic hostess, intelligent and discriminating critic, still—he might be a fool for his pains, but what artist doesn't know better than to under-rate the fine uses of folly?—he believed her to be, either by fate or by choice, essentially a Belle au Bois Dormant; and further believed himself, thanks to the workings of constitutional masculine vanity, to be the princely adventurer designed by providence for the far from disagreeable duty of waking her up. Only just now providence, to put it roughly, appeared to have quite other fish for him to fry. And it was under compulsion of such prospective fish-frying that he sought her apartment overlooking the Quai Malaquais, this afternoon, reluctantly to bid her farewell.

CHAPTER II

WHEREIN A VERY MODERN YOUNG MAN TELLS A
TIME-HONORED TALE WITH BUT SMALL ENCOURAGEMENT

Disappointment awaited him. Madame St. Leger was receiving; but, to his chagrin, another visitor had forestalled his advent—witness a woman's fur-lined wrap lying across the lid of the painted Venetian chest in the corridor. Adrian bestowed a glance of veritable hatred upon the garment. Then, recognizing it, felt a little better. For it belonged to Anastasia Beauchamp, an old friend, not unsympathetic, as he believed, to his suit.

Sympathy, however, was hardly the note struck on his entrance. Miss Beauchamp and Madame St. Leger stood in the vacant rose-red carpeted space at the far end of the long room, in front of the open fire. Both were silent; yet Adrian was aware somehow they had only that moment ceased speaking, and that their conversation had been momentous in character. The high tension of it held them to the point of their permitting him to walk the whole length of the room before turning to acknowledge his presence. This was damping for Adrian, who, like most agreeable young men, thought himself entitled to and well worth a welcome. But not a bit of it! The elder woman—high-shouldered, short-waisted, an admittedly liberal sixty, her arms disproportionate in their length and thinness to her low stature—continued to hold her hostess's right hand in both hers and look at her intently, as though enforcing some request or admonition.

Miss Beauchamp, it may be noted in passing, affected a certain juvenility of apparel. To-day she wore a short purple serge walking-suit. A velvet toque of the same color, trimmed with sable and blush-roses, perched itself on her elaborately dressed hair, which, in obedience to the then prevailing fashion, showed not gray but a full coppery red. Her eyebrows and eyelids were darkly penciled, and powder essayed to mask wrinkles and sallowness of complexion. Yet the very frankness of these artifices tended to rob them of offense; or, in any serious degree—the first surprise of them over—to mar the genial promise of her quick blue-gray eyes and her thin, witty, strongly marked, rather masculine countenance. Adrian usually accepted her superficial bedizenments without criticism, as just part of her excellent, if somewhat bizarre, personality. But to-day—his temper being slightly ruffled—under the cold, diffused light of the range of tall windows, they started, to his seeing, into quite unpardonable prominence—a prominence punctuated by the grace and the proudly youthful aspect of the woman beside her.

Madame St. Leger was clothed in unrelieved black, from the frill, high about her long throat, to the hem of her trailing cling skirts. Over her head she had thrown a black gauze scarf, soberly framing her heart-shaped face in fine semi-transparent folds, and obscuring the burnished lights in her brown hair, which stood away in soft, dense ridges on either side the parting and was gathered into a loose knot at the back of her head. Her white skin was very clear, a faint scarlet tinge showing through it in the round of either cheek. But just now she was pale. And this, along with the framing black gauze scarf, developed the subtle likeness which—as Adrian held—she bore, in the proportions of her face and molding of it, to Leonardo's world-famous "Mona Lisa" in Salon Carré of the Louvre. The strange recondite quality of her beauty, and the challenge it offered, were peculiarly in evidence; thereby making, as he reflected, cruel, though unconscious, havoc of the juvenile pretensions of poor Anastasia. And this was painful to him. So that in wishing—as he incontestably did—the said Anastasia absent, his wish may have been dictated almost as much by chivalry as by selfishness.

All of which conflicting perceptions and emotions tended to rob him of his habitual and happy self-assurance. His voice took on quite plaintive tones, and his gay brown eyes a quite pathetic and orphaned expression, as he exclaimed:

"Ah! I see that I disturb you. I am in the way. My visit is inconvenient to you!"

The faint tinge of scarlet leaped into Madame St. Leger's cheeks, and an engaging dimple indicated itself at the left corner of her closed and smiling mouth. Meanwhile Anastasia Beauchamp broke forth impetuously:

"No, no! On the contrary, it is I who am in the way, though our dear, exquisite friend is too amiable to tell me so. I have victimized her far too long already. I have bored her distractingly."

"Indeed, it is impossible you should ever bore me," the younger woman put in quietly.

"Then I have done worse. I have just a little bit angered you," Miss Beauchamp declared. "Oh! I know I have been richly irritating, preaching antiquated doctrines of moderation in thought and conduct. But 'les vérités bêtes' remain 'les vérités vraies,' now as ever. With that I go. Ma toute chère et belle, I leave you. And," she added, turning to Adrian, "I leave you, you lucky young man, in possession. Retrieve my failures! Be as amusing as I have been intolerable.—But see, one moment, since the opportunity offers. Tell me, you are going to accept those articles on the Stage in the Eighteenth Century, by my poor little protégé, Lewis Byewater, for publication in the Review?"

"Am I not always ready to attempt the impossible for your sake, dear Mademoiselle?" Adrian inquired gallantly.

"Hum—hum—is it as bad as that, then? Are his articles so impossible? Byewater has soaked himself in his subject. He has been tremendously conscientious. He has taken immense trouble over them."

"He has taken immensely too much; that is just the worry. His conscience protrudes at every sentence. It prods, it positively impales you!" The speaker raised his neat black eyebrows and broad shoulders in delicate apology. "Alas! he is pompous, pedantic, I grieve to report; he is heavy, very heavy, your little Byewater. The eighteenth-century stage was many things which it had, no doubt, much better not have been, but was it heavy? Assuredly not."

"Ah! poor child, he is young. He is nervous. He has not command of his style yet. You should be lenient. Give him opportunity and encouragement, and he will find himself, will rise to the possibilities of his own talent. After all," she added, "every writer must begin some time and somewhere!"

"But not necessarily in the pages of my Review," Adrian protested. "With every desire to be philanthropic, I dare not convert it into a crèche, a foundling hospital, for the maintenance of ponderous literary infants. My subscribers might, not unreasonably, object."

"You floated René Dax."

"But he is a genius," Madame St. Leger remarked quietly.

"Yes," Adrian asserted, "there could be no doubt about his value from the first. He is extraordinary."

"He is extraordinarily perverted," cried Miss Beauchamp.

"I am much attached to M. René Dax." Madame St. Leger spoke deliberately; and a little silence followed, as when people listen, almost anxiously, to the sound of a pebble dropped into a well, trying to hear it touch bottom. Miss Beauchamp was the first to break it. She did so laughing.

"In that case, ma toute belle, you also are perverse, though I trust not yet perverted. It amounts to this, then," she continued, pulling her long gloves up her thin arms: "I am to dispose of poor Byewater, shatter his hopes, crush his ambitions, tell him, in short, that he won't do. Just Heaven, you who have arrived, how soon you become cruel!" She looked from the handsome black-bearded young man to the beautiful enigmatic young woman, and her witty, accentuated face bore a singular expression. "Good-by, charming Gabrielle," she said. "Forgive me if I have been tedious, for truly I am devotedly fond of you. And good-by to you, Mr. Savage. Yes! I go to dispose of the ill-fated Byewater. But ah! ah! if you only knew all I have done this afternoon, or tried to do, to serve you!"

Whereupon Adrian, smitten by sudden apprehension of deep and possibly dangerous issues, followed her to the door, crying eagerly:

"Wait, I implore you, dear Mademoiselle. Do not be too precipitate in disposing of Byewater. I may have underrated the worth of his articles. I will re-read, I will reconsider. Nothing presses. I have to leave Paris for a week or two. Let the matter rest till my return. I may find it possible, after all, to accept them."

Then, the door closed, he came back and stood on the vacant space of rose-red carpet in the pleasant glow of the fire.

"She is a clever woman," he said, reflectively. "She has cornered me, and that is not quite fair—on the Review. For they constitute a veritable atrocity of dullness, those articles by her miserable little Byewater."

"It is part of her code of friendship—it holds true all round. If she helps others—"

Madame St. Leger left her sentence unfinished and, glancing with a hint of veiled mockery at her guest, sat down in a carven, high-backed, rose-cushioned chair at right angles to the fireplace, and picked up a bundle of white needlework from the little table beside it.

"You mean that Miss Beauchamp does her best for me, too?" Adrian inquired, tentatively.

But the lady was too busy unfolding her work, finding needle and thimble to make answer.

"I foresee that I shall be compelled to print the wretched little Byewater in the end," he murmured, still tentatively.

"Did you not tell Miss Beauchamp you were going away?" Gabrielle asked. She had no desire to continue the conversation on this particular note.

"Yes, I leave Paris to-night. That is my excuse for asking to see you this afternoon. But I feel that my visit is ill-timed. I observed directly I came in that you looked a little fatigued. I fear you are suffering. Ought you to undertake the exertion of receiving visitors? I doubt it. Yet I should have been desolated had you refused me. For I leave, as I say, to-night in response to a sudden call to England upon business—that of certain members of my father's family. I am barely acquainted with them. But they claim my assistance, and I cannot refuse it. I could not do otherwise than tell you of this unexpected journey, could I? It distresses me to find you suffering."

Gabrielle had looked at him smiling, her lips closed, the little dimple again showing in her left cheek. His eagerness and volubility were diverting to her. They enabled her to think of him as still very young; and she quite earnestly wished thus to think of him. To do so made for security. At this period Madame St. Leger put a very high value upon security.

"But, indeed," she said, "I am quite well. The corridor is chilly, and I have been going to and fro preparing a little fête for Bette. She has her friends, our neighbor Madame Bernard's two little girls, from the floor below, to spend the afternoon with her. My mother is now kindly guarding the small flock. But I could not burden her with preliminaries.—I am quite well, and, for the moment, I am quite at leisure. Bring a chair. Sit down. It is for me to condole with you rather than for you to condole with me," she went on, in her quiet voice, "for this is far from the moment one would select for a cross-Channel journey! But then you are more English than French in all that. Hereditary instincts assert themselves in you. You have the islander's inborn sense of being cramped by the modest proportions of his island, and craving to step off the edge of it into space."

The young man placed his hat on the floor, opened the fronts of his overcoat, and drew a chair up to the near side of the low work-table whence he commanded an uninterrupted view of his hostess's charming person.

"That is right," she said. "Now tell me about this sudden journey. Is it for long? When may we expect you back?"

"What do I know?" he replied, spreading out his hands quickly. "It may be a matter of days. It may be a matter of weeks. I am ignorant of the amount of business entailed. The whole thing has come upon me as so complete a surprise. What induced my venerable cousin to select me as his executor remains inexplicable. I remember seeing him when, as a child, I visited England with my parents. I remember, also, that he filled me with alarm and melancholy. He lived in a big, solemn house on the outskirts of a great, noisy, dirty, manufacturing town in Yorkshire. It was impressed upon me that I must behave in his presence with eminent circumspection, since he was very religious, very intellectual. I fear I was an impertinent little boy. He appeared to me to worship a most odious deity, who permitted no amusements, no holidays, no laughter; while his conversation—my cousin's, I mean, not that of the Almighty—struck me as quite the dullest I had ever listened to. I cried, very loud and very often, to the consternation of the whole establishment, and demanded to be taken home to Paris at once. I never saw him again until three years ago, when he spent a few days here, on a return journey from Carlsbad. As in duty bound, I did what I could to render their stay agreeable to him and his companions." Adrian's expression became at once apologetic and merry. "My efforts were not, as I supposed, crowned with at all flattering success. My venerable cousin still filled me with melancholy and alarm. In face of his immense seriousness I appeared to myself as some capering harlequin. Therefore it is, as you will readily understand, with unqualified amazement that I learn he has intrusted the administration of his very considerable estate to my care. Really, his faith in me constitutes a vastly embarrassing compliment. I wish to heaven he had formed a less exalted estimate of my probity and business acumen and looked elsewhere for an executor!"

"He had no children, poor man?" Madame St. Leger inquired, sympathetically.

"On the contrary, he leaves twin daughters. And it is in conjunction with the—briefly—elder of these two ladies that I am required to act."

Gabrielle moved slightly in her chair. Her eyelids were half-closed. She looked at the young man sideways without turning her head. Her resemblance to the Mona Lisa was startling just then; but it was Mona Lisa in a most mischievous humor.

"In many ways you cannot fail to find that interesting," she said. "You are a professional psychologist, a student of character. And then, too, it is your nature to be untiring in kindness and helpfulness to women."

"To women of flesh and blood, yes, possibly, if they are amiable enough to accept my services," Adrian returned, somewhat warmly, a lover's resentment of any ascription of benevolence toward the sex, merely as such, all agog in him. "But are these ladies really of flesh and blood? They affected me, when I last saw them, rather as shadowy and harassed abstractions. I gazed at them in wonder. They are not old. But have they ever been young? I doubt it, with so aggressively ethical and educative a father. I was at a loss how to approach them; they were so silent, so restrained, so apparently bankrupt in the small change of social intercourse. If they did not add sensibly to my alarm they most unquestionably contributed to my melancholy—the humiliating, disintegrating melancholy of harlequin, capering in conscious fatuity before an audience morally and physically incapable of laughter. All this was bad enough when our connection was but superficial and transitory. It will be ten thousand times worse when we are forced into a position of unnatural intimacy."

During this tirade, Gabrielle had shaken out the thin folds of her needlework and begun setting quick stitches methodically. Her hands were strong, square in the palm and the finger-tips, finely modeled, finely capable—more fitted, as it might seem, to hold maul-stick and palate, or even wield mallet and chisel, than to put rows of small, even, snippety stitches in a child's lawn frock. If the fifteenth century and the voluptuous humanism of the Italian Renaissance found subtle reflection in her face, the twentieth century and its awakening militant feminism found expression in her firm hands and their promise of fearless and ready strength.

"I believe you do both yourself and those two ladies an injustice," she said, her head bent over her stitching. "It will not be the very least in the character of harlequin that they receive you, but rather in that of a savior, a liberator. For you will be delightful to them—ah! I see it all quite clearly—tactful, considerate, reassuring. That is your rôle, and you will play it to perfection. How can you do otherwise, since not only your sense of dramatic necessity but your goodness of heart will be engaged? And, take it from me, the enjoyment will not be exclusively on their side. For you will find it increasingly inspiring to act providence to those two shadowy old-young ladies as you see age vanish and youth return. I envy you. Think what an admirable mission you are about to fulfil!"

She glanced up suddenly, her eyes and the turn of her mouth conveying to unhappy Adrian a distracting combination of friendliness—detestable sentiment, since it went no further!—and of raillery. Then, her face positively brilliant with mischief, she gave him a final dig.

"What a thousand pities, though, that there are two of these abstractions whom it is your office to materialize! Had there been but one, how far simpler the problem of your position!"

The young man literally bounded on to his feet, his expression eloquent of the liveliest repudiation and reproach. But Madame St. Leger's head was bent over her needlework again. She stitched, stitched, in the calmest manner imaginable, talking, meanwhile, in a quiet, even voice.

"Did I not tell you we are en fête? Bette has her friends, the little Bernards, to spend the afternoon with her. It is an excuse for keeping her indoors. The modern craze for sending children out in all weathers does not appeal to me. I do not believe in a system of hardening."

"Indeed?" Adrian commented, with meaning.

"For little girls?" she inquired. "Oh no, decidedly not. For grown-up people, especially for men when they are young and in good health, it may, of course, have excellent results."

"Ah!" he said, resentfully.

"They—the children, I mean—are busy in the dining-room making rather terrible culinary experiments with a new doll's cooking stove. Shall we go and see how they are getting on? I ought, perhaps, to just take a look at them and assure myself they are not tiring my mother too much. And then they will be distressed, my mother and Bette, if they do not have an opportunity to bid you good-by before your journey."

For once Adrian was guilty of ignoring his hostess's suggestions. He stood leaning one elbow upon the chimneypiece, and—above the powder-blue Chinese jars and ivory godlings adorning it—scrutinizing his own image in the looking-glass. He had just suffered a sharp and, to his thinking, most uncalled-for rebuff. He smarted under it, unable for the moment to recover his equanimity. But, contemplating the image held by the mirror, his soul received a sensible measure of comfort. The smooth, opaque, colorless complexion; the pointed black beard, so close cut as in no degree to hide the forcible line of the jaw or distort the excellent proportions of the mask; the thick, well-trimmed mustache, standing upward from the lip and leaving the curved mouth free; the straight square-tipped nose, with its suggestion of pugnacity; let alone the last word of contemporary fashion in collar and tie and heavy box-cloth overcoat, the cut of which lent itself to the values of a tall, well-set-up figure—all these went to form a far from discouraging picture. Yes! surely he was a good-looking fellow enough! One, moreover, with the promise of plenty of fight in him; daring, constitutionally obstinate, not in the least likely tamely to take "No" for an answer once his mind was made up.

Then, in thought, he made a rapid survey of the mental, social, moral, and financial qualifications of those who had formed the circle of poor Horace St. Leger's friends, and who, during the years of his marriage, had been permitted the entrée of his house. A varied and remarkable company when one came to review it—savants, artists, politicians, men of letters, musicians, journalists, from octogenarian M. de Cubières, Member of the Senate, Member of the Academy, and Chevalier of the Legion of Honor, to that most disconcerting sport of wayward genius, vitriolic caricaturist and elegant minor poet, René Dax, whose immense domed head and neat little toy of a body had won him at school the nickname of le tetard—the tadpole—an appellation as descriptive as it was unflattering, and which—rather cruelly—had stuck to him ever since. Adrian marshaled all these, examined their possible claims, and pronounced each, in turn, ineligible. Some, thank Heaven! were securely married already. Others, though untrammeled by the bonds of holy matrimony, were trammeled by bonds in no wise holy, yet scarcely less prohibitive. Some were too old, others too young or too poor. Some, as, for example, René Dax, were altogether too eccentric. True, Madame St. Leger had just now declared herself warmly attached to him. But wasn't that the best proof of the absence of danger? A woman doesn't openly affirm her regard for a man unless that regard is of purely platonic and innocuous character. And then, after all—excellent thought!—was it not he, Adrian Savage, who had been admitted even during the tragic hours of poor Horace's agony; who had watched by the corpse through a stifling summer night, a night too hot for sleep, restless with the continual sound of footsteps and voices, the smell of the asphalt and of the river? And, since then, was it not to him Gabrielle and her mother, Madame Vernois, had repeatedly turned for advice in matters of business?

Fortified by which reflections, stimulated, though stung, by her teasing, defiant of all other possible and impossible lovers, the young man wheeled round and stood directly in front of Gabrielle St. Leger.

"Listen, très chère Madame et amie, listen one little minute," he said, "I implore you. It is true that I go to-night, and for how long a time I am ignorant, to arrange the worldly affairs of my alarming old relative, Montagu Smyrthwaite, and, incidentally, to adjust those of his two dessicated daughters. But it is equally true—for I vehemently refuse such a solution of the problem of my relation to either of those ladies as your words seem to prefigure—I repeat, it is equally true that I shall return at the very earliest opportunity. And return in precisely the same attitude of mind as I go—namely, wholly convinced, wholly faithful, incapable of any attachment, indifferent to any sentiment save one."

The corners of his mouth quivered and his gay brown eyes were misty with tears.

"I do not permit myself to enlarge upon the nature of that sentiment to-day. To do so might seem intrusive, even wanting in delicacy. But I do permit myself—your own words have procured me the opportunity—both to declare its existence and to assert my profound assurance of its permanence. You may not smile upon it, dear Madame. You may even regard it as an impertinence, a nuisance. Yet it is there—there." Adrian drummed with his closed fist upon the region of his heart. "It has been there for a longer period than I care to mention. And it declines to be eradicated. While life remains, it remains, unalterable. It is idle, absolutely idle, believe me, to invite it to lessen or to depart."

Madame St. Leger had risen, too, laying her work down on the little table. Her face was grave to the point of displeasure. The tinge of scarlet had died out in the round of her cheeks. She was about to speak, but the young man spread out his hands with an almost violent gesture.

"No—no," he cried. "Do not say anything. Do not, I entreat, attempt to answer me. When I came here this afternoon I had no thought of making this avowal. It has been forced from me, and may well appear to you premature. Therefore I entreat you for the moment ignore it. Let everything between us remain as before. That is so easy, you see, since I am going away. Only," he added, more lightly, "I think, if you will excuse me, I will not join that interesting conference of amateur chefs in the dining-room. My mind, I confess, at this moment is slightly preoccupied, and I might prove a but clumsy and distracted assistant. May I ask you, therefore, kindly to express to your mother, Madame Vernois, and to the ravishing Mademoiselle Bette my regret at being unable to make my farewells in person?"

He picked up his hat, buttoned his overcoat, and, without attempting to take his hostess's hand, backed away from her.

"With your permission I shall write at intervals during my unwilling exile," he said. "But merely to recount my adventures—nothing beyond my adventures, rest assured. These are likely to possess a certain piquancy, I imagine, and may serve to amuse you."

Something of his habitual happy self-confidence had returned to him. His air was high-spirited, courteous, instinct with the splendid optimism of his vigorous young manhood, as he paused, hat in hand, for a last word in the doorway.

"Au revoir, très chère Madame," he cried. "I go to a land of penetrating fogs and a household of pensive abstractions, but I shall come back unaffected by either, since I carry a certain memory, a certain aspiration in my heart. Au revoir. God keep you. Ah! very surely, and with what a quite infinite gladness I shall come back!"

CHAPTER III

TELLING HOW RENÉ DAX COOKED A SAVORY OMELETTE,
AND WHY GABRIELLE ST. LEGER LOOKED OUT OF
AN OPEN WINDOW AT PAST MIDNIGHT

Wrapped in a wadded silk dressing-gown, with frilled muslin cape and under-sleeves to it, Gabrielle St. Leger had made her nightly round. Had seen that lights were switched off, fires safe, shutters bolted, and the maids duly retired to their bedchamber. Had embraced her mother, and looked into details of night-light and spirit-lamp, lest the excessive cold should render some hot beverage advisable for the elder lady in the course of the night. Had visited Bette in the little room adjoining her own, and found the child snuggled down in her cot profoundly and deliciously asleep. Then, being at last free of further obligation to house or household, she turned the key in the lock of her bedroom door and sat down to think.

Until the day's work, its courtesies as well as its duties, was fully done she had agreed with herself not to think. For even startling events and agitating experiences should, in her opinion, be dealt with methodically in their proper season and order, without fear and without haste. Only so could you be both just and clear-sighted in respect of them. All of which—-had she known it—went to prove a theory of Adrian's—namely, that in her case, as in that of so many modern women between the ages of eighteen and, say, eight and twenty, the reasoning, the intellectual, rather than the sensuous and emotional elements are in the ascendant.

And, indeed, Gabrielle honestly regretted that which had to-day happened by the conversion of a valued friend into a declared lover. It was tiresome, really tiresome to a degree! Nor was her vexation lessened by the fact that she could not excuse herself of blame. The catastrophe had been precipitated by her fatal habit of teasing. How constantly she resolved to be staid and serious in the presence of mankind! And then, all uninvited, a sprickety, mischievous humor would take her, making it irresistible delicately to poke fun at those large, self-confident, masculine creatures, to plague and trick them, placing them at a disadvantage; and, by so doing, to lower, for a moment at least, the crest of their over-weening self-complacency. Only this afternoon, as she ruefully admitted, she had gone unwisely far, letting malice tread hard on the heels of mere mischief. This was what vexed her most. For why should malice find entrance in this particular connection? Gabrielle would gladly have shirked the question. But it stood out in capital letters right in front of her, with a portly note of interrogation at the end of the sentence, asking, almost audibly, "Why? Why? Why?"

With a movement of her hands, at once impatient and deprecatory, the young woman lay back in her long chair. In part it was Anastasia Beauchamp's fault. Anastasia had come rather close, venturing to criticize and to warn. Anastasia was anti-feministe, distrustful of modern tendencies, of independence, of woman's life and outlook in and for itself. This genial unbeliever preached orthodoxy; this unmarried woman—with a legend, for there were those who reported events in the far past—preached matrimony. "In the end," she said, "in the end independence proved a mistake." And not improbably she was right in as far as her own generation was concerned. But now the world had moved forward a big piece. The conditions were different. And in this, Gabrielle's generation, how, save by experiment, could you possibly prove that independence mightn't very much pay? Whereupon her thought began to march down alluring avenues of speculation guarded by vague, masterful theories of feminine supremacy.

The crimson shades of the electric lights above her dressing-table, the crimson silk coverlet of her bed, gave an effect of warmth and comfort to the otherwise cool-colored room, its carved, white furniture and blue-green carpet, curtains, and walls. Formerly this had been a guest-chamber. But, since her husband's death, Gabrielle had taken it for her own. Her former room was too peopled with experiences and memories for solitude. And, like all strong and self-realized natures, Gabrielle demanded solitude at times—a place not only for rest, but for those intimate unwitnessed battles which necessarily beset the strong.

Just now, however, the desired solitude was almost too complete. Presently her attention began to be occupied by it to the exclusion of all other things. In the stillness of the sleeping house she heard the wind crying along the steep house-roofs and hissing against the windows. There was a note of homelessness, even of desolation, in the sound. Involuntarily her thought returned upon Adrian Savage. She saw the mail steamer thrashing out from Calais harbor into the black welter of blizzard and winter sea. Saw, too, the young man's momentarily tremulous lips and tearful eyes as he declared his love. And the subsequent fine recovery of his natural gladness of aspect, as, standing hat in hand in the doorway, a notably gallant and handsome figure, he had asserted his speedy return rather than bade her good-by.

For quite an appreciable space of time she gazed at this visualized recollection of him. Then, shutting her eyes, she turned her back on it, and lay sideways in the long chair. She determined to be rid of it. Almost fiercely she told it to go. For it was useless to deny that it both charmed and moved her. And she didn't want that and all which it involved and stood for. Earnestly, honestly, she didn't want it!—Ah! what misguided temerity to have teased! For she wanted—yes she did, Anastasia Beauchamp's middle-aged wisdom notwithstanding—to retain her but lately acquired freedom; not only the repose, but the stimulating clarity of mind and obligation, the conscious development of personality and broadening of thought which went along with that freedom. She had passed straight from the obedience of young girlhood to the obedience of young wifehood. Now she wanted to belong wholly and exclusively to herself, not to be the property of any man, however devoted, talented, charming—not ever—not certainly for a long while yet.

This craving for the conservation of her freedom took its rise neither in the fact that the memory of her husband was hateful to her, nor that it was so dear as to render the thought of a second marriage a desecration, shocking to the heart. She remembered Horace St. Leger with affection, in many respects with gratitude. He had been considerate, watchfully protective of her beauty and her youth. As the mother of his child he had yielded her a worship touched by an immense tenderness. He had been irreproachably loyal and indulgent. All this she admitted and valued. Wasn't it, indeed, very much?—The circumstances of her marriage, moreover, had not been without their romantic aspect. Madame Vernois, after the death of her husband, who held a professorship at the Collège de France, both from motives of economy and the wish to be near her own family, had retired to her native Chambéry, in the Haute Savoie. It was in this strangely picturesque town, rich in remarkable buildings and in traditions both literary and historic, guarded by fantastic mountains and traversed by unruly torrents, that Gabrielle Vernois passed her childhood—mixing in a society both refined and devout though somewhat prejudiced and circumscribed of outlook, the members of it being more distinguished for the magnitude of their united ages and the multitude of their quarterings, than for the length of their purses or their acquaintance with the world as it now actually is.

And it was here, too—she being barely nineteen, he little short of fifty—that Horace St. Leger had met her; had been captivated by her singular type of beauty and the delicious combination of her innocence and ready wit. He was something of a connoisseur in women. Now he surely discovered a unique specimen! Naturally he wished to acquire that specimen for himself. The years of his apprenticeship were over. He had made a name; had, within the limits of his capacity, evolved his style and mastered the exacting technique of his art. He was young for his age, too; well-preserved, in the plentitude of his popularity. He had made money and he had spent money, but he had never, to all appearance, been more secure of continuing to make. He could well afford to indulge his tastes, even when they took the expensive form of a serious establishment and a seductive wife. He hastened back to Paris, put a final and satisfactory termination to a connection which had long lost its pristine ardors and begun to pall upon him, and then returned to Chambéry, officially to offer this enchanting child of nineteen the sum total of his life's achievement in respect of fame, fortune, social opportunity, along with that suavity of temper and outlook which result from the successful cultivation of a facile talent untroubled by the torments and dislocations of genius.

The young girl's dowry was of the slenderest. The marriage offered not only a secure and agreeable future for herself; but—and this influenced her decision at least equally—relief to her mother from straitened means and their attendant deprivations and anxieties. The subtle unrest, the haunting ambitions and curiosities of her awakening womanhood stirred in her, while the disparity of age between herself and her suitor seemed, to her inexperience, a matter of indifference. The marriage took place in due course, and ostensibly all went well. Yet, looking back upon it now, sitting here alone in her bedchamber while the wind cried along the house-roofs and Paris cowered in the grip of the bitter frost, Gabrielle St. Leger knew that she had learned life, the actualities both of human nature and civilized society, in a hard enough school.

For indisputably the thirty years' difference in age between herself and her husband, which, before marriage, had seemed so negligible a quantity, entailed consequences that intruded themselves at every turn. St. Leger's character and opinions were fixed, crystallized, insusceptible of change, while her own were still, if not in the actually fluid, yet in the distinctly malleable stage. This rendered any equality of intercourse impossible. Her husband treated her as a child, whose ignorance one finds exquisitely entertaining, and enlightens with high, if indulgent, amusement—his attitude toward her quasi-paternal in its serene assumption of omniscience. Yet, being quick-witted and observant, she soon perceived that assumption did not receive, by any means, universal indorsement. Among the younger generation of the artistic and literary brotherhood it became evident to her that, though the man was held in affection, the painter was regarded as a bit of a charlatan, destitute of illumination and sincerity of method—as one who had never possessed the courage or the capacity to attempt any lifting the veil of Isis and penetration of the mysteries it conceals. Nor was she slow to learn, hearing the witty talk and covert allusions of the dinner-table and studio—although her guests made honest and honorable effort to restrain their tongues in her presence—that the rule of faith and morals which had been so earnestly enjoined upon her in her childhood was very much of a dead letter to the average man and woman of the world. The general scheme of existence was a far more complicated affair than she had been taught to suppose. The dividing line between the sheep and the goats was by no means always easy of recognition. Delightful people did very shady, not to say very outrageous and abominable, things. She suffered moments of cruel perspicacity and consequent disgust, during which she was tempted to accuse even her dearly loved mother of having purposely misled and lied to her. For was it not idle to suppose that her husband differed from other men? Or that his passion for her was unique, without predecessors? Was it not very much more reasonable to see, in the perfection of tactful delicacy with which he treated her, proof positive of a large and varied emotional experience?

Then followed a further discovery. In this marriage she had looked confidently for a brilliant future. But, in plain truth, what future remained? St. Leger had reached the zenith of his career. He was well on in middle life. The only possible future for him lay in the direction of decline and decay. She recognized that her mission, therefore, was not to share a brightening glory, but to maintain a fondly cherished illusion, to soften the asperities of his declension and mask the approach of age and lessening powers by the stimulus of her own radiant youth.

One by one these revelations came upon her with the shock of detected and abiding deceptions. Her pride suffered. Her jealous respect for her own intelligence and personality was rudely shaken. But she kept her own counsel, making neither complaint nor outcry. Silently, after a struggle which left its impress in the irony of her smiling eyes and lips, she faced each discovery in turn and reckoned with it. Then she ranged herself, dismissing once and for all, as she believed, high-flown heroic conceptions of love between man and woman, accepting human nature and human relations as they actually are and forgiving—though it shrewdly taxed her longanimity—all those pious frauds which, from time immemorial, civilized parents and teachers have supposed it their duty to practise upon the children whom they at once adore and betray.

It remained to her credit, however, that, even in the most searching hours of disillusionment, Gabrielle did not lose her sense of justice or fail to discriminate, to the best of her ability, between that for which the society in which he moved and that for which her husband, personally, should be held responsible. So doing she admitted, and gladly, that any legitimate cause of quarrel with him was of the smallest. Taking all the circumstances of the case into account, he had behaved well, even admirably, by her. The way of the world, its habits and standards, the constitution of human nature, rather than Horace St. Leger, was in fault. And it was precisely on that finding, as she told herself now, having reasoned it out sitting here alone in her bedchamber, that she deprecated any change of estate, the contraction of any fresh and intimate relation. If she had not known it might have been different—and there she paused a little wistfully, sorrowfully. But she did know, and therefore she could not consent to part with her freedom, with the repose of mind and the large liberty of thought and action her freedom permitted her. Her body was her own. Her soul, her emotions were her own. Almost fiercely she protested they should remain so. Hence it was useless, useless, that Anastasia should warn, or that the image of Adrian Savage should solicit her, standing there handsome, devoted, and how maddeningly self-confident! She could not listen. She would not listen. No, no, simply she would not.

Having thus analyzed the position, summed up and delivered judgment upon it, clearly it was the part of common-sense to go to bed and to sleep. Gabrielle stretched out her hand for the crystal and silver rosary lying, along with her missal and certain books of devotion, on a whatnot beside her chair. She fingered it, making an effort to concentrate and compose her thoughts. But they refused to be composed, darting hither and thither like a flight of startled birds. Restlessness still possessed her, making recitation of the hallowed invocations which mark each separate bead trench perilously on profanity. She let the rosary drop and pressed her hands over her eyes. Certain words, over and above the disturbing ones spoken by Adrian Savage, haunted her. For the agitations of the afternoon had not ended with his declaration and exit. A subsequent episode had contributed, in no small degree, to produce her existing state of perturbation.

It had happened thus. A few minutes after Adrian left her, going out on to the gallery, which runs the length of the flat from the vestibule and studio at one end to the dining-room and offices at the other, she had been struck by the strangely cold, haggard light filling it. The ceiling stared, while details of pictures and china upon the walls, the graceful statuette of a slim, unclad boy carrying a hooded hawk on his wrist, and, farther on, a portrait bust of Horace St. Leger—each set on an antique porphyry column—started into peculiar and shadowless prominence. The windows of the gallery gave on to the courtyard. Gabrielle held aside one of the vitrine curtains and looked out.

Snow was falling. Countless thin, fine flakes circled and eddied, drifted earthward, and swept up again caught in some local draught. Through the lace work of black, quivering branches the backs of the houses across the courtyard showed pallid and gaunt. Far below, on the frost-bitten grass-plat, the lichen-stained nymph tilted her ice-bound pitcher above the frozen basin. The familiar scene in its present aspect was indescribably dreary, provocative of doubting, distrustful thoughts. With a movement of impatience, her expression hard, her charming lips compressed, the young woman turned away, conscious of being foolishly, unreasonably out of conceit with most things. Doing so, the bust of her husband confronted her, seeming to watch her from out the blank cavities in the eyeballs which so uncomfortably travesty sight. An expression of amused, slightly cynical inquiry rested upon the sculptured face. This, in her present somewhat irritable and over-sensitized condition, she resented, finding it singularly unpleasant. She moved rapidly away along the gallery. Then stopped dead.

From the dining-room came a joyful racket. But, to her astonishment, cutting through the rippling staccato of children's talk and laughter, came the grave tones of a man's voice. Hearing which, steady of nerve and strong though she was, Gabrielle turned faint. The blood left her heart. She made for the nearest window-seat and sank down on it.—Horace was there, in the dining-room, playing with Bette and her little friends as he so dearly loved to play. The fact of her widowhood, the past eighteen months of freedom, became as though they were not. In attitude and sentiment she found herself relegated to an earlier period, against which her whole nature rose in rebellion. She realized how quite horribly little she wanted to see Horace again, or renew his and her former relation. Realized her jealousy of him in respect of her child. Realized, indeed, that, notwithstanding his many attractive qualities and invariable kindness, his resurrection must represent to her something trenching upon despair.

Yet it was cruel, she knew, heartless, to feel thus. She glanced in positive mental torment at the marble bust. It still watched her, through the haggard clarity of the snow-glare, with the same effect of cynically questioning criticism and amusement, almost, so she thought, as one should say: "My dear, be consoled. Even had I the will, I am powerless to return and to claim you. Follow your own fancy. Make yourself perfectly easy. Have no fear but that I am very effectually wiped out of your life."

The blood rushed back to her heart. Her face flamed. She felt humiliated, as though detected in a secret villainy, in an act of detestable meanness. It is an ugly thing to pillage the dead. But she was also very angry, for she understood what had happened. Not Horace—poor, undesired Horace—but Adrian Savage was there in the dining-room. He had changed his mind after all; and, in the hope of somehow working upon her, had stayed to bid grandmother and grandchild good-by. This was a plot, a plant, and she was furious, her sense of justice suffering violent eclipse. For was it not abominable of him to have placed her in so unworthy and mortifying a position in respect of her dead husband, and, incidentally, to have given her such a dreadful fright? Regardless of reason she piled his offenses mountain-high. However, this simplified matters in a way, disposing of a certain question forever. Marry him? She'd as soon marry a ragpicker, a scavenger! She hoped devoutly he would have an atrocious crossing when he did at last seek foreign shores.

Thereupon she rose and swept onward, in the stateliest manner imaginable, with trailing, somber skirts, over the polished, shining floor.

As she threw open the dining-room door a slender, white-frocked, black-silk-legged figure rushed upon her and clasped her about the hips with ecstatic cries.

"Ah! mamma," it piped. "At last you have come! I am so excited. We have waited and listened. But it was a secret. He forbade us to tell you he was here. It was to be a great surprise. Now you may look, but you must promise not to interrupt with conversation. That is very important, you understand, because the next few moments are critical. M. Dax is cooking an omelette in my tiny, weeny frying-pan for our dolls and Teddy-bears."

And so, once again upon this day of self-revelations, Madame St. Leger had to revise her position and own herself in the wrong. Yet the relief of finding neither resuscitated husband nor importunate lover, but simply M. René Dax, in possession was so great that she greeted that eccentric and gifted young man with warm cordiality—wholly ignoring his affectations and the rumors current regarding his moral aberrations, remembering only the irreproachable correctness of his dress and manners, and the quaintly pathetic effect of his small, tired face, great domed head and bulging forehead—like those of a hydrocephalic baby—and the ingeniously fascinating qualities he displayed as self-elected playfellow of Bette and her little friends.

Yes, she told herself, she really had a great regard for René Dax. He touched her. And now she, undoubtedly, passed a wholly delightful three-quarters of an hour in his and the little girls' company, Madame Vernois looking on, meanwhile, sympathetic yet slightly perplexed. For Gabrielle, in her reaction of feeling, forgetful of her black dress and twenty-seven years, and the rather tedious restraints and dignities of her matronhood, was taken with the sprightliest humor. She remembered that three-quarters of an hour now with a degree of regret. If only it could have stopped at that! But, unfortunately, things went further.

For, at parting, she had lingered in the gallery, where the haggard whiteness of the snow-glare struggled with the deepening twilight, thanking René Dax for his kindness to the children and for the happy afternoon he had given them. The sense of holiday, of playtime, was still upon her and she spoke with unaccustomed gaiety and intimacy of tone.

The young man looked up at her attentively, queerly—the top of his head barely level with her shoulder—and answered, a certain harshness observable in his carefully modulated voice:

"Do not spoil it all by accusing me of a good action. In accusing me of that you do my intelligence a gross injustice. My conduct has been dictated, as always, by calculated selfishness."