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Afterwhiles

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About This Book

The collection gathers lyrical and narrative poems that celebrate rural life, childhood recollection, and everyday humor, alternating dialect sketches, sentimental domestic scenes, and reflective sonnets. Voices shift between conversational, comic, and elegiac tones to explore memory, love, mortality, and simple pleasures; some pieces indulge in gentle fantasy or mythic allusion while others render local speech and village characters with affectionate realism. Short dramatic monologues and musical lyrics emphasize rhythm and colloquial cadence, producing a varied portrait of homespun sentiment and restrained moral reflection.

The Project Gutenberg eBook of Afterwhiles

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Afterwhiles

Author: James Whitcomb Riley

Release date: May 19, 2005 [eBook #15862]
Most recently updated: December 14, 2020

Language: English

Credits: Etext produced by "Teary Eyes" Anderson

HTML file produced by David Widger


TRANSCRIBER'S NOTE:

Most of this etext was made with a "Top Scan" text scanner, with a bit
of correcting here and there. Mr. Riley does spell pretty=purty and
such things and have been left as printed, including the first poem
in this book listed as "Proem" on both the contents page and the
page headers, even though in later editions this poem is simply called
"Afterwhiles." In "The South Wind and the Sun" the line is 'Laughed out in
every look.' while in later versions it has the word 'nook', replacing
'look.' The poem "Old Aunt Mary's" is later retitled "Out To Old Aunt
Mary's" and later enlarged by 13 verses. The "In Dalect" section has the '
to replace a letter that he left out, to make the word sound a certain way,
including words like sure-enuff he writes as sho'-nuff, or He'pless as
helpless and ect. This etext is based on the 1898 edition Published by The
Bobbs-Merrill Company, Indianapolis Publishers. "Teary Eyes" Anderson***

*** START OF THE PROJECT GUTENBERG EBOOK AFTERWHILES ***








AFTERWHILES

By James Whitcomb Riley

DEDICATED TO MY MOTHER ELIZABETH


CONTENTS

PROEM (AKA "Afterwhiles")

Herr Weiser

The Beautiful City

Lockerbie Street

Das Krist Kindel

Anselmo

A Home-Made Fairy Tale

The South Wind and the Sun

The Lost Kiss

The Sphinx

If I knew What Poets Know

Ike Walton's Prayer

A Rough Sketch

Our Kind of a Man

The Harper

Old Aunt Mary's

Illileo

The King

A Bride

The Dead Lover

A Song

When Bessie Died

The Shower

A Life Lesson

A Scrawl

Away

Who Bides His Time

From the Headboard of a Grave in Paraguay

Laughter Holding Both His Sides

Fame

The Ripest Peach

A Fruit Piece

Their Sweet Sorrow

John McKeen

Out of Nazareth

September Dark

We To Sigh Instead of Sing

The Blossoms on the Trees

Last Night— And This

A Discouraging Model

Back From a Two-years' Sentence

The Wandering Jew

Becalmed

To Santa Claus

Where the Children used to Play

A Glimpse of Pan


SONNETS

Pan

Dusk

June

Silence

Sleep

Her Hair

Dearth

A Voice From the Farm

The Serenade

Art and Love

Longfellow

Indiana

Time

Grant


IN DIALECT

Old Fashioned Roses

Griggsby's Station

Knee Deep in June

When The Hearse Comes Back

A Canary At the Farm

A Liz Town Humorist

Kingry's Mill

Joney

Like His Mother Used To Make

The Train Misser

Granny

Old October

Jim

To Robert Burns

A New Year's Time at Willards's

The Town Karnteel

Regardin' Terry Hut

Leedle Dutch Baby

Down On Wriggle Crick

When De Folks Is Gone

The Little Town O' Tailholt

Little Orphant Annie








PROEM (AKA "Afterwhiles")

  Where are they— the Afterwhiles—
  Luring us the lengthening miles
  Of our lives? Where is the dawn
  With the dew across the lawn
  Stroked with eager feet the far
  Way the hills and valleys are?
  Were the sun that smites the frown
  Of the eastward-gazer down?
  Where the rifted wreaths of mist
  O'er us, tinged with amethyst,
  Round the mountain's steep defiles?
  Where are the afterwhiles?

  Afterwhile— and we will go
  Thither, yon, and too and fro—
  From the stifling city streets
  To the country's cool retreats—
  From the riot to the rest
  Were hearts beat the placidest:
  Afterwhile, and we will fall
  Under breezy trees, and loll
  In the shade, with thirsty sight
  Drinking deep the blue delight
  Of the skies that will beguile
  Us as children— afterwhile.

  Afterwhile— and one intends
  To be gentler to his friends—,
  To walk with them, in the hush
  Of still evenings, o'er the plush
  Of home-leading fields, and stand
  Long at parting, hand in hand:
  One, in time, will joy to take
  New resolves for some one's sake,
  And wear then the look that lies
  Clear and pure in other eyes—
  We will soothe and reconcile
  His own conscience— afterwhile.

  Afterwhile— we have in view
  A far scene to journey to—,
  Where the old home is, and where
  The old mother waits us there,
  Peering, as the time grows late,
  Down the old path to the gate—.
  How we'll click the latch that locks
  In the pinks and hollyhocks,
  And leap up the path once more
  Where she waits us at the door—!
  How we'll greet the dear old smile,
  And the warm tears— afterwhile!

  Ah, the endless afterwhiles—!
  Leagues on leagues, and miles on miles,
  In distance far withdrawn,
  Stretching on, and on, and on,
  Till the fancy is footsore
  And faints in the dust before
  The last milestone's granite face,
  Hacked with: Here Beginneth Space.
  O far glimmering worlds and wings,
  Mystic smiles and beckonings,
  Lead us through the shadowy aisles
  Out into the afterwhiles.








Herr Weiser

  Herr Weiser—! Three-score-years-and-ten—,
  A hale white rose of his country-men,
  Transplanted here in the Hoosier loam,
  And blossomy as his German home—
  As blossomy and as pure and sweet
  As the cool green glen of his calm retreat,
  Far withdrawn from the noisy town
  Where trade goes clamoring up and down,
  Whose fret and fever, and stress and strife,
  May not trouble his tranquil life!

  Breath of rest, what a balmy gust—!
  Quite of the city's heat and dust,
  Jostling down by the winding road,
  Through the orchard ways of his quaint abode—.
  Tether the horse, as we onward fare
  Under the pear-trees trailing there,
  And thumping the wood bridge at night
  With lumps of ripeness and lush delight,
  Till the stream, as it maunders on till dawn,
  Is powdered and pelted and smiled upon.

  Herr Weiser, with his wholesome face,
  And the gentle blue of his eyes, and grace
  Of unassuming honesty,
  Be there to welcome you and me!
  And what though the toil of the farm be stopped
  And the tireless plans of the place be dropped,
  While the prayerful master's knees are set
  In beds of pansy and mignonette
  And lily and aster and columbine,
  Offered in love, as yours and mine—?

  What, but a blessing of kindly thought,
  Sweet as the breath of forget-me-not—!
  What, but a spirit of lustrous love
  White as the aster he bends above—!
  What, but an odorous memory
  Of the dear old man, made known to me
  In days demanding a help like his—,
  As sweet as the life of the lily is—
  As sweet as the soul of a babe, bloom-wise
  Born of a lily in paradise.








The Beautiful City

  The Beautiful City! Forever
  Its rapturous praises resound;
  We fain would behold it— but never
  A glimpse of its dory is found:
  We slacken our lips at the tender
  White breasts of our mothers to hear
  Of its marvellous beauty and splendor—;
  We see— but the gleam of a tear!

  Yet never the story may tire us—
  First graven in symbols of stone—
  Rewritten on scrolls of papyrus
  And parchment, and scattered and blown
  By the winds of the tongues of all nations,
  Like a litter of leaves wildly whirled
  Down the rack of a hundred translations,
  From the earliest lisp of the world.

  We compass the earth and the ocean,
  From the Orient's uttermost light,
  To where the last ripple in motion
  Lips hem of the skirt of the night—,
  But the Beautiful City evades us—
  No spire of it glints in the sun—
  No glad-bannered battlement shades us
  When all our Journey is done.

  Where lies it? We question and listen;
  We lean from the mountain, or mast,
  And see but dull earth, or the glisten
  Of seas inconceivably vast:
  The dust of the one blurs our vision,
  The glare of the other our brain,
  Nor city nor island Elysian
  In all of the land or the main!

  We kneel in dim fanes where the thunders
  Of organs tumultuous roll,
  And the longing heart listens and wonders,
  And the eyes look aloft from the soul:
  But the chanson grows fainter and fainter,
  Swoons wholly away and is dead;
  AND our eyes only reach where the painter
  Has dabbled a saint overhead.

  The Beautiful City! O mortal,
  Fare hopefully on in thy quest,
  Pass down through the green grassy portal
  That leads to the Valley of Rest;
  There first passed the One who, in pity
  Of all thy great yearning, awaits
  To point out The Beautiful City,
  And loosen the trump at the gates.








Lockerbie Street

  Such a dear little street it is, nestled away
  From the noise of the city and heat of the day,
  In cool shady coverts of whispering trees,
  With their leaves lifted up to shake hands with the breeze
  Which in all its wide wanderings never may meet
  With a resting-place fairer than Lockerbie street!

  There is such a relief, from the clangor and din
  Of the heart of the town, to go loitering in
  Through the dim, narrow walks, with the sheltering shade
  Of the trees waving over the long promenade,
  And littering lightly the ways of our feet
  With the gold of the sunshine of Lockerbie street.

  And the nights that come down the dark pathways of dusk,
  With the stars in their tresses, and odors of musk
  In their moon-woven raiments, bespangled with dews,
  And looped up with lilies for lovers to use
  In the songs that they sing to the tinkle and beat
  Of their sweet serenadings through Lockerbie street.

  O my Lockerbie street!  You are fair to be seen—
  Be it noon of the day, or the rare and serene
  Afternoon of the night— you are one to my heart,
  And I love you above all the phrases of art,
  For no language could frame and no lips could repeat
  My rhyme-haunted raptures of Lockerbie street.








Das Krist Kindel

  I had fed the fire and stirred it, till the sparkles in delight
  Snapped their saucy little fingers at the chill December night;
  And in dressing-gown and slippers, I had tilted back "my throne—"
  The old split-bottomed rocker— and was musing all alone.

  I could hear the hungry Winter prowling round the outer door,
  And the tread of muffled footsteps on the white piazza floor;
  But the sounds came to me only as the murmur of a stream
  That mingled with the current of a lazy-flowing dream.

  Like a fragrant incense rising, curled the smoke of my cigar,
  With the lamplight gleaming through it like a mist-enfolded star—;
  And as I gazed, the vapor like a curtain rolled away,
  With a sound of bells that tinkled, and the clatter of a sleigh.

  And in a vision, painted like a picture in the air,
  I saw the elfish figure, of a man with frosty hair—
  A quaint old man that chuckled with a laugh as he appeared,
  And with ruddy cheeks like embers in the ashes of his beard.

  He poised himself grotesquely, in an attitude of mirth,
  On a damask-covered hassock that was sitting on the hearth;
  And at a magic signal of his stubbly little thumb,
  I saw the fireplace changing to a bright proscenium.

  And looking there, I marvelled as I saw a mimic stage
  Alive with little actors of a very tender age;
  And some so very tiny that they tottered as they walked,
  And lisped and purled and gurgled like the brooklets, when they talked.

  And their faces were like lilies, and their eyes like purest dew,
  And their tresses like the shadows that the shine is woven through;
  And they each had little burdens, and a little tale to tell
  Of fairy lore, and giants, and delights delectable.

  And they mixed and intermingled, weaving melody with joy,
  Till the magic circle clustered round a blooming baby-boy;
  And they threw aside their treasures in an ecstasy of glee,
  And bent, with dazzled faces and with parted lips, to see.

  'Twas a wondrous little fellow, with a dainty double-chin
  And chubby-cheeks, and dimples for the smiles to blossom in;
  And he looked as ripe and rosy, on his bed of straw and reeds,
  As a mellow little pippin that had tumbled in the weeds.

  And I saw the happy mother, and a group surrounding her
  That knelt with costly presents of frankincense and myrrh;
  And I thrilled with awe and wonder, as a murmur on the air
  Came drifting o'er the hearing in a melody of prayer—:

  By the splendor in the heavens, and the hush upon the sea,
  And the majesty of silence reigning over Galilee,
  We feel Thy kingly presence, and we humbly bow the knee
  And lift our hearts and voices in gratefulness to Thee.

  Thy messenger has spoken, and our doubts have fled and gone
  As the dark and spectral shadows of the night before the dawn;
  And in kindly shelter of the light around us drawn,
  We would nestle down forever in the breast we lean upon.

  You have given us a shepherd— You have given us a guide,
  And the light of Heaven grew dimmer when You sent him from Your side—,
  But he comes to lead Thy children where the gates will open wide
  To welcome his returning when his works are glorified.

  By the splendor in the heavens, and the hush upon the sea,
  And the majesty of silence reigning over Galilee—,
  We feel Thy kingly presence, and we humbly bow the knee
  And lift our hearts and voices in gratefulness to Thee.

  Then the vision, slowly failing, with the words of the refrain,
  Fell swooning in the moonlight through the frosty window-pane;
  And I heard the clock proclaiming, like an eager sentinel
  Who brings the world good tidings—, "It is Christmas— all is well!"








Anselmo

  Years did I vainly seek the good Lord's grace—,
  Prayed, fasted, and did penance dire and dread;
  Did kneel, with bleeding knees and rainy face,
  And mouth the dust, with ashes on my head;
  Yea, still with knotted scourge the flesh I flayed,
  Rent fresh the wounds, and moaned and shrieked insanely;
  And froth oozed with the pleadings that I made,
  And yet I prayed on vainly, vainly, vainly!

  A time, from out of swoon I lifted eye,
  To find a wretched outcast, gray and grim,
  Bathing my brow, with many a pitying sigh,
  And I did pray God's grace might rest on him—.
  Then, lo! A gentle voice fell on mine ears—
  "Thou shalt not sob in suppliance hereafter;
  Take up thy prayers and wring them dry of tears,
  And lift them, white and pure with love and laughter!"

  So is it now for all men else I pray;
  So is it I am blest and glad alway.








A Home-Made Fairy Tale

  Bud, come here to your uncle a spell,
  And I'll tell you something you mustn't tell—
  For it's a secret and shore-'nuf true,
  And maybe I oughtn't to tell it to you—!
  But out in the garden, under the shade
  Of the apple-trees, where we romped and played
  Till the moon was up, and you thought I'd gone
  Fast asleep—, That was all put on!
  For I was a-watchin' something queer
  Goin' on there in the grass, my dear—!
  'Way down deep in it, there I see
  A little dude-Fairy who winked at me,
  And snapped his fingers, and laughed as low
  And fine as the whine of a mus-kee-to!
  I kept still— watchin' him closer— and
  I noticed a little guitar in his hand,
  Which he leant 'ginst a little dead bee— and laid
  His cigarette down on a clean grass-blade,
  And then climbed up on the shell of a snail—
  Carefully dusting his swallowtail—
  And pulling up, by a waxed web-thread,
  This little guitar, you remember. I said!
  And there he trinkled and trilled a tune—,
  "My Love, so Fair, Tans in the Moon!"
  Till presently, out of the clover-top
  He seemed to be singing to, came k'pop!
  The purtiest, daintiest Fairy face
  In all this world, or any place!
  Then the little ser'nader waved his hand,
  As much as to say, "We'll excuse you!" and
  I heard, as I squinted my eyelids to,
  A kiss like the drip of a drop of dew!








The South Wind and the Sun

  O The South Wind and the Sun!
  How each loved the other one
  Full of fancy—- full folly—
  Full of jollity and fun!
  How they romped and ran about,
  Like two boys when school is out,
  With glowing face, and lisping lip,
  Low laugh, and lifted shout!

  And the South Wind— he was dressed
  With a ribbon round his breast
  That floated, flapped and fluttered
  In a riotous unrest,
  And a drapery of mist
  From the shoulder and the wrist
  Flowing backward with the motion
  Of the waving hand he kissed.

  And the Sun had on a crown
  Wrought of gilded thistle-down,
  And a scarf of velvet vapor,
  And a ravelled-rainbow gown;
  And his tinsel-tangled hair,
  Tossed and lost upon the air,
  Was glossier and flossier
  Than any anywhere.

  And the South Wind's eyes were two
  Little dancing drops of dew,
  As he puffed his cheeks, and pursed his lips,
  And blew and blew and blew!
  And the Sun's— like diamond-stone,
  Brighter yet than ever known,
  As he knit his brows and held his breath,
  And shone and shone and shone!

  And this pair of merry fays
  Wandered through the summer days;
  Arm-in-arm they went together
  Over heights of morning haze—
  Over slanting slopes of lawn
  They went on and on and on,
  Where the daisies looked like star-tracks
  Trailing up and down the dawn.

  And where'er they found the top
  Of a wheat-stalk droop and lop
  They chucked it underneath the chin
  And praised the lavish crop,
  Till it lifted with the pride
  Of the heads it grew beside,
  And then the South Wind and the Sun
  Went onward satisfied.

  Over meadow-lands they tripped,
  Where the dandelions dipped
  In crimson foam of clover-bloom,
  And dripped and dripped and dripped;
  And they clinched the bumble-stings,
  Gauming honey on their wings,
  And bundling them in lily-bells,
  With maudlin murmurings.

  And the humming-bird that hung
  Like a jewel up among
  The tilted honeysuckle-horns,
  They mesmerized, and swung
  In the palpitating air,
  Drowsed with odors strange and rare,
  And with whispered laughter, slipped away,
  And left him hanging there.

  And they braided blades of grass
  Where the truant had to pass;
  And they wriggled through the rushes
  And the reeds of the morass,
  Where they danced, in rapture sweet,
  O'er the leaves that laid a street
  Of undulant mosaic for
  The touches of their feet.

  By the brook with mossy brink
  Where the cattle came to drink.
  They trilled and piped and whistled
  With the thrush and bobolink,
  Till the kine in listless pause,
  Switched their tails in mute applause,
  With lifted heads and dreamy eyes,
  And bubble-dripping jaws.

  And where the melons grew,
  Streaked with yellow, green and blue
  These jolly sprites went wandering
  Through spangled paths of dew;
  And the melons, here and there,
  They made love to, everywhere
  Turning their pink souls to crimson
  With caresses fond and fair.

  Over orchard walls they went,
  Where the fruited boughs were bent
  Till they brushed the sward beneath them
  Where the shine and shadow blent;
  And the great green pear they shook
  Till the sallow hue forsook
  Its features, and the gleam of gold
  Laughed out in every look.

  And they stroked the downy cheek
  Of the peach, and smoothed it sleek,
  And flushed it into splendor;
  And with many an elfish freak,
  Gave the russet's rust a wipe—
  Prankt the rambo with a stripe,
  And the wine-sap blushed its reddest
  As they spanked the pippins ripe.

  Through the woven ambuscade
  That the twining vines had made,
  They found the grapes, in clusters,
  Drinking up the shine and shade—
  Plumpt like tiny skins of wine,
  With a vintage so divine
  That the tongue of fancy tingled
  With the tang of muscadine.

  And the golden-banded bees,
  Droning o'er the flowery leas,
  They bridled, reigned, and rode away
  Across the fragrant breeze,
  Till in hollow oak and elm
  They had groomed and stabled them
  In waxen stalls oozed with dews
  Of rose and lily-stem.

  Where the dusty highway leads,
  High above the wayside weeds
  They sowed the air with butterflies
  Like blooming flower-seeds,
  Till the dull grasshopper sprung
  Half a man's height up, and hung
  Tranced in the heat, with whirring wings,
  And sung and sung and sung!

  And they loitered, hand in hand,
  Where the snipe along the sand
  Of the river ran to meet them
  As the ripple meets the land,
  Till the dragon-fly, in light
  Gauzy armor, burnished bright,
  Came tilting down the waters
  In a wild, bewildered flight.

  And they heard the killdee's call,
  And afar, the waterfall,
  But the rustle of a falling leaf
  They heard above it all;
  And the trailing willow crept
  Deeper in the tide that swept
  The leafy shallop to the shore,
  And wept and wept and wept!

  And the fairy vessel veered
  From its moorings— tacked and steered
  For the centre of the current
  Sailed away and disappeared:
  And the burthen that it bore
  From the long-enchanted shore—
  "Alas! The South Wind and the Sun!"
  I murmur evermore.

  For the South Wind and the Sun,
  Each so loves the other one,
  For all his jolly folly
  And frivolity and fun,
  That our love for them they weigh
  As their fickle fancies may,
  And when at last we love them most,
  They laugh and sail away.








The Lost Kiss

  I put by the half-written poem,
  While the pen, idly trailed in my hand,
  Writes on—, "Had I words to complete it,
  Who'd read it, or who'd understand?"
  But the little bare feet on the stairway,
  And the faint, smothered laugh in the hall,
  And the eerie-low lisp on the silence,
  Cry up to me over it all.

  So I gather it up— where was broken
  The tear-faded thread of my theme,
  Telling how, as one night I sat writing,
  A fairy broke in on my dream,
  A little inquisitive fairy—
  My own little girl, with the gold
  Of the sun in her hair, and the dewy
  Blue eyes of the fairies of old.

  'Twas the dear little girl that I scolded—
  "For was it a moment like this,"
  I said, "when she knew I was busy,
  To come romping in for a kiss—?
  Come rowdying up from her mother,
  And clamoring there at my knee
  For 'One 'ittle kiss for my dolly,
  And one 'ittle uzzer for me!"

  God pity, the heart that repelled her,
  And the cold hand that turned her away,
  And take, from the lips that denied her,
  This answerless prayer of to-day!
  Take Lord, from my mem'ry forever
  That pitiful sob of despair,
  And the patter and trip of the little bare feet,
  And the one piercing cry on the stair!

  I put by the half-written poem,
  While the pen, idly trailed in my hand
  Writes on—, "Had I words to complete it
  Who'd read it, or who'd understand?"
  But the little bare feet on the stairway,
  And the faint, smothered laugh in the hall,
  And the eerie-low lisp on the silence,
  Cry up to me over it all.








The Sphinx

  I know all about the Sphinx—
  I know even what she thinks,
  Staring with her stony eyes
  Up forever at the skies.

  For last night I dreamed that she
  Told me all the mystery—
  Why for aeons mute she sat—:
  She was just cut out for that!








If I knew What Poets Know

  If I knew what poets know,
  Would I write a rhyme
  Of the buds that never blow
  In the summer-time ?
  Would I sing of golden seeds
  Springing up in ironweeds?
  And of raindrops turned to snow,
  If I knew what poets know?

  Did I know what poets do,
  Would I sing a song
  Sadder than the pigeon's coo
  When the days are long?
  Where I found a heart in pain,
  I would make it glad again;
  And the false should be the true,
  Did I know what poets do.

  If I knew what poets know,
  I would find a theme
  Sweeter than the placid flow
  Of the fairest dream:
  I would sing of love that lives
  On the errors it forgives;
  And the world would better grow
  If I knew what poets know.








Ike Walton's Prayer

  I crave, dear Lord,
  No boundless hoard
  Of gold and gear,
  Nor jewels fine,
  Nor lands, nor kine,
  Nor treasure-heaps of anything—.
  Let but a little hut be mine
  Where at the hearthstone I may hear
  The cricket sing,
  And have the shine
  Of one glad woman's eyes to make,
  For my poor sake,
  Our simple home a place divine—;
  Just the wee cot— the cricket's chirr—
  Love and the smiling face of her.

  I pray not for
  Great riches, nor
  For vast estates and castle-halls—,
  Give me to hear the bare footfalls
  Of children o'er
  An oaken floor
  New-rinsed with sunshine, or bespread
  With but the tiny coverlet
  And pillow for the baby's head;
  And pray Thou, may
  The door stand open and the day
  Send ever in a gentle breeze,
  With fragrance from the locust-trees,
  And drowsy moan of doves, and blur
  Of robin-chirps, and drone of bees,
  With after-hushes of the stir
  Of intermingling sounds, and then
  The good-wife and the smile of her
  Filling the silences again—
  The cricket's call
  And the wee cot,
  Dear Lord of all,
  Deny me not!

  I pray not that
  Men tremble at
  My power of place
  And lordly sway—,
  I only pray for simple grace
  To look my neighbor in the face
  Full honestly from day to day—
  Yield me his horny palm to hold.
  And I'll not pray
  For gold—;
  The tanned face, garlanded with mirth,
  It hath the kingliest smile on earth;
  The swart brow, diamonded with sweat,
  Hath never need of coronet.
  And so I reach,
  Dear Lord, to Thee,
  And do beseech
  Thou givest me
  The wee cot, and the cricket's chirr,
  Love and the glad sweet face of her!