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Aggravating ladies

Chapter 4: HOW TO DESCRIBE A BOOK.
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About This Book

The essay combines practical guidance on bibliographic description and cataloguing with a compiled list of works issued under the pseudonym a lady whose authorship the compiler could not ascertain. It outlines principles for describing books, including attention to printing style, punctuation, beginnings and endings, errata, and methods for identifying anonymous and pseudonymous writers. Preliminary remarks and a preface explain the compiler's aims, limits, and appeal for assistance, and the volume discusses the challenges of recording nineteenth‑century English publications accurately. The book concludes with advertisements, an index, and notes on cataloguing practice meant to help readers supply correct bibliographic information.

HOW TO DESCRIBE A BOOK.


“If you are troubled with a pride of accuracy, and would have it completely taken out of you, print a catalogue.” (Author unknown).

Dr. Aikin used to say, that nothing is such an obstacle to the production of excellence as the power of producing what is pretty good with ease and rapidity. The Circulator [1825] quoted in the Manual of Laconics by John Taylor, 1838, p. 361.

Practice is the best, if not the only way to learn how to describe a book. Simply reading descriptions of what to do is of little use. Indeed practice is found to teach so much, that we often find authors of bibliographical books cancelling the early portions of their works in order to correct those defects and deficiencies which experience has brought forcibly to their notice. Such was the case with the first part of Quérard’s France Littéraire, which was called in and cancelled; and the Bibliotheca Cornubiensis of Boase and Courtney, published by Longmans in 1874.

Every one must be guided by their particular requirements; but must never lose sight of the absolute necessity there is of following a system rigidly, and of being accurate.

With these preliminary remarks I will now proceed to give some hints derived from my own experience.