THE MATTERHORN
The Matterhorn is peculiar. I do not know of another mountain like it on the earth. There are such splintered and precipitous spires on the moon. How it came to be such I treated of fully in Sights and Insights. It is approximately a three-sided mountain, fourteen thousand seven hundred and eighteen feet high, whose sides are so steep as to be unassailable. Approach can be made only along the angle at the junction of the planes.
[Illustration: The Matterhorn.]
It was long supposed to be inaccessible. Assault after assault was made on it by the best and most ambitious Alp climbers, but it kept its virgin height untrodden. However, in 1864, seven men, almost unexpectedly, achieved the victory; but in descending four of them were precipitated, down an almost perpendicular declivity, four thousand feet. They had achieved the summit after hundreds of others had failed. They had reveled in the upper glories, deposited proof of their visit, and started to return. According to law, they were roped together. According to custom, in a difficult place all remain still, holding the rope, except one who carefully moves on. Croz, the first guide, was reaching up to take the feet of Mr. Haddow and help him down to where he stood. Suddenly Haddow's strength failed, or he slipped and struck Croz on the shoulders, knocking him off his narrow footing. They two immediately jerked off Rev. Mr. Hudson. The three falling jerked off Lord Francis Douglas. Four were loose and falling; only three left on the rocks. Just then the rope somehow parted, and all four dropped that great fraction of a mile. The mountain climber makes a sad pilgrimage to the graves of three of them in Zermatt; the fourth probably fell in a crevasse of the glacier at the foot, and may be brought to the sight of friends in perhaps two score years, when the river of ice shall have moved down into the valleys where the sun has power to melt away the ice. This accident gave the mountain a reputation for danger to which an occasional death on it since has added.
Each of these later unfortunate occurrences is attributable to personal perversity or deficiency. Peril depends more on the man than on circumstances. One is in danger on a wall twenty feet high, another safe on a precipice of a thousand feet. No man has a right to peril his life in mere mountain climbing; that great sacrifice must be reserved for saving others, or for establishing moral principle.
The morning after coming from Monte Rosa myself and son left Zermatt at half past seven for the top of the Matterhorn, twelve hours distant, under the guidance of Peter Knubel, his brother, and Peter Truffer, three of the best guides for this work in the country. In an hour the dwellings of the mountain-loving people are left behind, the tree limit is passed soon after, the grass cheers us for three hours, when we enter on the wide desolation of the moraines. Here is a little chapel. I entered it as reverently and prayed as earnestly for God's will, not mine, to be done as I ever did in my life, and I am confident that amid the unutterable grandeur that succeeded I felt his presence and help as fully as at any other time.
At ten minutes of two we were roped together and feeling our way carefully in the cut steps on a glacier so steep that, standing erect, one could put his hand upon it. We were on this nearly an hour. Just as we left it for the rocks a great noise above, and a little to the south, attracted attention. A vast mass of stone had detached itself from the overhanging cliff at the top, and falling on the steep slope had broken into a hundred pieces. These went bounding down the side in long leaps. Wherever one struck a cloud of powdered stone leaped into the air, till the whole mountain side smoked and thundered with the grand cannonade. The omen augured to me that the mountain was going to do its best for our reception and entertainment. Fortunately these rock avalanches occur on the steep, unapproachable sides, and not at the angle where men climb.
How the mountain grew upon us as we clung to its sides! When the great objects below had changed to littleness the heights above seemed greater than ever. At half past four we came to a perpendicular height of twenty feet, with a slight slope above. Down this precipice hung a rope; there was also an occasional projection of an inch or two of stone for the mailed foot. At the top, on a little shelf, under hundreds of feet of overhanging rock, some stones had been built round and over a little space for passing the night. The rude cabin occupied all the width of the shelf, so that passing to its other end there was not room to walk without holding on by one's hands in the crevices of the wall. We were now at home; had taken nine hours to do what could be done in eight. What an eyrie in which to sleep! Below us was a sheer descent, of a thousand or two feet, to the glacier. Above us towered the crest of the mountain, seemingly higher than ever. The sharp shadow of the lofty pyramid lengthened toward Monte Rosa. Italy lifted up its mountains tipped with sunshine to cheer us. The Obernese Alps, beyond the Rhone, answered with numerous torches to light us to our sleep. According to prearrangement, at eight o'clock we kindled a light on our crag to tell our friends in Zermatt that we had accomplished the first stage of our journey. They answered instantly with a cheery blaze, and we lay down to sleep.
When four of us lay together I was so crowded against the wall that I thought if it should give way I could fall two thousand feet out of bed without possibility of stopping on the way. The ice was two feet thick on the floor, and by reason of the scarcity of bedding I was reminded of the damp, chilly sheets of some unaired guest-chambers. I do not think I slept a moment, but I passed the night in a most happy, thoughtful, and exultant frame of mind.
At half past three in the morning we were roped together--fifteen feet of rope between each two men--for the final three or four hours' work. It is everywhere steep; it is every minute hands and feet on the rocks; sometimes you cling with fingers, elbows, knees, and feet, and are tempted to add the nose and chin. Where it is least steep the guide's heels are right in your face; when it is precipitous you only see a line of rope before you. We make the final pause an hour before the top. Here every weight and the fear that so easily besets one must be laid aside. No part of the way has seemed so difficult; not even that just past--when we rounded a shoulder on the ice for sixty feet, sometimes not over twenty inches wide, on the verge of a precipice four thousand feet high. To this day I can see the wrinkled form of that far-down glacier below, though I took care not to make more than one glance at it.
The rocks become smoother and steeper, if possible. A chain or rope trails from above in four places. You have good hope that it is well secured, and wish you were lighter, as you go up hand over hand. Then a beautiful slope for hands, knees, and feet for half an hour, and the top is reached at half past six.
The view is sublime. Moses on Pisgah could have had no such vision. He had knowledge added of the future grandeur of his people, but such a revelation as this tells so clearly what God can do for his people hereafter that that element of Moses's enjoyment can be perceived, if not fully appreciated. All the well-known mountains stand up like friends to cheer us. Mont Blanc has the smile of the morning sun to greet us withal. Monte Rosa chides us for not partaking of her prepared visions. The kingdoms of the world--France, Switzerland, Italy--are at our feet. One hundred and twenty snow-peaks flame like huge altar piles in the morning sun. The exhilarant air gives ecstasy to body, the new visions intensity of feeling to soul. The Old World has sunk out of sight. This is Mount Zion, the city of God. New Jerusalem has come down out of heaven adorned as a bride for her husband. The pavements are like glass mingled with fire. The gates of the morning are pearl. The walls, near or far according to your thought, are like jasper and sapphire. The glory of God and of the Lamb lightens it.
But we must descend, though it is good to be here. It is even more difficult and tedious than the ascent. Non facilis descensus. With your face to the mountain you have only the present surface and the effort for that instant. But when you turn your back on the mountain the imminent danger appears. It is not merely ahead, but the sides are much more dangerous. On the way down we had more cannonades. In six hours we were off the cliffs, and by half past three we had let ourselves down, inch by inch, to Zermatt, a distance of nine thousand four hundred feet.
Looking up to the Matterhorn this next morning after the climb, I feel for it a personal affection. It has put more pictures of grandeur into my being than ever entered in such a way before. It is grand enough to bear acquaintance. People who view it from a distance must be strangers. It has been, and ever will be, a great example and lofty monument of my Father's power. He taketh up the isles as a very little thing; he toucheth the mountains and they smoke. The strength of the hills is his also; and he has made all things for his children, and waits to do greater things than these.
THE GRAND CANON OF THE COLORADO RIVER
Before me lies a thin bit of red rock, rippled as delicately as a woman's hair, bearing marks of raindrops that came from the south. It was once soft clay. It was laid down close to the igneous Archaean rocks when Mother Earth was in her girlhood and water first began to flow. More clay flowed over, and all was hardened into rock. Many strata, variously colored and composed, were deposited, till our bit of beauty was buried thousands of feet deep. The strata were tilted variously and abraded wondrously, for our earth has been treated very much as the fair-armed bread-maker treats the lump of dough she doubles and kneads on the molding board. Other rocks of a much harder nature, composed in part of the shells of inexpressible multitudes of Ocean's infusoria, were laid down from the superincumbent sea. Still the delicate ripple marks were preserved. Nature's vast library was being formed, and on this scrap of a leaf not a letter was lost.
Beside this stone now lies another of the purest white. It once flowed as water impregnated with lime, and clung to the lower side of a rock now as high above the sea as many a famous mountain. The water gradually evaporated, and the lime still hung like tiny drops. Between the two stones now so near together was once a perpendicular distance of more than a mile of impenetrable rock. How did they ever get together? Let us see.
After the rock making, by the deposit of clay, limestone, etc., this vast plain was lifted seven thousand feet above the sea and rimmed round with mountains. Perhaps in being afterward volcanically tossed in one of this old world's spasms an irregular crack ripped its way along a few hundred miles. Into this crack rushed a great river, perhaps also an inland ocean or vast Lake Superior, of which Salt Lake may be a little remnant puddle. These tumultuous waters proceeded to pulverize, dissolve, and carry away these six thousand feet of rock deposited between the two stones. There was fall enough to make forty Niagaras.
I was once where a deluge of rain had fallen a few days before in a mountain valley. It tore loose some huge rocks and plunged down a precipice of one thousand feet. The rock at the bottom was crushed under the frightful weight of the tumbling superincumbent mass, and every few minutes the top became the bottom. In one hour millions of tons of rock were crushed to pebbles and spread for miles over the plain, filling up a whole village to the roofs of the houses. I knew three villages utterly destroyed by a rush of water only ten feet deep. Water and gravitation make a frightful plow. Here some prehistoric Mississippi turned its mighty furrows.
The Colorado River is one of our great rivers. It is over two thousand miles long, reaches from near our northern to beyond our southern border, and drains three hundred thousand square miles of the west side of the Rocky Mountains. Great as it remains, it is a mere thread to what it once was. It is easy to see that there were several epochs of work. Suppose the first one took off the upper limestone rock to the depth of several thousand feet. This cutting is of various widths. Just here it is eighteen miles wide; but as such rocks are of varying hardness there are many promontories that distinctly project out, say, half a mile from the general rim line, and rising in the center are various Catskill and Holyoke mountains, with defiantly perpendicular sides, that persisted in resisting the mighty rush of waters. The outer portions of their foundations were cut away by the mighty flood and, as the ages went by, occasionally the sides thundered into the chasm, leaving the wall positively perpendicular.
We may now suppose the ocean waters nearly exhausted and only the mighty rivers that had made that ocean were left to flow; indeed, the rising Sierras of some range unknown at the present may have shut off whole oceans of rain. The rivers that remained began to cut a much narrower channel into the softer sand and clay-rock below. From the great mountain-rimmed plateau rivers poured in at the sides, cutting lateral cañons down to the central flow. Between these stand the little Holyokes aforesaid, with greatly narrowed base.
I go down with most reverent awe and pick the little ripple-rain-marked leaf out of its place in the book of nature, a veritable table of stone written by the finger of God, and bring it up and lay it alongside of one formed, eons after, at the top. They be brothers both, formed by the same forces and for the same end.
Standing by this stupendous work of nature day after day, I try to stretch my mind to some large computation of the work done. A whole day is taken to go down the gorge to the river. It takes seven miles of zigzag trail, sometimes frightfully steep, along shelves not over two feet wide, under rock thousands of feet above and going down thousands of feet below, to get down that perpendicular mile. It was an immense day's work.
The day was full of perceptions of the grandeur of vast rock masses never before suggested, except by the mighty mass of the Matterhorn seen close by from its Hörnli shoulder.
There was the river--a regular freight train, running day and night, the track unincumbered with returning cars (they were returned by the elevated road of the upper air)--burdened with dissolved rock and earth.
A slip into this river scarcely seemed to wet the foot; it seemed rather to coat it thickly with mud rescued from its plunge toward the sea. What unimaginable amounts the larger river must have carried in uncounted ages! In the short time the Mississippi has been at work it has built out the land at its mouth one hundred miles into the Gulf.
In the side cañon down which we worked our sublime and toilful way it was easy to see the work done. Sometimes the fierce torrent would pile the bottom of a side cañon with every variety of stone, from the wall a mile high, into one tremendous heap of conglomerate. The next rush of waters would tear a channel through this and pour millions of tons into the main river. For years Boston toiled, in feeble imitation of Milton's angels, to bring the Milton Hills into the back Bay and South Boston Flats. Boston made more land than the city originally contained, but it did not move a teaspoonful compared with these excavations.
The section traversed that day seemed while we were in it like a mighty chasm, a world half rent asunder, full of vast sublimities, but the next day, seen from the rim as a part of the mighty whole, it appeared comparatively little. One gets new meanings of the words almighty, eternity, infinity, in the presence of things done that seem to require them all.
In 1869 Major J. W. Powell, aided by nine men, attempted to pass down this tumultuous river with four boats specially constructed for the purpose. In ninety-eight days he had made one thousand miles, much of it in extremest peril. For weeks there was no possibility of climbing to the plateau above.
Any great scene in nature is like the woman you fall in love with at first sight for some pose of head, queenly carriage, auroral flush of color, penetrative music of voice, or a glance of soul through its illumined windows. You do not know much about her, but in long years of heroic endurance of trials, in the great dignity of motherhood, in the unspeakable comfortings that are scarcely short of godlike, and in the supernal, ineffable beauty and loveliness that cover it all, you find a richness and worth of which the most ardent lover never dreamed. The first sight of the cañon often brings strong men to their knees in awe and adoration. The gorge at Niagara is one hundred and fifty feet deep; it is far short of this, which is six thousand six hundred and forty. Great is the first impression, but in the longer and closer acquaintance every sense of beauty is flooded to the utmost.
The next morning I was out before "jocund day stood tiptoe on the breezy mountain tops." I have seen many sunrises In this world and one other: I have watched the moon slowly rolling its deep valleys for weeks into its morning sunlight. I knew what to expect. But nature always surpasses expectations. The sinuosities of the rim sent back their various colors. A hundred domes and spires, wind sculptured and water sculptured, reached up like Memnon to catch the first light of the sun, and seemed to me to break out into Memnonian music. As the world rolled the steady light penetrated deeper, shadows diminished, light spaces broadened and multiplied, till it seemed as if a new creation were veritably going forward and a new "Let there be light" had been uttered. I had seen it for the first time the night before in the mellow light of a nearly full moon, but the sunlight really seemed to make, in respect to breadth, depth, and definiteness, a new creation.
One peculiar effect I never noticed elsewhere. It is well known that the blue sky is not blue and there is no sky. Blue is the color of the atmosphere, and when seen in the miles deep overhead, or condensed in a jar, it shows its own true color. So, looking into this inconceivable cañon, the true color came out most beauteously. There was a background of red and yellowish rocks. These made the cold blue blush with warm color. The sapphire was backed with sardonyx, and the bluish white of the chalcedony was half pellucid to the gold chrysolite behind it. God was laying the foundation of his perfect city there, and the light of it seemed fit for the redeemed to walk in, and to have been made by the luminousness of Him who is light.
One great purpose of this world is its use as significant symbol and hint of the world to come. The communication of ideas and feelings there is not by slow, clumsy speech, often misunderstood, originally made to express low physical wants, but it is by charade, panorama, parable, and music rolling like the voice of many waters in a storm. The greatest things and relations of earth are as hintful of greater things as a bit of float ore in the plains is suggestive of boundless mines in the upper hills. So the joy of finding one lost lamb in the wilderness tells of the joy of finding and saving a human soul. One should never go to any of God's great wonders to see sights, but to live life; to read in them the figures, symbols, and types of the more wonderful things in the new heavens and the new earth.
The old Hebrew prophets and poets saw God everywhere in nature. The floods clap their hands and the hills are joyful together before the Lord. Miss Proctor, in the Yosemite, caught the same lofty spirit, and sang:
"Perpetual masses here intone,
Uncounted censers swing,
A psalm on every breeze is blown;
The echoing peaks from throne to throne
Greet the indwelling King;
The Lord, the Lord is everywhere,
And seraph-tongued are earth and air."
THE YELLOWSTONE PARK GEYSERS
THEIR ESSENTIAL FACTS AND CAUSES
I have been to school. Dame Nature is a most kind and skillful teacher. She first put me into the ABC class, and advanced me through conic sections. The first thing in the geyser line she showed me was a mound of rock, large as a small cock of hay, with a projection on top large as a shallow pint bowl turned upside down. In the center of this was a half-inch hole, and from it every two seconds, with a musical chuckle of steam, a handful of diamond drops of water was ejected to a height of from two to five feet. I sat down with it half an hour, compelled to continuous laughter by its own musical cachinnations. There were all the essentials of a geyser. There was a mound, not always existent, built up by deposits from the water supersaturated with mineral. It might be three feet high; it might be thirty. There was the jet of water ejected by subterranean forces. It might be half an inch in diameter; it might be three hundred feet, as in the case of the Excelsior geyser. It might rise six inches; it might rise two hundred and fifty feet. There was the interval between the jets. It might be two seconds; it might be weeks or years.
[Illustration: Formation of the Grotto Geyser.]
A subsequent lesson in my Progressive Geyser Reader was the "Economic." Here was a round basin ten feet in diameter, very shallow, with a hole in the middle about one foot across. The water was perfectly calm. But every six minutes a sudden spurt of water and steam would rise about thirty feet, for thirty seconds, and then settle economically, without waste of water, into the pool, sinking with pulsations as on an elastic cushion a foot below the bottom of the pool. One could stride the opening like a colossus for five and one half minutes without fear. He might be using the calm depth for a mirror. But stay a moment too long and he is scalded to death by the sudden outburst.
The next lesson required more patience and gave more abundant reward. I found a great raised platform on which stood a castellated rock, more than twenty feet square, that had been built up particle by particle into a perfect solid by deposits from the fiery flood. In the center was a brilliant orange-colored throat that went down into the bowels of the earth. That was not the geyser--it was only the trump through which the archangel was to blow. I had heard the preliminary tuning of the instrument.
The guide book said the grand play of this "Castle" geyser began from eight to thirty hours after a previous exhibition, and was preceded by jets of water fifteen to twenty feet high, and that these continued five or six hours before the grand eruption. I hovered near the grand stand till the full thirty hours and the six predictive hours were over, and then, as the thunder above roared threateningly and the rain fell suggestively, I took a rubber coat and camped on the trail of that famous spouter.
Geysers are more than a trifle freaky. "Old Faithful" is a notable exception. Every sixty-five minutes, with almost the regularity of star time, he throws his column of hissing water one hundred and fifty feet high. Others are irregular, sometimes playing every three hours for a few times, and then taking a rest for three or more days. This Castle geyser is not registered to be quiet more than thirty hours, nor to indulge in preparatory spouts for more than six hours. When I finally camped to watch it out all these premonitory symptoms had been duly exhibited. I first carefully noted the frequency and height of the spouts, that any change might foretell the grand finale. There were ten spouts to the minute, and an average height of twenty feet. Hours went by with no hint of a change: ten to the minute, twenty feet in height. People by the dozen came and asked when it would go off. I said, "Liable to go any minute; it is long past due now." Stage loads of tourists, scheduled to run on time, drove up, waited a few minutes, and drove on, as if the grand object of the trip was to make time--not to see the grandeur they had come a thousand miles to enjoy. A photographer set up his camera to catch a shadow of the great display. He stood, sometimes air-bulb in hand, an hour or two, then folded his camera tent and stole away. Five hours had passed and night was near. Everybody was gone. I lay down on the ground to convince myself that I was perfectly patient. I attained so nearly to Nirvana that a little ground squirrel came and ran over me, kissing my hand in a most friendly way.
Six hours of waiting were nearly over when, without a single previous hint of change, one descending spout was met by an ascending one, and a vast column of hissing water rose, with a sound of continuous thunder, one hundred feet in air; and stood there like a pillar of cloud in the desert. The air throbbed as in a cannonade, and the sun brushed away all clouds as if he could not bear to miss a sight he had seen perhaps a million times. Then the top of this upward Niagara bent over like the calyx of a calla, and the downward Niagara covered all that elevated masonry with a rushing cascade. Shifting my position a little, I could see that the sun was thrilling the whole glorious outpour with rainbows. At such times one can neither measure nor express emotions by words. In the thunder which anyone can hear there is always, for all who can receive it, the ineffably sweet voice of the Father saying, "Thou art my beloved son, and all this grand display is for thy precious sake."
In sixteen minutes the flow of waters ceased, and a rush of saturated steam succeeded. At the same time the fierce swish of ascending waters and of descending cascades ceased, and a clear, definite note, as of a trumpet, exceeding long and loud, was blown. No archangel could have done better. As the steam rolled skyward it was condensed, and a very heavy rain fell on about an acre at the east as it was drifted by the air. It looked more like lines of water than separated drops. I found it thoroughly cooled by its flight in the upper air.
I climbed the huge natural masonry, and stood on the top. I could have put my hand into the hot rushing of measureless power. What a sight it was! There were the brilliant colors of the throat, open, three feet wide, and the dazzling whiteness of the steam. At thirty-two minutes from the beginning the steam suddenly became drier, like that close to the spout of a kettle, or close to the whistle of an engine. All pure steam is invisible. At the same time the note of the trumpet distinctly changed. The heavy rain at the east as suddenly stopped. The air could absorb the present amount of moisture. One could see farther down the terrible throat that seemed about to be rent asunder. The awful grandeur was becoming too much for human endurance. The contorted forms of rocks on the summit began to take the forms and heads of dragons, such as the Chinese carve on their monuments. The awful column began to change its effect from terror to fascination, and I knew how Empedocles felt when he flung himself into the burning Aetna. It was time to get down and stand further off.
[Illustration: Bee-Hive Geyser.]
The long waiting had been rewarded. "To patient faith the prize is sure." The grand tumult began to subside. It was beyond all my expectations. Nature never disappoints, for she is of God and in her he yet immanently abides. The next day the sky and all the air were full of falling rain. How could it be otherwise? It was the geyser returning to earth. I sought the place. The awful trumpet was silent, and the steam exhaled as gently as a sleeping baby's breath.
Only one more lesson will be recited at present. I had just arrived in camp when they told me that the Splendid geyser, after two days of quiet, was showing signs of uneasiness. I immediately went out to study my lesson. There was a little hill of very gentle slopes, a little pool at the top, three holes at the west side of it, with a dozen sputtering hot springs scattered about, while in a direct line at the east, within one hundred and forty feet, were the Comet, the Daisy, and another geyser. The Daisy was a beauty, playing forty feet high every two or four hours. All the slopes were constantly flowing with hot water. This general survey was no sooner taken than our glorious Splendid began to play. The roaring column, tinted with the sunset glories, gradually climbed to a height of two hundred feet, leaned a little to the southeast, and bent like a glorious arch of triumph to the earth, almost as solid on its descending as on its ascending side. No wonder it is named "Splendid."
Whoever has studied waterfalls of great height--I have seen nearly forty justly famous falls--has noticed that when a column or mass of water makes the fearful plunge smaller masses of water are constantly feathered off at the sides and delayed by the resistance of the air, while the central mass hurries downward by its concentrated weight. The general appearance is that of numerous spearheads with serrated edges, feathered with light, thrust from some celestial armory into the writhing pool of agonized waters below. In the geyser one gets this effect both in the ascending and in the descending flood. Four times that first night dear old Splendid lured me from my bed to watch her Titanic play in the full light of the moon. During all this time not a hot spring ceased its boiling, nor a smaller geyser its wondrous play, for this gigantic outburst of power that might well have absorbed every energy for a mile around. Obviously they have no connection. Then my beloved Splendid settled into a three-days' rest.
These are the essential facts of geyser display. There are very many variations of performance in every respect, I have seen over twenty geysers in almost jocular, and certainly in overwhelmingly magnificent, activity.
"To him who in the love of nature holds
Communion with her visible forms, she speaks
A various language."
WHAT ARE THE CAUSES?
What is the power that can throw a stream of water two by six feet over the tops of the highest skyscrapers of Chicago? It is heat manifested in the expansive power of steam. Scientists have theorized long and experimented patiently to read the open book of this tremendous manifestation of uncontrollable energy. At first the form and action of a teakettle was supposed to be explanatory. Everyone knows that when steam accumulates under the lid it forces a gentle stream of water from the higher nozzle. This fact was made the basis of a theory to account for geysers by Sir George Mackenzie in 1811. But to suppose that nature has gone into the teakettle manufacturing business to the extent of thirty such kettles in a space of four square miles was seen to be preposterous. So the construction theory was given up.
But suppose a tube (how it is made will be explained later), large or small, regular or irregular, to extend far into the earth, near or through any great source of heat resulting from condensation, combustion, chemical action, or central fire. Now suppose this tube to be filled with water from surface or subterranean sources. Heat converts water, under the pressure of one atmosphere, or fifteen pounds to the square inch, into steam at a temperature of two hundred and twelve degrees. But under greater pressure more heat is required to make steam. The water never leaps and bubbles in an engine boiler. The awful pressure compels it to be quiet. A cubic inch of water will make a cubic foot--one thousand seven hundred and twenty-eight times as much--of steam under the pressure of one atmosphere. But under the pressure of a column of water one thousand feet high, giving a pressure of four hundred and thirty-two pounds to the square inch at the bottom, water becomes steam, if at all, only by great heat. Every engineer knows that the pressure exerted by steam increases by great geometrical ratios as the heat increases by small arithmetical ratios. Steam made by two hundred and twelve degrees exerts a pressure, as we have said, of fifteen pounds.
To simply double the two hundred and twelve degrees of heat increases the steam pressure twenty-three times.
Now suppose the subterranean tube or lake of Old Faithful to be freshly filled with its million gallons of water. Sufficient heat makes steam under any pressure. It rises up the tube and is condensed to water again by the colder water above. Hence no commotion. But the whole volume of water grows hotter for an hour. When it is too hot to absorb the steam, and the tube is too narrow to let the amount made bubble up through the water, it lifts the whole mass with a sudden jerk. The instant the pressure of the water is taken off in any degree, the water below, that was kept water by the pressure, breaks into steam most voluminously, and the measureless power floods the earth and sky with water and steam.
It is also known that superheated steam suddenly takes on such great power that no boiler can hold it. Once let the water in a boiler get very low and no boiler can hold the force of the resultant superheated steam. The same heat that, applied to water, gives perfect safety, applied to steam gives utter destruction. Hence the amazing force of the vast jets of the geyser that follow the first spurts.
As soon as the steam is blown off the subterranean waterworks fill the tube and the process is repeated.
This modus operandi was first proposed as a theory by Bunsen in 1846, and later was demonstrated by the artificial geyser of Professor J. H. J. Muller, of Freiburg.
[Illustration: Pulpit Terrace and Bunsen Peak.]
MOUNDS OF MINERAL DEPOSITS
I have the extremely difficult task of representing emotions by words--glories of color and form seen by the eye by symbols meant to be addressed to the ear. Before seeking to describe the diverse colors made largely by one substance, let us remember that while silica, the principal part of these water-built mounds, is one of the three parts of granite, namely, the white crystal quartz, it is also the substance of the beautifully variegated jasper, the lapis lazuli, the green malachite, and the opal, with its cloudy milk-whiteness through which flashes its heart of fire. Silica and alumina combine to make common clay, but alumina forms itself into the red ruby, the golden-tinted topaz, the violet oriental amethyst, the red, white, yellow, and violet sapphire, and the beautiful green emerald. With substances of such rare capabilities we may expect rich results in color and form.
We turn now to deposits from water of these two substances, especially the first. About the Old Faithful geyser is a mound about one hundred and forty-five feet broad at the base, twelve feet high, jeweled over with pools of beauty of every shape, beaded and fretted with glories of color never seen before except in the sky. How were they made?
Water is a general solvent. It can take into its substance several similar bulks of other substances without greatly increasing its own, some actually diminishing it. Hot alkaline water will dissolve even silica rock. When water is saturated with sugar, salt, or other substance, if a little or much water is evaporated some of the saturating substance must be deposited as a solid. All crystals, as quartz or diamonds, have been made by deposits from water. Hot water can hold in solution much more of a solid than cold water. Therefore, when hot water comes out of the earth and is cooled, some of the saturating substance must be deposited as a solid. It is done in various ways, especially two.
Suppose a little pool with perpendicular sides, say twenty feet across. It leaps and boils two feet high. It deposits nothing till the water comes to the cooling edge. Then it builds up a wall where it overflows, and wherever it flows it builds. The result is that you walk up the gentle slopes of a broad flat cone, and find the little lakelet in a gorgeous setting, perfectly full at every point of the circumference. If there is but little overflow, the result may be to deposit all the matter where it first cools, and make a perpendicular wall around the cup two or ten feet high. If the overflow is too much to be cooled at once, the deposit may still be made fifty or one hundred feet from the point of issue. If the overflow is sufficient, it may be building up every inch of a vast cone at once, every foot being wet.
[Illustration: The Punch Bowl, Yellowstone Geysers.]
Many minerals are held in solution and are deposited at various stages of evaporation. Let us suppose the lake to have the bottom sloping toward the abysmal center; the different minerals will be assorted as if with a sieve. At the Sunlight Basin the edge is as flaming red as one ever sees in the sunlit sky. And every color ever seen in a sunset flames almost as brilliantly in the varying depths. Suppose a low cone to be flooded only occasionally, as in the case of the Old Faithful geyser. The cooled water falling from the upper air builds up, under the terrible drench of the cataract, walls three or four inches high, making pools of every conceivable shape, a few inches deep, in which are the most exquisite and varied colors ever seen by mortal eye. You walk about on these dividing walls and gaze into the beaded and impearled pools of a hundred shades of different colors, never equaled except by that perpetual glory of the sunset.
Consider the case of a pool that does not overflow. Just as lakes that have no outlet must grow more and more salt till some have become solid salt beds, so must this pool, tossing its hot waves two or three feet high, evaporate its water and deposit its solids. Where? First, against the cooler sides of the rock under the water, tending to reduce the opening to a mere throat. Second, each wavelet tossed in air is cooled, and deposits on the edge, solid as quartz, a crust that overhangs the pool and tends to close it over as with hot ice. It may build thus a mound fifteen feet high with an open throat in the middle. Thus the pool has constructed an intermittent geyser. If the water supply continues, it also destroys itself. The throat closes up by its own deposits. It is a case of geyseral membranous croup.
I exceedingly longed to try vivisection on a geyser, or at least take one of half a hundred, drain it off, and make a post-mortem examination. On my very last day I found opportunity. I found a dead geyser, though not by any means yet cold. It was still so hot that people had given it an infernal name. I squeezed myself down through its hot throat, which seemed a veritable open sepulcher, and found a cave about twenty-five feet deep, twelve feet wide, and about sixty feet long. It was elliptical in form, the sides coming together at a sharp angle at the ends, bottom, and top. The way down to the fiery heart of the earth had simply grown up by deposits of silex on the sides and at the bottom. The water had evaporated by the intense heat, and I was in the hot hollow that had once held an earthquake and volcano. When I squeezed up to the blessed upper air I was glad there was no help from below.
I could tell of mounds that grew so fast as to inclose the limbs of a tree, making the firmest kind of a ladder by which I climbed to the top; of floods that overflowed acres of forest, leaving every tree firmly planted in solid rock; of mounds hundreds of feet high, covering twenty acres with forms of indescribable beauty--but I despair. The half has not been told. It cannot be. Great and marvelous are all Thy works, Lord God Almighty! In wisdom hast Thou made them all.
Emerson says: "Whilst common sense looks at things or visible nature as real and final facts, poetry, or the imagination which dictates it, is a second sight, looking through these, and using them as types or words for thoughts which they signify." Using these faculties and not mere eyesight, one must surely say: "Since this world, in power, fineness, finish, beauty, and adaptations not only surpasses our accomplishment, but also is past our finding out to its perfection, it must have been made by One stronger, finer, and wiser than we are."
SEA SCULPTURE*
*Reprinted from The Chautauquan.
When the Russians charged on the Grivitza redoubt at Plevna they first launched one column of men that they knew would be all shot down long before they could reach it. But they made a cloud of smoke under the cover of which a second column was launched. They would all be shot down. But they carried the covering cloud so far that a third column broke out of it and successfully carried the redoubt. They carried it, but ten thousand men lay on the death-smitten slope.
So the great ocean sends eight or ten thousand columns a day to charge with flying banners of spray on the rocky ramparts of the shore at Santa Cruz, California.
There are not many things in the material world more sublime than a thousand miles of crested waves rushing with terrible might against the rocky shore. While they are yet some distance from the land a small boat can ride their foaming billows, but as they approach the shallower places they seem to take on sudden rage and irresistible force. Those roaring waves rear up two or three times as high. They have great perpendicular fronts down which Niagaras are pouring. The spray flies from their tops like the mane of a thousand wild horses charging in the wind. No ship can hold anchor in the breakers. They may dare a thousand storms outside, but once let them fall into the clutch of this resistless power and they are doomed. The waves seem frantic with rage, resistless in force; they rush with fury, smite the cliffs with thunder, and are flung fifty feet into the air; with what effect on the rocks we will try to relate.
[Illustration: "The Breakers," Santa Cruz, Cal.]
No. 1 of our illustrations shows "The Breakers," a two-story house of that name where hospitality, grace, and beauty abide; where hundreds of roses bloom in a day, and where flowers, prodigal as creative processes, abound. The breakers from which the house is named are not seen in the picture. When the wind has been blowing hard, maybe one hundred miles out at sea, they come racing in from the point, feather-crested, a dozen at once, to show how rolls the far Wairoa at some other world's end. All these pictures are taken in the calm weather, or there would be little seen besides the great leaps of spray, often fifty feet high. At the bottom of the cliff appear the nodules and bowlders that were too hard to be bitten into dust and have fallen out of the cliff, which is fifty feet high, as the sea eats it away. Some of these are sculptured into the likeness effaces and figures, solemn and grotesque. It is easy to find Pharaoh, Cleopatra, Tantalus, represented here.
This house is at the beginning of the famous Cliff Drive that rounds the lighthouse at the point and stretches away for miles above the ever-changing, now beautiful, now sublime, and always great Pacific, that rolls its six thousand miles of billows toward us from Hong Kong. Occasionally the road must be set back, and once the lighthouse was moved back from the cliffs, eaten away by the edacious tooth of the sea.
As Emerson says, "I never count the hours I spend in wandering by the sea; like God it useth me." There is a wideness like his mercy, a power like his omnipotence, a persistence like his patience, a length of work like his eternity.
The rocks of Santa Cruz, as in many other places, were laid in regular order, like the leaves of a book on its side. But by various forces they have been crumbled, some torn out, and in many places piled together. These layers, beginning at the bottom, are as follows; (1) igneous granite, unstratified; (2) limestone laid down from life in the ocean, metamorphosed by heat and all fossils thereby destroyed; (3) limestone highly crystallized, composed of fossil shells and very hard; (4) sandstone, made under the sea from previous rock powdered, having huge concretionary masses with a shell or a pebble as a nucleus around which the concretion has taken place; (5) shale from the sea also; (6) conglomerate, or drift, deposited by ice in the famous glacial cold snap; (7) alluvium soil deposited in fresh water and composed partly of organic matter. In our second illustration some of these layers, or strata, may be distinguished.