LAST WORDS TO MIRIAM
But the disgrace is mine;
Your love was dark and thorough,
Mine was the love of the sun for a flower
He creates with his shine.
I was diligent to explore you,
Blossom you stalk by stalk,
Till my fire of creation bore you
Shrivelling down in the final dour
Anguish—then I suffered a balk.
I knew your pain, and it broke
My fine, craftsman's nerve;
Your body quailed at my stroke,
And my courage failed to give you the last
Fine torture you did deserve.
You are shapely, you are adorned,
But opaque and dull in the flesh,
Who, had I but pierced with the thorned
Fire-threshing anguish, were fused and cast
In a lovely illumined mesh.
Like a painted window: the best
Suffering burnt through your flesh,
Undrossed it and left it blest
With a quivering sweet wisdom of grace: but
now
Who shall take you afresh?
Now who will burn you free
From your body's terrors and dross,
Since the fire has failed in me?
What man will stoop in your flesh to plough
The shrieking cross?
A mute, nearly beautiful thing
Is your face, that fills me with shame
As I see it hardening,
Warping the perfect image of God,
And darkening my eternal fame.
MYSTERY
One bowl of kisses,
Such as the tall
Slim votaresses
Of Egypt filled
For a God's excesses.
I lift to you
My bowl of kisses,
And through the temple's
Blue recesses
Cry out to you
In wild caresses.
And to my lips'
Bright crimson rim
The passion slips,
And down my slim
White body drips
The shining hymn.
And still before
The altar I
Exult the bowl
Brimful, and cry
To you to stoop
And drink, Most High.
Oh drink me up
That I may be
Within your cup
Like a mystery,
Like wine that is still
In ecstasy.
Glimmering still
In ecstasy,
Commingled wines
Of you and me
In one fulfil
The mystery.
PATIENCE
Blowing little flocks of birds
Like spray across the town,
And a train, roaring forth,
Rushes stampeding down
With cries and flying curds
Of steam, out of the darkening north.
Whither I turn and set
Like a needle steadfastly,
Waiting ever to get
The news that she is free;
But ever fixed, as yet,
To the lode of her agony.
BALLAD OF ANOTHER OPHELIA
Lamps in a wash of rain!
Oh the wet walk of my brown hen through the stack-yard,
Oh tears on the window pane!
Nothing now will ripen the bright green apples,
Full of disappointment and of rain,
Brackish they will taste, of tears, when the yellow
dapples
Of autumn tell the withered tale again.
All round the yard it is cluck, my brown hen,
Cluck, and the rain-wet wings,
Cluck, my marigold bird, and again
Cluck for your yellow darlings.
For the grey rat found the gold thirteen
Huddled away in the dark,
Flutter for a moment, oh the beast is quick and
keen,
Extinct one yellow-fluffy spark.
Once I had a lover bright like running water,
Once his face was laughing like the sky;
Open like the sky looking down in all its laughter
On the buttercups, and the buttercups was I.
What, then, is there hidden in the skirts of all the
blossom?
What is peeping from your wings, oh mother
hen?
'Tis the sun who asks the question, in a lovely haste
for wisdom;
What a lovely haste for wisdom is in men!
Yea, but it is cruel when undressed is all the blossom,
And her shift is lying white upon the floor,
That a grey one, like a shadow, like a rat, a thief, a
rain-storm,
Creeps upon her then and gathers in his store.
Oh the grey garner that is full of half-grown apples,
Oh the golden sparkles laid extinct!
And oh, behind the cloud-sheaves, like yellow autumn
dapples,
Did you see the wicked sun that winked!
RESTLESSNESS
the night,
Hold my hand to catch the raindrops, that slant into
sight,
Arriving grey from the darkness above suddenly into
the light of the room.
I will escape from the hollow room, the box of light,
And be out in the bewildering darkness, which is
always fecund, which might
Mate my hungry soul with a germ of its womb.
I will go out to the night, as a man goes down to the
shore
To draw his net through the surfs thin line, at the
dawn before
The sun warms the sea, little, lonely and sad, sifting
the sobbing tide.
I will sift the surf that edges the night, with my net,
the four
Strands of my eyes and my lips and my hands and my
feet, sifting the store
Of flotsam until my soul is tired or satisfied.
I will catch in my eyes' quick net
The faces of all the women as they go past,
Bend over them with my soul, to cherish the wet
Cheeks and wet hair a moment, saying: "Is it
you?"
Looking earnestly under the dark umbrellas, held
fast
Against the wind; and if, where the lamplight
blew
Its rainy swill about us, she answered me
With a laugh and a merry wildness that it was she
Who was seeking me, and had found me at last to
free
Me now from the stunting bonds of my chastity,
How glad I should be!
Moving along in the mysterious ebb of the night
Pass the men whose eyes are shut like anemones in a
dark pool;
Why don't they open with vision and speak to me,
what have they in sight?
Why do I wander aimless among them, desirous
fool?
I can always linger over the huddled books on the
stalls,
Always gladden my amorous fingers with the touch
of their leaves,
Always kneel in courtship to the shelves in the
doorways, where falls
The shadow, always offer myself to one mistress,
who always receives.
But oh, it is not enough, it is all no good.
There is something I want to feel in my running
blood,
Something I want to touch; I must hold my face to
the rain,
I must hold my face to the wind, and let it explain
Me its life as it hurries in secret.
I will trail my hands again through the drenched,
cold leaves
Till my hands are full of the chillness and touch of
leaves,
Till at length they induce me to sleep, and to forget.
A BABY ASLEEP AFTER PAIN
Hangs numb and heavy from a bending flower,
So clings to me
My baby, her brown hair brushed with wet tears
And laid against her cheek;
Her soft white legs hanging heavily over my arm
Swinging heavily to my movement as I walk.
My sleeping baby hangs upon my life,
Like a burden she hangs on me.
She has always seemed so light,
But now she is wet with tears and numb with pain
Even her floating hair sinks heavily,
Reaching downwards;
As the wings of a drenched, drowned bee
Are a heaviness, and a weariness.
ANXIETY
The crisping steam of a train
Melts in the air, while two black birds
Sweep past the window again.
Along the vacant road, a red
Bicycle approaches; I wait
In a thaw of anxiety, for the boy
To leap down at our gate.
He has passed us by; but is it
Relief that starts in my breast?
Or a deeper bruise of knowing that still
She has no rest.
THE PUNISHER
Scooped them up with small, iron words,
Dripping over the runnels.
The harsh, cold wind of my words drove on, and still
I watched the tears on the guilty cheek of the boys
Glitter and spill.
Cringing Pity, and Love, white-handed, came
Hovering about the Judgment which stood in my
eyes,
Whirling a flame.
. . . . . . .
The tears are dry, and the cheeks' young fruits are
fresh
With laughter, and clear the exonerated eyes, since
pain
Beat through the flesh.
The Angel of Judgment has departed again to the
Nearness.
Desolate I am as a church whose lights are put out.
And night enters in drearness.
The fire rose up in the bush and blazed apace,
The thorn-leaves crackled and twisted and sweated in
anguish;
Then God left the place.
Like a flower that the frost has hugged and let go,
my head
Is heavy, and my heart beats slowly, laboriously,
My strength is shed.
THE END
If but I could have wrapped you in myself,
How glad I should have been!
And now the chart
Of memory unrolls again to me
The course of our journey here, before we had to
part.
And oh, that you had never, never been
Some of your selves, my love, that some
Of your several faces I had never seen!
And still they come before me, and they go,
And I cry aloud in the moments that intervene.
And oh, my love, as I rock for you to-night,
And have not any longer any hope
To heal the suffering, or make requite
For all your life of asking and despair,
I own that some of me is dead to-night.
THE BRIDE
But she is old.
The plaits that lie along her pillow
Are not gold,
But threaded with filigree,
And uncanny cold.
She looks like a young maiden, since her brow
Is smooth and fair,
Her cheeks are very smooth, her eyes are closed,
She sleeps a rare
Still winsome sleep, so still, and so composed.
Nay, but she sleeps like a bride, and dreams her
dreams
Of perfect things.
She lies at last, the darling, in the shape of her dream,
And her dead mouth sings
By its shape, like the thrushes in clear evenings.
THE VIRGIN MOTHER
You were a doorway to me;
You let me out of the confines
Into this strange countrie,
Where people are crowded like thistles,
Yet are shapely and comely to see.
My little love, my dearest
Twice have you issued me,
Once from your womb, sweet mother,
Once from myself, to be
Free of all hearts, my darling,
Of each heart's home-life free.
And so, my love, my mother,
I shall always be true to you;
Twice I am born, my dearest,
To life, and to death, in you;
And this is the life hereafter
Wherein I am true.
I kiss you good-bye, my darling,
Our ways are different now;
You are a seed in the night-time,
I am a man, to plough
The difficult glebe of the future
For God to endow.
I kiss you good-bye, my dearest,
It is finished between us here.
Oh, if I were calm as you are,
Sweet and still on your bier!
God, if I had not to leave you
Alone, my dear!
Let the last word be uttered,
Oh grant the farewell is said!
Spare me the strength to leave you
Now you are dead.
I must go, but my soul lies helpless
Beside your bed.
AT THE WINDOW
as it mutters
Something which sets the black poplars ashake with
hysterical laughter;
While slowly the house of day is closing its eastern
shutters.
Further down the valley the clustered tombstones
recede,
Winding about their dimness the mist's grey
cerements, after
The street lamps in the darkness have suddenly
started to bleed.
The leaves fly over the window and utter a word as
they pass
To the face that leans from the darkness, intent, with
two dark-filled eyes
That watch for ever earnestly from behind the window
glass.
DRUNK
To save me from this haunted road,
Whose lofty roses break and blow
On a night-sky bent with a load
Of lights: each solitary rose,
Each arc-lamp golden does expose
Ghost beyond ghost of a blossom, shows
Night blenched with a thousand snows.
Of hawthorn and of lilac trees,
White lilac; shows discoloured night
Dripping with all the golden lees
Laburnum gives back to light
And shows the red of hawthorn set
On high to the purple heaven of night,
Like flags in blenched blood newly wet,
Blood shed in the noiseless fight.
Of life for love and love for life,
Of hunger for a little food,
Of kissing, lost for want of a wife
Long ago, long ago wooed.
. . . . . .
Too far away you are, my love,
To steady my brain in this phantom show
That passes the nightly road above
And returns again below.
The enormous cliff of horse-chestnut trees
Has poised on each of its ledges
An erect small girl looking down at me;
White-night-gowned little chits I see,
And they peep at me over the edges
Of the leaves as though they would leap, should
I call
Them down to my arms;
"But, child, you're too small for me, too small
Your little charms."
White little sheaves of night-gowned maids,
Some other will thresh you out!
And I see leaning from the shades
A lilac like a lady there, who braids
Her white mantilla about
Her face, and forward leans to catch the sight
Of a man's face,
Gracefully sighing through the white
Flowery mantilla of lace.
And another lilac in purple veiled
Discreetly, all recklessly calls
In a low, shocking perfume, to know who has hailed
Her forth from the night: my strength has failed
In her voice, my weak heart falls:
Oh, and see the laburnum shimmering
Her draperies down,
As if she would slip the gold, and glimmering
White, stand naked of gown.
. . . . . .
The pageant of flowery trees above
The street pale-passionate goes,
And back again down the pavement, Love
In a lesser pageant flows.
Two and two are the folk that walk,
They pass in a half embrace
Of linkèd bodies, and they talk
With dark face leaning to face.
Come then, my love, come as you will
Along this haunted road,
Be whom you will, my darling, I shall
Keep with you the troth I trowed.
SORROW
Floating up from the forgotten
Cigarette between my fingers,
Why does it trouble me?
Ah, you will understand;
When I carried my mother downstairs,
A few times only, at the beginning
Of her soft-foot malady,
I should find, for a reprimand
To my gaiety, a few long grey hairs
On the breast of my coat; and one by one
I let them float up the dark chimney.
DOLOR OF AUTUMN
Reminiscent of slinking beasts, make me fear
Everything, tear-trembling stars of autumn
And the snore of the night in my ear.
For suddenly, flush-fallen,
All my life, in a rush
Of shedding away, has left me
Naked, exposed on the bush.
I, on the bush of the globe,
Like a newly-naked berry, shrink
Disclosed: but I also am prowling
As well in the scents that slink
Abroad: I in this naked berry
Of flesh that stands dismayed on the bush;
And I in the stealthy, brindled odours
Prowling about the lush
And acrid night of autumn;
My soul, along with the rout,
Rank and treacherous, prowling,
Disseminated out.
For the night, with a great breath intaken,
Has taken my spirit outside
Me, till I reel with disseminated consciousness,
Like a man who has died.
At the same time I stand exposed
Here on the bush of the globe,
A newly-naked berry of flesh
For the stars to probe.
THE INHERITANCE
Out of my reach, my darling,
Into the hidden,
I see each shadow start
With recognition, and I
Am wonder-ridden.
I am dazed with the farewell,
But I scarcely feel your loss.
You left me a gift
Of tongues, so the shadows tell
Me things, and silences toss
Me their drift.
You sent me a cloven fire
Out of death, and it burns in the draught
Of the breathing hosts,
Kindles the darkening pyre
For the sorrowful, till strange brands waft
Like candid ghosts.
Form after form, in the streets
Waves like a ghost along,
Kindled to me;
The star above the house-top greets
Me every eve with a long
Song fierily.
All day long, the town
Glimmers with subtle ghosts
Going up and down
In a common, prison-like dress;
But their daunted looking flickers
To me, and I answer, Yes!
So I am not lonely nor sad
Although bereaved of you,
My little love.
I move among a kinsfolk clad
With words, but the dream shows through
As they move.
SILENCE
Sounds wave their little wings
A moment, then in weariness settle
On the flood that soundless swings.
Whether the people in the street
Like pattering ripples go by,
Or whether the theatre sighs and sighs
With a loud, hoarse sigh:
Or the wind shakes a ravel of light
Over the dead-black river,
Or night's last echoing
Makes the daybreak shiver:
I feel the silence waiting
To take them all up again
In its vast completeness, enfolding
The sound of men.
LISTENING
My dear, among it all;
I feel your silence touch my words as I talk,
And take them in thrall.
My words fly off a forge
The length of a spark;
I see the night-sky easily sip them
Up in the dark.
The lark sings loud and glad,
Yet I am not loth
That silence should take the song and the bird
And lose them both.
A train goes roaring south,
The steam-flag flying;
I see the stealthy shadow of silence
Alongside going.
And off the forge of the world,
Whirling in the draught of life,
Go sparks of myriad people, filling
The night with strife.
Yet they never change the darkness
Or blench it with noise;
Alone on the perfect silence
The stars are buoys.
BROODING GRIEF
Hops like a frog before me.
Why should I start and stand still?
I was watching the woman that bore me
Stretched in the brindled darkness
Of the sick-room, rigid with will
To die: and the quick leaf tore me
Back to this rainy swill
Of leaves and lamps and traffic mingled before me.
LOTUS HURT BY THE COLD
Upon the surface of a river, there
Have risen floating on my blood the rare
Soft glimmers of my hope escaped from prison.
So I am clothed all over with the light
And sensitive beautiful blossoming of passion;
Till naked for her in the finest fashion
The flowers of all my mud swim into sight.
And then I offer all myself unto
This woman who likes to love me: but she turns
A look of hate upon the flower that burns
To break and pour her out its precious dew.
And slowly all the blossom shuts in pain,
And all the lotus buds of love sink over
To die unopened: when my moon-faced lover,
Kind on the weight of suffering, smiles again.
MALADE
at the window
The tassel of the blind swings gently, tapping the
pane,
As a little wind comes in.
The room is the hollow rind of a fruit, a gourd
Scooped out and dry, where a spider,
Folded in its legs as in a bed,
Lies on the dust, watching where is nothing to see
but twilight and walls.
And if the day outside were mine! What is the day
But a grey cave, with great grey spider-cloths
hanging
Low from the roof, and the wet dust falling softly
from them
Over the wet dark rocks, the houses, and over
The spiders with white faces, that scuttle on the
floor of the cave!
I am choking with creeping, grey confinedness.
But somewhere birds, beside a lake of light, spread
wings
Larger than the largest fans, and rise in a stream
upwards
And upwards on the sunlight that rains invisible,
So that the birds are like one wafted feather,
Small and ecstatic suspended over a vast spread
country.
LIAISON
Star-spiders spinning their thread
Hang high suspended, withouten respite
Watching us overhead.
Come then under the trees, where the leaf-cloths
Curtain us in so dark
That here we're safe from even the ermin-moth's
Flitting remark.
Here in this swarthy, secret tent,
Where black boughs flap the ground,
You shall draw the thorn from my discontent,
Surgeon me sound.
This rare, rich night! For in here
Under the yew-tree tent
The darkness is loveliest where I could sear
You like frankincense into scent.
Here not even the stars can spy us,
Not even the white moths write
With their little pale signs on the wall, to try us
And set us affright.
Kiss but then the dust from off my lips,
But draw the turgid pain
From my breast to your bosom, eclipse
My soul again.
Waste me not, I beg you, waste
Not the inner night:
Taste, oh taste and let me taste
The core of delight.
TROTH WITH THE DEAD
Before me lies on the still, pale floor of the sky;
The other half of the broken coin of troth
Is buried away in the dark, where the still dead lie.
They buried her half in the grave when they laid her
away;
I had pushed it gently in among the thick of her hair
Where it gathered towards the plait, on that very
last day;
And like a moon in secret it is shining there.
My half shines in the sky, for a general sign
Of the troth with the dead I pledged myself to keep;
Turning its broken edge to the dark, it shines indeed
Like the sign of a lover who turns to the dark of
sleep.
Against my heart the inviolate sleep breaks still
In darkened waves whose breaking echoes o'er
The wondering world of my wakeful day, till I'm
lost
In the midst of the places I knew so well before.
DISSOLUTE
Like a candle flame on this body; but I enshrine
A darkness within me, a presence which sleeps
contained
In my flame of living, her soul enfolded in mine.
And through these years, while I burn on the fuel of
life,
What matter the stuff I lick up in my living flame,
Seeing I keep in the fire-core, inviolate,
A night where she dreams my dreams for me, ever
the same.
SUBMERGENCE
Palpitating flames of life,
People flicker round me,
I forget my bereavement,
The gap in the great constellation,
The place where a star used to be.
Nay, though the pole-star
Is blown out like a candle,
And all the heavens are wandering in disarray,
Yet when pleiads of people are
Deployed around me, and I see
The street's long outstretched Milky Way,
When people flicker down the pavement,
I forget my bereavement.
THE ENKINDLED SPRING
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering
rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is
tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.
REPROACH
Helen, you could discharge the ache
Out of the cloud;
Had I known yesterday you could take
The turgid electric ache away,
Drink it up with your proud
White body, as lovely white lightning
Is drunk from an agonised sky by the earth,
I might have hated you, Helen.
But since my limbs gushed full of fire,
Since from out of my blood and bone
Poured a heavy flame
To you, earth of my atmosphere, stone
Of my steel, lovely white flint of desire,
You have no name.
Earth of my swaying atmosphere,
Substance of my inconstant breath,
I cannot but cleave to you.
Since you have drunken up the drear
Painful electric storm, and death
Is washed from the blue
Of my eyes, I see you beautiful.
You are strong and passive and beautiful,
I come like winds that uncertain hover;
But you
Are the earth I hover over.
THE HANDS OF THE BETROTHED
Hardened they are like gems in ancient modesty;
Yea, and her mouth's prudent and crude caress
Means even less than her many words to me.
Though her kiss betrays me also this, this only
Consolation, that in her lips her blood at climax
clips
Two wild, dumb paws in anguish on the lonely
Fruit of my heart, ere down, rebuked, it slips.
I know from her hardened lips that still her heart is
Hungry for me, yet if I put my hand in her breast
She puts me away, like a saleswoman whose mart is
Endangered by the pilferer on his quest.
But her hands are still the woman, the large, strong
hands
Heavier than mine, yet like leverets caught in
steel
When I hold them; my still soul understands
Their dumb confession of what her sort must feel.
For never her hands come nigh me but they lift
Like heavy birds from the morning stubble, to
settle
Upon me like sleeping birds, like birds that shift
Uneasily in their sleep, disturbing my mettle.
How caressingly she lays her hand on my knee,
How strangely she tries to disown it, as it sinks
In my flesh and bone and forages into me,
How it stirs like a subtle stoat, whatever she
thinks!
And often I see her clench her fingers tight
And thrust her fists suppressed in the folds of her
skirt;
And sometimes, how she grasps her arms with her
bright
Big hands, as if surely her arms did hurt.
And I have seen her stand all unaware
Pressing her spread hands over her breasts, as she
Would crush their mounds on her heart, to kill in
there
The pain that is her simple ache for me.
Her strong hands take my part, the part of a man
To her; she crushes them into her bosom deep
Where I should lie, and with her own strong
span
Closes her arms, that should fold me in sleep.
Ah, and she puts her hands upon the wall,
Presses them there, and kisses her bright hands,
Then lets her black hair loose, the darkness fall
About her from her maiden-folded bands.
And sits in her own dark night of her bitter hair
Dreaming—God knows of what, for to me she's
the same
Betrothed young lady who loves me, and takes care
Of her womanly virtue and of my good name.
EXCURSION
Can this shot arrow of travel fly
Shaft-golden with light, sheer into the sky
Of a dawned to-morrow,
Without ever sleep delivering us
From each other, or loosing the dolorous
Unfruitful sorrow!
What is it then that you can see
That at the window endlessly
You watch the red sparks whirl and flee
And the night look through?
Your presence peering lonelily there
Oppresses me so, I can hardly bear
To share the train with you.
You hurt my heart-beats' privacy;
I wish I could put you away from me;
I suffocate in this intimacy,
For all that I love you;
How I have longed for this night in the train,
Yet now every fibre of me cries in pain
To God to remove you.
But surely my soul's best dream is still
That one night pouring down shall swill
Us away in an utter sleep, until
We are one, smooth-rounded.
Yet closely bitten in to me
Is this armour of stiff reluctancy
That keeps me impounded.
So, dear love, when another night
Pours on us, lift your fingers white
And strip me naked, touch me light,
Light, light all over.
For I ache most earnestly for your touch,
Yet I cannot move, however much
I would be your lover.
Night after night with a blemish of day
Unblown and unblossomed has withered away;
Come another night, come a new night, say
Will you pluck me apart?
Will you open the amorous, aching bud
Of my body, and loose the burning flood
That would leap to you from my heart?
PERFIDY
And I lingered on the threshold with my hand
Upraised to knock and knock once more:
Listening for the sound of her feet across the floor,
Hollow re-echoed my heart.
The low-hung lamps stretched down the road
With shadows drifting underneath,
With a music of soft, melodious feet
Quickening my hope as I hastened to meet
The low-hung light of her eyes.
The golden lamps down the street went out,
The last car trailed the night behind;
And I in the darkness wandered about
With a flutter of hope and of dark-shut doubt
In the dying lamp of my love.
Two brown ponies trotting slowly
Stopped at a dim-lit trough to drink:
The dark van drummed down the distance slowly;
While the city stars so dim and holy
Drew nearer to search through the streets.
A hastening car swept shameful past,
I saw her hid in the shadow,
I saw her step to the curb, and fast
Run to the silent door, where last
I had stood with my hand uplifted.
She clung to the door in her haste to enter,
Entered, and quickly cast
It shut behind her, leaving the street aghast.