A SPIRITUAL WOMAN
They have taught you to see
Only a mean arithmetic on the face of things,
A cunning algebra in the faces of men,
And God like geometry
Completing his circles, and working cleverly.
I'll kiss you over the eyes till I kiss you blind;
If I can—if any one could.
Then perhaps in the dark you'll have got what you
want to find.
You've discovered so many bits, with your clever
eyes,
And I'm a kaleidoscope
That you shake and shake, and yet it won't come to
your mind.
Now stop carping at me.—But God, how I hate you!
Do you fear I shall swindle you?
Do you think if you take me as I am, that that will
abate you
Somehow?—so sad, so intrinsic, so spiritual, yet so
cautious, you
Must have me all in your will and your consciousness—
I hate you.
MATING
The round earth rolls in a clasp of blue sky,
And see, where the budding hazels are thinned,
The wild anemones lie
In undulating shivers beneath the wind.
Over the blue of the waters ply
White ducks, a living flotilla of cloud;
And, look you, floating just thereby,
The blue-gleamed drake stems proud
Like Abraham, whose seed should multiply.
In the lustrous gleam of the water, there
Scramble seven toads across the silk, obscure leaves,
Seven toads that meet in the dusk to share
The darkness that interweaves
The sky and earth and water and live things everywhere.
Look now, through the woods where the beech-green
spurts
Like a storm of emerald snow, look, see
A great bay stallion dances, skirts
The bushes sumptuously,
Going outward now in the spring to his brief deserts.
Ah love, with your rich, warm face aglow,
What sudden expectation opens you
So wide as you watch the catkins blow
Their dust from the birch on the blue
Lift of the pulsing wind—ah, tell me you know!
Ah, surely! Ah, sure from the golden sun
A quickening, masculine gleam floats in to all
Us creatures, people and flowers undone,
Lying open under his thrall,
As he begets the year in us. What, then, would you
shun?
Why, I should think that from the earth there fly
Fine thrills to the neighbour stars, fine yellow beams
Thrown lustily off from our full-blown, high
Bursting globe of dreams,
To quicken the spheres that are virgin still in the sky.
Do you not hear each morsel thrill
With joy at travelling to plant itself within
The expectant one, therein to instil
New rapture, new shape to win,
From the thick of life wake up another will?
Surely, and if that I would spill
The vivid, ah, the fiery surplus of life,
From off my brimming measure, to fill
You, and flush you rife
With increase, do you call it evil, and always evil?
A LOVE SONG
I do forget the sounding of your voice,
I do forget your eyes that searching through
The mists perceive our marriage, and rejoice.
Yet, when the apple-blossom opens wide
Under the pallid moonlight's fingering,
I see your blanched face at my breast, and hide
My eyes from diligent work, malingering.
Ah, then, upon my bedroom I do draw
The blind to hide the garden, where the moon
Enjoys the open blossoms as they straw
Their beauty for his taking, boon for boon.
And I do lift my aching arms to you,
And I do lift my anguished, avid breast,
And I do weep for very pain of you,
And fling myself at the doors of sleep, for rest.
And I do toss through the troubled night for you,
Dreaming your yielded mouth is given to mine,
Feeling your strong breast carry me on into
The peace where sleep is stronger even than wine.
BROTHER AND SISTER
Frail as a scar upon the pale blue sky,
Draws towards the downward slope; some sorrow
hath
Worn her down to the quick, so she faintly fares
Along her foot-searched way without knowing why
She creeps persistent down the sky's long stairs.
Some say they see, though I have never seen,
The dead moon heaped within the new moon's arms;
For surely the fragile, fine young thing had been
Too heavily burdened to mount the heavens so.
But my heart stands still, as a new, strong dread
alarms
Me; might a young girl be heaped with such shadow
of woe?
Since Death from the mother moon has pared us
down to the quick,
And cast us forth like shorn, thin moons, to travel
An uncharted way among the myriad thick
Strewn stars of silent people, and luminous litter
Of lives which sorrows like mischievous dark mice
chavel
To nought, diminishing each star's glitter,
Since Death has delivered us utterly, naked and
white,
Since the month of childhood is over, and we stand
alone,
Since the beloved, faded moon that set us alight
Is delivered from us and pays no heed though we
moan
In sorrow, since we stand in bewilderment, strange
And fearful to sally forth down the sky's long range.
We may not cry to her still to sustain us here,
We may not hold her shadow back from the dark.
Oh, let us here forget, let us take the sheer
Unknown that lies before us, bearing the ark
Of the covenant onwards where she cannot go.
Let us rise and leave her now, she will never know.
AFTER MANY DAYS
If under your slipping words, that easily flow
About you as a garment, easily,
Your violent heart beats to and fro!
Long have I waited, never once confessed,
Even to myself, how bitter the separation;
Now, being come again, how make the best
Reparation?
If I could cast this clothing off from me,
If I could lift my naked self to you,
Or if only you would repulse me, a wound would be
Good; it would let the ache come through.
But that you hold me still so kindly cold
Aloof my flaming heart will not allow;
Yea, but I loathe you that you should withhold
Your pleasure now.
BLUE
sea over
The edge of the blue, and the sun stands up to see
us glide
Slowly into another day; slowly the rover
Vessel of darkness takes the rising tide.
I, on the deck, am startled by this dawn confronting
Me who am issued amazed from the darkness,
stripped
And quailing here in the sunshine, delivered from
haunting
The night unsounded whereon our days are shipped.
Feeling myself undawning, the day's light playing
upon me,
I who am substance of shadow, I all compact
Of the stuff of the night, finding myself all wrongly
Among the crowds of things in the sunshine jostled
and racked.
I with the night on my lips, I sigh with the silence
of death;
And what do I care though the very stones should
cry me unreal, though the clouds
Shine in conceit of substance upon me, who am less
than the rain.
Do I not know the darkness within them? What
are they but shrouds?
The clouds go down the sky with a wealthy ease
Casting a shadow of scorn upon me for my share in
death; but I
Hold my own in the midst of them, darkling, defy
The whole of the day to extinguish the shadow I lift
on the breeze.
Yea, though the very clouds have vantage over
me,
Enjoying their glancing flight, though my love is
dead,
I still am not homeless here, I've a tent by day
Of darkness where she sleeps on her perfect bed.
And I know the host, the minute sparkling of darkness
Which vibrates untouched and virile through the
grandeur of night,
But which, when dawn crows challenge, assaulting
the vivid motes
Of living darkness, bursts fretfully, and is bright:
Runs like a fretted arc-lamp into light,
Stirred by conflict to shining, which else
Were dark and whole with the night.
Runs to a fret of speed like a racing wheel,
Which else were aslumber along with the whole
Of the dark, swinging rhythmic instead of a-reel.
Is chafed to anger, bursts into rage like thunder;
Which else were a silent grasp that held the
heavens
Arrested, beating thick with wonder.
Leaps like a fountain of blue sparks leaping
In a jet from out of obscurity,
Which erst was darkness sleeping.
Runs into streams of bright blue drops,
Water and stones and stars, and myriads
Of twin-blue eyes, and crops
Of floury grain, and all the hosts of day,
All lovely hosts of ripples caused by fretting
The Darkness into play.
SNAP-DRAGON
The mellow sunlight stood as in a cup
Between the old grey walls; I did not dare
To raise my face, I did not dare look up,
Lest her bright eyes like sparrows should fly in
My windows of discovery, and shrill "Sin."
So with a downcast mien and laughing voice
I followed, followed the swing of her white dress
That rocked in a lilt along: I watched the poise
Of her feet as they flew for a space, then paused to
press
The grass deep down with the royal burden of her:
And gladly I'd offered my breast to the tread of her.
"I like to see," she said, and she crouched her down,
She sunk into my sight like a settling bird;
And her bosom couched in the confines of her gown
Like heavy birds at rest there, softly stirred
By her measured breaths: "I like to see," said she,
"The snap-dragon put out his tongue at me."
She laughed, she reached her hand out to the flower,
Closing its crimson throat. My own throat in her
power
Strangled, my heart swelled up so full
As if it would burst its wine-skin in my throat,
Choke me in my own crimson. I watched her pull
The gorge of the gaping flower, till the blood did
float
Over my eyes, and I was blind—
Her large brown hand stretched over
The windows of my mind;
And there in the dark I did discover
Things I was out to find:
My Grail, a brown bowl twined
With swollen veins that met in the wrist,
Under whose brown the amethyst
I longed to taste. I longed to turn
My heart's red measure in her cup,
I longed to feel my hot blood burn
With the amethyst in her cup.
Then suddenly she looked up,
And I was blind in a tawny-gold day,
Till she took her eyes away.
So she came down from above
And emptied my heart of love.
So I held my heart aloft
To the cuckoo that hung like a dove,
And she settled soft
It seemed that I and the morning world
Were pressed cup-shape to take this reiver
Bird who was weary to have furled
Her wings in us,
As we were weary to receive her.
This bird, this rich,
Sumptuous central grain,
This mutable witch,
This one refrain,
This laugh in the fight,
This clot of night,
This core of delight.
She spoke, and I closed my eyes
To shut hallucinations out.
I echoed with surprise
Hearing my mere lips shout
The answer they did devise.
Again I saw a brown bird hover
Over the flowers at my feet;
I felt a brown bird hover
Over my heart, and sweet
Its shadow lay on my heart.
I thought I saw on the clover
A brown bee pulling apart
The closed flesh of the clover
And burrowing in its heart.
She moved her hand, and again
I felt the brown bird cover
My heart; and then
The bird came down on my heart,
As on a nest the rover
Cuckoo comes, and shoves over
The brim each careful part
Of love, takes possession, and settles her down,
With her wings and her feathers to drown
The nest in a heat of love.
She turned her flushed face to me for the glint
Of a moment. "See," she laughed, "if you also
Can make them yawn." I put my hand to the dint
In the flower's throat, and the flower gaped wide
with woe.
She watched, she went of a sudden intensely still,
She watched my hand, to see what I would fulfil.
I pressed the wretched, throttled flower between
My fingers, till its head lay back, its fangs
Poised at her. Like a weapon my hand was white
and keen,
And I held the choked flower-serpent in its pangs
Of mordant anguish, till she ceased to laugh,
Until her pride's flag, smitten, cleaved down to the
staff.
She hid her face, she murmured between her lips
The low word "Don't." I let the flower fall,
But held my hand afloat towards the slips
Of blossom she fingered, and my fingers all
Put forth to her: she did not move, nor I,
For my hand like a snake watched hers, that could
not fly.
Then I laughed in the dark of my heart, I did exult
Like a sudden chuckling of music. I bade her eyes
Meet mine, I opened her helpless eyes to consult
Their fear, their shame, their joy that underlies
Defeat in such a battle. In the dark of her eyes
My heart was fierce to make her laughter rise.
Till her dark deeps shook with convulsive thrills, and
the dark
Of her spirit wavered like water thrilled with light;
And my heart leaped up in longing to plunge its stark
Fervour within the pool of her twilight,
Within her spacious soul, to grope in delight.
And I do not care, though the large hands of revenge
Shall get my throat at last, shall get it soon,
If the joy that they are searching to avenge
Have risen red on my night as a harvest moon,
Which even death can only put out for me;
And death, I know, is better than not-to-be.
A PASSING BELL
waving;
What did you say, my dear? The rain-bruised leaves are suddenly shaken, as a
child
Asleep still shakes in the clutch of a sob—
Yes, my love, I hear.
One lonely bell, one only, the storm-tossed afternoon
is braving,
Why not let it ring? The roses lean down when they hear it, the tender,
mild
Flowers of the bleeding-heart fall to the throb—
It is such a little thing!
A wet bird walks on the lawn, call to the boy to come
and look,
Yes, it is over now. Call to him out of the silence, call him to see
The starling shaking its head as it walks in the
grass—
Ah, who knows how?
He cannot see it, I can never show it him, how it
shook—
Don't disturb him, darling. —Its head as it walked: I can never call him to me,
Never, he is not, whatever shall come to pass.
No, look at the wet starling.
IN TROUBLE AND SHAME
And wish I could go also
Through the red doors beyond the black-purple bar.
I wish that I could go
Through the red doors where I could put off
My shame like shoes in the porch,
My pain like garments,
And leave my flesh discarded lying
Like luggage of some departed traveller
Gone one knows not where.
Then I would turn round,
And seeing my cast-off body lying like lumber,
I would laugh with joy.
ELEGY
And I am of it, the small sharp stars are quite near,
The white moon going among them like a white bird
among snow-berries,
And the sound of her gently rustling in heaven like
a bird I hear.
And I am willing to come to you now, my dear,
As a pigeon lets itself off from a cathedral dome
To be lost in the haze of the sky, I would like to
come,
And be lost out of sight with you, and be gone like
foam.
For I am tired, my dear, and if I could lift my feet,
My tenacious feet from off the dome of the earth
To fall like a breath within the breathing wind
Where you are lost, what rest, my love, what rest!
GREY EVENING
My missal book of fine, flamboyant hours?
My book of turrets and of red-thorn bowers,
And skies of gold, and ladies in bright tissue?
Now underneath a blue-grey twilight, heaped
Beyond the withering snow of the shorn fields
Stands rubble of stunted houses; all is reaped
And garnered that the golden daylight yields.
Dim lamps like yellow poppies glimmer among
The shadowy stubble of the under-dusk,
As farther off the scythe of night is swung,
And little stars come rolling from their husk.
And all the earth is gone into a dust
Of greyness mingled with a fume of gold,
Covered with aged lichens, pale with must,
And all the sky has withered and gone cold.
And so I sit and scan the book of grey,
Feeling the shadows like a blind man reading,
All fearful lest I find the last words bleeding
With wounds of sunset and the dying day.
FIRELIGHT AND NIGHTFALL
But oh, the palms of his two black hands are red,
Inflamed with binding up the sheaves of dead
Hours that were once all glory and all queens.
And I remember all the sunny hours
Of queens in hyacinth and skies of gold,
And morning singing where the woods are scrolled
And diapered above the chaunting flowers.
Here lamps are white like snowdrops in the grass;
The town is like a churchyard, all so still
And grey now night is here; nor will
Another torn red sunset come to pass.
THE MYSTIC BLUE
Jets of sparks in fountains of blue come leaping
To sight, revealing a secret, numberless secrets keeping.
Sometimes the darkness trapped within a wheel
Runs into speed like a dream, the blue of the steel
Showing the rocking darkness now a-reel.
And out of the invisible, streams of bright blue drops
Rain from the showery heavens, and bright blue
crops
Surge from the under-dark to their ladder-tops.
And all the manifold blue and joyous eyes,
The rainbow arching over in the skies,
New sparks of wonder opening in surprise.
All these pure things come foam and spray of the sea
Of Darkness abundant, which shaken mysteriously,
Breaks into dazzle of living, as dolphins that leap
from the sea
Of midnight shake it to fire, so the secret of death
we see.