M.
- M——, Lord, vi. 380.
- M——, Mr (? Malthus), iv. 241.
- M——, (? Tom Moore), vi. 358.
- M—— (T.), vi. 454.
- MacAdam, John Loudon, iv. 250; ix. 94.
- MacAlpine, Mr, xii. 379.
- —— Mrs, xii. 379.
- —— Miss, viii. 275.
- Macartney, Lord, vi. 455.
- Macauley, Elizabeth Wright, iv. 223.
- Macbeth (Shakespeare’s), i. 186;
- also referred to in i. 138, 179, 200, 201, 238, 293, 300, 311, 394, 395; iii. 168; v. 10, 52, 56, 188, 218, 220, 223; vi. 39, 392, 394, 409, 410; viii. 31, 49, 185, 199, 203, 208–9, 249, 272, 305, 314, 378, 472, 518; ix. 401, 474; x. 81, 82, 111, 117; xi. 192, 315, 404, 451, 482, 506, 601; xii. 33, 365.
- Macbriar (Scott’s Old Mortality), iv. 247; viii. 129; xi. 531; xii. 277.
- Maccabees, The Book of, xi. 321.
- Macclesfield, ii. 12, 14, 18.
- Macculloch, John Ramsay, ii. 415; xii. 131, 141, 320, 345, 361, 412.
- Macdonald, Chevalier, ii. 107.
- Macduff (in Shakespeare’s Macbeth), v. 48; vi. 39; viii. 333; xi. 316.
- MacFane (in Holcroft’s Anna St Ives), ii. 128.
- Macflecknoe (Dryden’s), v. 80.
- M’Gibbon, Mrs, viii. 192, 459.
- Macgregor, Sanders, viii. 105.
- Machiavelli, Niccolo, iv. 283; v. 186; vii. 28; xi. 424.
- Macintosh, Sir James, iv. 279;
- Macirone, Francis, Interesting Facts relating to the Fall and Death of Joachim Murat, etc., iii. 177, 183.
- MacIvor, Fergus, ix. 367.
- Mackenzie, Henry, ii. 195, 200; iv. 367; vii. 227; x. 399; xi. 546 n.; xii. 67.
- Macklin, Charles, i. 157, 158; ii. 56, 57, 58, 59, 60, 61, 62, 63, 109 n.; viii. 166, 351.
- Maclean, Dr, ii. 232.
- Macready, William Charles, ii. 302; vi. 277, 278; viii. 334, 335, 337, 338, 356, 368, 391, 426, 440, 442, 457, 465, 534; xi. 315, 391.
- Macready’s Macbeth, Mr, xi. 315.
- —— Othello, viii. 338.
- Macullamores, The, xii. 255.
- Mad Tom (in Shakespeare’s King Lear), i. 260, 268; viii. 302, 440, 441.
- Madame Centaur (in Ben Jonson’s Silent Woman), viii. 43.
- —— d’Orbe (in Rousseau’s New Eloise), ix. 146.
- —— Haughty (in Ben Jonson’s Silent Woman), viii. 43.
- —— Mavis (in Ben Jonson’s Silent Woman), viii. 43.
- —— Valmont (in Tyran Domestique), xi. 356.
- Madamira (song in Shadwell’s Libertine), viii. 372.
- Madge Wildfire (Scott’s Heart of Midlothian), iv. 248; vii. 342; xi. 388.
- Madison, James, iii. 172 n.
- Madman, The (Hogarth’s), xii. 242.
- Mad Mother, The (Wordsworth’s), xii. 270.
- Madoc (Southey’s), iv. 265.
- Madonna, The (Correggio’s), xii. 356.
- —— Guido’s, ix. 34.
- —— Raphael’s, ix. 261, 433.
- —— of Foligno, The (Raphael’s), x. 191.
- —— and Child (Cranach’s), ix. 354.
- —— of the Crown, or of the Garland (Raphael’s), ix. 67; xi. 485.
- Madonna and Infant Christ (Vandyke’s), ix. 21.
- —— Pia, ix. 252.
- —— della Seggia (Raphael’s), ix. 226.
- Madras System, Southey’s Tract on, iii. 149.
- Madrid, i. 123; iii. 119.
- Maeviad (Gifford’s), i. 379 n., 380, 385, 396; iv. 304, 309; vi. 221.
- Maffei, Counts, x. 303.
- Magdalen (Dolci’s), ix. 41.
- —— (Guido’s), ix. 57.
- —— (Titian’s), ix. 269, 270.
- Magellan, v. 187; xi. 601.
- Maggiore, Lago, ix. 278.
- Magna Charta, iv. 93; vi. 155.
- Magnus Troil (in Scott’s The Pirate), xi. 534, 536.
- Magpie; or, Maid of Palisseau (? Dibdin’s version), xi. 304, 381.
- Mahomet, xi. 472 n.
- —— (Voltaire’s), vi. 383.
- Mahomet’s Coffin, iii. 138.
- Maid’s Tragedy, The (Beaumont and Fletcher’s), v. 251.
- Maid and Magpie (Arnold’s version), viii. 244;
- —— of Orleans (Shakespeare’s 1st Henry VI.), i. 292.
- —— of The Vale (Holcroft’s adaptation), ii. 86.
- Maiden Queen (Dryden’s), i. 195.
- Maidstone, ii. 186.
- Main Chance, The, xii. 78.
- Maintenon, Madame de, vi. 419; ix. 179.
- Maitland, General, ii. 218, 222.
- Maître Jacques (a play), xi. 380.
- Major Bath (in Fielding’s Joseph Andrews), vii. 223.
- —— Dumpling (in Jones’s The Green Man), viii. 468.
- —— Galbraith (Scott’s), iv. 248.
- —— Oakley (in G. Colman the elder’s Jealous Wife), viii. 532.
- —— O’Flaherty (in The West Indian), ii. 83; viii. 511.
- Major Sturgeon (Foote’s Mayor of Garratt), viii. 167, 168, 246, 317, 318, 392; xi. 366, 368, 396.
- Makins, Mr (in Amory’s John Buncle), i. 54; iii. 142.
- Malades, Mont des, ix. 98.
- Malatesta, Anthony, ix. 218.
- Malbecco (Spenser’s Faëry Queen), iii. 55; v. 42, 43.
- Malcolm (in Shakespeare’s Macbeth), v. 48.
- Malcontent, The (Marston’s), v. 226, 228, 229, 271 n., 272.
- Malebranche, Nicolas, iv. 216; vii. 144, 146; xi. 286, 288.
- Malevole (in Marston’s The Malcontent), v. 225, 228, 230.
- Malibran (de Beriot, Maria Felicita), xii. 384.
- Mall in St James’s Park, View of (Gainsborough’s), vi. 437.
- Mallet, David, v. 375.
- Malmesbury, x. 143.
- Malone, Edmond, ii. 184; vi. 366, 510, 511; x. 172, 173.
- Malta, ii. 173, 175; iii, 3, 5, 7.
- Malthus, Thomas Robert, iv. 287;
- Malthus’s Doctrines, An Examination of: (1) the Geometrical and Arithmetical Series, iii. 356.
- —— Essay, On the Originality of, iii. 361.
- —— Principle to the Poor Laws, On the application of, iii. 374.
- —— Reply to the Essay on Population, by Rev. T. R., iv. 1;
- also referred to in iii. 462; xii. 412.
- Malthuses, The, xii. 255.
- Malvil (Murphy’s), viii. 164.
- Malvolio (in Shakespeare’s Twelfth Night), iii. 213; v. 97; viii. 12, 32, 164, 302.
- Mambrino (in Cervantes’ Don Quixote), viii. 108; x. 27.
- Man, The, in the Louvre (Titian’s), ix. 273.
- Man, Aphorisms on, xii. 209.
- —— The Essay on (Pope’s), v. 76, 373; xi. 491; xii. 31.
- —— in Black, portrait (in the Louvre), xii. 192.
- —— of Business (G. Colman, the elder), ii. 109 n.
- —— of Feeling, The (Mackenzie’s), ii. 336; vii. 227; viii. 105; xii. 67.
- —— with a Hawk (Northcote’s), ix. 55.
- —— —— (Rembrandt’s), ix. 49.
- —— in the Iron Mask, The, iii. 290.
- —— was made to Mourn (Burns), v. 139.
- —— of Mode, The (Etherege’s), viii. 68.
- —— in Mourning for Himself, A (a play), viii. 323.
- —— of Ten Thousand, The (Holcroft’s), ii. 159, 161, 201.
- —— of the World, The (Macklin), viii. 318, 350;
- also referred to in ii. 58; viii, 105, 166.
- Manager in Distress, The (G. Colman, the elder), viii. 428.
- Manchester, ii. 267; iv. 4; vi. 103, 203, 204 n., 346; vii. 28; ix. 290, 302; xii. 93.
- —— Duke of, ii. 105.
- Mandane (in Arne’s Artaxerxes), vi. 292; viii. 192, 194, 248, 320, 451, 453; xi. 304, 317.
- Mandeville. See De Mandeville, Bernard.
- —— (Godwin’s), iv. 209; viii. 131, 420; x. 399.
- Mandrake (Farquhar’s Twin Rivals), viii. 22.
- Manfred (Byron’s), iv. 258; viii. 421.
- Manfrini, Signor, ix. 270.
- Mangeon, Miss, viii. 372.
- Manly (in Wycherley’s The Plain Dealer), viii. 14, 78.
- Manner, On, i. 41.
- Manners, Essay On, xi. 269.
- Manners and Treatment of Animals, An Account of the (D’Obsonville), ii. 107.
- Mannheim (town), ix. 298, 299.
- Manning, Thomas (M.), vi. 68.
- Manoah (in Jephson’s The Italian Lover), viii. 338.
- Mansfield, ii. 18, 19.
- —— Lord, iii. 419; v. 77; vi. 414; xii. 31.
- Mansion House, The, vii. 68.
- Mantes (town), ix. 105.
- Mantua (town), vii. 96; ix. 355; x. 73.
- Manwaring, Dr, iii. 395, 400.
- Mary Morison, Lines to (by Burns), v. 140.
- Manzotti (an Italian), xi. 341.
- Maquerella (in Marston’s Malcontent), v. 229.
- Mar, Earl of, iii. 415.
- Marall (in Massinger’s A New Way to Pay Old Debts), v. 269 n.; viii. 274, 304; x. 172.
- Maratti, Carlo, vi. 124, 128; ix. 19, 21, 409, 482; xi. 211.
- Marcella (Sackville’s Ferrex and Porrex), v. 195, 243.
- —— (in Don Quixote), viii. 110; x. 30.
- March, Lord, ii. 28, 31, 35, 48.
- —— to Finchley (Hogarth’s), i. 31; viii. 138; ix. 81.
- Marchant, Nathaniel, vi. 438.
- Marchese Pallavicini and Walter Landor (Landor’s), x. 244.
- Marconi, Madame, viii. 297.
- Marcus Sextus, The Return of (Guérin’s), xi. 240.
- Mardyn, Mrs, viii. 249, 252, 270, 278, 285, 316, 336, 361, 463, 465, 475, 524, 525, 531, 537.
- Marengo (a town), iii. 112; ix. 290.
- Maret, H. B., iii. 154.
- Margaret of Anjou, i. 293.
- —— (in Lamb’s John Woodvil), v. 346.
- —— Street, ii. 163, 203.
- Margaret’s Ghost (an old ballad), ii. 42.
- Margate Hoy, A, viii. 435.
- Marguerite (in Godwin’s St Leon), viii. 131; x. 389.
- Maria (in Holcroft’s Alwyn), ii. 95.
- —— (in Holcroft’s He’s much to Blame), ii. 162.
- —— The tale of (Sterne’s), viii. 121; ix. 178, 179; x. 39.
- —— (in Sheridan’s School for Scandal), viii. 251.
- —— Heartley (in Leigh’s Where to Find a Friend), viii. 258, 259.
- Maria-Louisa, Queen, ix. 199, 200, 203.
- Mariage de Figaro (Beaumarchais), ii. 112, 114, 115.
- —— Forcé (Molière), v. 228.
- Marialva (Le Sage’s Gil Blas), x. 214.
- Marian, ii. 224.
- Marianne (Claude Prosper Jolyot de Marivaux), x. 16.
- Marianne’s Dream (Shelley’s), x. 264.
- Marie Antoinette, i. 71 n., 427; xii. 290.
- Marina (in Shakespeare’s Pericles of Tyre), i. 357; ix. 27.
- Mariner’s Glee, The (Pinkerton’s), ii. 185.
- Marino (Italian poet), v. 315.
- —— Faliero (Byron’s), xi. p. viii.
- Maritorneses (Cervantes’ Don Quixote), ix. 176.
- Marivaux, Pierre Carlet de Chamblain de, iv. 217; vii. 311; viii. 112, 369; x. 31.
- Mark Antony (in Shakespeare’s Julius Cæsar). See Antony.
- Marlborough, Duke of, i. 8, 44; iii. 415; viii. 96; ix. 74.
- —— Duchess of, viii. 160; ix. 71.
- Marlow (Goldsmith’s), viii. 507.
- Marlowe (Christopher), v. 192;
- Marmion (Scott’s), iv. 242; v. 155.
- Marmontel, Jean François, vii. 311; ix. 118.
- Marmozet (in Smollett’s Peregrine Pickle), viii. 513.
- Marmozette (Thompson’s Dumb Savoyard), xi. 364.
- Marplot (in Mrs Centlivre’s Busy-Body), viii. 156, 270, 503.
- Marriage of Cana (Paul Veronese’s), vi. 319; ix. 53, 113, 491; xi. 197.
- —— of St Catherine (Caracci’s copy of Correggio’s), ix. 35.
- —— of Figaro (Chalon’s), xi. 245.
- —— à la Mode (Hogarth’s), i. 25 et seq.; vi. 453; viii. 133, 134, 136, 141, 143; ix. 15, 75, 389, 391, 392; xi. 212, 252 n.; xii. 24.
- —— of Two Children, The (Northcote’s), vi. 296.
- —— of the Virgin (Caminade’s), ix. 125.
- Mars, v. 30; vii. 202; viii. 375; x. 6, 7.
- —— Mademoiselle, vii. 324;
- —— Subdued by Peace (Miss Jackson’s), xi. 245.
- —— and Venus (Titian’s), ix. 74.
- Marsac, Mr, ii. 89, 261.
- Marsan, Madame, ix. 152.
- Marsennus (Marin Mersenne), xi. 53.
- Marshall, Mr, ii. 172, 181.
- Marston, John, v. 176, 181, 193, 224, 234, 280; vi. 164.
- —— Chapman, Deckar, and Webster, On, v. 223.
- Martello Tower, iv. 257.
- Martigny (town), ix. 283, 288, 290.
- Martin (in Voltaire’s Candide), v. 114.
- —— Jack (fighter), xii. 4.
- —— John (a bookseller), vi. 490.
- Martin, John (painter), vi. 397; ix. 109, 336, 337; xi. 381, 553.
- —— Richard, xi. 344.
- Martin’s Muir (in Lancashire), ii. 2, 167.
- Martinet, Mr (an emigrant), ii. 217, 219.
- Martinus Scriblerus, v. 104; xi. 288.
- Martorell, Jean, x. 56.
- Martyrs, Book of (Foxe’s), vii. 129, 320; xi. 443; xii. 384.
- Martyrdom of Saint Damian and Saint Cosmas, The (Salvator’s), x. 305.
- —— of St Lawrence (Titian’s), ix. 273.
- —— of St Placide (Correggio’s), ix. 204.
- —— of St Sebastian (Guido’s), ix. 26.
- Marullus (in Shakespeare’s Julius Cæsar), i. 195.
- Marveil, Arnaud de, x. 55.
- Marvell, Andrew, iii. 277; iv. 61; v. 83, 258, 311, 313, 372; vii. 232; xi. 123, 282, 514; xii. 47.
- Marville, Vignuel de, vi. 170 n.
- Mary, Lines to (Cowper’s), v. 95; vi. 210.
- —— the Cookmaid (Swift’s), v. 110.
- —— the Maid of the Inn (Southey’s), viii. 362.
- —— Magdalen Anointing the Feet of our Saviour (Hilton’s), xi. 190.
- —— Queen of Scots, viii. 460; ix. 23, 66; xi. 320, 324.
- —— Stuart (Schiller’s), viii. 391.
- Marys with the Dead Body of Christ, The Three (L. Caracci’s), ix. 112.
- Mary-le-bone Street, ii. 163, 242.
- Masaccio (painter), iv. 217; vi. 45, 126, 346; ix. 409, 427; xi. 211.
- Masetto (in Byron’s Don Juan), viii. 365, 366, 371; xi. 307.
- Mask of Arthur and Emmeline, The (Dryden’s), v. 356.
- Mask of Cupid, The (Spenser’s), v. 35, 38, 40; x. 74.
- —— of Semele (Congreve’s), viii. 76.
- Maskwell (Congreve’s Double Dealer), viii. 72.
- Mason, William, i. 171; x. 164.
- Massacre of Glencoe, Apology for the (Defoe’s), x. 378.
- —— of the Innocents (Le Brun’s), ix. 25.
- —— of the Mamelukes (Vernet’s), ix. 137.
- —— in Piedmont (Milton), vi. 176, 178.
- Massachusetts, x. 315.
- Massaniello (Tommaso Aniello), x. 301.
- Massena, André, ix. 146.
- Massinger, Philip, v. 248;
- Massys, Quentin, ix. 40.
- Master Baillie (in Still’s Gammer Gurton’s Needle), v. 286.
- —— Barnardine (in Shakespeare’s Measure for Measure), i. 241, 346, 347, 425; iv. 248; vi. 249; viii. 283.
- —— Bobby (Sterne’s Tristram Shandy), xii. 152.
- —— Edward Knowell (in Ben Jonson’s Every Man in His Humour), viii. 312.
- —— Froth (in Shakespeare’s Measure for Measure), i. 391; viii. 283.
- —— Kerneguy (in Scott’s Woodstock), vi. 410.
- —— Matthew (in Ben Jonson’s Every Man in His Humour), viii. 45, 311.
- —— Nicolas the Barber (in Cervantes’ Don Quixote), viii. 108.
- —— Oliver the Barber (Scott’s), iv. 248.
- —— Silence (Shakespeare’s 2nd Henry IV.), iv. 365.
- Master Stephen (in Ben Jonson’s Every Man in His Humour), vi. 194 n.; viii. 45, 311.
- —— Well-bred (Ben Jonson’s Every Man in His Humour), viii. 312.
- Mater Dolorosa (Carlo Dolce’s), ix. 20, 41.
- Matheo (in Dekker’s Honest Whore), v. 238, 239, 241, 247.
- Matilda (General Burgoyne’s Richard Cœur de Lion), viii. 195.
- Matsys, Quintin. See Massys, Quentin.
- Matter and Manner (Hazlitt), i. 421; xi. p. x n.
- Matthew (Wordsworth’s), xii. 57.
- —— Bramble (Smollett’s Humphry Clinker), viii. 117, 165, 510; x. 35.
- Matthews, Charles, vi. 273, 278, 350, 417, 418 n.; vii. 300, 508; viii. 177, 243, 281, 317, 412, 428, 430–5, 459, 484, 523; xi. p. viii, 367, 483, 554; xii. 6, 140 n., 353.
- —— (John), viii. 497.
- —— Miss, vi. 293; viii. 231, 235, 236, 275, 531; xi. 395.
- —— (in Fielding’s Amelia), viii. 114; x. 33.
- Matthias (Massinger’s The Picture), v. 266.
- Matrimony (a Comedy), viii. 392.
- Maturin, Rev. Robert Charles, viii. 308, 368, 416, 421, 478; xi. 418.
- Maud the Milkmaid (in Walton’s The Complete Angler), i. 56; v. 98.
- Maurice of Nassau, Prince, xi. 289.
- Maurice’s Parrot, Prince, iii. 101.
- Maurocordato, Prince, x. 232, 251.
- Mawworm (in Bickerstaff’s Hypocrite), i. 59; ii. 84; viii. 163, 246, 392; xi. 396; xii. 366.
- Maximilian of Bavaria, xi. 289.
- Maxims on Love, xii. 354.
- Maxwell, Mr, ii. 173.
- May-Day (Chapman’s), v. 234.
- May-Day Night (Shelley’s, from Goethe), x. 261, 271.
- May Fair, xii. 132.
- Mayence, ix. 298, 299.
- Mayor of Garratt, The (Foote’s), viii. 166, 167, 168, 316; xi. 368.
- Maywood (actor), viii. 374; xi. 397, 405, 406.
- —— as Iago, viii. 513.
- —— —— Shylock, viii. 374.
- —— —— Zanga, xi. 397; also referred to in viii. 513.
- Mazarin, Cardinal, vi. 238.
- Mazeres, Baron, xii. 302, 303.
- Mazzuola, Francesco. See Parmegiano.
- Meadows, Mr (actor), xi. 373.
- —— (in Bickerstaff’s Love in a Village), viii. 329.
- —— (in Madame D’Arblay’s The Wanderer), viii. 123; x. 42.
- —— (in Godwin’s Cloudesley), x. 392.
- Means and Ends, On, xii. 184.
- Measure for Measure (Shakespeare’s), i. 345; viii. 281;
- Mecca, x. 120.
- Mechel (print-seller), ii. 185.
- Medea, The (Euripides), x. 97.
- Medecin malgré lui (Molière’s), viii. 28, 159, 558; x. 107.
- Medici Family, ix. 212, 221, 225.
- —— Cosmo de, vi. 353.
- —— Hippolito de (Titian’s portrait of), ix. 345, 385; xi. 222.
- —— Lorenzo de, The Chapel of, x. 354.
- Meditations (Harvey’s), vii. 163.
- Mediterranean, The, viii. 126; ix. 182.
- Medoro (Ariosto’s Orlando Furioso), v. 3.
- Medusa’s Head (Leonardo da Vinci’s), ix. 225; x. 261; xii. 195.
- Medwin, Captain, vii. 313, 343.
- Meeting of Abram and Melchisedec (Rubens’), ix. 52.
- Meeting of Christ and St John (Raphael’s), ix. 30.
- —— of Jacob and Laban (Murillo’s), ix. 54.
- —— of Jacob and Rachel (Murillo’s), ix. 23.
- —— between Louis XIV. and the Spanish Ambassador (Gérard’s), ix. 123.
- Meggett, Mr (actor), viii. 239, 240, 241, 532.
- Meg Merrilees (in Scott’s Heart of Midlothian), iv. 248; vii. 341, 343; viii. 129, 146 n., 292; ix. 206; xi. 531.
- Meggy Macgilpin (in O’Keeffe’s Highland Reel), xi. 364.
- Méhul, Étienne Nicolas, viii. 325.
- Meillerie (Rousseau’s Nouvelle Héloïse), i. 133; ii. 326; ix. 281; xii. 25.
- Melancholy, Address to (in Beaumont and Fletcher’s Nice Valour), v. 295.
- Melanchthon, Philip, iv. 228; x. 143.
- Melaric (in L. Bonaparte’s Charlemagne), xi. 236.
- Melchior, Friedrich. See Grimm, Baron.
- Meleager and Atalanta (Wilson’s), xi. 200.
- —— ix. 433; x. 208.
- Melford (Cherry’s The Soldier’s Daughter), xi. 297.
- Melissa (Holcroft’s), ii. 264, 265.
- Mellida (in Marston’s Antonio and Mellida), v. 225.
- Mellon, Miss, vii. 127.
- Melmoth (Maturin’s), viii. 478.
- —— Wm., i. 93.
- Melrose Abbey, ix. 235.
- Memnon (mythological), v. 60; ix. 108; x. 221, 337.
- Memoirs of Anastasius the Greek (Thomas Hope’s), v. 363.
- —— (Baron de Bausset), xii. 135.
- Memoirs of De Tott (translated by Holcroft), ii. 107.
- —— (Count Grammont’s), iii. 307; xi. 276.
- —— (of Margravine of Bareuth), vi. 445.
- —— (Cardinal Retz), vi. 238, 349; x. 301.
- —— (Sir J. Reynolds), i. 442.
- —— of Granville Sharp (by Prince Hoare), vii. 48 n., 49.
- Memoires de Voltaire écrits par lui-même, ii. 267.
- —— of a Cavalier, The (Defoe’s), x. 382.
- —— on Chivalry, The (by M. de St Palaye), x. 20.
- —— of an Heiress, or Cecilia. See Cecilia.
- —— of Fanny Hill (Cleland’s), iv. 102 n.
- —— of Lady Vane, The (in Smollett’s Peregrine Pickle), vii. 221.
- Memorabilia of Mr Coleridge, xii. 346.
- Memory (in Spenser), v. 38.
- Menæchmi (Plautus), i. 351.
- Menander, viii. 552; x. 100, 232.
- Mendacio (in Brewer’s Lingua), v. 293.
- Menenius, Agrippa (in Shakespeare’s Coriolanus), viii. 403.
- Mengs, Anton Rafael, vi. 345, 431; ix. 203, 349, 409, 472 n., 482; xi. 230, 255.
- Menjaud, Mlle., ix. 150.
- Merchant of Bruges, The (Kinnaird’s), viii. 264.
- —— of Venice (Shakespeare’s), i. 320;
- Merciers, The, ii. 107, 114, 168, 181, 195, 218, 219, 228, 230, 234, 272; vii. 241.
- Mercury, i. 33, 71; v. 83; vii. 203; x. 93, 350, 387.
- —— The Elgin, ix. 340, 341.
- Mercury teaching Cupid to Read (Correggio’s), xii. 356.
- —— and Herse (Turner’s), xi. 191.
- —— inventing the Lyre (Barry’s), ix. 419.
- Mercutio (in Shakespeare’s Romeo and Juliet), i. 257; viii. 32, 200.
- Meredith, Sir W., iii. 422; vi. 88.
- Mergées (Merger, Mr), ii. 280.
- Mérimée, Madame (Madame M.), vi. 319, 503.
- Merlin the Enchanter (early romance), x. 20, 21, 56.
- Mermaid Inn, v. 297; xii. 207.
- Merrimee, J. F. L., vii. 333.
- Merry, Miss, viii. 323, 329.
- —— England, xii. 15.
- —— Robert, iv. 309 and n.
- —— Devil of Edmonton, The, v. 289, 293.
- —— Sherwood, xii. 15.
- —— Wives of Windsor, The (Shakespeare’s), i. 349;
- also referred to in viii. 31, 32, 43.
- Mertoun, the elder (in Scott’s The Pirate), xi. 535.
- Merveilleuses in Bedlam (Hogarth’s), vi. 167.
- Meshech, iii. 265.
- Message, The (in Liber Amoris), ii. 290.
- Messalina, ix. 221.
- Messiah (Handel’s), xi. 455.
- Messora, M. (a painter), xi. 245.
- Metamorphoses (Ovid), iii. 287.
- Metastasio, x. 45; xii. 128.
- Methodism, vii. 351; x. 158.
- —— On the Causes of, i. 57.
- Methuselah, xii. 263.
- Metzu, Gabriel, ii. 225; ix. 35.
- Meux, Mr, iii. 308.
- Mexicans, xi. 319.
- Mexico, iii. 290 n.; iv. 189.
- Mezentius, ix. 132.
- Mezzofanti, Prof. Joseph Caspar, ix. 205.
- Michael, Poem of (Wordsworth’s), xii. 316.
- Michael Angelo, i. 78, 85, 148, 161, 164; ii. 276; iv. 276; v. 18, 45, 247, 297; vi. 10, 74, 85, 127, 128, 132, 137–9, 145, 212, 297, 346, 347, 353, 363, 368, 392, 413; vii. 59, 61, 94, 96, 103, 107, 118, 157, 158, 199, 203; viii. 55, 284, 364, 470; ix. 11, 28, 42, 134, 165, 211, 219, 220, 232, 235, 236, 239, 240–1, 273, 274, 327, 360–4, 366, 369, 380–2, 394, 403, 409, 427, 491; x. 63, 77, 180, 181, 206–8, 279–82, 336, 354; xi. 202, 212, 214, 215, 217, 227–9 n., 234 n., 424, 449, 482, 590; xii. 36.
- —— Cassio (in Shakespeare’s Othello), vi. 195; viii. 189, 214, 339, 340, 473, 560; xi. 294.
- Mickle, William Julius, v. 122.
- Micklestane Moor, iv. 246; vii. 343.
- Microcosmus (Nabbes’s), v. 289, 290, 292, 334.
- Midas, v. 197, 199, 201; ix. 105.
- Middle Passage, The, vii. 47; ix. 185.
- —— Temple, The, x. 363.
- Middlesex, iii. 423.
- Middleton, Conyers, ii. 169, 173, 176, 190, 194; x. 249.
- —— Thomas, v. 176, 181, 193, 214, 223, 224.
- Midhurst, iii. 421.
- Midsummer Night’s Dream (Shakespeare’s), i. 61, 244; viii. 274;
- Mieris (a family of painters), ix. 60, 92.
- Mignet, François Auguste Marie, ix. 186.
- Milan, vii. 169; viii. 291, 429; ix. 187 n., 198, 260, 264, 275, 277, 278, 419; x. 192.
- Mile-end, ix. 480.
- Milford (in Holcroft’s The Road to Ruin), ii. 124.
- —— Haven, i. 182; xi. 292.
- Milking (by John Burnett), xi. 247.
- Mill, James, vii. 160, 183, 186, 495; xii. 131, 255.
- Mill, John Stuart, xii. 255.
- Millamant (Congreve’s Way of the World), i. 12; vi. 165; vii. 121; viii. 14, 37, 73, 74, 151, 152, 465, 555; xi. 346.
- Millamour (in Murphy’s All in the Wrong), viii. 164.
- Millar, Andrew, vii. 220.
- Miller, Miss, viii. 128.
- —— The (Chaucer), v. 24.
- —— and his Men, The (Pocock’s), xi. 394.
- Miller’s Wife (in Pocock’s Miller and His Men), viii. 292.
- Millennium (in Cowper’s Task), v. 94.
- Millisent (in Merry Devil of Edmonton), v. 293.
- Millot, Claude François Xavier, x. 46.
- Mills, Dr (Milles, Dr Jeremiah), v. 122.
- Mills, Mr, Mrs and Miss (actors), ii. 70 n., 77, 78, 195.
- Milman, Henry Hart, iv. 421; v. 379; viii. 416, 478.
- Milner, Miss (in Mrs Inchbald’s Simple Story), vii. 304; ix. 237; xii. 65.
- Miltiades, x. 232.
- Milton, John, v. 44;
- also referred to in i. 3, 22, 49, 79, 94, 138, 153, 156, 161, 164, 319, 381, 397–401, 425; ii. 79, 91, 166, 275, 358, 397 n., 436; iii. 1, 168, 258, 270, 299, 326, 336; iv. 45, 61, 190, 217, 229, 244, 275, 276, 355, 365; v. 11, 68, 70, 123, 125, 145–6, 148, 180, 183, 230, 247, 256, 316–8, 369, 371; vi. 42, 68, 73, 77, 85, 96, 100, 106, 110, 163, 169, 210, 218, 223–4, 316, 347, 350, 356, 362, 380, 392–3, 399, 401, 413, 423, 427, 433; vii. 8, 17, 36, 117, 119–20, 153, 158, 160, 169, 197, 203, 249, 268, 320, 322, 371; viii. 23, 43, 55, 58, 68, 101–2, 230, 232–3, 273, 298, 385, 478 n., 535, 561; ix. 15, 159, 167, 186, 196, 211, 218, 232, 238, 243 n., 283, 320, 321, 427, 431, 483, 491; x. 13, 62–4, 71–2, 77, 116, 118, 155, 156, 200, 204, 232, 244, 324, 325, 327, 377, 399, 406, 416; xi. 215, 233, 235, 294, 431, 450–2, 457, 464, 486–7, 506, 514, 518, 546, 573; xii. 27, 39, 67, 116, 142, 192, 207–8, 273, 277, 341, 346, 372, 433.
- Milton’s Eve, Character of, i. 105.
- —— Lycidas, On, i. 31.
- —— Sonnets, On, vi. 174;
- also referred to in v. 371.
- —— Versification, On, i. 36.
- Milwood (in Lillo’s George Barnwell), viii. 269.
- Mina, General, x. 250.
- Mincing, Mrs (in Congreve’s Way of the World), viii. 465.
- Mind and Motive, vi. 496; xi. p. x.
- Mind, On the (Helvetius), xi. 173 n.
- Minehead, xii. 272.
- Mine Host (Ben Jonson’s New Inn), v. 263.
- —— —— of the George (Merry Devil of Edmonton), v. 293.
- —— —— of The Tabard (Chaucer), xii. 30.
- Minerva (statue), ix. 341, 430, 466; x. 343, 350.
- —— Sunias, Temple of the, ix. 325, 381.
- —— Press, The, vii. 222; xi. 459.
- Minna (in Scott’s The Pirate), xi. 532
- Minor, The (Foote’s), ii. 170.
- —— Theatres, viii. 403, 478.
- Minstrel, The (Beattie’s), v. 100.
- Minstrel’s Song in Ælla, The (Chatterton’s), v. 126.
- Minucci (an Italian), x. 303.
- Minuet de la Cour, The (a dance), xii. 122.
- Minute Philosopher (Berkeley’s), vi. 198; xii. 397 n.
- Mirabaud, J. Bapt. de, i. 408; vii. 430; xi. 579; xii. 116.
- Mirabel (Farquhar’s The Inconstant), i. 154; viii. 73, 74, 75; xi. 367.
- Miracles, Essay on (Hume’s), xii. 266.
- Miracle of Bolseno (Raphael’s), vi. 340; ix. 240, 364.
- Miracle of the Conversion (Raphael’s), ix. 380; xi. 227.
- —— of St Mark (Tintoretto’s), ix. 274.
- Miraculous Draught of Fishes (Raphael’s), vi. 220; viii. 147; ix. 47.
- Miranda (in Mrs Centlivre’s The Busy-Body), viii. 270, 503.
- —— (in Shakespeare’s The Tempest), i. 105, 238; x. 116; xi. 296, 417.
- Mirandola (Barry Cornwall’s), vi. 96.
- Mirror, The (a periodical), viii. 105.
- Mirrour for Magistrates, The Induction to the (Thomas Sackville’s), v. 196.
- Misanthrope (Molière’s), viii. 28, 31, 554, 558; ix. 147–9; x. 107, 108; xi. 354, 383; xii. 24.
- Miscellaneous Poems, F. Beaumont, P. Fletcher, Drayton, Daniel, etc., Sir P. Sidney’s Arcadia, and other works, v. 295
- Miser, The (Molière’s), xi. 379, 380.
- Miserere, The, ix. 235.
- Misers (Massys’), ii. 417; ix. 40.
- Misnah, The, iii. 274.
- Miss Mactab (in The Poor Gentleman), xi. 376.
- —— Prue (Congreve’s Love for Love), vii. 127, 226; viii. 14, 72, 77, 82, 152, 278, 555.
- Mistress, Lines to his (Donne’s), xii. 28.
- —— (Titian’s), vii. 282; ix. 33, 112, 121, 224, 270.
- Mitre, The (an inn), vi. 193; viii. 103.
- —— Court, vii. 37; xii. 35 n.
- Mock Doctor, The (Fielding’s), viii. 159.
- Modena (town), ix. 207.
- Modern Comedy, On, i. 10; viii. 551
- —— Midnight Conversation (Hogarth’s), viii. 142, 143.
- —— Tory Delineated, xi. p. vii.
- Mogul, The, ii. 224.
- Mohun, Michael, viii. 160.
- Moiano (a town), ix. 211.
- Molesworth, Robert, Lord, iv. 93.
- Molière, i. 81, 314; ii. 166, 229; v. 227, 228; vi. 49, 85, 86, 111, 196 n., 417; vii. 311, 323; viii. 28, 29, 31, 42, 76–8, 122, 133, 159, 160, 162, 167, 193, 195, 244, 319, 554, 558; ix. 129, 146–50, 152, 166, 214, 242, 391; x. 40, 107, 108, 298; xi. 276, 288, 354, 358, 366, 371, 379, 383, 395, 452, 460; xii. 22, 37, 346.
- Molineaux, Tom (pugilist), iv. 223.
- Moll Flagon (in Burgoyne’s Lord of the Manor), xi. 316, 388.
- —— Flanders (Defoe’s), x. 380; xii. 367.
- Molly, Old, xi. 311.
- —— Jollop (G. Colman the elder’s The Jealous Wife), viii. 168, 318, 392.
- —— Seagrim (in Fielding’s Tom Jones), vii. 221; viii. 113.
- Molteno’s print-shop, ix. 8.
- Mombelli, Esther, ix. 174.
- Momus, The Elgin, ix. 340.
- Monaghan, Mr (in Amory’s John Buncle), i. 54; iii. 142.
- Monarchy, On the Spirit of, xii. 241.
- Monastery (Scott’s), vii. 201; viii. 439
- Monasticon (Dugdale’s), v. 120; vii. 317.
- Moneses (Congreve’s Bajazet), xi. 275.
- Money, On the want of, xii. 136.
- Monimia (in Otway’s Orphan), i. 157; v. 355; viii. 263, 310.
- —— (in Smollett’s Count Fathom), xii. 64.
- Moniteur, The (a newspaper), ix. 165.
- Monk Lewis, xii. 271.
- —— The (Lewis), viii. 127.
- Monkeys, The (Gay’s Fable), v. 107.
- Monmouth’s Rebellion, x. 357.
- Monmouth Street, vi. 459; vii. 69; xii. 210.
- Monrose (in Holcroft’s Knave or Not?), ii. 161, 162.
- Monsieur Jourdain (in Molière), i. 81; viii. 160; xi. 355.
- —— D’Olive (Chapman’s), v. 231.
- —— Pourceaugnac (Molière’s), i. 81; viii. 28, 160; x. 107.
- —— Thomas (Beaumont and Fletcher’s), v. 261.
- Montagu, Mrs Basil, vii. 41, 132.
- —— Edward Wortley, iv. 90 n.
- —— Lady Mary Wortley, vii. 207; ix. 477; xii. 32, 134, 153 n.
- Montaigne, Michael, Lord of, i. 7; ii. 410; iv. 195, 373; v. 334; vi. 86; vii. 26, 28, 219 n., 230, 311, 313, 323; viii. 92, 93, 94, 95, 100; ix. 166; x. 72; xi. 383; xii. 37.
- Mont-Mirail, The Battle of (Vernet’s), ix. 128.
- Mont St Jean, The Battle of, ix. 128.
- Montargis (a town), ix. 175, 176, 177.
- Monte-Fiascone, ix. 231.
- Monte Pincio, The, x. 303.
- Monte-Pulciano, xi. 487.
- Monte Rosa, ix. 279, 281, 296.
- Montesquieu, Charles de St Bavon de, iv. 9 n.; vii. 40, 311; x. 184; xii. 247.
- Montfort (actor), i. 440.
- Montgomery, James, v. 378; vi. 156; vii. 14.
- Monthly Magazine, The, ii. 175, 177, 192; iv. 9 n.; vii. 230; x. 221, 222; xii. 136, 150, 161, 173, 184, 198, 209, 230, 235.
- —— Mirror, The, ii. 228.
- —— Review, The, ii. 95, 163, 225; iv. 284, 311 n.; vi. 65, 216.
- Montmartre, vii. 332; ix. 161; xii. 189.
- Montmorenci, vii. 307; ix. 161.
- Montpelier Tea Gardens, vi. 257.
- Montroses, The, xii. 255.
- Montrose (the town), ii. 308.
- Monument, The, iii. 128; vi. 421; vii. 68; viii. 435; ix. 59.
- —— of the Two Children (Chantrey’s), vi. 326.
- Moody or Pinchwife (in Garrick’s adaptation of Wycherley’s Country Wife), vi. 68; viii. 77; xi. 277.
- Moonshine (in Shakespeare’s Midsummer Night’s Dream), i. 248; viii. 276.
- Moor (Schiller’s), xii. 67.
- —— The (in Shakespeare’s Titus Andronicus), x. 117.
- Moor of Venice, or Othello (Shakespeare’s). See Othello.
- Moore, Edward, v. 6, 359; vi. 368.
- —— Sir John, ii. 375.
- —— Peter, viii. 413.
- —— Dr, ii. 171, 198; vi. 360.
- —— Thomas, iii. 122, 311, 312; iv. 9, 13, 213, 258, 312, 353; v. 151, 152, 153, 155, 369, 378; vi. 67, 334 n., 454, 495, 509; vii. 123, 153, 314, 319, 365–72, 378–82; viii. 10, 166, 284, 422; ix. 34 n., 73, 106, 160 n., 190, 218, 246, 257, 281, 283; x. 233, 314; xi. 372, 386; xii. 138, 155 n., 307, 323.
- —— Sir Graham, vi. 385.
- Moorish Alhambra, The, ix. 349.
- Mopsa and Dorcas (Sir Philip Sidney’s), ix. 58.
- Moral Epistles (Pope’s), v. 373.
- Morals (Seneca’s), viii. 557.
- Moral and Political Philosophy, Paley’s, iii. 224, 276; iv. 166 n.; vii. 49; xi. 336.
- Morales, Luis de, ix. 26.
- Morceaux, from Wat Tyler (Southey’s), iii. 194 et seq.
- Mordaunt, Mertoun (in Scott’s The Pirate), xi. 532.
- Mordent (Holcroft’s The Deserted Daughter), ii. 159.
- More, Hannah, i. 66; v. 108, 147; vi. 363; viii. 194, 256, 257, 284.
- Moreau, Jean Victor, iii. 53, 56.
- Moredens, The (in Leigh’s Where to Find a Friend), viii. 258–260.
- Morgan (in Holcroft’s Old Clothesman), ii. 173, 174, 176, 177.
- —— (in Smollett’s Roderick Random), iii. 218; vii. 378.
- —— Lady, iv. 308; vii. 220; ix. 226, 267; x. 233, 276 et seq., 305 n.
- Morganti Maggiore (Pulci’s), x. 69.
- Mori, Miss, viii. 341.
- Morland, George, ii. 202; vii. 56.
- Morn (Michael Angelo’s), ix. 363.
- Morning (C. V. Fielding’s), xi. 248.
- —— (Hogarth’s), viii. 144; ix. 80.
- —— Chronicle, The, i. p. xxx., 415–6, 418, 425, 426, 434–5, 441–2; ii. 94, 204, 205, 207, 221, 222; iii. 47 et seq., 51, 101 n., 107, 205, 232, 339 n., 453–4; vi. 190, 292, 293; vii. 205; viii. 174, 241, 459, 502, 512 et seq., 522–3, 531, 551; ix. 84, 85, 186, 315, 462, 489; x. 213–6; xi. p. ix., 162, 167, 172, 180, 187, 191, 195, 420, 447, 566, 567, 602; xii. 319.
- —— Herald, The, ii. 106, 109, 224; iii. 97; vi. 190.
- —— Post, i. 383 n.; ii. 143, 144; iii. 18 n., 76, 93, 126, 243 n., 350; x. 138, 150, 220; xi. 495.
- —— and Evening of the Roman Empire (Claude’s), ix. 54, 57.
- Morocchius (in Shakespeare’s Merchant of Venice), i. 322, 391, 392.
- Morocco, Emperor of (in Peter Pindar), viii. 168.
- Moroni, Giovanni Battista, ix. 34.
- Morose (in Jonson’s Silent Woman), viii. 42.
- Morpeth, Lord, xi. 386.
- Mortimer (in Cumberland’s Faithless Lover), ii. 83.
- —— (in Shakespeare’s Henry IV.), i. 284.
- Morton, Charles, x. 357.
- —— Thomas, iii. 162; vi. 453; viii. 442; xi. 374.
- —— (Scott’s Old Mortality), iv. 247.
- Mosaics of the Church of St Mark, Venice, ix. 274.
- Mosca (in Jonson’s Fox or Volpone), viii. 44.
- Moscow, iii. 99, 178; vi. 241; xi. 195, 196.
- Moses, iii. 265, 297; viii. 58; xi. 233, 472 n.; xii. 263.
- —— Cosmogony of, xii. 279.
- —— (Michael Angelo’s), ix. 362; x. 208.
- —— (Poussin’s), ix. 473.
- —— (Sheridan’s), viii. 250.
- —— in Egypt (an Oratorio), ix. 202.
- —— (in a play), viii. 387; xii. 24.
- Mosheim, Johann Lorenz von, iii. 276.
- Mossop, Henry, ii. 63, 64.
- Moth (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.
- Mother Bombie (by John Lyly), v. 197, 198.
- —— Cole (in Foote’s The Minor), viii. 167.
- —— and Child, The (Raphael’s), viii. 148.
- —— Hubberd’s Tale (Spenser’s Shepherds’ Calendar), v. 98.
- —— and a Sleeping Child (Guido’s), ix. 51.
- Mother’s Picture, Verses on his (by Cowper), v. 95.
- Motto, or Invocation to his Muse (Cowley’s), viii. 58.
- Moudon (a town), ix. 285, 295, 296.
- Mouldy (Shakespeare’s 2nd Henry IV.), viii. 33.
- Moulins (a town), ix. 178, 179.
- Mounsey, George, vi. 192, 195, 197, 198, 199, 201.
- Mount, Sermon from the, v. 184.
- Mountaineers, The (G. Colman, junr.), ii. 109; viii. 239.
- Mountford, Sir Charles, v. 213.
- Mountfort, Susanna, i. 157; viii. 160.
- Mountjoy, Lady, ix. 473.
- Mourning Bride (Congreve’s), i. 176; vi. 195; vii. 306; xi. 382.
- Mourritt (operatic singer), ix. 171.
- Moustache (Macready’s Henry IV.), viii. 442.
- Mowbray (Shakespeare’s Richard II.), i. 273.
- Mozart, Johann Chrysostom Wolfgang Amadeus, ii. 174, 178, 200, 201; iii. 311; vi. 74; vii. 239; viii. 325–7, 362–4, 370–1, 452, 535; xi. 427, 455, 500; xii. 168, 345, 384.
- Mrs Battle’s Opinions on Whist (Lamb’s), iv. 364; vi. 199, 245.
- Mrs James (in Fielding’s Amelia), viii. 114; x. 33.
- —— Leicester’s School (Lamb’s), v. 146.
- —— Malaprop (in Sheridan’s Rivals), viii. 165, 508; x. 142; xi. 307.
- —— Marwood (Congreve’s Way of the World), viii. 74.
- —— Oakley (in Geo. Colman the elder’s The Jealous Wife), viii. 316, 505; xi. 304.
- —— Patch (in Mrs Centlivre’s Busy-Body), viii. 503.
- Much Ado about Nothing (Shakespeare’s), i. 335; iii. 200; viii. 32, 401 n.
- Mucklewrath (Scott’s Old Mortality), iv. 247.
- Mudford, William, vi. 111, 196, 293 n.; x. 219; xi. 547.
- Mudge, Dr, vi. 368, 419, 512.
- Mudges, The, vi. 366, 367, 374, 510, 512.
- —— Zachary, vi. 368.
- Muiopotmos (Spenser’s), viii. 404.
- Mulberry Tree, The (a song), viii. 301.
- Muleteers (Correggio’s), ix. 35.
- Muley-Muloch (in Dryden’s Don Sebastian), v. 357, 358.
- Mulgrave, Lord, i. 374.
- Müller, Johannes von, iii. 154.
- Mumps (in Oulton’s Frightened to Death), viii. 359.
- Munchausen, Baron, vii. 37, 138.
- Munden, Joseph Shepherd, ii. 147, 148, 368; v. 269 n.; vi. 275–6 n., 418, 453; viii. 71, 226–7, 256, 264–5, 278, 286, 310, 317, 343, 359, 386, 392, 400, 416, 459, 465, 525, 534, 536; xi. 303, 306, 366, 377–8, 392; xii. 24, 198 n.
- Munden’s Sir Peter Teazle, xi. 392.
- Mundungus, x. 149 n.
- Mungo (in Bickerstaffe’s Padlock), ii. 84.
- Müntz, John Henry, x. 164.
- Murder of Dentatus (Haydon’s), xi. 482.
- Murillo, Bartolomeo Esteban, vi. 219; ix. 23, 25, 26, 54, 158, 186, 389, 390; xi. 205 n., 249; xii. 262.
- Murphys, The, v. 359; viii. 164.
- Murray, Chas., viii. 309.
- —— John, i. 376, 379, 380; iii. 124, 194, 217, 218; iv. 302, 312; vi. 89, 211; vii. 376, 378, 515; ix. 247 n.; xi. 423, 486, 489, 580; xii. 267, 320.
- —— Lindley, iii. 445; iv. 241 n., 391; xii. 232.
- Murray, William (Earl of Mansfield), iii. 416.
- —— Mr (Pope’s friend), viii. 555.
- —— Miss, viii. 529.
- Muse, Invocation to, or Motto (Cowley’s), viii. 58.
- Music, History of (Burney’s), x. 288 n.
- —— Messora’s, xi. 245.
- Music-piece (Giorgione’s), ix. 271.
- —— (Titian’s), ix. 11, 70.
- Musical Instruments, Personification of (in Tatler), i. 9; viii. 98.
- —— Party (Giorgione’s), ix. 26.
- Musician and the Nightingale, The Contest between the (by Crashaw), viii. 53.
- Musidorus and Philoclea (Sir Philip Sidney’s), ix. 58.
- Mustapha and Alaham (by Fulke Greville), v. 231; vii. 255; xii. 34.
- Mustard Seed (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.
- My Aunt (a farce), viii. 239, 240.
- —— Father (in Sterne’s Tristram Shandy), i. 12; viii. 121, 151.
- —— First Acquaintance with Poets, xii. 259.
- —— Grandmother (by Prince Hoare), i. 155; vi. 416; viii. 230.
- —— Landlady’s Night-Gown (Oulton’s), viii. 328.
- —— Spouse and I (C. Dibdin’s), viii. 525.
- —— Uncle Toby (in Sterne’s Tristram Shandy), i. 12; viii. 11, 121, 151; x. 39; xi. 553.
- —— Wife! What Wife? (by Barrett), viii. 237.
- Myrrha (Byron’s Sardanapalus), ii. 307.
- Myrtle (in Steele’s Conscious Lovers), viii. 158.
- Mysie Happer (in Scott’s Monastery), viii. 454.
- Mysterious Mother, The (Walpole’s), x. 165.
- Mysteries, The, x. 60.
- —— of Udolpho, The (by Mrs Radcliffe), viii. 125; xii. 64.
- Mystery of the Passions, x. 60.