WeRead Powered by ReaderPub
An index to the collected works of William Hazlitt cover

An index to the collected works of William Hazlitt

Chapter 20: O.
By William Hazlitt
Open in WeRead

Explore more books like this:

Encyclopedias/Dictionaries/Reference

About This Book

This reference volume furnishes a systematic index to Hazlitt's collected essays and papers, chiefly listing names of real and imaginary persons, places, and subjects, together with a curated list of quotations. Editorial notes and a preface outline compilation methods, corrections, and addenda discovered during preparation, explain filing conventions for characters and quotations, and note deliberate omissions to limit length. Cross-references and corrigenda aim to help readers locate writings and variant attributions across the collected volumes.

O.

  • O——, Mr, xi. 387.
  • Oak and the Briar, The (Spenser’s), v. 98.
  • Oakhampton Castle (Wilson’s), xi. 199.
  • Oates, Titus, ii. 143.
  • Oath of the Horatii (David’s), ix. 134.
  • Oberon (in Shakespeare’s Midsummer Night’s Dream), i. 245 et seq.
  • Ober Wesel, xi. 363.
  • Obligations, On the Spirit of, vii. 78.
  • O’Bryan, Mr, ii. 173, 174.
  • Observations on Judge Eyre’s Charge to the Jury in 1794 (Godwin’s), x. 399.
  • Observer, The, ix. 287; x. 220.
  • Occasion (Spenser’s), x. 245.
  • Occasional Conformity Bill, The, x. 377.
  • Occleve, Thomas, v. 34.
  • Oceana (Harrington’s), iii. 122.
  • Oceanus (Æschylus’s Prometheus), x. 93.
  • O’Coigly, James, ii. 429.
  • O’Connell, Daniel, xii. 214.
  • O’Connor, Arthur, ii. 174, 186, 190, 196, 431.
  • —— Roger, ii. 190.
  • Octavia (in Shakespeare’s Antony and Cleopatra), i. 229; viii. 192.
  • Octavian (in The Mountaineers), viii. 239, 241.
  • Ode on Chatterton (Coleridge’s), iv. 215.
  • —— to Departing Year (Coleridge’s), v. 377; xii. 268.
  • —— to Eton College (Gray’s), v. 118; vii. 74.
  • —— to Evening (Collins), v. 116, 374.
  • —— to Fear (Collins), v. 116, 374.
  • —— to Indifference (Mrs Greville’s), viii. 216.
  • —— to the Memory of Sir Lucius Cary and Sir H. Morrison (Ben Jonson’s), v. 306.
  • —— to Naples, The (Shelley’s), x. 267.
  • —— on the Passions (Collins), v. 116, 374.
  • —— on the Poetical Character (Collins’s), v. 116, 126, 374.
  • —— on the Progress of Life (Wordsworth’s), i. 250.
  • —— on St Cecilia (Dryden’s), v. 81.
  • Odes and Inscriptions (Southey’s), v. 164.
  • Odeon, The (theatre), ix. 154.
  • Odry, Jacques Charles, ix. 153.
  • Odyssey (Homer’s), i. 71 n.; v. 14, 66; viii. 20; x. 12; xi. 236, 452; xii. 168.
  • Œdipus (Æschylus), x. 96.
  • —— (Lee’s), v. 357; vii. 298.
  • —— (Corneille’s), ix. 154, 193.
  • O’Fin (in Amory’s John Buncle), i. 54.
  • Ogygia (in Spenser), viii. 241; (Homer’s), x. 12.
  • Ohio, iv. 337; vi. 53.
  • O’Keefe (in Amory’s John Buncle), i. 54; iii. 142.
  • O’Keeffe, John, vi. 417; viii. 166, 319, 400, 416, 534; xi. 364, 383.
  • Old Actors, Some of the, xi. 366.
  • —— Age (Cicero’s), iv. 384.
  • —— —— (Holcroft’s), ii. 87.
  • —— —— of Artists, On the, vii. 88.
  • —— Bachelor, The (Congreve’s), viii. 72.
  • —— Bailey, The, ii. 99, 151, 199; vii. 339.
  • —— Clothes to Sell (a song in Holcroft’s Old Clothesman), ii. 177.
  • —— Clothesman, The (Holcroft’s), ii. 163, 170, 173, 195, 222, 225, 226.
  • —— Customs, viii. 327.
  • —— Double (in Shakespeare’s Henry IV.), i. 64, 283; viii. 33, 35.
  • —— English Baron, The (Mrs Radcliffe’s), viii. 127.
  • —— —— Writers and Speakers, vii. 311.
  • —— Fortunatus (Dekker’s), v. 234.
  • —— Jewry, Chapel in the, vi. 367.
  • —— Masters, The, x. 196.
  • —— Mortality (Scott’s), iv. 243 n., 247; vi. 425; xi. 459, 532, 537.
  • —— Mother W. (? Hogarth’s), xii. 364.
  • —— Nosy (in Dibdin’s Past Ten o’clock), xi. 393.
  • —— Project (in Reynolds’s What’s a Man of Fashion?), viii. 262.
  • —— Sarum, Sonnet to (Southey’s), iii. 203.
  • Old Sarum (town), iii. 110, 414; iv. 263.
  • —— Soldier (Opie’s), ii. 228.
  • —— Testament, The, v. 17, 183; x. 62.
  • —— Times (a newspaper), iii. 194.
  • —— Woman, xii. 321.
  • Oldenburgh, Duchess of, iii. 308.
  • Oldfield, Mrs, i. 8, 157; viii. 90, 96, 160.
  • Oldmixon, John, x. 368 n., 370, 371.
  • Oliver, Tom, vi. 40.
  • —— (in Shakespeare’s As You Like It), i. 341.
  • —— (in L. Bonaparte’s Charlemagne), xi. 232.
  • —— (a Government Spy), iii. 232, 234, 240, 261, 280.
  • Olivia (in Holcroft’s Hugh Trevor), ii. 137.
  • —— (in Holcroft’s The Man of Ten Thousand), ii. 160.
  • —— (in Wycherley’s Plain Dealer), viii. 14, 78, 86.
  • —— (in Shakespeare’s Twelfth Night), i. 315, 318; viii. 32, 37.
  • Ollapod (in Colman’s The Poor Gentleman), xi. 376.
  • Olympian Jupiter, The, ix. 466.
  • Olympic Games (Barry’s), ix. 421; x. 199.
  • —— Theatre, The, vi. 81; viii. 461, 462, 472.
  • Olympus, i. 34, 71; ix. 324, 325; x. 7.
  • Omai, portrait of (by Northcote), vi. 402.
  • One Man’s Profit is Another’s Loss (Montaigne’s), viii. 94 n.
  • O’Neill, Miss, i. 156; v. 355; viii. 177, 210, 211, 223, 256, 261–3, 273, 284, 288, 291, 309, 310, 347, 350, 391–4, 397–8, 465, 478, 524, 528, 537, 538; ix. 147; xi. 304, 367, 403, 407, 410.
  • O’Neill, Miss, as Belvidera, viii. 261, 513.
  • —— —— as Constance, viii. 513.
  • —— —— as Mrs Oakley, viii. 530.
  • —— —— as Elwina, viii. 256.
  • —— —— as Juliet, viii. 198.
  • —— —— as Lady Teazle, viii. 291.
  • —— —— as Widow Cheerly, xi. 297.
  • Onslow, Arthur, xii. 370.
  • Opera, The, xi. 426.
  • Opera, The Company at the, xi. 369.
  • —— New English, viii. 314, 320, 329.
  • —— House, The, ii. 90, 193; viii. 465.
  • Ophelia (in Shakespeare’s Hamlet), i. 105, 232, 293 n.; iii. 122; v. 49, 261; viii. 188, 209, 478 n.; ix. 145; x. 116; xi. 295, 395, 451; xii. 144.
  • Opie, John, i. 149; ii. 169, 172, 174–6, 178, 180, 184, 189, 196, 198, 208–9, 223–6, 228, 230, 398; vi. 10, 79 n., 296, 343, 351, 390, 411, 433, 436, 462; vii. 109, 274, 305; ix. 225, 403; xi. 218.
  • —— Mrs, ii. 169, 226, 231; viii. 268.
  • Opposition and The Courier, iii. 240.
  • O.P. Row, viii. 357; xi. 372; xii. 39, 297.
  • Ops (a heathen god), vii. 255.
  • Orange, House of, vii. 322; ix. 42.
  • —— the Prince of, iii. 284; vi. 221; x. 370, 372.
  • —— Court, ii. 1, 2.
  • Oratorios, The, viii. 296.
  • Orcagna, Andrea, ix. 354.
  • Ordonio (in Coleridge’s Remorse), vi. 314; viii. 421.
  • Orestes (Æschylus), x. 93.
  • —— (Phillips’ The Distressed Mother), viii. 334.
  • Orford, Lord, vi. 461.
  • Orgagna, the Giant (Ariosto’s), ix. 239.
  • Orger, Mrs Mary Ann, viii. 246, 279, 355, 358, 536; ix. 151.
  • Orgon (Molière’s Tartuffe), viii. 29, 246; ix. 151; x. 108; xi. 354.
  • Oriana (in Dimond’s Conquest of Torento), viii. 368.
  • Orient (a ship), ii. 214.
  • Originality, ix. 423.
  • Orinda (in Farquhar’s Inconstant), i. 154.
  • Orion (N. Poussin’s), vi. 169, 170.
  • Orkneys, The, xi. 532, 533.
  • Orlando (in Shakespeare’s As You Like It), i. 339; iii. 297; viii. 252.
  • —— (in L. Bonaparte’s Charlemagne), xi. 232, 235.
  • —— (in Dekker’s Honest Whore), v. 235, 237, 240.
  • —— Amoroso (Bayardo’s), x. 69.
  • —— Furioso (Ariosto’s), x. 14, 70, 71, 85.
  • Orleans Gallery, The, i. 78; vi. 14; ix. 9, 11, 31, 33 and n., 422.
  • Ormond, The Duke of, vi. 345.
  • Ormskirk, ii. 167.
  • Ornamental Gardening, Treatise on (Thomas Whately’s), i. 171.
  • Oroondates, The (in La Calprenède’s Cassandra), xii. 61.
  • Oroonoko; or, The Royal Slave (Southerne’s), xi. 301;
    • also referred to in i. 300; v. 359; vii. 70; viii. 537.
  • Orosman (Voltaire’s), x. 111; xi. 282.
  • Orphan, The (Otway’s), v. 355; viii. 263.
  • Orpheus, vii. 14.
  • —— (by Barry), ix. 420.
  • —— (by Dance), vi. 442.
  • —— and Eurydice (Drolling’s), ix. 137 n.
  • Orr, William, iii. 237.
  • Orsin (Butler’s Hudibras), viii. 65.
  • Orsini, xi. 443.
  • Orson (in Valentine and Orson), v. 361; vii. 215.
  • Orton, Rev. Job, vii. 316, 317.
  • Orville, Lord, xii. 65.
  • Osborn, the bookseller, x. 221.
  • Osborne (in Holcroft), ii. 262, 263, 264, 265.
  • Osmond, Mr, ii. 205.
  • Osmyn, Mr, x. 204.
  • Ossian, i. 155; v. 15, 18; vi. 197 n.; vii. 6; xi. 235; xii. 165.
  • Ostade, Adriaen Jazoon van, ix. 20, 26, 35, 60.
  • Ostend, ix. 198.
  • Othello (Shakespeare’s), i. 200; i. 16, 179, 180, 186, 259, 293, 300, 393; ii. 59, 71, 178, 301, 391; iii. 168, 312; v. 5, 52, 55, 145, 188; vi. 274, 409, 456; vii. 137 n., 206, 282, 343, 344, 371; viii. 31, 131, 177, 185, 190, 207–10, 214, 216–9, 221, 223, 227, 234, 249, 271, 356, 357, 385, 390, 414, 444, 458, 472, 513, 528, 534, 560; ix. 80; x. 82, 111, 117, 156; xi. 276, 283, 291, 294, 308, 350, 351, 352, 362, 366, 368, 389, 405, 499; xii. 318, 366.
  • Othman (in Southerne’s Oroonoko), xi. 302.
  • Otho, vi. 298.
  • Othryadas erecting the Trophy (statue), ix. 166.
  • —— wounded (Heral’s), ix. 166.
  • Otway, Thomas, i. 157; v. 181, 354, 355; vi. 49; vii. 362; viii. 69, 263, 284; ix. 152; x. 17, 118, 205, 243; xi. 402, 435; xii. 35, 67, 121.
  • Ovando (a Spanish Grandee), iii. 290 n.
  • Overbury, Sir Thomas, v. 99, 141.
  • Ovid, iv. 101; v. 79, 186; vi. 217 n.; viii. 94; x. 257.
  • —— (translated by A. Golding), v. 399
  • —— in Hexameters (translation by Voss), ii. 229.
  • Owen, Robert, iii. 121, 169, 172, 229, 359; iv. 198; vi. 66, 67; vii. 129; xii. 275, 413.
  • Owen, Mr (a farmer), ii. 167.
  • Owen Glendower (in Shakespeare’s Henry IV.), i. 284.
  • Oxberry, William, i. 159 n.; viii. 228, 245, 246, 258, 260, 264, 274, 311, 369, 392, 426, 436, 487 et seq., 504–6, 508, 511, 536; xi. 303, 396.
  • Oxendon Street, Haymarket, ii. 280.
  • Oxford, i. 84; ii. 137; iii. 399, 408, 411, 416; v. 273; vi. 75, 188; vii. 42; viii. 319; ix. 46, 69, 98, 144 n., 232; xi. 309; xii. 351.
  • —— Earl of, ii. 370; x. 358.
  • —— Road (London), ii. 88, 182.
  • —— Scholar, The (in Chaucer), v. 22.
  • —— Street, ii. 199; iii. 239; v. 102; vi. 431, 437; ix. 158.
  • —— and Blenheim, Pictures at, ix. 69.