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An index to the collected works of William Hazlitt cover

An index to the collected works of William Hazlitt

Chapter 21: P.
By William Hazlitt
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About This Book

This reference volume furnishes a systematic index to Hazlitt's collected essays and papers, chiefly listing names of real and imaginary persons, places, and subjects, together with a curated list of quotations. Editorial notes and a preface outline compilation methods, corrections, and addenda discovered during preparation, explain filing conventions for characters and quotations, and note deliberate omissions to limit length. Cross-references and corrigenda aim to help readers locate writings and variant attributions across the collected volumes.

P.

  • P—— Mr. See Patmore, Peter George.
  • P—— Lady F., vi. 401.
  • P—tt—n (? Pitton), xi. 309.
  • Padua, ix. 264, 266, 275.
  • Paddington, iv. 108.
  • Paer, Mr, viii. 540.
  • Pæstum, ix. 255.
  • Paine, Howard, viii. 439.
  • —— Thomas, iii. 143, 169, 300; iv. 128, 201, 334, 335, 336, 340, 341; vi. 51, 52, 57, 58, 338, 391; vii. 275 n.; xi. 458, 472 n.; xii. 266, 306, 346.
  • Pains of Sleep, The (Coleridge’s), x. 417.
  • Painter, Edward, vi. 40.
  • —— (Crabbe’s), iv. 353.
  • Painting, Essay on (Richardson’s), xi. 208 n.
  • —— in Italy, History of (Stendhal’s), x. 403.
  • Painting, On the Grand and Familiar Style of, viii. 133.
  • Palace of Ice, Empress of Russia’s, v. 92.
  • Palais aux Cerfs, i. 388.
  • —— Royal, The, i. 133; ix. 128; xii. 25.
  • Palamon and Arcite (Chaucer’s), i. 332; v. 21, 82; x. 69;
    • (Fletcher’s), v. 258, 261.
  • Palanza (a town), ix. 278.
  • Palarini (actress), vii. 338; ix. 278.
  • Palemon and Lavinia (Thomson’s), v. 90.
  • Paley, Dr William, iii. 276; iv. 116 n., 166 n., 201, 277, 283, 333, 373; vi. 199; xi. 336; xii. 267, 358.
  • Palinzi (a town), viii. 126.
  • Palisseau (a town), ix. 179.
  • Palladio, ix. 266, 269, 274; xi. 456 n.
  • Pallas, vii. 268.
  • Pallavicini, Cardinal Sforza, x. 301 n.
  • Pall Mall, ii. 280; vi. 435; vii. 212, 232; ix. 43; xi. 184; xii. 215.
  • Palma, Jacopo Vecchio, ix. 35.
  • Palmer, The (John Heywood’s Four P’s), v. 274, 276.
  • —— Bob, vii. 127; viii. 229, 388.
  • —— Fyshe, x. 229.
  • —— Jack, viii. 81, 199, 251, 300, 388; xi. 367, 393.
  • —— Thomas (jun.), ii. 198.
  • Palmerins of England, The, xii. 62.
  • Palmyra, vii. 185; ix. 256; xi. 495.
  • Pamela (Richardson’s), ii. 281; iii. 49; vi. 236, 380; vii. 227; ix. 64; x. 37, 38; xii. 63, 226, 328.
  • Pan, i. 239; iv. 217; v. 192, 201; vi. 319.
  • —— (The Elgin), ix. 340.
  • —— (in Fletcher’s Faithful Shepherdess), v. 255.
  • —— Head of, xi. 228.
  • Pancras Churchyard, x. 221.
  • Pandarus (Shakespeare’s Troilus and Cressida), i. 221; viii. 326; xi. 295 et seq.
  • Pandemonium (in Milton’s Paradise Lost), v. 65, 318 n.; xi. 506.
  • Pandora (Barry’s), ix. 421, 422.
  • Pangs of Conscience. See The Ravens (Pocock’s).
  • Pannel (J. P. Kemble’s), viii. 537; xi. 303, 305.
  • —— The, and The Ravens, xi. 303.
  • Panopticon (Bentham’s), iv. 197; vii. 129, 240, 247, 249; viii. 411.
  • Pantagruel (Rabelais), iv. 378 n.; v. 113; viii. 29.
  • Panthea (in Beaumont and Fletcher’s King and No King), v. 252.
  • Pantheon, The, ii. 276; ix. 156, 232, 235, 241; x. 296, 301.
  • Pantisocracy, Scheme of, ii. 278 n.; iii. 166, 225; x. 149 n.; xi. 513.
  • Panurge (Rabelais), v. 113.
  • Papal Palace, ix. 34.
  • Papinio (a village), ix. 259.
  • Paraclete, The, ix. 146.
  • Paradise (Dante’s), x. 63.
  • —— Lost (Milton’s), i. 22 n., 36, 39, 49, 94, 138, 164, 393; ii. 275, 368, 397 n.; iv. 190; v. 61, 63, 66, 83, 148, 315, 317, 318, 357, 371; vi. 42, 174, 176, 218, 224, 350, 380, 392; vii. 36, 41, 117, 134, 197, 227; viii. 23, 58; ix. 167, 186, 218; x. 327, 416; xi. 254, 382, 457, 464; xii. 67, 193, 207, 354, 367.
  • —— Regained (Milton’s), vii. 36, 119.
  • Paradol, Madame, ix. 154.
  • Paradox and Commonplace, On, vi. 146.
  • Parallel Passages in Various Poets, xi. 282.
  • Parasitaster; or, The Fawn (Marston’s), v. 226.
  • Paræus, Ambrose, iv. 379 n.
  • Pardoner (in John Heywood’s Four P’s), v. 274, 276.
  • Paris, i. 8, 91, 132, 133, 390, 435; ii. 21, 104–7, 109, 112–5, 130, 164, 180, 181, 188, 192, 232, 235, 267–8, 280 n.; iii. 54, 56, 61, 97, 98, 119, 122, 159, 183, 227, 247, 344, 408; iv. 189; v. 203; vi. 16, 303, 404, 422; vii. 96, 185, 311, 313, 314, 323, 324 n., 332; viii. 89, 97, 363, 441; ix. 27, 95, 99 n., 100, 102, 103–6, 118, 119, 122, 133 n., 142, 145, 147, 155, 174, 177, 182, 183, 186, 192, 196, 203, 206 n., 207, 212, 214, 244, 246, 252, 254, 274, 355, 365, 417, 491; x. 67, 303, 329; xi. 53, 184, 195, 196, 240, 242, 246, 333, 345 n., 352, 353, 371, 389, 391; xii. 19, 23, 24, 146, 169, 225, 226, 314, 458.
  • —— (the man), i. 416.
  • —— (Vandyke, portrait), xii. 36.
  • —— (in Shakespeare’s Romeo and Juliet), viii. 199.
  • Parish Register (Crabbe’s), xi. 605 n.
  • Parismus and Parismenos, history of (E. Ford’s), ii. 2, 4.
  • Park, The, ii. 211.
  • Parkes, Joseph. See Toms, Jo.
  • Parkgate, ii. 64.
  • Parkinson, James (sen.), ii. 212.
  • —— Joseph (jun.), ii. 212.
  • Park Lane, xii. 132.
  • Parliament, The Long, iv. 83 n.
  • Parliamentary Report on the Criminal Laws. See Criminal Law, Parliamentary Report on.
  • —— Eloquence, Present state of, xi. 464.
  • —— Register (Debrett’s), ii. 186.
  • Parma, vi. 384, 415; vii. 126; ix. 197, 199, 201, 202, 205, 409; x. 192; xii. 38.
  • Parmegiano Francesco Mazzuola, ix. 11, 41, 43, 51, 226, 355; ix. 543.
  • Parmentier, James, ix. 167.
  • Parnassus, vi. 209; vii. 90; xi. 346, 423.
  • —— (Raphael’s), ix. 365.
  • Parnell, Thos., iv. 365; v. 104, 373.
  • Parolles (in Shakespeare’s All’s Well that Ends Well), i. 293; iii. 86, 437; v. 252; vi. 291.
  • Parr, Dr Samuel, i. 425 n.; ii. 196; iii. 255; iv. 211, 233, 337; vi. 53, 73, 354.
  • Parrhasius (The Prince of Painters), i. 162; vii. 61.
  • Par-ris and Lutetia (Rabelais’ etymology of), ix. 155.
  • Parry James (junr.), ii. 182, 193, 196, 198, 225.
  • —— Dr John, ii. 173, 182, 192, 193, 195, 196, 198, 228.
  • —— Sir William Edward, iv. 207; ix. 138.
  • Parson Adams (in Fielding’s Joseph Andrews), i. 12, 80, 121; iii. 282; iv. 246, 367; vi. 215, 457; vii. 84, 223, 368; viii. 12, 107, 112, 115, 152, 158, 553; x. 27, 33, 34; xi. 378, 435; xii. 64, 76.
  • —— Supple, xi. 487.
  • —— Trulliber (Eachards’s Contempt of Clergy), viii. 107; x. 27.
  • Parsons, Wm., i. 155; ii. 111; viii. 230, 278, 388; xi. 367; xii. 24.
  • Parthenon, The, ix. 28, 325, 492; xi. 495.
  • Partisanship, On the Spirit of, xi. 521.
  • Partridge (in Fielding’s Joseph Andrews), viii. 112, 113, 116; x. 31, 35.
  • —— Mrs, viii. 113.
  • Party Spirit, On, xii. 402.
  • Pascal, Blaise, i. 410; vii. 311; xii. 169.
  • Pass of Thermopylæ (David’s), ix. 134.
  • Passeri, Giovanni Battista, x. 296, 305.
  • Passionate Madman; or, Nice Valour (Beaumont and Fletcher), v. 295.
  • —— Pilgrim, The (Shakespeare’s), i. 360.
  • Past and Future, On the, vi. 21.
  • —— Ten o’clock (Dibdin’s), xi. 392.
  • Pasta, Madame, ix. 175 n.; xi. 300, 352, 372, 382, 383; xii. 307, 366, 384.
  • —— —— and Mlle. Mars, vii. 324.
  • Pastoral Ballad (Shenstone’s), v. 119; vi. 224.
  • Pastorals (Brown’s), v. 315.
  • —— (Gay’s), v. 107.
  • —— (Ambrose Phillips), v. 374.
  • Pastorella (Spenser’s), v. 43.
  • Patent Seasons (Arnold’s), viii. 476.
  • Paternoster Row, ii. 172, 204; iii. 157; xii. 344.
  • Patie and Peggy (Allan Ramsay’s Gentle Shepherd), ii. 78.
  • Patmore, Peter George (P—— Mr), vi. 371–3; x. 404, 406.
  • Paton, Miss I., xi. 387.
  • Patrick’s Return (a ballet), viii. 353.
  • Patriotism, On (a Fragment), i. 67.
  • Patroclus (Shakespeare’s Troilus and Cressida), i. 227; v. 54.
  • Patronage and Puffing, On, vi. 289.
  • Pattison, William, v. 122.
  • Patu, Claude Pierre, i. 66 n.
  • Paul, St., i. 145; iii. 272; iv. 162; vi. 448; vii. 216; x. 128.
  • —— Czar, ii. 246.
  • —— before Felix (Hogarth’s), viii. 146.
  • —— III. (Titian’s), vi. 340, 385.
  • —— Clifford (Bulwer’s), xii. 130.
  • —— and Virginia (Bernardin de St Pièrre’s), vi. 186, 442; viii. 372; xii. 268, 364.
  • Paulo (in Leigh Hunt’s Rimini), x. 409.
  • Pavilion, The, at Brighton, ix. 90.
  • Payne’s Araglade Family, viii. 279; xi. 304.
  • Pays de Vaud, The, vi. 186; vii. 304; ix. 284, 288.
  • Peachum, Mr and Mrs (in Gay’s Beggar’s Opera), i. 66, 94, 142; iii. 68, 142, 163, 233; v. 108; vi. 288, 314; viii. 194, 255, 256; xi. 374; xii. 355.
  • Peacock, Thomas Love, vii. 186, 495.
  • —— Inn, The, at Parma, ix. 201.
  • Peake, Richard Brinsley, xi. 369, 370.
  • Pearman, William, viii. 464.
  • Peasant Family going to Market (Rubens’s), ix. 387.
  • Peasants going to Market (Burnett’s), xi. 247.
  • Pease-Blossom (Shakespeare’s Midsummer Night’s Dream), i. 61; viii. 275.
  • Peavor (a village), ii. 167.
  • Pedantry, On, i. 80, 84; also referred to in i. 382; xii. 320.
  • Pedlar (in John Heywood’s Four P’s), v. 274, 276.
  • Pedrillo (in O’Keeffe’s Castle of Andalusia), viii. 330.
  • Peel, Sir Robert, iv. 250; vi. 89; vii. 186; xi. 473; xii. 275.
  • Peel’s Coffee-house, xii. 165 n.
  • Peeping Tom, ii. 11; vi. 417; xi. 387.
  • Peg (Congreve’s), viii. 74.
  • Pegasus, v. 63.
  • Peggy, Miss (in Wycherley’s Country Wife), viii. 15, 76, 77, 554; xi. 274, 276, 290.
  • Pegu, iv. 189.
  • Pekin, ii. 269; vi. 73.
  • Pelaez, Martin, xi. 329.
  • Pelissie, Monsieur, xi. 366.
  • Pellegrini, Félix, ix. 174.
  • Pellew, Sir Edward, vi. 447.
  • Pelliams, The, iii. 389, 412.
  • Pembroke, Anne, Countess of, v. 148.
  • —— Earl of, ix. 71; x. 335.
  • —— Lord and Lady, ix. 58.
  • —— Family, The, vi. 14; ix. 58.
  • —— —— (Vandyke’s), ix. 473 n.
  • Pembrokeshire, iii. 411.
  • Pendragon, x. 56.
  • Penelope (Cimarosa’s), viii. 537.
  • —— and the Dansomanie, xi. 299.
  • Penitent, The Fair (Rowe’s), viii. 287.
  • Penitent Girl (Haydon’s), x. 201.
  • Penitentiary, i. 139; vii. 249.
  • Penkethman, William, i. 8, 157; viii. 160.
  • Penley, S., viii. 250, 264, 280, 302, 403, 427, 465, 525.
  • Pennant, Thomas, ii. 170, 172.
  • —— Mr, vii. 69.
  • Pennick, Dr, vi. 390.
  • Penny, Edward, ix. 422.
  • Penrith, ii. 78; v. 148.
  • Penrose, Thomas, v. 122.
  • Penruddock (in Cumberland’s Wheel of Fortune), viii. 376; xi. 205, 206.
  • Penshurst, vi. 354.
  • Pension Suisse, The, at Turin, ix. 196.
  • —— de l’Univers (an inn), ix. 133 n.
  • Penson, Mrs W., viii. 315.
  • Pentland Hills, The, ii. 314; ix. 98.
  • People with One Idea, On, vi. 59.
  • —— What is the, iii. 283, 292.
  • —— of Sense, On, vii. 242.
  • Percival, The Knight (in Merlin the Enchanter), x. 21.
  • Percy (Miss Hannah More), viii. 256, 258.
  • —— (in Shakespeare’s Richard II.), i. 276; xi. 192.
  • —— Thomas, vii. 252.
  • Percys, The, x. 172.
  • Perdita (in Shakespeare’s Winter’s Tale), i. 35, 106, 176; vii. 327; viii. 74, 354; x. 116; xi. 296; xii. 339.
  • Père la Chaise, Cemetery of, vii. 369; ix. 145, 146, 161.
  • Peregrine (in Jonson’s Volpone), viii. 43.
  • Peregrine Paragon (in Kenney’s The World), viii. 369.
  • —— Pickle (Smollett’s), i. 47; vii. 221, 303; viii. 117; ix. 64; x. 35; xi. 274, 441; xii. 41.
  • Perfect Love (Liber Amoris), ii. 322.
  • Pericles, viii. 335; x. 248, 337, 346.
  • Pericles (Shakespeare’s), ix. 27; x. 117.
  • Perillus’s Bull (Dryden’s), iii. 159.
  • Periodical Essayists, On the, vii. 226; viii. 91.
  • —— Press, The, x. 202, 212.
  • Perkin Warbeck (Ford’s), v. 270.
  • Perlet, Monsieur, xi. 352, 355–6, 366, 379, 380, 383.
  • Perouse, John Francis Galoup de, ii. 192.
  • Perron, Cardinal du, xi. 289.
  • Perry, James, ii. 89, 171, 172, 224, 424; vi. 292, 293, 294 n.; viii. 175; ix. 315; x. 214, 215, 424.
  • Perry, Mrs, ii. 224.
  • Persecution, Parable against (Franklin’s), x. 314.
  • Perseus (Cellini’s), ix. 219; xii. 209.
  • —— and Andromeda (Guido’s), ix. 41.
  • Persia, iv. 77.
  • Persian Letters, The (Lord Lyttelton’s), viii. 104.
  • Personal Identity, On, xii. 198.
  • —— Politics, xii. 456.
  • Personification of Musical Instruments (Addison’s), i. 9; viii. 98.
  • Persons one would wish to have seen, Of, xii. 26.
  • Pertinax, Surly (Ben Jonson’s Alchemist), xi. 171.
  • Peru, i. 95.
  • —— The Mines of, xii. 149.
  • —— Mr (fives player), vi. 88.
  • Perugia, ix. 211, 228, 260, 262, 302.
  • Perugino, Pietro, vi. 347; ix. 262.
  • Pesaroni, Madame, xii. 366.
  • Peschiera, Fortress of, ix. 277.
  • Peter Aretine, Profile of (Titian’s), vii. 96.
  • —— Bell (Wordsworth’s), xi. 497; xii. 270, 271.
  • —— the Great, ii. 246; iii. 308; vi. 429.
  • —— the Hermit, iv. 226.
  • —— Grimes (in Crabbe), xi. 606.
  • Peter Pastoral (in Teasing made Easy), viii. 468.
  • —— Peebles (in Scott’s Redgauntlet), vii. 319; xii. 91.
  • —— Pickthank (? nom de plume used by Hazlitt), xi. 577.
  • —— Pounce (in Fielding’s Joseph Andrews), vi. 215; vii. 363.
  • Peterborough, ii. 9; ix. 63.
  • —— Cathedral, xii. 156.
  • —— Court, vi. 415.
  • Petersham, ii. 263.
  • Petion, Jérôme, ii. 177.
  • Petit-André (Scott’s Quentin Durward), iv. 251.
  • Peto (Shakespeare’s Henry IV.), viii. 33.
  • Petrarch, i. 45; v. 19, 30, 186, 299, 301–302; vi. 175, 280; ix. 262; x. 45, 55, 63, 67; xi. 273, 423, 493; xii. 30, 165.
  • Petruchio (Shakespeare’s Taming of the Shrew), v. 239.
  • Petulant (Congreve’s Way of the World), v. 231; viii. 73, 76.
  • Petworth, ix. 61.
  • Peveril of the Peak (Scott’s), xi. 537; iv. 248; ix. 279; xii. 286.
  • Phædra, The (Euripides), x. 97.
  • —— (Racine’s), x. 97, 106.
  • Phædra and Hippolitus (Guérin’s), ix. 122, 134.
  • Phæton (Wilson’s), ix. 392; xi. 198.
  • Pharaoh’s Daughter (Hogarth’s), viii. 146.
  • Pharsalia (Lucan), xii. 166.
  • Phelim Connar, Epistle from (Fudge Family in Paris), iii. 315.
  • Phidias, vi. 74, 414; ix. 28, 165, 379, 430, 466, 490–2; x. 341, 343, 344, 346, 348, 350.
  • Philadelphia, ii. 205; viii. 473.
  • Philarete (Brown’s), v. 315.
  • Philaster, or Love lies a Bleeding (Beaumont and Fletcher’s), v. 262, 296.
  • Philemon, x. 100.
  • Philia Borzo (Marlowe’s Jew of Malta), v. 210.
  • Philinte (in Molière’s Misanthrope), ix. 150.
  • Philip IV. of Spain (Velazquez), ix. 25.
  • Philips, Ambrose, i. 56; viii. 334.
  • —— John, v. 373; x. 369.
  • —— Sir Robert, iii. 395.
  • —— Thomas, viii. 226, 465.
  • Phillip II. (in Schiller’s Don Carlos), ii. 178.
  • Phillips, Charles, iv. 319, 323; xi. 472 n.
  • —— Edward (Ned P——), vii. 37; xii. 476.
  • —— Sir Richard, ii. 177, 234; iii. 221; vi. 362, 418; xi. 556; xii. 224.
  • —— (an auctioneer), ii. 221, 224, 225, 226, 228.
  • Philipses, Lives of (Godwin’s), x. 369, 399.
  • Phillis (Steele’s Conscious Lovers), viii. 158.
  • Philoctetes (Barry’s), ix. 419.
  • —— (Racine’s), ix. 154.
  • —— (Sophocles), v. 14.
  • Philomel, v. 104.
  • Philosophical Necessity, Doctrine of, xi. 277.
  • Philosophy, Lectures on (Hazlitt’s), xi. p. ix.
  • —— of Rhetoric (Campbell’s), viii. 62.
  • Phœbe Dawson (Crabbe’s), iv. 353.
  • —— (in Rosina), viii. 527.
  • Phœbus (Milton’s), i. 32.
  • Photinus (in Beaumont and Fletcher’s False One), v. 253.
  • Photius, x. 15.
  • Phrenologists, Society of, vii. 156 n.
  • Phrygian Shepherds (in Lyly’s Midas), v. 199.
  • Physiognomical System (Drs Gall and Spurzheim), vii. 18, 19.
  • Physiology of the Brain (Spurzheim’s), vii. 17.
  • Piazza Coffee House, The, xii. 140 n.
  • —— di Spagna, The, at Rome, ix. 229 n.
  • Piccadilly, ii. 227; iii. 448; vii. 211; xii. 239, 240, 277.
  • Pichegru, General, x. 250.
  • Pic-Nic, The (a newspaper), xii. 276 n.
  • Picture, The (Massinger’s), v. 266.
  • Picture Galleries in England, Sketches of the Principal, ix. 1.
  • Pictures at Burleigh House, ix. 62.
  • —— at Hampton Court, The, ix. 42.
  • —— at Oxford and Blenheim, ix. 69.
  • —— at Wilton, Stourhead, etc., ix. 55.
  • —— at Windsor Castle, The, ix. 36.
  • Picturesque and Ideal, On the, vi. 317
  • Pie de Lupo, The (a mountain), ix. 259.
  • —— Voleuse, The (French play), xi. 381.
  • Pierre (in Otway’s Venice Preserved), i. 155; ii. 59; v. 354, 355; vi. 329; viii. 262, 378, 459; xi. 402, 407, 480.
  • —— Cardinal, x. 55.
  • —— Vidal, x. 55.
  • Pietra Mala (a town), ix. 209.
  • Pig and Gridiron, viii. 475.
  • Pigeons and Crows (a play), viii. 467, 469.
  • Pigott, Jack, xii. 2, 13, 14, 15.
  • Pigwiggin the Younger (in Pigeons and Crows), viii. 469.
  • Pilgrims and the Peas, The (by Peter Pindar), viii. 168.
  • Pilgrim’s Progress, The (Bunyan’s), i. 57 n.; ii. 155; iv. 337; v. 13, 14, 43; vi. 54, 413; ix. 133 n., 229; x. 24, 74; xii. 33, 236.
  • Pilnitz, iii. 61; xi. 196.
  • Pilot, The (Fenimore Cooper’s), vi. 385, 386; x. 313.
  • Pinch, Richard, vii. 71, 72.
  • Pinchwife; or, Moody (in Garrick’s adaptation of Wycherley’s Country Wife), vi. 68; viii. 76, 77; xi. 277.
  • Pindar, iv. 271.
  • —— Peter (Dr John Walcot), xii. 348;
    • also referred to in vi. 79 n., 213, 343, 423; vii. 41; viii. 168; xi. 550, 590; xii. 350.
  • —— —— Address to (Gifford’s), iv. 309.
  • Pindaric Odes (Gray’s), v. 118.
  • Pinkerton, John, ii. 177, 181, 182, 184, 187, 192.
  • Pinnarius Natta (in Jonson’s Sejanus), v. 263.
  • Pinner of Wakefield, The; or, George-a-Greene (by Robert Greene), v. 289, 294.
  • Piombo, Sebastian del, ix. 10, 43, 112; xi. 238.
  • Pipino (in Thompson’s Dumb Savoyard), xi. 364.
  • Pippini, Signor, ix. 229.
  • Piranesi, Giambattista, x. 190.
  • Pirate, The (Scott’s), xi. 531.
  • Pirithous, vii. 253; xii. 19.
  • Pisa, iv. 217; vii. 282; ix. 246, 302, 409; x. 354; xii. 274 n., 347.
  • Pisander (in Massinger’s Bondman), v. 266.
  • Pisani Palace, The, ix. 269.
  • Pisanio (in Shakespeare’s Cymbeline), xi. 291, 292.
  • Piscatory Eclogues (Sannazarius’s), v. 98.
  • Pistol (in Shakespeare’s 2nd Henry IV.), ii. 255; vi. 229, 246; vii. 277; viii. 33.
  • Pitcairne, Dr, ii. 174, 175, 193, 194, 195.
  • —— Pitcairn’s Island, viii. 529.
  • Pitt, William (younger), i. 379, 383, 397; ii. 158, 178, 200, 223–6, 375; iii. 14–5, 18 n., 60–1, 96–9, 131 n., 328 n., 339, 344, 346, 350, 389, 391, 406–7, 412, 413, 418, 423, 461, 466; iv. 233, 237, 333; vi. 34, 109; vii. 100, 200, 269, 273; viii. 17; x. 213, 232; xi. 196, 257, 436; xii. 50, 94, 206, 274, 289, 293.
  • Pitt, Character of the Late Mr, i. 125; iii. 346.
  • —— Finance, Sinking Fund, xi. p. vii.
  • Pitt (poet), v. 122.
  • Pitti Palace, ix. 212, 220, 221, 224, 225, 226, 366.
  • Pitton (a village), xi. 309.
  • Pizarro (Sheridan’s), v. 360; viii. 468; xii. 346.
  • Place, Francis, iii. 39; vii. 186, 271, 382; xi. 556.
  • —— Vendôme, The, ix. 157.
  • Placentia, ix. 199.
  • Plague, History of the (Defoe’s), x. 382.
  • —— of Athens (Poussin’s), ix. 201 n., 384.
  • —— of London, vii. 69.
  • —— of Milan, The (modern painting), ix. 239.
  • Plain Dealer (Wycherley’s), viii. 14, 77, 78, 86, 506; xi. 404.
  • —— Speaker, vii. 1;
    • also referred to in vi. 2, 487; xi. 610.
  • Planche, James Robinson, xi. 388.
  • Plantagenet, House of, The, viii. 181.
  • Plantagenets, The, xii. 356.
  • Platæa, The Plain of, ix. 325.
  • Plato, i. 50, 135 n.; iii. 151; iv. 9 n., 143, 144, 217, 285; v. 3, 296, 327; vi. 198; vii. 46, 52, 246; viii. 243; x. 121, 157, 249; xii. 164, 165 n., 370.
  • Platoff, Hetman (Matvei Ivanovitch, Count Platoff), ix. 465.
  • Plausible (in Wycherley’s Plain Dealer), viii. 78.
  • Plautian Family, ix. 256.
  • Plautus, i. 353; viii. 44; x. 100.
  • Pleasure of Painting, On the, vi. 5, 13.
  • Pleasures of Hating, On the, vii. 127.
  • Pleasures of Hope (Campbell’s), ii. 413; iv. 343, 345, 346; v. 149, 375, 377; vi. 210; ix. 490.
  • —— of the Imagination (Addison’s), i. 380; (Akenside’s), v. 119, 375.
  • —— of Memory (Rogers’s), ii. 413; iv. 343; v. 148, 375; ix. 490.
  • Pletho, Gemistius, x. 145.
  • Pleydell the Counsellor (Scott’s Guy Mannering), iv. 248.
  • Pliny, vi. 241; ix. 223, 466.
  • Plotinus, iv. 217; xii. 164 n.
  • Plovers (Chantry’s), xi. 248.
  • Plume (in Farquhar’s Recruiting Officer), viii. 286.
  • Plunket, William Conyngham, Baron, iv. 319.
  • Plunkett, M.P. (Mr), xi. 472, 473, 474.
  • Plutarch (Sir Thomas North’s), i. 7, 218; v. 186; viii. 96; xi. 601.
  • Pluto and Proserpine (Titian’s), ix. 74.
  • Plutus (Aristophanes), viii. 28.
  • —— House of (in Spenser), v. 42.
  • Plymouth, ii. 85, 208, 375; iv. 189; vi. 65 n., 113 n., 351, 374, 375, 390, 418, 446; ix. 102; xi. 341, 546.
  • Po, The, iii. 181; ix. 196, 198.
  • Pocock, Robert, ii. 245.
  • Poelenburgh, Cornelis van, ix. 20, 43, 60.
  • Poems on the Naming of Places (Wordsworth’s), xii. 268.
  • Poetical Character, On the (Collins), v. 116, 126, 374.
  • —— Versatility, On, i. 151.
  • Poetry, xii. 339.
  • —— Art of (Bysshe’s), ix. 483.
  • —— of the Anti-Jacobin (by Canning and others), vii. 350; xi. 341.
  • —— in General, On, v. 1.
  • Poet’s Corner, vi. 94, 333; vii. 67, 249; ix. 156.
  • Poets, My First Acquaintance with, xii. 259.
  • Poggio, Bracciolini, vii. 61 n.
  • Poland, iii. 12, 32 n., 61 n., 68, 71, 103, 104, 107, 158, 216.
  • Polemberg, C. van. See Poelenburgh.
  • Polemon (Barry’s), ix. 421.
  • Police Bill, Mr Peel’s, iv. 250.
  • Polidori, Dr, viii. 474.
  • Polite Conversation (Swift’s), xii. 44.
  • Political Economy, Principles of (John Macculloch’s), xii. 131, 345.
  • —— —— Elements of (Mill’s), xii. 345.
  • —— Essays (Hazlitt’s), i. 426, 433, 438; iii. 463; iv. 401, 410; x. 418, 419, 420, 421; xi. p. vi, 596.
  • —— —— with Sketches of Public Characters, iii. 25, 47.
  • —— House that Jack Built (Hone’s), vii. 279 n.
  • —— Justice, Enquiry concerning (Godwin’s), iii. 122, 368; iv. 19, 65, 201–3, 289; vii. 251; viii. 132, 419; xii. 170, 281, 407.
  • —— Register, The (Cobbett’s), iii. 239, 285; iv. 340, 341, 401; vi. 56; xi. 539; xii. 7.
  • Politicians (Wilkie’s), xi. 253.
  • Polixenes (Shakespeare’s The Winter’s Tale), i. 329.
  • Polling for Votes (Hogarth’s), viii. 137; ix. 81.
  • Polly (a play), viii. 525.
  • —— (in Gay’s Beggar’s Opera), i. 65; v. 107; viii. 158, 193, 194, 195, 254, 323, 341, 470; xi. 274, 304, 317, 373, 533.
  • —— Watts (in Hook’s Diamond Ring; or, Exchange No Robbery), viii. 475.
  • Polonius (Shakespeare’s Hamlet), ii. 79, 81; v. 265; viii. 186, 189; xii. 207, 425.
  • Polydore (in Otway’s The Orphan), viii. 263, 310.
  • Poly-Olbion (Drayton’s), v. 311, 370; vii. 316; xi. 284.
  • Polyphemus (in Gay’s Acis and Galatea), vii. 103.
  • Pomfret, John, v. 373.
  • Pomona, ix. 216.
  • Pompey, ix. 373; (Shakespeare’s), i. 391
  • —— (Statue), xi. 422.
  • —— (in Beaumont and Fletcher’s False One), v. 253.
  • Pompey’s Pillar, xii. 329.
  • Poniatowski (in Lander’s Imaginary Conversations), x. 250.
  • Ponsonby, John, xi. 471.
  • Pont Beau-Voisin (a town), ix. 185.
  • —— Neuf, The, ix. 156.
  • Ponte, Jacopo da. See Bassano, Il.
  • Pontius Pilate, vii. 36.
  • Pool of Bethesda (Hogarth’s), viii. 147; xii. 367.
  • Poole, Miss, viii. 240, 244.
  • —— Tom, xii. 272.
  • Poor Gentleman, The (George Colman, the younger), viii. 319; xi. 375.
  • —— Robin (Franklin’s), x. 314.
  • —— Susan (Wordsworth’s), v. 156.
  • Pope, Lord Byron, and Mr Bowles, xi. 486.
  • —— Alexander, v. 68;
    • also referred to in i. 8, 18 n., 26, 39, 40–1, 56, 71, 80, 138, 162, 171, 176, 318, 324, 380, 399; ii. 79, 166, 199, 370, 397; iii. 46–7, 408, 416, 424; iv. 259, 277, 309, 350, 356, 359, 365; v. 8, 13, 32, 43, 45, 61, 63, 79, 88, 92, 98, 100, 104, 119, 125, 161, 369, 373, 374, 375; vi. 30, 195, 204 n., 210, 222, 223, 250, 336, 351, 359, 363, 367, 413, 414, 440, 444, 454, 464; vii. 6 n., 24, 36, 40, 93, 102, 103, 105, 124, 168, 203, 206, 209, 226, 234, 290, 303, 363, 380; viii. 14, 18, 24, 29, 30, 53, 62, 79, 93, 96, 134, 152, 158, 160, 273, 359, 401, 416, 555; ix. 37, 76, 233, 391; x. 77, 108, 134, 155, 161, 172, 204, 232, 250, 375, 416; xi. 233, 240, 256, 272, 275, 375, 430, 436, 457, 486, 606; xii. 31, 32, 50, 78, 154 n., 207, 208, 245, 251, 273, 375, 388.
  • Pope was a Poet, On the Question Whether, xi. 430.
  • —— Anecdotes of (Spence’s), vi. 30; vii. 209; xi. 498.
  • —— Alexander (actor), viii. 224, 249, 250, 264, 272, 301, 302, 403, 465; xi. 399.
  • —— Mrs Elizabeth, viii. 515.
  • —— Miss, viii. 389; xi. 367; xii. 24.
  • Popular Opinion, On the Causes of, xii. 316.
  • Population, Essay on (Malthus’s), iv. 288.
  • —— Extracts from the Essay on, with a Commentary and Notes, iv. 105.
  • —— On General Tendency of, to Excess, iv. 26.
  • —— Principle of, as affecting Schemes of Utopian Improvement, iii. 367; iv. 18.
  • —— The Principle of, whether Vice and Misery are the necessary Consequences of, and the only checks to, iv. 52.
  • —— Queries Relating to the Essay on, iii. 381.
  • Porchester, Lord, xi. 386.
  • Pordenone (Giovanni Antonio Licinio of), ix. 34, 35.
  • Porlier, General, iii. 119.
  • Porlock, x. 416.
  • Porretta, Jeronymo della, ix. 59.
  • Porridge Island, ii. 90.
  • Porson (Richard), ii. 169, 176; iv. 233; vi. 73, 199, 208; vii. 198; viii. 17; x. 214, 244; xi. 288; xii. 75.
  • Porteous (Scott’s Heart of Midlothian), iv. 248.
  • Port Royal Logic, The (Anthony Arnaud’s), xi. 289.
  • Porta di Popolo, vi. 379.
  • Portalis, Jean Étienne Marie, xi. 123.
  • Porter, Miss Jane, x. 296.
  • —— Walsh, ix. 13, 65.
  • Portia (Shakespeare’s Julius Cæsar), i. 198.
  • —— (in Shakespeare’s Merchant of Venice), i. 391; iv. 260; viii. 180.
  • Portland, Duke of (D—— P——, the), ii. 169, 216.
  • —— Place, vi. 235; ix. 158, 479.
  • Portman Square, vii. 68; ix. 158; xi. 385.
  • Portrait (by S. del Piombo), xi. 238.
  • —— of an English Lady, On a (by Vandyke), vii. 280.
  • —— of a Female (Rembrandt’s), ix. 50.
  • —— of a Lady (Maratti’s), ix. 21.
  • —— of a Man (Leonardo da Vinci’s), ix. 26.
  • —— of the Prince of the Austurias (Velasquez’s), ix. 23.
  • —— of a Youth (Gainsborough’s), xi. 202.
  • —— of a Youth (Parmegiano’s), ix. 41.
  • Portsmouth, ii. 85, 185.
  • —— Duchess of (Lely’s), ix. 38.
  • Portugal, iii. 216, 228.
  • Posa, Marquis of (in Schiller’s Don Carlos), ii. 178.
  • Possessed Boy (Domenichino’s), xii. 367.
  • Posthumous Fame, On; Whether Shakespeare was Influenced by a Love of it, i. 21.
  • Posthumus (in Shakespeare’s Cymbeline), viii. 539; xi. 291, 293.
  • Pot of Basil, The Story of the (Boccacio’s), i. 163; xi. 517.
  • Poticary, The (in Heywood’s Four P’s), v. 274, 276.
  • Potier, Charles, ix. 153.
  • Potter, Paul, ii. 187; ix. 63, 301.
  • —— Robert, xi. 284.
  • Poulterer’s Shop (G. Dou’s), ix. 355.
  • Poure Persone (Chaucer’s), v. 24.
  • Poussin, Gaspar, ii. 318; vi. 15; ix. 14, 35, 51, 239; x. 278, 300; xi. 17; xii. 272.
    • (See also references under Nicholas Poussin.)
  • —— Lines on a picture of (Southey’s), v. 164.
  • —— Nicholas, i. 149, 163; iv. 277; v. 38, 98; vi. 74, 171, 173 n., 174; vii. 103, 291–2; viii. 314; ix. 7, 13–4, 24, 30, 36, 51, 59, 72, 107–10 n., 113, 128, 133, 232, 237, 311, 323, 384, 387, 389, 393, 409, 473, 477; x. 77, 192, 278, 281, 303; xi. 188, 191, 197, 199, 200–1 n., 240 n., 242, 543; xii. 189, 207.
  • —— On a Landscape of Nicholas, vi. 168.
  • Pontoppidan, Eric, ii. 252.
  • Povey, Miss, viii. 460.
  • Powel, Mr (an Oxonian), ii. 196.
  • Powell, William, viii. 280, 286; ix. 149.
  • —— Mr (a racket player), vi. 88, 89, 286, 451.
  • Power, Tyrone, xi. 381.
  • Pozzo Borgo (a town), ix. 227.
  • Practice of Piety (Lewis Bayly’s), iii. 111; xi. 254.
  • Pradere (a musician), ii. 234.
  • Præfatio ad Bellendenum (Parr’s), ii. 196.
  • Prague, viii. 363.
  • Pratt, Charles (Earl Camden), iii. 418.
  • —— Sir John, iii. 418.
  • —— Samuel Jackson, xi. 460.
  • Pratt’s Hotel, Dieppe, ix. 92.
  • Praxiteles, ix. 237; x. 341, 343.
  • Preaux, Guillaume de, x. 54.
  • Predominant Principles and Excitements of the Human Mind, On the, xi. 258.
  • Preface to an Abridgment of Abraham Tucker’s Light of Nature Pursued, iv. 369.
  • Prefaces, Dryden’s, vi. 217.
  • Prejudice, On, xii. 391–6.
  • Presbyterians, viii. 62, 66; x. 362 n.; xi. 420.
  • Present Discontents (Burke’s), iii. 421.
  • Presentation in the Temple, The, (Guido’s), vii. 283, 292; ix. 111.
  • Press, The—Coleridge, Southey, Wordsworth, and Bentham, xi. 411.
  • Press-yard, iv. 195.
  • Prestor John, iii. 142.
  • Pretender, iii. 117, 408; x. 377; xii. 31.
  • Priam, xii. 155.
  • Price, Mrs, ii. 228.
  • Price, Dr Richard, iii. 225, 401; iv. 9 n.; xii. 358, 359, 405.
  • Pride (in Spenser), v. 39.
  • Prideaux, Humphrey, vi. 76, 476.
  • Priestley, Dr Joseph, xii. 357;
    • also referred to in i. 49 n.; ii. 415; iii. 225; iv. 216; vii. 445–6; x. 315, 316; xi. 53, 54, 65, 66, 70, 72, 472 n., 579; xii. 405.
  • Primrose, Dr (Goldsmith’s Vicar of Wakefield), v. 119.
  • Primrose-hill, vii. 66; viii. 463; ix. 158, 336.
  • Prince and The Pretender; or, The Year 1745 (a short play), xi. 387.
  • —— Arthur (in Spenser), v. 35; x. 74.
  • —— Athanase, a Fragment (Shelley’s), x. 267.
  • —— Maurice’s Parrot, iii. 101;
    • also referred to in vi. 284.
  • —— of Painters, The (Parrhasius), i. 162; vii. 61.
  • —— Prettyman (in Duke of Buckingham’s Rehearsal), vii. 205.
  • —— Regent, The, i. 416; iii. 218; ix. 479.
  • —— Regent leading a Horse (Gainsborough’s), xi. 203.
  • —— of Wales, The (passage boat), ii. 242.
  • Prince’s Street, ii. 314; ix. 324.
  • Princess of Cleves, The (Madame de la Fayette), xii. 62, 169.
  • —— of Arragon, A (Raphael’s), vii. 287.
  • Principia (Newton’s), ii. 379; iii. 141; xii. 26, 279, 402.
  • Principle of Population as affecting the Schemes of Utopian Improvement, On the, iii. 367.
  • Prior, Matthew, i. 80; iv. 359; v. 83, 104, 106–7, 369, 373; viii. 56.
  • —— Aymer (in play from Scott’s Ivanhoe), viii. 410.
  • Prioress, The (in Chaucer), v. 32, 82.
  • Pripscovius, iii. 266.
  • Priscilla, Tomboy (in The Romp), viii. 539.
  • Prison Thoughts (Dodd’s), xii. 348.
  • Pritchard, Mrs, i. 157; vi. 275; xii. 33.
  • Prize, The (Prince Hoare’s), i. 155; viii. 230, 388, 416.
  • Procession of the Passions, The (Spenser’s), v. 35, 39, 40.
  • Proclus, iv. 217; x. 145; xii. 164 n.
  • Procrastination, Lines on (Young), v. 114.
  • Procrustes, i. 176; iv. 374 n.; v. 150.
  • Prodigal Son, The, v. 184.
  • Progress of Finance, xi. p. vii.
  • Project for a New Theory of Civil and Criminal Legislation, xii. 405.
  • Prologue in Heaven, The (Shelley’s, from Goethe), x. 271.
  • Prometheus, vi. 424; ix. 135; xii. 222.
  • —— The picture of (Salvator’s), x. 283, 296.
  • —— (Æschylus’s), iv. 216; v. 64; viii. 420; x. 93; xii. 347.
  • —— (Titian’s), ix. 273.
  • —— Unbound (Shelley’s), vi. 148.
  • Promissory Note, The (a play), viii. 464.
  • Prophet Ezra (Hayter’s), xi. 245.
  • —— Samuel (Reynolds’s), ix. 24.
  • Prophets and Sybils (Michael Angelo’s), ix. 241, 366.
  • Prose-Style of Poets, On the, vii. 5.
  • Proserpine (a frigate), ii. 227.
  • Prospects of Mankind, Nature, and Providence (Wallace’s), iv. 291.
  • Prospero (Shakespeare’s Tempest), i. 245, 346; iv. 202; v. 48, 187; vii. 213; viii. 235, 236; xi. 119, 417, 451.
  • Proteus, iii. 325.
  • —— (Shakespeare’s Two Gentlemen of Verona), i. 319.
  • —— (Spenser), v. 38.
  • Provençal Poetry, x. 46 et seq.
  • Provence, viii. 126; ix. 182.
  • Provincial Letters (Pascal’s), xii. 169.
  • Provoked Husband, The; or Journey to London (Vanbrugh’s), vi. 15, 414, 444, 453.
  • —— Wife, The (Vanbrugh’s), viii. 79, 81, 83.
  • Prussia, iii. 68, 71; xi. 333.
  • —— King of, ii. 185; iii. 106.
  • Psalmanazar, George, vii. 198.
  • Psalmody (Arnold’s), ii. 44, 50, 54.
  • Psalms, The, vi. 392; xi. 489.
  • Psyche (in Apuleius’s Golden Ass), vi. 201.
  • Public Opinion, On, xii. 311.
  • Pucelle (Voltaire’s), i. 292.
  • Puck (in Shakespeare’s Midsummer Night’s Dream), i. 241, 424; v. 53.
  • —— ix. 177.
  • —— (Reynolds’s), ix. 329, 400.
  • Puff (a horse), ii. 39, 40.
  • Puffendorf, Samuel, Baron von, iv. 283; vi. 76; xii. 378.
  • Pugh, Mr (a surgeon), ii. 225.
  • Pulci, Luigi, x. 69.
  • Pulpit Oratory—Dr Chalmers and Mr Irving, xii. 275.
  • Pulteney, Sir William (Earl of Bath), iii. 389, 410, 412, 465; vi. 449.
  • —— Sir William Johnstone (Plug Pulteney), ii. 217; iv. 2 n., 298.
  • Punch and the Puppet Show, ii. 396; vii. 25; xii. 17, 205, 353.
  • Punishment of Death, On the, xii. 466.
  • Purcell, Henry, ii. 176; iii. 311; v. 384.
  • Purgatorio (Dante’s), ix. 251; x. 63.
  • Purgatory (Salvator’s), x. 297.
  • Puritans, i. 49; viii. 54; x. 356.
  • —— History of the (Neale’s), iii. 265; iv. 217; xi. 443.
  • —— The, or Widow of Watling Street, i. 356; v. 289.
  • Purley, Diversions of, On (Tooke’s), xi. 119.
  • Purple Island (P. Fletcher’s), v. 311.
  • Putney Bridge, viii. 201 n.
  • Pye, Henry James, iii. 109, 113, 258; viii. 160.
  • Pygmalion (fable of), ii. 400; ix. 222; xi. 241.
  • Pym, John, iii. 394; iv. 61; vii. 320.
  • Pyne, Mr (singer), viii. 240, 244, 301.
  • Pyramids, The, i. 110; iii. 246; vi. 188; vii. 255; ix. 350.
  • Pyrochles, The Shipwreck of (in Sir P. Sidney’s Arcadia), v. 323.
  • Pyrrhus, xii. 204.
  • —— (in Phillips’s Distressed Mother), viii. 334.
  • —— (referred to in Shakespeare’s Hamlet), xi. 395.
  • Pythagoras, iv. 37, 384; vii. 243; x. 338; xi. 491.