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An index to the collected works of William Hazlitt cover

An index to the collected works of William Hazlitt

Chapter 6: A.
By William Hazlitt
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About This Book

This reference volume furnishes a systematic index to Hazlitt's collected essays and papers, chiefly listing names of real and imaginary persons, places, and subjects, together with a curated list of quotations. Editorial notes and a preface outline compilation methods, corrections, and addenda discovered during preparation, explain filing conventions for characters and quotations, and note deliberate omissions to limit length. Cross-references and corrigenda aim to help readers locate writings and variant attributions across the collected volumes.

A.

  • A. (Mr), vi. 390.
  • Aaron (Shakespeare’s Titus Andronicus), i. 357; v. 207.
  • Aaron’s Rod, iv. 63.
  • Abbot’s Ford, iv. 245.
  • Abbott, William, vi. 277; viii. 235, 266, 292, 333, 335, 413, 455; xi. 402.
  • —— Mr Speaker (Lord Colchester), iv. 199; xii. 370.
  • À Becket, Thomas, v. 143.
  • A’Beckett, Gilbert, v. 143.
  • Abednego, iii. 265.
  • Abel Drugger (Ben Jonson’s The Alchemyst), ii. 76 n., 79; vi. 273, 418; viii. 227, 228; xii. 33.
  • Abelard and Eloise (Pope’s), v. 75.
  • —— Peter, iv. 213; v. 75; vii. 96; ix. 146, 354; xii. 165.
  • Aben Hamet (in Dimond’s Conquest of Taranto), viii. 368.
  • Aberdeen, ii. 209; viii. 290; ix. 492.
  • Abernethy, John, vi. 62.
  • Abhorson (in Shakespeare’s Measure for Measure), i. 346.
  • Abimelech Henley (in Holcroft’s Anna St Ives), ii. 128.
  • Abinger, Lord (Mr Scarlett), vii. 174 n., 516.
  • Abington, Mrs, i. 157; vi. 426, 453; viii. 74, 174, 393; ix. 147; xii. 24.
  • Aboam (in Southerne’s Oroonoko), xi. 302.
  • Abraham Adams (in Fielding’s Joseph Andrews), viii. 106; x. 328.
  • Abruzzi, The Passes of the, ix 255, 259; x. 283, 291.
  • Absalom and Achitophel (Dryden), v. 80.
  • Abstract Ideas, On, xi. p. v., 1.
  • —— —— xi. 1.
  • Abstraction, On, xi. 180.
  • Academie de Musique, viii. 363.
  • Academy, at Bologna, ix. 205, 264.
  • —— of Compliments, i. 235.
  • —— of Painting (Venice), ix. 273, 274.
  • —— of St Luke, x. 280, 296.
  • Accusation. See Anglade Family.
  • Acetto, Count, ix. 213.
  • Achilles, i. 221; iv. 225; v. 15, 54, 64; vii. 255; x. 6, 98; xii. 8.
  • Achitophel (Dryden’s), iii. 400; v. 80.
  • Achmet (in John Brown’s Barbarossa), viii. 372.
  • Acis and Galatea (by John Gay), vii. 103.
  • Ackerman, Rudolf, i. 366; viii. 143; ix. 313.
  • Acropolis, ix. 379; x. 343; xi. 227, 486.
  • Actæon—Hunting (Titian), i. 27, 78.
  • Acted Drama in London, Essays on the, viii. 381.
  • Actium, i. 229; v. 50; viii. 192.
  • Acton, Sir Francis, v. 213.
  • Actor, The (Holcroft’s paper), ii. 87.
  • Actors and Acting, On, i. 153, 156, 382.
  • —— ought to sit in the Boxes? Whether, vi. 272.
  • Actors and the Public, xi. 348.
  • Acts of Uniformity, xi. 314.
  • Adair, Sir R., ii. 169, 214, 227.
  • Adam, i. 38, 105 seq., 385, 425; iv. 337; v. 60, 66; vi. 96, 396, 411; vii. 36; xi. 233, 452; xii. 276, 455 n.
  • —— (in Shakespeare’s As You Like It), i. 340.
  • —— (Michael Angelo’s), ix. 241, 332, 362.
  • —— (in Milton’s Paradise Lost), v. 357, 371.
  • —— and Eve (Barry’s), ix. 418.
  • —— —— (Martin’s), vi. 398; vii. 292 n.; xi. 553.
  • —— —— in Paradise (Poussin), vii. 291, 292; ix. 109.
  • —— —— driven out of Paradise (Ribera’s), ix. 70.
  • Adam Bell (in Holcroft’s The Noble Peasant), ii. 110.
  • Adams, Mr (Sec. of the Constitutional Soc.), ii. 153.
  • Addington, Henry, Viscount Sidmouth, iii. 3, 38; viii. 17; xii. 206, 450.
  • —— Hiley, iii. 238, 300.
  • Addison, Joseph, i. 2, 8, 9, 370, 372, 374, 380, 382, 415; ii. 43, 212; iv. 233, 269, 367; v. 78, 319, 373; vii. 6, 36; viii. 22, 89, 97, 98, 99, 101, 105, 158; ix. 276; x. 112, 206, 359; xi. 391, 489, 543, 546; xii. 35, 170, 330, 331, 375.
  • Address to the Inhabitants of New Lanark (Robert Owen’s), iii. 121.
  • Adela (in Holcroft’s The Noble Peasant), ii. 110.
  • Adelaide, or The Emigrants (Sheil’s), viii. 308, 530.
  • Adelard (in L. Bonaparte’s Charlemagne), xi. 232.
  • Adelinde (in L. Bonaparte’s Charlemagne), xi. 235.
  • Adelphi, i. 35; viii. 404, 411, 412; ix. 420, 421, 422; x. 200; xi. 242; xii. 168, 195, 196.
  • Adige, The, ix. 277.
  • Admetus, iii. 206.
  • Admirable Crichton, viii. 459; xii. 34.
  • Admiralty, vii. 115.
  • Adonis, Gardens of, v. 38.
  • Adoration, An (Raphael’s), ix. 73.
  • —— of the Angels (Poussin’s), ix. 51.
  • —— of the Shepherds (Caracci’s), ix. 26.
  • Adrian (Pope), xi. 235.
  • Adriana (in Shakespeare’s Comedy of Errors), i. 352.
  • Adriano de Armada (in Shakespeare’s Love’s Labour’s Lost), v. 324.
  • Adrian’s Villa, ix. 256; xi. 199.
  • Adriatic, ix. 200, 264, 266, 284.
  • Adventurer, The (Hawksworth’s), vii. 226; viii. 104.
  • Adventures of Friar Albert (Chaucer), xii. 30.
  • —— at Madrid, or Gallantry (a play), viii. 399.
  • Advertisement and Biographical and Critical Notes from the Eloquence of the British Senate, iii. 388.
  • Advice to a Patriot; in a Letter addressed to a Member of the Old Opposition, iii. 1.
  • Ægeon of Syracuse (Shakespeare’s Comedy of Errors), iv. 341; vi. 58.
  • Æmilia (in Two Noble Kinsmen), v. 261.
  • —— (Shakespeare’s Othello), i. 201 seq., 293; vi. 303.
  • Æneas, i. 416; iii. 461; v. 54; ix. 171; x. 20; xi. 492; xii. 19.
  • —— Escaping, etc. (Barry’s), ix. 415.
  • —— (in Opera Didona Abandonnata), viii. 197.
  • —— and Dido (Guérin’s), ix. 135.
  • Æneid (Gawin Douglas’ version), v. 399.
  • —— (Virgil’s), xi. 492.
  • Ænobarbas (in Shakespeare’s Antony and Cleopatra), see Enobarbus.
  • Ænone, v. 203.
  • Æschylus, i. 194; iv. 216; v. 56; vi. III; viii. 12; x. 33; xi. 284, 506; xii. 240, 260.
  • Æsop. See Fables by Æsop.
  • Ætna, v. 122.
  • Afrancesadoes (Spaniards), i. 428.
  • African (or Negro), i. 69.
  • Agamemnon (Æschylus), i. 221; v. 54; x. 81, 94, 98; xi. 284, 421; xii. 240, 260.
  • Agar (Welbore Ellis), vi. 369.
  • Agatha Friburg (in Kotzebue’s Lovers’ Vows), viii. 335.
  • Age of Elizabeth, The Lectures on, etc.; Lecture I.—Introductory, v. 175.
  • Agincourt, i. 285, 289, 425.
  • Aglaura (Suckling’s), viii. 57.
  • Agli, Messer, x. 300.
  • Agnes, or the Triumph of Principle, iv. 243 n.
  • —— (Mrs Radcliffe’s), viii. 126
  • —— (in Lillo’s Fatal Curiosity), ii. 212.
  • —— (in Molière’s School for Wives), viii. 76; xi. 276.
  • Agnese (opera by Paer), viii. 540.
  • Agnolo, Andrea d’. See Andrea del Sarto.
  • Agreeable Surprise, The (O’Keeffe’s), viii. 166, 167, 319, 387, 463.
  • Agriculture, On (Cowley), viii. 60.
  • Aickin, James, ii. 197, 199, 201.
  • Aikin, Dr John (Dr A.), ii. 198; xi. 505.
  • Ailsa, Craig of, ii. 64.
  • Aimwell (Farquhar’s Beaux’ Stratagem), viii. 10, 88.
  • Airy, Sir George, viii. 503.
  • Ajax, x. 94; xii. 10.
  • Akenside, Mark, i. 114; ii. 79; iii. 222; v. 68, 119, 375; xi. 573.
  • Aladdin, ix. 269.
  • Alastor, or the Spirit of Solitude (Shelley’s), x. 261, 265.
  • Albano, Francesco, i. 77; vi. 441; ix. 34, 111, 236.
  • —— Hills of, ix. 234, 254, 376.
  • Albany, The, xi. 486.
  • —— Duke of, ii. 80.
  • Albemarle Street, i. 370; iii. 217; iv. 367; xi. 423, 486, 487.
  • Albergo di Venezia (an inn), ix. 264.
  • Alberigi, Frederigo, i. 163, 331; vii. 303; x. 68; xi. 501.
  • Albigeois, The Civil Wars of the, x. 56.
  • Alcæus, iv. 271.
  • Alcamenes (painter), ix. 466.
  • Alcantara (town), iii. 290 n.
  • Alceste (in Molière’s Misanthrope), ix. 150–1
  • Alcestis, vi. 179; x. 97.
  • Alchymist, The (Ben Jonson’s), viii. 45, 227; x. 117, 171.
  • Alcibiades, i. 211 seq.; vii. 213; xi. 228.
  • Alcides, The (acrobats), vi. 442.
  • Alcinous, Gardens of, ix. 325; xi. 514.
  • Alderman Gripe (Wycherley’s Love in a Wood), viii. 78.
  • Aldermanbury, xi. 441.
  • Aldobrand (in Maturin’s Bertram), viii. 306–7.
  • Aldridge’s, ii. 174.
  • Ale-house Door (Wilkie’s), viii. 140; ix. 15; xi. 252.
  • Aleman, Mateo. See Guzman D’Alfarache.
  • Aleppo (referred to in Shakespeare’s Othello), xi. 283.
  • Alexander and Campaspe (John Lyly’s), v. 197, 201, 202.
  • —— Battle of (a picture), ix. 41.
  • —— of Aberdeen, ii. 209.
  • —— I. of Russia, iii. 56, 160, 306; iv. 189; ix. 479; xi. 415.
  • —— the Great, i. 291; ii. 67, 173; iv. 71; v. 124; vi. 106, 107; x. 15, 17, 26, 329; xi. 3, 234, 553; xii. 37, 204.
  • Alexander the Great (by Lee, Nathaniel), v. 357; vi. 342; vii. 301.
  • —— VI., Pope, Bower’s Life of, ii. 172.
  • —— the Spy, ii. 154 n.
  • Alexander’s Feast (Dryden’s), iv. 276; v. 81, 372; vi. 204 n.; xii. 347.
  • Alfieri, Count, x. 45, 232, 241; xi. 424.
  • Alfred (Wilkie’s), ix. 389.
  • Algiers, iii. 335, 442.
  • Alhambra, The, ix. 349.
  • Alice (in Scott’s Old Mortality), iv. 247.
  • —— Bridgenorth (in Scott’s Peveril of the Peak), xi. 540.
  • Alicia (in Rowe’s Jane Shore), viii. 352.
  • Alien Bill, The Scotch, ix. 214.
  • —— Office, The, ii. 248.
  • Alighieri, Family of the, x. 63.
  • Alithea (in Wycherley’s adaptation of Molière’s School for Wives), viii. 76, 153, 554; xi. 276.
  • Allan, The bog of, v. 34.
  • Allen, Bobbie (Lamb’s schoolfellow), xi. 585.
  • Allen-a-Dale (in Scott’s Ivanhoe), iv. 209.
  • Allen, John, M.D., ix. 17.
  • All Fools (Chapman’s), v. 234.
  • All for Love (Dryden’s), viii. 190.
  • All-Foxden, vi. 183; xii. 269, 271.
  • All in the Wrong (Murphy’s), viii. 164.
  • Allston, Washington, xi. 189, 190, 456 n.
  • All’s Well that Ends Well (Shakespeare’s), i. 329;
  • Allworthy (in Fielding’s Tom Jones), vi. 452.
  • Almack’s, xi. 343.
  • Almanach des Gourmands, The, xi. 501.
  • Almeria (Congreve’s Mourning Bride), viii. 75.
  • Almeyda (in Dryden’s Don Sebastian), v. 357.
  • Alonzo (in Maywood’s Zanga), xi. 398.
  • Alphonso VI. of Castile and Leon, x. 57.
  • Alps, The, iv. 193; vii. 368; ix. 182, 188, 190, 195, 199, 207, 208, 240, 263, 264, 273, 277, 288, 290, 297, 303, 360; xi. 231; xii. 134.
  • Alpuente, Romero (Landor’s), x. 251.
  • Alric (in Holcroft’s The Noble Peasant), ii. 110.
  • Alsop, Mrs, viii. 252, 355, 361, 369, 370, 412, 524; xi. 277, 305.
  • Alsop’s Rosalind, Mrs, viii. 252.
  • Altarpiece of St Mark (Tintoretto’s), ix. 113.
  • Alton (town), vii. 126.
  • Altona (town), ii. 256.
  • Alwyn, or the Gentleman Comedian (Holcroft’s), ii. 95 seq., 280.
  • Amadis de Gaul (early romance), i. 133; vii. 253; x. 14, 19, 20, 57; xii. 62.
  • Amadis of Greece, x. 57.
  • Amanda (Vanbrugh’s Relapse), viii. 83.
  • Amanthis (in Mrs Inchbald’s Child of Nature), viii. 196.
  • Amaryllis, vii. 41.
  • —— (in Fletcher’s Faithful Shepherdess), v. 255.
  • Ambrogetti, Signor, viii. 365; xi. 308.
  • Ambrose Lamela (in Le Sage’s Gil Blas), vii. 380.
  • Ambrose (Wilson’s Noctes Ambrosianæ), xii. 367.
  • Amelia (Fielding’s), i. 130; vi. 457; vii. 84; viii. 114, 115, 152, 555; x. 32, 33; xi. 501; xii. 64.
  • —— Mammonton (in Ups and Downs), xi. 385, 387.
  • Amelia, the Princess (George II.’s daughter), x. 159.
  • —— Carolina Wilhelmina Skeggs (in Goldsmith’s Vicar of Wakefield), iii. 313.
  • —— Wildenheim (in Lovers’ Vows, Mrs Inchbald’s adap. of Kotzebue’s Natural Son), viii. 249, 336.
  • American Farmer’s Letters, The, x. 314.
  • —— Lion (Kean’s), xi. 332.
  • —— Literature—Dr Channing, x. 310.
  • —— Revolution, ii. 133; iii. 32 n., 279, 302, 304; vii. 52.
  • —— War, The, iii. 250, 420, 422, 424; vi. 385; x. 150–2; xii. 263, 293.
  • Americans, ix. 257.
  • Amiens, ii. 216; iii. 6, 61, 83, 99; vii. 227 n.
  • —— (Shakespeare’s As You Like It), xi. 367, 378; xii. 122.
  • Amine (in Arabian Nights), viii. 14.
  • Aminta (Tasso’s), x. 73.
  • Amintor (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251, 252.
  • Amlet, Mrs (Vanbrugh’s Confederacy), viii. 14, 80.
  • Ammerbach (philosopher), x. 143.
  • Amory, John, i. 52.
  • Amours of Peter the Long (L. E. Billardson de Sauvigny), ii. 107.
  • Amphion, xi. 282.
  • Amphitheatre of Titus, ix. 234.
  • —— The (at Verona), ix. 277.
  • Amsterdam, vii. 100; ix. 295, 300, 301.
  • Amy Robsart (in Scott’s Kenilworth), ii. 314; iv. 248, 251.
  • Anabaptists, x. 360.
  • Anacharsis (traveller), vii. 255.
  • Anacreon, iv. 356; vii. 372 n.
  • Anacreon (Herrick’s translation), v. 312.
  • Anacreontics (Cowley’s), v. 372; viii. 59.
  • Anah (Byron’s), vii. 85.
  • Analogy (Butler’s), vi. 224; ix. 415; xii. 266, 346.
  • Analytical Review, The, ii. 116.
  • Ananias (Raphael’s), ix. 272 n.
  • Anastasius, vii. 220.
  • Anatomy of Melancholy (Burton’s), iv. 365; vi. 225.
  • Ancient Britons (the corps), ii. 176.
  • —— Mariner (Coleridge’s), iii. 205; iv. 218; v. 166, 377; viii. 14; xii. 236, 273, 319, 460.
  • —— Pistol (Shakespeare’s Henry IV., etc.), i. 425; iii. 54.
  • —— and Modern Literature, On Spirit of; On German Drama contrasted with that of Age of Elizabeth, v. 345.
  • Ancona, View of (Wilson’s), xi. 199.
  • Andalusia, Castle of (O’Keeffe’s), viii. 329.
  • Anderson, Dr, v. 124.
  • Andes, iv. 193; vii. 255; viii. 415.
  • Andrea del Sarto, vi. 11; ix. 25, 51, 226.
  • Andromache (Racine’s), viii. 334.
  • Andromeda (Guido’s), vi. 441; viii. 253; ix. 61, 237.
  • Andrugio (in Marston’s Antonio and Mellida), v. 225.
  • Angelica (Congreve’s Love for Love), i. 133; viii. 15, 152, 555.
  • —— and Medora (a picture), ii. 212, 227; v. 3; x. 71.
  • Angelo (in Shakespeare’s Measure for Measure), i. 346, 347.
  • —— Michael. See Michael Angelo.
  • Angerstein, John Julius, vi. 174, 346; ix. 9, 35, 75, 113, 439.
  • Angerstein’s Collection, ix. 7.
  • Angiers, i. 311.
  • Anglade Family (or Accusation, by Payne), viii. 279.
  • Anglaises pour rire (a play), xi. 366.
  • Angler. See Complete Angler.
  • Angrisani (Signor), viii. 365, 371; xi. 308.
  • Anhalt (in Lovers’ Vows, Mrs Inchbald’s version of Kotzebue’s Natural Son), viii. 249.
  • Anjou, Charles of, x. 56.
  • Anlaff the Dane (in Holcroft’s The Noble Peasant), ii. 110.
  • Anna, Verses upon (Gifford’s), iv. 302; vi. 221.
  • —— St Ives (Holcroft’s), ii. 128, 132, 136, 201, 279.
  • Annabel (in Holcroft’s The Man of Ten Thousand), ii. 160.
  • Annabella (in Ford’s ’Tis a Pity She’s a Whore), v. 269.
  • Anne Page (in Shakespeare’s Merry Wives), i. 350; ix. 36.
  • —— Queen, i. 8, 138; iii. 405; iv. 212, 217, 367; v. 82, 104, 105; vi. 113, 322, 323, 376, 445; viii. 96; x. 73, 205, 310, 358, 373, 374, 377, 378; xii. 405.
  • Annecy (town), i. 17; v. 100; vii. 304.
  • Annesley (a novel), x. 392.
  • Annual Anthology, iii. 211.
  • —— Register, ii. 56.
  • Annunciation (Guido’s), ix. 111.
  • Annus Mirabilis, The (Dryden’s), v. 81.
  • Anselme (in Molière’s L’Avare), xi. 379.
  • Anstey, Christopher, viii. 560.
  • Antæus, i. 160; iv. 38.
  • Antigone (Sophocles), x. 81, 97.
  • Antigonus (Shakespeare’s Winter’s Tale), i. 324.
  • Anti-Jacobin Review, i. 401; iii. 219, 238, 261, 262, 295; v. 164; x. 139, 158, 225.
  • Antinous, The (statue), vii. 167; viii. 149; ix. 107, 350, 378; xi. 228, 486, 542.
  • Antipholis (in Shakespeare’s Comedy of Errors), i. 351; iv. 341; vi. 58; viii. 401.
  • Antipodes, xii. 279.
  • Antiquary (Scott’s), iv. 248; vii. 156; viii. 413, 425; ix. 202; xi. 558.
  • Antiquaries, Society of, viii. 335.
  • Antiquity, On, vii. 252.
  • Antonines, The, ix. 366.
  • Antonio (in Middleton’s Witch), v. 218.
  • —— (Shakespeare’s Merchant of Venice), i. 321; viii. 179, 250, 374; xi. 417.
  • —— (Godwin’s), iv. 210 n.; xii. 326.
  • —— and Mellida (Marston’s), v. 224, 225.
  • Antony (Shakespeare’s Julius Cæsar and Antony and Cleopatra), i. 197; iv. 183; vii. 264.
  • —— and Cleopatra (Shakespeare’s), i. 228; v. 50, 253; viii. 190;
  • Antwerp, ix. 110, 300, 302, 492; xii. 48 n.
  • A. P. E., vii. 124, 207.
  • Ape, Lines on the Story of the (Merry’s), iv. 309 n.
  • Apelles (sculptor), vi. 74.
  • —— (in Lyly’s Alexander and Campaspe), v. 201.
  • Apemantus (Shakespeare’s Timon of Athens), i. 210 et seq.
  • Apennines, The, ix. 199, 207, 208, 209, 210, 254, 260, 263, 264, 276, 303; xii. 57, 134.
  • Apicius, xii. 141.
  • Apocalypse, The, vii. 199; xii. 280, 441.
  • Apollo, i. 34, 416; v. 83, 192; vi. 141; vii. 157; x. 349, 350; xi. 544; xii. 341.
  • —— (statues), iii. 169; v. 164; vi. 141; ix. 28, 107, 147, 164, 165 n., 169 n., 222, 223, 237, 240, 339, 340, 341, 350, 378, 379, 381, 430, 491–2; x. 341, 342, 344; xi. 196, 227, 228, 493.
  • Apollo and Daphne (Titian’s), ix. 74.
  • —— giving a Poet a Cup of Water (Poussin’s), vi. 172; ix. 24.
  • —— and the Seasons (R. Wilson’s), ix. 392; xi. 198.
  • Apollodorus, x. 100.
  • Apology for His Own Life (Cibber), viii. 160, 359.
  • Apostate, The (by Richard Lalor Sheil), v. 345; viii. 538.
  • Apostates, On Modern, iii. 155.
  • Apothecary (in Shakespeare’s Romeo and Juliet), ii. 368 n.
  • Apparitions, History of (Defoe’s), x. 382.
  • Appeal to Honour and Honesty (Defoe’s), x. 369 n.
  • —— from the New to the Old Whigs (Burke’s), iii. 32.
  • Appius and Virginia (Webster’s), v. 234.
  • Appleby, iii. 423; v. 148.
  • Application to Study, On, vii. 55.
  • Apprentice, The (Murphy’s), viii. 514.
  • Apuleius, Lucius, v. 199; vi. 201; x. 17, 18.
  • Apullius and Apullia (Turner’s), xi. 190.
  • Aquapendente (town), ix. 230.
  • Aquinas, Thomas, iv. 217; xii. 35.
  • Arabia, v. 88, 340 n.; xi. 560.
  • Arabian Nights, i. 46; ii. 347; iv. 337; v. 113; vi. 53, 408; vii. 23, 421 n.; viii. 12, 13, 14; ix. 69; x. 46.
  • Aram, Eugene, vi. 314; xii. 34.
  • Araminta (Vanbrugh’s Relapse), viii. 83.
  • Arbaces (in Beaumont and Fletcher’s King and no King), v. 252.
  • —— (in the opera Artaxerxes), viii. 248, 321, 451.
  • Arbe, The (river), ix. 292.
  • Arbela, The Battle of, vi. 107.
  • Arbuthnot, John, iii. 33; iv. 217; v. 78, 104, 105.
  • Arcadia, i. 338; ix. 324, 325.
  • —— Sir Philip Sidney’s, v. 98, 318, 319, 320, 321, 323, 324, 325, 326; ix. 9, 10, 58; x. 14; xii. 282.
  • Arch of Constantine (Claude), ix. 54.
  • —— of Constantine, ix. 232.
  • Archangel, ii. 251.
  • Archbishop of Grenada, The (in Le Sage’s Gil Blas), x. 31.
  • Archer (in Farquhar’s Beaux’ Stratagem), viii. 14, 88; xii. 451, 452.
  • Archimago (in Spenser), v. 36.
  • Archimedes, iii. 151; vi. 377; x. 13; xii. 36.
  • Arcite (Chaucer), v. 21, 29, 30, 258.
  • Arctic Circle, The, xii. 253.
  • Arden of Feversham (play), i. 357.
  • —— Forest of, i. 185, 338, 339; xi. 367; xii. 122.
  • Arethusa, xii. 200.
  • —— (in Beaumont and Fletcher’s Philaster), v. 262.
  • Aretine, Peter, iii. 218; iv. 225; v. 186; viii. 10.
  • Aretino, Pietro (Titian’s supposed portrait of), ix. 354; xii. 30.
  • Arezzo, ix. 262, 302.
  • Argenis (Barclay’s), x. 145.
  • Arguing in a Circle, xii. 285.
  • Argus, The (a newspaper), xi. 386.
  • Argyll, Duke of, vi. 521.
  • —— 2nd Duke of, John Campbell, iii. 415.
  • —— The Duchess of, vi. 450.
  • —— in Prison (Northcote’s), vi. 341.
  • —— Place, vi. 358.
  • Ariadne, vi. 238; vii. 125; xii. 203.
  • Ariel (Shakespeare’s Tempest), i. 23, 238, 241, 245; iv. 216; v. 15, 151; viii. 235, 236; ix. 177, 463; x. 116; xi. 179.
  • Ariosto, i. 161; iv. 257, 356; v. 3, 35, 45, 224; vi. 425; vii. 94, 252; ix. 29, 239, 266, 301; x. 9, 13, 16, 20, 45, 69, 70, 71, 73, 77, 409; xi. 235, 492.
  • Ariosto (Titian’s portrait of), ix. 270; xi. 30.
  • —— (Harington’s), v. 186; vi. 319 n.
  • Aristarchus, iv. 307.
  • Ariste (should be Valère), (in Molière’s L’Ecole des Femmes), xi. 356.
  • Aristocracy of Letters, On the, vi. 205.
  • Aristophanes, v. 56; viii. 28, 166; x. 99, 100, 112 n.
  • —— of Byzantium, i. 183.
  • Aristotle, i. 13, 123, 139; iv. 9 n., 143, 144, 283, 285; v. 360; vi. 107, 109, 198; vii. 248, 316; viii. 63, 93, 305; x. 143, 248, 249; xi. 97, 262; xii. 164, 326, 361, 370.
  • Arkwright (Sir Richard), ii. 175; vi. 456; vii. 165, 186; ix. 243 n.
  • Armelie (in L. Bonaparte’s Charlemagne), xi. 232, 235.
  • Armida (Ariosto’s), x. 71.
  • Armitage (racket-player), vi. 89.
  • Armstrong, John, ii. 169, 183, 194, 195; v. 119, 376; vi. 332.
  • Arnaud, Anthony, xi. 289.
  • —— Daniel, x. 55.
  • Arne, Michael, ii. 86.
  • —— Dr Thomas Augustine, ii. 86; viii. 451, 452.
  • Arno, The, ix. 211, 212, 221; xii. 134.
  • Arnold, S. J., viii. 224, 243, 244, 314, 322, 323, 463, 476.
  • Arpasia (in Bajazet), xi. 275.
  • Arragon, x. 56.
  • Arruntius (in Ben Jonson’s Sejanus), v. 264.
  • Arsinoe (in Molière’s Misanthrope), ix. 149.
  • Art, Fragments on, ix. 489.
  • —— of Walking the Streets. See Trivia.
  • Artamène (in Mlle. de Scudéry’s Artamène ou Le Grand Cyrus), xii. 61.
  • Artaxerxes (F. A. Arne’s), viii. 192;
    • also referred to in viii. 248, 320, 330, 451, 532; xi. 455 n.
  • Arthur, King, x. 20–21, 56; xii. 221.
  • —— (in Shakespeare’s King John), i. 306 et seq.; vii. 344.
  • Arthur’s Seat, ii. 314; ix. 98, 324, 336, 337.
  • —— —— View of (Nasmyth’s), xi. 247.
  • Artist, The (a magazine), vi. 416.
  • Artists, On the Old Age of, vii. 88.
  • Arts, On the Progress of the, i. 372.
  • —— are not Progressive, Why the, i. 160; ix. 489;
    • referred to, ix. 478.
  • Arundel, Thomas Howard, Earl of, ix. 34.
  • Arviragus (in Shakespeare’s Cymbeline), i. 182 seq.; v. 258; xi. 293.
  • Ascham, Roger, x. 236–7.
  • Ascot Heath, ii. 4, 5, 6.
  • Ashburton, Baron. See Dunning, John.
  • —— the Inn at, vi. 407.
  • Ashby-de-la-Zouch, ii. 14.
  • Ashmole, Elias, iii. 141.
  • Asia Minor, v. 199.
  • Aspasia (Landor’s), ii. 396; vii. 299.
  • Aspatia (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251.
  • Aspin, Mr, ii. 205.
  • Ass (of Apuleius), x. 17, 18.
  • Assembly of the Just (Raphael’s), iii. 142; xii. 208.
  • —— of Saints (Raphael’s), ix. 380; xi. 227.
  • Assignation Scene, The (Hogarth’s), viii. 134.
  • Assizi, ix. 261.
  • Ass’s Foal, Ode to an (Coleridge’s), v. 164.
  • Assumption (Titian’s), ix. 273.
  • Astley, John, vii. 111.
  • Astley’s, xii. 49.
  • Astolpho (Ariosto’s), vii. 252.
  • Astræa, xi. 384.
  • Astrea and Cleopatra, Histories of, x. 14.
  • Astronomical Discourses, Dr Chalmers’s, iv. 230; xii. 279.
  • Asturias, xi. 317.
  • As You Like It (Shakespeare’s), i. 338;
    • also referred to in i. 185; vii. 260 n.; viii. 513; xi. 396.
  • Atala at the Tomb (Girodet’s), ix. 132.
  • At-all (in Abbe’s Double Gallant), viii. 162, 360.
  • Athalie (Racine’s), x. 106; xi. 452.
  • Athanasius, Creed of St, iii. 139, 269.
  • Athenæ Oxonienses (Wood’s), iii. 276.
  • Athenæum, The, xi. 386.
  • Athenians, xi. 312.
  • Athens, i. 4, 212; vi. 188, 448; vii. 95, 185, 254; ix. 381, 379, 466, 492; x. 347; xii. 170.
  • Atherstone, ii. 14.
  • Atkins, Mr (actor), viii. 275.
  • —— Mrs, ii. 219.
  • Atkinson (in Fielding’s Tom Jones), vii. 214; viii. 114; x. 33.
  • Atlas (the horse), ii. 22.
  • —— The, vi. 505, 517, 520, 521, 522; ix. 484–5; x. 403; xii. 320, 339, 342, 346, 348, 350, 353, 354, 357, 360, 363, 364, 367, 369, 370, 377, 381, 386, 391, 394, 402.
  • Atterbury, Francis, iii. 408; v. 79; vii. 24; viii. 14.
  • Attica, ix. 325; xi. 495.
  • Atticus (Pope’s), ii. 79, 199.
  • Attila, ix. 267.
  • —— (Raphael’s), ix. 364.
  • Attributes (Samuel Clarke’s), xi. 118.
  • Attwood, Mr (actor), ii. 195, 222, 225.
  • Audrey (in Shakespeare’s As You Like It), i. 185, 340; iv. 348; v. 146; viii. 167, 252, 319; xi. 367, 397.
  • Aufidius (in Shakespeare’s Coriolanus), i. 217; iii. 435; viii. 375.
  • Augustus (in Shakespeare’s Antony and Cleopatra), i. 230.
  • —— (statue), ix. 165, 221.
  • Auld Reekie School, The, viii. 478 n.
  • Auld Robin Gray (ballad), v. 141; vii. 253.
  • Aumerle (Shakespeare’s Richard II.), i. 273.
  • Aurelia, Duchess of Pietro Jacomo (in Marston’s Malcontent), v. 230.
  • Aurelio and Miranda (Boaden’s), ii. 218.
  • Aurora (newspaper), xi. 386.
  • —— (in Le Sage’s Gil Blas), xii. 141.
  • —— (Guido’s), ix. 237; xii. 36.
  • —— (Poussin’s), vi. 171.
  • Ausias (Italian author), x. 56.
  • Austerlitz, i. 415; iii. 99, 112; vi. 13, 237.
  • Austria, iii. 14, 104, 179.
  • —— Archduke of, i. 310, 311.
  • —— Emperor of, iii. 106, 107; ix. 277.
  • Austrian Catechism, The, xi. 343–4.
  • —— Troops, ix. 259.
  • Austrians, ix. 187 n.
  • Authors, On the Conversation of, vii. 24.
  • ——, The Royal Society of, vii. 105.
  • Autolycus (in Shakespeare’s Winter’s Tale), i. 155, 326; viii. 230, 388.
  • Auvergne, Countess of, i. 292.
  • Avare (Molière). See L’Avare.
  • Avarice (in Spenser), v. 39.
  • Avon, v. 297.
  • Aylesbury, iii. 422.
  • Ayr, ii. 78.
  • Ayrton, William, vi. 195, 201; vii. 37.
  • Ayton, Miss Fanny, xi. 378.