C.
- C——, xii. 380.
- Cxxx, Mr, iv. 241.
- C., Sir L., ii. 217, 227.
- Cabbala, v. 334; vii. 242, 317.
- Cacafogo, viii. 234.
- Cacus’ Oxen, vi. 152 n.
- Cade, Jack, vi. 280 n.
- Cadell, Thomas, the younger, ii. 228.
- Cadenobia (town), ix. 278.
- Cadmus, xi. 39; xii. 30.
- Cadore, ix. 267.
- Caernarvon, Earl of, iii. 400.
- Caernarvonshire, iii. 394.
- Cæsar, vii. 253; xii. 249, 257, 371.
- See also Julius.
- —— (in Beaumont and Fletcher’s False One), v. 253.
- Café des Milles Colonnes, ix. 152; x. 212.
- Café del Piazza (at L’Ariccia), ix. 253.
- Cain, xi. 234.
- —— after the murder of Abel (Paul Guérin’s), ix. 136.
- —— and Abel (Titian’s), ix. 273.
- —— (Byron’s), iv. 260; xii. 179.
- Cairn of Derncleugh, iv. 246.
- Cairo, ii. 178; ix. 255.
- Caius, Dr, i. 350.
- Calabria, ix. 255.
- Calais, ii. 211; iii. 319 n.; vi. 188, 340, 360; vii. 228 n.; viii. 331; ix. 201 n., 302.
- Calamy, Edmund, iii. 265, 266; iv. 217; vii. 321.
- Calantha (in Ford’s Broken Heart), v. 270, 273.
- Calcutta, Black Hole of, ix. 184.
- Calderon, x. 79, 118, 271.
- Caleb, Old (in Scott’s Bride of Lammermuir), xii. 141.
- Caleb Williams (Godwin’s), iv. 201, 208; vi. 408; viii. 128, 130, 131, 241, 342, 343, 419; x. 311, 385, 386, 393, 394, 395, 398, 399, 400; xii. 274, 281, 347.
- Caledonian Chapel, iv. 224, 225, 228; vii. 129, 225; xii. 275–6, 280.
- Calendar of Nature (Leigh Hunt), viii. 477.
- Calianax (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251.
- Caliari, Paolo. See Veronese, Paul.
- Caliban (in Shakespeare’s The Tempest), i. 346, 425; iii. 287; iv. 189; v. 48, 187; vi. 161; viii. 231, 236, 283; x. 116; xi. 416, 417, 418.
- Calista (in Rowe’s Fair Penitent), vii. 306; viii. 287.
- Callcott, Sir Augustus Wall, vi. 438.
- Callisthenes (Landor’s Imaginary Conversations), x. 248.
- Callum Beg (in Scott’s Waverley), viii. 129.
- Calm, A (W. Vandervelde’s), ix. 20.
- Calmet, Augustin, vi. 76.
- Calonne, Mr, ix. 55.
- Calton Convening Room, The, ix. 324, 325.
- —— Hill, ii. 314; iv. 245; ix. 324, 337; xi. 560; xii. 253.
- Calvin, John, ix. 226.
- Calypso, ix. 103.
- Camacho (in Cervantes’ Don Quixote), iii. 41; v. 113; viii. 109; x. 29.
- Camberwell, vii. 71, 212.
- Cambiaso, ix. 35.
- Cambridge, ii. 8, 9, 49, 50, 217; iii. 398, 418, 423; iv. 412; v. 273; vi. 205; viii. 301, 319; ix. 69; xi. 448; xii. 351.
- —— Carrier, viii. 55.
- —— Hill (Newmarket), ii. 30, 38, 40.
- —— History of the University (Dyer’s), xii. 165 n.
- —— paper, ii. 190.
- Cambridge, Richard Owen, viii. 489.
- —— Sonnet to (Lamb’s), v. 284 n.
- Camden, Lord, iii. 127, 419; vii. 316.
- Camelford, Thomas Pitt, 2nd Lord, ii. 221; iv. 235; vi. 120.
- Cameronians, vii. 180.
- Camilla (Miss Burney’s), vi. 186; viii. 123; x. 41; xii. 269.
- Camille-Desmoulins, xii. 305.
- —— Jourdan, xii. 305.
- Caminade, Alexandre François, ix. 125.
- Camoens, Luis de, i. 33.
- Camp, The (by Richard Tickell), ii. 85.
- Campagna, The, vi. 295; ix. 236, 256, 276, 376; x. 206.
- Campaign (Addison’s), v. 13.
- Campanile of St Mark at Venice, ix. 274.
- Campbell, Dr George, viii. 62.
- —— John, 2nd Duke of Argyll, iii. 415.
- —— Miss, xi. 402, 403, 404, 405.
- —— Mr, and Mr Crabbe, iv. 343.
- —— Thomas, iv. 343 et seq., 353, 354; v. 150, 369, 377; ix. 490; x. 13; xi. 494, 496, 502.
- —— Mr (M.P.), iii. 411.
- Campidoglio Collection, ix. 239.
- Camporese, Madame, viii. 365; xi. 300.
- Cana, Marriage of (Paul Veronese’s), ix. 274.
- Canaletti (Antonio Canal), vi. 95; ix. 60, 269.
- Candide (Voltaire’s), i. 116; v. 114; viii. 216; ix. 178; xi. 125, 364.
- Candido (in Dekker’s Honest Whore), v. 239.
- Candour, Mrs (Sheridan’s School for Scandal), viii. 164, 251.
- Canino, Prince of (Lucien Buonaparte). See Buonaparte, Lucien.
- Cankwood (town), ii. 166.
- Canning, Rt. Hon. George, i. 378, 379; ii. 208; iii. 92 n., 110, 203, 213, 214, 219, 237, 238, 241, 262, 291, 295, 301, 425; iv. 308, 320; vi. 87, 109, 153, 154, 155, 198, 270, 271, 395, 396, 462, 475; vii. 51, 91, 183, 268, 273 n., 279 n., 379; viii. 24; ix. 187 n., 244; x. 139; xi. 243, 304, 334, 447, 476, 478, 479, 551; xii. 275, 284, 290.
- —— Character of, xi. 334.
- Cannock, ii. 15.
- Cannon, Robert, ii. 91.
- Cannonian, The, ii. 91.
- Canova, Antonio, vi. 353, 382; vii. 113, 368; ix. 165, 168, 203, 225; 240, 366, 373; xi. 486.
- Cant and Hypocrisy, On (A Fragment), xii. 330, 336.
- Canterbury, ii. 85.
- —— Tales (Chaucer’s), i. 11; iv. 276; v. 22; vii. 255; viii. 151; ix. 367; x. 75, 76.
- Canton, viii. 105.
- —— (in Colman and Garrick’s Clandestine Marriage), viii. 163.
- Capel Street (Dublin), ii. 62, 63.
- Caper (in Fielding’s Widow’s Choice), viii. 159.
- Capet, Hugh. See Hugh Capet.
- Capitol, viii. 457; ix. 232, 373; xi. 421, 422.
- Capri, x. 231.
- Captain (a ship), 464.
- —— Absolute (in Sheridan’s The Rivals), viii. 508.
- —— Allan Lindsay (in Planché’s Carronside), xi. 388, 389.
- —— Bibber (in Jones’ The Green Man), viii. 468.
- —— Brazen (in Farquhar’s The Recruiting Officer), viii. 286.
- —— Macheath (in Gay’s The Beggar’s Opera), iii. 131 n.; v. 108; viii. 194, 255, 256, 470, 473; xi. 349, 374, 533; xii. 57.
- —— Macintire (in Scott’s Antiquary), viii. 413.
- Captain Macmorris (in Shakespeare’s Henry V.), i. 291.
- —— Mervin (in Miss Burney’s Evelina), ix. 139 n.
- —— Neville (in Pigeons and Crows), viii. 469.
- —— Otter (in Ben Jonson’s The Silent Woman), viii. 40.
- —— Sentry (Addison), xii. 35.
- —— Singleton (Defoe’s), x. 381.
- —— Whiffle (in Smollet’s Roderick Random), iii. 218; vii. 378.
- Captive Bee, The, or The Little Filcher (Herrick), v. 313.
- Capulet (Shakespeare’s Romeo and Juliet), i. 251.
- Caradori, Madame, xi. 370.
- Caravaggio (painter), x. 292.
- Card-players (Wilkie’s), viii. 141; ix. 389; xi. 253.
- Cardan, Jerome, vi. 76.
- Cardi, Ludovico. See Cigoli.
- Cardinal Beaufort (Reynolds’), ix. 401.
- —— Bentivoglio (Vandyke’s), ix. 111, 226.
- —— Blessing a Priest (Paul Veronese’s), ix. 26.
- —— Pierre, x. 55.
- Carduel (Carlisle), x. 21.
- Careless (a horse), ii. 22, 23.
- —— Husband (Cibber’s), viii. 161, 360.
- Carew, Killigrew and (Vandyke’s), ix. 39.
- —— Miss, viii. 275, 426, 451, 453, 459, 460.
- —— Thomas, iv. 361; v. 311; viii. 54.
- Carignani, Prince, ix. 197.
- Carl John (Jean Baptiste Jules Bernadotte), iii. 62.
- Carleton, Sir Dudley (Viscount Dorchester), iii. 394.
- Carlisle, ii. 75.
- —— Countess of (Vandyke’s), ix. 38.
- —— Lord, vi. 376; vii. 293, 376; xi. 548.
- Carlisle, Sir Anthony, ii. 170, 175, 178, 195, 198, 201, 205, 238; x. 341.
- —— St., Soho, ii. 228.
- Carlton House, i. 366; iii. 62, 110, 112, 119, 236, 258, 304; xi. 546.
- Carmarthen, Lord, ii. 105.
- Carmen Annuum (Southey’s), iii. 49, 92 n.
- —— Nuptiale, The Lay of the Laureate, by Robert Southey, Esq., iii. 109, 114, 220.
- —— Seculare (Horace’s), iii. 49.
- —— Triumphale (Southey’s), iii. 49, 99.
- Carnot, Lazare Nicolas Marguerite, iv. 323.
- Caroline (Holcroft’s), ii. 204.
- —— of Litchfield, ii. 107.
- —— Queen, iii. 114; x. 219; xi. 554.
- Carpathia, Travels in (by Hacquet), vii. 175 n.
- Carr, Captain, ii. 126.
- —— Holwell, vii. 293; xi. 548.
- —— Lady (Vandyke’s portrait), ix. 61.
- Carracci, Annibale, v. 124; vi. 14, 74, 173, 363; vii. 126; ix. 7, 9, 10, 14, 31, 32, 112, 197, 206, 237, 386, 409, 465; x. 278; xi. 188, 238, 243.
- —— Ludovico, vi. 363; vii. 126; ix. 7, 9, 10, 112, 355, 386, 409; xi. 278.
- Carrasco, The Batchelor (in Cervantes’ Don Quixote), iv. 53.
- Carron-Side, or the Fête Champêtre (by Mr Planché), xi. 387, 388.
- Carteret, George, Lord, iii. 411.
- —— John, Lord, iii. 410.
- Carthage, iii. 81; x. 71; xii. 99, 103.
- Carthagena, v. 88.
- Cartoons (Buffamalco’s), xii. 274 n.
- —— (Gribelin’s engravings of), vi. 185.
- Cartoons (Raphael’s), i. 9; iv. 244; vii. 36; viii. 148; ix. 12, 36, 42, 43–8, 70, 164, 365, 366, 380, 389, 402; xi. 216, 226, 352, 590.
- Cartwright, Major John, iv. 325; vi. 59.
- Caryl, Joseph, vii. 317.
- Casatella and Villa of Mæcenas (Wilson’s), ix. 25.
- Casaubon, Isaac, x. 243.
- Cassandra, i. 133; ii. 396; vii. 299; xii. 61, 265.
- Cassel, ix. 300.
- Cassiopeia, vii. 125.
- Cassius (in Shakespeare’s Julius Cæsar), v. 52; vi. 274; vii. 344.
- Castalio (in Otway’s The Orphan), viii. 263.
- Castiglione, Count, i. 163; ii. 180; v. 186; vii. 287; ix. 412.
- Castile, xi. 317.
- Castiza (in Tourneur’s Revenger’s Tragedy), v. 246.
- Castle of Andalusia (by O’Keeffe), viii. 329.
- —— of Indolence, (Thomson’s), v. 88, 374; vii. 66, 371; xii. 175, 332.
- —— of Otranto (Walpole’s), viii. 127.
- —— of St Aldobrand. See Maturin’s Bertram, viii. 308.
- —— of Udolpho (Mrs Radcliffe’s), viii. 126.
- —— Rack-rent (Maria Edgeworth’s), ii. 128; viii. 123, 466.
- Castlereagh, Lady, xii. 356.
- —— Lord, i. 45, 103, 379, 425; iii. 36, 59, 75, 76, 82, 102, 103, 108, 121, 122, 125, 158, 164, 179, 181, 192, 231, 232, 233, 234, 235, 236, 237, 240, 241, 246, 261, 291, 312, 314, 315; iv. 281; vi. 89, 109; vii. 13, 14, 214, 215, 220, 496; viii. 351; ix. 30, 315, 465 n.; x. 229; xi. 465, 470, 474, 474 n.; 551; xii. 215, 250, 310, 356.
- Castle Spectre (Monk Lewis’s), xii. 271.
- Castles (Government Spy), iii. 232, 234, 240, 261.
- Catacombs, Paris, ix. 161.
- Catalani, Madam Angelica, vi. 220, 404; vii. 160, 161; viii. 193; xi. 351, 454.
- Catalogue Raisonné of the British Institution, On the, i. 140, 146; ix. 311;
- Catalonia, x. 56.
- Cathedral of Milan, ix. 278.
- —— Rouen, ix. 98.
- Cathelineau (Vendéan Chief), vii. 331, 332.
- Catherine, Empress, iii. 107; iv. 189.
- Catiline, v. 186, 265; ix. 217, 373.
- Catley, Nan (Ann Catley), ii. 88.
- Cato, i. 155; ii. 361; iv. 205; vi. 274, 279; viii. 376, 379, 407; ix. 373; x. 211.
- —— (Addison’s), i. 157, 425; ii. 162; v. 356; viii. 89; xi. 391.
- —— St. Conspiracy, A, ix. 226.
- Catuelan, Count de, ii. 107.
- Causes Célèbres, vii. 339; viii. 279.
- —— of Methodism, On the (by Hunt), i. 378.
- Cavaliere Punto Michino, and Mr Denis Eusebius Talcranagh (Landor’s), x. 250.
- Cavallo, Monte, ix. 237.
- Cavanagh, John, vi. 86–89, 286; vii. 71.
- Cave of Despair (Spenser’s), v. 38, 42, 43; x. 74.
- —— of Mammon, (Spenser’s), v. 38, 42, 193; vi. 113; x. 74.
- Cavendish’s Negotiations of Cardinal Wolsey, xi. 601.
- Cavendish, George, iii. 278.
- —— Square, ii. 203; ix. 158.
- Cawdron, Mr, ii. 147.
- Cawse, Miss, xi. 388, 389.
- Cecilia, or Memoirs of an Heiress (Fanny Burney’s), vi. 120, 157, 411; viii. 123; x. 16, 41; xi. 326 n.; xii. 65.
- Cecilia (in Sophia Lee’s The Chapter of Accidents), viii. 529.
- Cecrops, ix. 217.
- Cedric the Saxon (in Scott’s Ivanhoe), viii. 426.
- Ceiling at Parma, The, xii. 357.
- Celadon and Amelia (Thomson’s), v. 90;
- Celia (in Shakespeare’s As You Like It), i. 340; viii. 252.
- Célimène (Molière), viii. 29; ix. 147, 149, 150, 151; x. 108; xi. 354.
- Celleno (Spenser’s), x. 74.
- Cellini, Benvenuto, i. 93; ix. 219, 220, 355; xii. 209.
- Cenis, Mont, ii. 224, 275; vii. 89; ix. 182, 183, 191, 193, 194, 195, 279, 280.
- Censorship, On the (Chateaubriand’s), ix. 99 n.
- Centlivre, Mrs, vi. 364; viii. 155, 161, 332, 360, 502.
- Cephalonia, iv. 261.
- Cephalus and Aurora (N. Poussin’s), ix. 311.
- Cerdon (Butler’s), viii. 65.
- Ceres, iv. 310; ix. 216.
- Certificate of Merit, iii. 256.
- Certosa, x. 282.
- Cervantes-Saavedra, Miguel de, i. 161, 314; ii. 171 n.; iii. 64, 142; iv. 208; v. 45; vi. 409, 426; vii. 120; viii. 31, 107, 108, 109, 112, 125; x. 27, 28, 29, 31, 43, 56, 77, 118; xi. 256.
- Cevallos, Pedro, iv. 310.
- Chairing the Member (in Hogarth’s Marriage à la Mode), i. 30; viii. 137; ix. 81.
- Chaldæa, iv. 59.
- Chalk Farm, viii. 463.
- Challenge for Beauty, A (Heywood’s), v. 214.
- Chalmers, Captain, ii. 67.
- —— Dr Thomas, xii. 275;
- Chalon, Alfred Edward, xi. 245.
- Chamber of Deputies, The, ix. 157.
- Chambéry (a town), i. 91; v. 103; xi. 182, 183, 190.
- Chamont (in Otway’s The Orphan), viii. 263.
- Chamouni, ix. 283, 288, 290, 292, 293, 294, 296.
- Champagne, Philippe de, ix. 110, 129.
- Champion, The (a periodical), i. 441–2; iii. 438, 454; vi. 481; viii. 174, 512 et seq.; ix. 459, 470, 481; x. 419; xi. 198, 202, 205, 208, 210, 216, 223, 230, 234, 237, 242, 246, 248, 249.
- Champions of Christendom, The Seven (by Richard Johnson), vii. 253.
- Champ de Mars, ix. 160.
- Champs Elysées, ii. 233; ix. 130 n., 159, 160.
- Chancery, Court of, iv. 326, 328.
- —— Lane, iii. 267; vii. 68; xii. 1, 2.
- Chances, The (by Beaumont and Fletcher), v. 261; viii. 48, 49.
- Change-house, iv. 247.
- Channing, Dr William Ellery, x. 310, 316.
- Chantry, Sir Francis Legatt, vi. 270, 326; vii. 89, 329, 367; ix. 127, 168, 330, 435, 490; xi. 248; xii. 271.
- Chapel Brompton, ii. 166.
- Chapman, George, v. 223;
- Chappel in le Firth, ii. 18.
- Character of Lord Bacon’s Works, compared as to Style with Sir Thomas Brown and Jeremy Taylor, v. 326.
- —— On Personal, vii. 230.
- Characters of Shakespeare’s Plays. See Shakespeare’s Plays, Characters of.
- —— of the Players (Armstrong’s), v. 119.
- Characteristics, in the Manner of Rochefoucauld’s Maxims, ii. 351;
- also referred to in ii. 352–3; vii. 123, 491.
- Characteristics (Shaftesbury’s), iii. 400; vi. 12, 41.
- Chariclea, vi. 201; x. 16.
- Charing-Cross, iv. 324; vi. 101, 379; vii. 271; xii. 361.
- Charinus (in Chariclea), x. 17.
- Charity (Vandyke’s), ix. 21.
- Charlemagne, iii. 105; x. 57, 329; xi. 230; xii. 204, 221.
- —— ou l’Église Délivrée (L. Bonaparte’s), xi. 230, 234;
- also referred to in ix. 254.
- Charlemont, Lady, xi. 496.
- Charles I., iii. 117, 284, 393, 396, 402; iv. 58; v. 82, 173, 192, 265, 345; vi. 155, 410; vii. 109, 322; viii. 49, 54, 162; x. 243, 334, 374; xii. 288.
- —— —— (drama by Shelley), x. 271.
- —— —— (Vandyke’s portraits of), i. 150; ix. 39, 73, 475.
- Charles II., i. 7, 44, 134, 138, 155, 156; iii. 112, 310, 399, 400, 402; iv. 58, 217; v. 82, 106, 176, 251, 345; vi. 120, 176, 200, 335, 399, 410, 430; vii. 127, 185, 243, 321, 322, 363; viii. 37, 54, 62, 70, 94, 96, 155, 162; ix. 22, 67; x. 118, 188, 205, 363; xi. 272, 276, 355, 435, 440, 579; xii. 356.
- —— the Second (Payne’s), xi. 381.
- —— V., i. 163; vi. 303; vii. 126; ix. 412; x. 278.
- —— IX., xii. 461.
- —— X., vi. 403; ix. 159; xii. 204, 456, 457, 458, 459, 460, 461.
- —— XII., v. 124.
- —— Oakley (in G. Colman’s The Jealous Wife), viii. 505, 532.
- —— Surface (in Sheridan’s The School for Scandal), ii. 123; viii. 165, 251, 292, 511; xi. 393.
- Charlotte (in Bickerstaffe’s The Hypocrite), viii. 247.
- —— (in Goethe’s Sorrows of Werther), i. 70.
- —— The (a ship), ii. 245.
- —— The Princess, iii. 109, 278; vi. 454; viii. 313; xi. 425.
- Charmettes, vii. 367, 371; ix. 190.
- Charon, vi. 141; xii. 35.
- Charter-House, The, vi. 383.
- Chartres, v. 77.
- —— Duke and Duchess of, ii. 107.
- Chartreuse, Grand, ix. 189; xii. 334.
- Chase of Diana (Correggio’s), ix. 204.
- Chateau de Toune, i. 90.
- Chateaubriand, Le Vicomte, vii. 331; ix. 99 n., 128, 133.
- Chatham, Lord, iii. 326, 327, 328 n., 336, 339, 340, 341, 346 n., 389, 414, 416, 417, 418; iv. 210, 237; vii. 268, 269; x. 248, 249, 382; xi. 465; xii. 50.
- —— Character of Lord, iii. 321.
- Chatillon (town), iii. 97.
- Chatterley, Mr and Mrs, viii. 329, 474; xii. 362.
- Chatterton, Thomas, v. 122, 123, 124, 125, 126, 376; vi. 411; xii. 35.
- —— Life of (Anderson’s), v. 123.
- Chaucer, Geoffrey, i. 11, 23, 84, 161, 162, 224, 225, 226, 332, 358, 399, 400; iii. 385; iv. 244, 276; v. 13, 19, 45, 46, 50, 51, 52, 68, 82, 99, 146, 195, 196, 240, 261, 367–71; vi. 418; vii. 133, 227, 240, 255, 270, 280; viii. 144; 284; ix. 74; x. 13, 69, 73–7, 171, 408; xi. 226, 269, 272, 505, 506, 573; xii. 29, 30, 206, 265, 327, 348.
- —— Life of (Godwin’s), iv. 210; vi. 378, 418; x. 399.
- —— and Spenser, On, v. 19.
- Chaudet, Antoine Denis, ix. 167.
- Chauncey, Dr, vii. 306.
- Cheap Living (by Reynolds), ii. 201.
- Cheapside, i. 248; vi. 379; viii. 276; xi. 386.
- Cheats of Scapin (Molière’s), vi. 419; xi. 366.
- Chebar, River of, iii. 144, 145.
- Cheevers, William, ii. 30, 31.
- Chelsea, iii. 132.
- —— pensioners, xi. 375.
- Cheltenham waters, The, ii. 194.
- Chepstow Castle, iii. 220.
- Cherry (Farquhar’s Beaux’ Stratagem), viii. 14, 88.
- Chertsey, vi. 292.
- Cheshire, ii. 12, 14, 17, 18, 166, 167, 267; iii. 400.
- —— Mrs (in O’Keeffe’s Agreeable Surprise), viii. 319.
- Chester, ii. 65.
- —— John, xii. 272, 274.
- Chesterfield, Philip Dormer Stanhope, Earl of, i. 41, 44; vi. 163, 303; viii. 143; x. 248, 249; xi. 272.
- —— House, xii. 132.
- —— Lady, vi. 200.
- ——, ii. 18.
- Cheviot (in Kenney’s The World), viii. 229.
- —— Hills, ii. 110.
- Chevy Chase (old ballad), ii. 16; x. 172.
- Chiffinch (in Scott’s Peveril of the Peak), ix. 279.
- Child, Head of a (Andrea del Sarto’s), ix. 51.
- —— of Nature, The (Mrs Inchbald’s), viii. 196.
- —— Sleeping (Murillo’s), ix. 26.
- Childe Harold’s Pilgrimage (Byron’s), xi. 420;
- Childers (the horse), ii. 22.
- Children in the Fiery Furnace, The, vii. 57.
- Children in the Wood (picture), ix. 474.
- Children in the Wood, The (Morton’s), viii. 229, 388.
- —— —— The story of the, vii. 252; x. 393.
- —— of Charles I. (Vandyke’s), ix. 39.
- —— of the Mist, The (Scott’s), iv. 248; x. 207.
- Children’s Friend, The (by M. Berquin), ii. 114.
- Chili, iv. 189.
- Chimboraco (mountain), iv. 357.
- China, iii. 357; vi. 187, 328, 376.
- —— Emperor of, ix. 60.
- Chinese, i. 46; iv. 143.
- —— converted to Christianity (Kneller’s), ix. 41.
- Chirk (town), vi. 186.
- Chiron and Achilles (Barry’s), ix. 420.
- Chloe (in Fletcher’s Faithful Shepherdess), v. 254.
- Choice, The (Pomfret’s), v. 373.
- Choleric Fathers, The (Holcroft’s), ii. 111.
- Chrestomathic School (Bentham’s), iv. 190; vii. 247, 249.
- Christ, i. 145; v. 183; xi. 491; xii. 37, 38.
- —— and St Thomas (Jacquot’s), ix. 167.
- —— bearing His cross (Domenichino’s), ix. 35.
- —— —— (Morales’), ix. 26.
- —— in the Garden (Correggio’s), ix. 12.
- —— in the Mount (Claude’s), ix. 53.
- —— Picture of, at Assisi, ix. 261.
- —— —— (Carlo Dolci’s), ix. 67.
- —— Rejected (West’s), ix. 323.
- Christ-Church Meadows, ix. 69.
- Christ’s Agony in the Garden (Haydon’s), xi. 481–3.
- —— Entry into Jerusalem (Haydon’s), x. 201; xi. 482, 484.
- —— Hospital, iv. 215, 365.
- Christabel (Coleridge’s), iii. 205; iv. 219; v. 166; viii. 166; x. 411, 418, 420; xi. 580.
- Christian (Bunyan’s Pilgrim’s Progress), iii. 130; v. 14; vii. 222.
- Christian, Ned, ix. 451.
- Christie, James (picture-dealer), ii. 202, 221, 224; ix. 352.
- Christopher Higgins (in Ups and Downs), xi. 387.
- —— Sly (in Shakespeare’s Midsummer Night’s Dream), i. 64; iii. 119; viii. 12, 552; xi. 377.
- Chronicle (Geoffrey of Monmouth’s), x. 20.
- Chronicles (Froissart’s), i. 87, 100; vii. 229; xii. 16.
- Chrysophus, xi. 73.
- Chubb, Thomas, vii. 223.
- Chudleigh, Elizabeth, Countess of Bristol, and Duchess of Kingston, vi. 515.
- Church (racket-player), vi. 89.
- —— of England, iv. 200; xii. 386, 402.
- —— of Saint John and Saint Paul, The, Venice, ix. 271.
- Churchill, Charles, v. 119, 375.
- —— Miss, vi. 200.
- Chute, John, x. 159.
- Cibber, Colley, i. 55, 156, 157, 158, 180, 300, 440; iii. 113, 258, 311; v. 247; vi. 15, 445; viii. 90, 158, 160, 161, 162, 173, 330, 359, 361, 537; x. 134; xi. 399.
- —— Mrs, i. 157.
- Cicero, Marcus Tullius, i. 135, 140, 197, 397; iii. 336, 422, 463; iv. 283, 384; v. 186, 195, 265; vi. 61, 111, 462; vii. 14; ix. 373; x. 249, 251; xi. 73, 336; xii. 164, 168, 429, 441.
- —— at his Villa (Wilson’s), xi. 198.
- —— (Middleton’s), ii. 173, 176, 190, 194.
- Cid, The (Southey’s), iv. 268; ix. 203; xi. 328, 329, 333.
- Cider-Cellar, vi. 199, 208; vii. 70.
- Cignani, Conte Carlo, vi. 346.
- Cigoli (Cardi, Lodovico), ix. 226.
- Cimabue, Giovanni, vii. 254; ix. 409; xii. 36, 38.
- Cimarosa, Domenico, xi. 300.
- Cimon and Iphigene (Boccacio’s), i. 332; x. 68.
- Cincinnatus, iv. 257; ix. 373; x. 211.
- Cinderella, vi. 165; viii. 428, 436, 437; xii. 120.
- Cipriani, Giambattista, vii. 96; ix. 355, 420.
- Circe, viii. 231; x. 12.
- Circumcision (Bassano’s), ix. 35.
- Cirencester, iii. 408.
- Citizen of the World (Goldsmith’s), v. 120; viii. 104.
- City Shower (Swift’s), v. 109.
- —— Wives’ Confederacy (Vanburgh’s), vi. 414; viii. 31.
- Civil and Criminal Legislation, Project for a New Theory of, xii. 405.
- —— Government, Treatise on (Locke’s), x. 249.
- Clackmannan, Baron (Lord Erskine), iv. 335.
- See Erskine.
- Clairfait, General, ii. 179.
- Clandestine Marriage (by Geo. Colman the elder and Garrick), vi. 95; vii. 210; viii. 163.
- Clapham, vii. 73; ix. 300.
- Clara (in Mrs Centlivre’s The Wonder), viii. 156.
- —— (Holcroft’s), ii. 266.
- —— (Mrs Radcliffe’s), viii. 126.
- Clare (in Merry Devil), v. 293, 294.
- Claremont, Mr (actor), viii. 251.
- Clarence, Duke of, iv. 93 n.
- Clarendon, Edward Hyde, Earl of, iv. 212; vii. 229.
- —— Lady, iii. 400; vi. 41.
- Clarens, ix. 281, 285, 296; xii. 25.
- Clarissa Harlowe (Richardson’s), i. 133; ii. 130; iii. 157; iv. 371; v. 15; vi. 236, 380, 400, 441, 448; vii. 227, 311; viii. 83, 120, 153, 556; ix. 237, 434; x. 38; xii. 63, 154 n., 155 n., 435.
- Clarke, Dr, ix. 467.
- —— Jack, ii. 24, 25, 26, 28, 29, 31, 35, 36, 37, 48, 49, 50, 54.
- —— Mrs, iii. 218; xi. 556; xii. 276 n.
- —— Samuel, iv. 216; xi. 118.
- —— Tom, ii. 31.
- Clarkson, Thomas, iv. 333.
- Classical Education, On, i. 4.
- Claud Halcro (in Scott’s The Pirate), xi. 535.
- —— Lorraine, i. 79, 142, 148, 149, 442; ii. 361, 402; iv. 217, 274; v. 11, 98, 178, 343; vi. 8, 13, 19, 25 n., 39, 45, 92, 128 n., 163, 173, 201, 212, 320, 458; vii. 36, 56, 114, 120, 121, 177; viii. 125, 364, 474; ix. 13, 22, 30, 35, 53, 54, 57, 59, 65, 66, 107, 108, 109, 113, 128, 164, 238, 289, 317, 318, 351, 389, 392, 394, 427, 464–5, 477; x. 179, 187, 192, 197, 278, 281, 300, 303; xi. 191, 198, 201, 202, 212, 213, 238, 246, 336 n., 373, 458, 541; xii. 36, 155 n., 202, 208, 274 n., 327, 337, 347, 349, 350, 372, 439.
- Claudian Gate, The, at Rome, ix. 234.
- Claudio (in Shakespeare’s Measure for Measure), viii. 283.
- Clause (in Kinnaird’s Merchant of Bruges), viii. 264, 265.
- Claverhouse (Scott), iv. 247, 251; viii. 129.
- Clavigo (by Goethe), ii. 163.
- Clease, Thomas, ii. 167.
- Clement VII. (Giulio Romano’s), ix. 34.
- —— —— (Titian’s), ix. 34.
- Clementi, Muzio, ii. 70, 164, 178, 188, 199, 212, 226.
- Clementina (in Richardson’s Sir Chas. Grandison), vi. 236; vii. 227; viii. 120; x. 39; xii. 62, 63.
- Cleopatra (Shakespeare’s Antony and Cleopatra), i. 257, 357; ii. 396; v. 50, 209; vii. 299; viii. 389; xi. 295.
- Cleora (in Massinger’s Bondman), v. 266.
- Clerical Character, On the, iii. 266, 271, 277.
- Clerk of Oxenforde, The (Chaucer’s Canterbury Tales), v. 30.
- Clerkenwell Sessions House, ii. 148.
- Cleveland, Duchess of, i. 44; vi. 430; vii. 212 n.; xi. 272; xii. 356.
- —— (in Scott’s Pirate), xi. 532, 533.
- —— House, ix. 33 n., 50, 55.
- —— Lady (Vandyke’s), ix. 73.
- —— Row, ix. 479.
- Cleves, ix. 299.
- ——Princess of, vii. 308; viii. 326.
- Clifford’s Inn, xii. 164 n.
- Clifton Coke (in Holcroft’s Anna St Ives), ii, 128, 131.
- Clise-Horn, The, ix. 280, 281.
- Clitophon and Leucippe, x. 24.
- Clive, Lord, vii. 350.
- —— Mrs, i. 157; ii. 77 n.; vi. 275; xii. 33.
- Cloak Lane, ii. 201.
- Clootz, Anacharsis, iii. 75.
- Clorin (in Fletcher’s Faithful Shepherdess), v. 255, 256.
- Clorinda (in Cibber’s Double Gallant), viii. 361.
- Cloten (in Shakespeare’s Cymbeline), xii. 196.
- Clothilde, vii. 175.
- Clotilda (in Maturin’s Bertram), viii. 306.
- Cloudesley (Godwin’s), x. 386, 389, 391, 392, 393.
- Clown Pompey (in Shakespeare’s Measure for Measure), viii. 283.
- Clowns, The (in Marlowe’s Dr Faustus), v. 207.
- Cloyne, Bishop of. See Berkeley (Bishop).
- Clyde, The, iii. 122, 124.
- Clym of the Clough (in Holcroft’s The Noble Peasant), ii. 110.
- Clytemnestra (Guérin’s), ix. 136.
- Coates (correctly Cotes, Francis), iii. 307.
- —— Robert, viii. 200, 209.
- Cob (in Ben Jonson’s Every Man in his Humour), viii. 45, 311.
- Cob’s Wife (Ben Jonson’s Every Man in his Humour), viii. 45, 311.
- Cobbett, William, iv. 334;
- —— Character of, vi. 50.
- Cobbetts, The, iii. 206.
- Cobbett’s Weekly Political Register, i. 424 n.; iii. 300; iv. p. xi., 399, 401 et seq.; xii. 206.
- Cobham, Thomas, viii. 298, 299.
- Coblentz, ix. 299.
- Cobler, The (mountain), ii. 329.
- Coburg Theatre, The, vi. 160; viii. 394, 404, 409; ix. 278; xi. 370.
- Cobweb (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.
- Cock and the Fox, The (Chaucer’s), v. 33.
- —— Lane Ghost, iii. 138.
- Cockayne, Land of, ix. 90.
- Cocke (in Still’s Gammer Gurton’s Needle), v. 286.
- Cockermouth, ii. 72, 73, 75.
- Cockney School, vi. 99.
- —— The word, vii. 66.
- —— Watty, viii. 539.
- Cockpit, The, viii. 145.
- Cocles defending the Bridge (Le Brun’s), ix. 25.
- Codrus, iv. 205; xi. 319.
- Cœlebs, vi. 196.
- Cœlum Britannicum (Carew’s), viii. 54.
- Coffee-House Politicians, On, vi. 189.
- Coghlan, A Catholic Bookseller, ii. 177.
- Coigley, ii. 176, 192, 205.
- Coke, Sir Edward, i. 80; iii. 393, 415; v. 175.
- —— Thomas William, iii. 285 n.
- Col de Peaume, ix. 290, 291.
- Colburn, Henry, xi. 348, 386; xii. 375.
- Colchester, Lord. See Abbott, Mr Speaker.
- Cold-Bath-Fields’ Prison, vii. 378.
- Cole, Mr, ii. 143 n., 144, 228.
- Cole-Orton, iv. 274.
- Coleridge, Berkeley, iv. 216 n.
- —— Derwent, iv. 216 n.
- —— Hartley, iv. 216 n.
- —— Samuel Taylor, iv. 212; xi. 411;
- referred to in i. 38, 95, 383 n., 387, 388, 401; ii. 428; iii. 135, 149, 157, 159, 170, 200, et seq., 243, 249, 253, 295, 312, 350 n., 448; iv. 202, 225, 233, 268, 269, 286, 341; v. 88, 131, 165, 339, 340 n., 341 n., 363, 377, 379; vi. 58, 87, 110, 183, 203, 224–5, 251, 281, 294–5, 305, 314, 362, 369, 442; vii. 15, 23, 29, 35 et seq., 41, 102, 198, 226, 228, 265, 289, 313, 347, 374, 482, 513; viii. 247, 352, 368, 416, 421, 479, 480 n., 534; ix. 338 n.; x. 120, 135, 157, 162, 225, 410–11 et seq.; xi. 354, 412 et seq., 416, 502 n., 509, 514, 532, 536, 568, 570, 585; xii. 56, 259, 260 et seq., 319, 339, 359, 364, 373, 436, 460.
- Coleridge’s Christabel, x. 411; xi. 580.
- —— Lay Sermon, iii. 152; x. 120;
- also referred to in i. 441.
- —— Lectures at Bristol, xi. 416;
- also referred to in iii. 435.
- —— Literary Life, x. 135.
- ——Memorabilia of, xii. 346.
- Colin Clout (in Spenser), v. 38.
- Colin Macleod (in Cumberland’s Faithless Lover), ii. 83.
- College of Heralds, The, xii. 44.
- —— of Physicians, The, xii. 246.
- —— of Somasco, The, x. 277, 287.
- Colles, Mrs (? Mrs Cole), ii. 273.
- Collier, Jeremy, viii. 89, 155.
- Collins, Anthony, vii. 72.
- —— earth (a paint), vi. 431.
- —— Richard, ix. 31.
- —— William, v. 104; also referred to in i. 252; iv. 277; v. 8, 126, 374; vi. 72; viii. 71; xii. 450.
- —— William (painter), ix. 406; xi. 191.
- Colloquies (of Erasmus), vi. 245.
- Colman, George, the elder, ii. 103, 109, 169, 170, 172, 173; vi. 443–4; viii. 163, 164, 241, 316, 342, 343, 505.
- —— Geo., the younger, xi. 374.
- Colmar (town), ix. 298.
- Colnaghi, Paul, ii. 188; ix. 8.
- Colocotroni, General, x. 232, 251.
- Cologne, ix. 299; xii. 57.
- Colonel Bath (in Fielding’s Amelia), vii. 84; viii. 114; x. 33.
- —— Briton (in Mrs Centlivre’s The Wonder), viii. 156, 333; xi. 402.
- —— Feignwell (in Mrs Centlivre’s Bold Stroke for a Wife), viii. 388.
- —— Jack (Defoe’s), viii. 107 n.; x. 381, 382; xii. 142.
- —— Mannering (Scott’s Guy Mannering), iv. 248; viii. 292.
- —— O’Donolan (in Mrs Kemble’s Smiles and Tears), viii. 266, 267.
- —— Oldboy (in Bickerstaffe’s Lionel and Clarissa), ii. 83.
- —— Standard (in Farquhar’s Trip to Jubilee), viii. 86.
- —— Standfast (in Cibber’s Double Gallant), viii. 361.
- Colonel Trent (Fielding’s), viii. 114; x. 33.
- Colonna, Cape, xi. 495.
- Colosseum, The, vi. 429; ix. 232, 234.
- Colour-Grinder (R. T. Bone’s), xi. 247.
- Colquhoun, Patrick, iii. 148.
- Columbus, Christopher, xii. 30, 262.
- Comachio, The Gulph of, ix. 264.
- Combe, Dr Andrew, vii. 156 n.
- Comedy of Errors (Shakespeare’s), i. 351;
- also referred to in v. 199; viii. 31, 401.
- —— On Modern, i. 10.
- Comic Writers, etc., of Great Britain, Lectures on the, viii. 5.
- —— —— viii. 531; xi. 571, 576, 577.
- —— —— of the Last Century, On the, viii. 149.
- Commentaries (Cæsar’s), vi. 107, 191, 304.
- Committee, The (Sir Robert Howard’s), viii. 69.
- Commodore Trunnion (Smollett’s Peregrine Pickle), vii. 223; xii. 378.
- Common-Place Critics, On, i. 136.
- —— places, xi. 540;
- —— Sense, xii. 377.
- —— —— (Paine’s), iv. 334; vi. 51.
- Commonwealth (Plato’s), v. 3.
- —— of England, History of the (Godwin’s), iv. 212; x. 399.
- Como, ix. 278.
- Compagnons du Lys, iii. 171; xi. 288; xii. 448.
- —— d’Ulysse, viii. 20; xi. 288; xii. 452.
- Company at the Opera, The, xi. 369.
- Complaint, The (Wordsworth’s), v. 156.
- —— of a Poor Indian Woman, The (Wordsworth’s), xii. 270.
- Complete Angler (Walton’s), i. 56, 57 n.; ii. 370, 371; iv. 277; v. 98, 99, 298; vii. 26, 161; xii. 19, 177.
- Complete Tradesman, The (Defoe’s), x. 366.
- Compton, Mr, ii. 199.
- Comus (Milton’s), viii. 230;
- Conciones ad Populum (Coleridge’s), i. 388; iii. 139; v. 167; vii. 265; x. 149; xi. 412, 417.
- Concordat, The, x. 329.
- Condillac, Etienne Bonnot de, iv. 378 n.; vii. 454 n.; xi. 1, 7, 29, 88, 117, 165, 173 n., 181, 182, 579; xii. 104.
- Condorcet, M. J. A. Nicolas Caritat, iii. 369, 382; iv. 20, 30, 33, 105, 106, 108, 112, 116; xi. 579; xii. 170.
- Conduct of Life; or, Advice to a Schoolboy, On the, xii. 423.
- Confederacy, The (Vanbrugh’s), viii. 77, 80, 81, 83, 555.
- Confession, The (in Liber Amoris), ii. 292.
- Confessions of an Opium-eater, The (De Quincey’s), x. 222.
- —— (Rousseau’s), i. 17, 90, etc.; v. 100; vi. 24; vii. 368, 429; xii. 58 n.
- Confidant (Crabbe’s), iv. 353.
- Congleton, ii. 18.
- Congress, Whether the Friends of Freedom can entertain any Sanguine Hopes of the Favourable Results of the Ensuing, iii. 103.
- Congreve, William, viii. 70;
- Connoisseur, The (a journal), ii. 109; vii. 226; viii. 104.
- Connor, Charles, viii. 427, 469, 475.
- Conquest, The Norman, iii. 77; vi. 367.
- —— of Taranto (Dimond’s), viii. 366.
- Conrade and Gulnare (Singleton’s), xi. 247.
- Conscious Lovers (Steele’s), viii. 33, 90.
- Consciousness, Essay on (Fearn’s), vi. 65, 260; xi. 181 n.
- Consistency of Opinion, On, xi. 508.
- Conspiracy of Catiline (Salvator Rosa’s), ix. 226.
- Constable, Archibald, publisher, iv. 245; vi. 513.
- —— John, ix. 126.
- Constance (Chaucer’s), v. 21, 28, 82, 370; x. 76; xi. 505.
- —— (Shakespeare’s King John), i. 306 et seq., 425; viii. 346; xi. 410.
- Constancy (Shakespeare’s sonnet), i. 360.
- Constant Couple. See Trip to the Jubilee.
- —— Benjamin, iii. 36; vi. 102 n.; viii. 79.
- Constantia (in Gallantry), viii. 399, 400.
- Constantine, Conversion of, iii. 142.
- Constantine’s Arch, viii. 457; ix. 232.
- —— Bath, ix. 238.
- Constantinople, iv. 75; vi. 73; ix. 230; x. 19; xi. 495; xii. 401.
- Constitution Hill, ii. 190.
- —— of 1792, The, iii. 290.
- Constitutional Association, xi. 322, 513.
- —— Society, ii. 152, 153, 206.
- Contempt of the Clergy, On the (Echard’s), viii. 107; x. 27; xii. 148.
- Contention between a Nightingale and a Musician (Strada’s), v. 318.
- Contingent Remainders, Treatise on (Fearn’s), vii. 26.
- Contrast (in Burgoyne’s Lord of the Manor), xi. 316.
- Controversial Works (Baxter’s), xii. 383.
- Controversy, The Spirit of, xii. 381.
- Contucci, Andrea. See Sansovino.
- Convention of Paris, xi. 302.
- Conversation of Authors, vii. 24, 35.
- —— of Lords, On the, xii. 38.
- —— between Oliver Cromwell and Walter Noble, The (Landor’s), x. 243.
- —— —— King James I. and Isaac Casaubon, The (Landor’s), x. 243.
- Conversations as Good as Real, xii. 363, 369.
- —— Lord Byron’s, vi. 374.
- —— (Captain Medwin’s), vii. 343.
- —— Northcote’s, Mr, vi. 331.
- Conversion of Saint Paul (Rubens’), ix. 52.
- Convocation of Saints (Raphael’s), ix. 365.
- Conway, William Augustus, viii. 177, 200, 209, 231, 232, 239, 263, 275; xi. 361, 362.
- Cooke, George Frederick, i. 299; viii. 166, 181, 182, 292.
- —— John, vii. 222, 223.
- Cooper, Ab., xi. 248.
- —— (actor), viii. 480, 484; xi. 376, 379, 385.
- —— J. Fenimore, vi. 386, 422; x. 310, 312, 313.
- —— Richard, ix. 121.
- —— Thomas, of Manchester, vi. 513; vii. 173 n., 174 n., 451 n.
- Cooper’s Hill (Denham’s), v. 84, 372.
- Copeland, Miss, viii. 413 n.
- Copenhagen, ii. 229; x. 123.
- Copenhagen-house, vi. 88; vii. 71.
- Copmanhurst, The Hermitage of, viii. 425.
- Copper Captain, The (in Fletcher’s Rule a Wife and Have a Wife), vi. 275; viii. 49, 234; xii. 24.
- Corbaccio (Ben Jonson’s), viii. 44.
- Corbould, Mr, ii. 197.
- Corcoran, Peter, viii. 480 n.
- Cordelia (in Shakespeare’s Lear), i. 258; v. 5, 225; viii. 430, 444, 447, 450; xi. 295.
- Corderoy, Mrs (in Ups and Downs), xi. 385, 387.
- Corelli, Archangelo, ii. 176.
- Corinna, iv. 205; viii. 153, 555.
- —— (in Vanburgh’s Confederacy), viii. 77, 80, 82, 83.
- Corinth, ix. 325.
- Coriolanus (Shakespeare’s), i. 214, viii. 347;
- Cork (the town), ii. 182; ix. 413, 414, 415, 416.
- —— Earl of, x. 150.
- Cornbury, Lord, v. 77; viii. 555; xii. 31.
- Corneille, Pierre, ii. 179; vii. 311, 323; viii. 29; x. 105, 106.
- Cornelia (in Webster’s White Devil), v. 243.
- Cornelius (in Shakespeare’s Cymbeline), i. 186.
- Cornet Hector Lindsay (in Planché’s Carronside), xi. 388–9.
- Cornwall, ii. 224; iii. 395, 414; vi. 390.
- —— Barry, v. 379; vi. 203.
- —— Duke of, i. 264; viii. 448.
- Cornwallis, Earl, ii. 200, 212.
- Coronation Anthem (Handel’s), xi. 455.
- —— of Napoleon (David’s), ix. 30.
- Corporal Foss (in The Poor Gentleman), xi. 376.
- —— Trim (Sterne’s Tristram Shandy), iii. 372; iv. 23; v. 105; vi. 191 n., 235; vii. 223; viii. 121; ix. 427; x. 39; xi. 283.
- Corporate Bodies, On, vi. 264.
- Corporation and Test Acts, xi. 473; xii. 405.
- Correggio, Antonio Allegri da, i. 24, 78, 161; ii. 187, 365, 406; v. 45, 297; vi. 11, 13, 16, 74, 282, 316, 318, 335, 353, 361, 371, 394, 399, 400, 509; vii. 57, 94, 108, 118, 119, 126, 284; ix. 10, 12, 14, 15, 25, 26, 31, 35, 41, 43, 51, 70, 74, 107, 113, 163, 203, 204, 206, 224, 237, 313, 342, 347, 349, 369, 382, 383, 384, 399, 400, 409, 410, 427; x. 77, 192; xi. 197, 212, 214, 218, 241 n., 464, 482; xii. 36, 38, 356, 357, 426.
- Correspondent, The (a newspaper), iii. 153, 181.
- Corresponding Society, The, ii. 153.
- Corri, Miss R., viii. 465, 470.
- Corsair (Byron’s), iv. 257; v. 153; x. 15; xi. 247.
- Corsica, xi. 236.
- Corsini pictures, The, ix. 239.
- Corso, The, Florence, ix. 212.
- —— The (at Rome), ix. 233; xii. 462.
- Cortes, Fernando, iii. 106, 159, 216, 295; vii. 149; xi. 414, 551.
- Cortona, ix. 239, 253, 262, 302.
- Cortot, Jean Pierre, ix. 167.
- Corvino (in Ben Jonson’s Volpone), viii. 40, 44.
- Coryate, Thomas, v. 162; vii. 255.
- Cosi fan Tutti (Mozart’s), viii. 325, 326; xi. p. viii.
- Cosmo Comyne Bradwardine (in Scott’s Waverley), ix. 367; xii. 91.
- Cossacks, The, iii. 63; xi. 196, 197.
- Cossé, L., xi. 246.
- Cosway, Maria, vi. 400; ix. 254.
- —— Richard, vi. 333, 354, 380, 381, 432; vii. 90, 95, 96; ix. 354, 355; xii. 439.
- Cotes, Francis, iii. 307.
- Cottage Child at Breakfast (W. Collins’), xi. 246.
- —— Children (Gainsborough’s), xi. 203.
- Cottar’s Saturday Night (Burns’), v. 126, 137, 183; xi. 313, 452 n.
- Cotton, Charles, i. 57 n.; v. 122; viii. 94.
- —— Sir Robert, iii. 393.
- Cottrells, The Miss, vi. 343, 450. 507.
- Council Chamber of the Senate, The, Venice, ix. 274.
- Count (in Fielding’s Jonathan Wild), iii. 234.
- —— Basset (Cibber’s), viii. 37.
- —— Camaldole (in Godwin’s Cloudesley), x. 386.
- —— Conolly Villars (in Holcroft’s School for Arrogance), ii. 117.
- —— Egmont (Goethe’s), v. 363; x. 119.
- —— Fathom (Smollett’s), i. 12; iii. 103, 125, 181, 233, 291; v. 277; viii. 117, 127, 151; x. 35; xi. 374.
- —— Hottentot (Burgoyne’s, in Richard Cœur de Lion), viii. 196.
- —— Julian, Tragedy of (Landor’s), x. 255.
- —— La Ruse (Fielding’s), xi. 136.
- —— Lunenberg (Sheil’s Adelaide, or the Emigrants), viii. 309, 310.
- —— Maldecini, The (in Thomson’s The Dumb Savoyard and his Monkey), xi. 363.
- —— Ugolino (Michael Angelo’s), v. 18; x. 63.
- —— —— (Dante’s), v. 18; vi. 466; ix. 401; xi. 368, 406; xii. 30.
- —— —— (Reynolds’), v. 18; vi. 348; vii. 275; ix. 400; x. 63.
- Countess of Cumberland, Epistle to the (Daniel’s), v. 371.
- —— Dowager Delamere (in Ups and Downs), xi. 385, 387.
- —— Pillar, The, v. 148.
- Countess of Servan (in Payne’s Anglade Family), viii. 280.
- Country Cousins (a play), viii. 428, 430, 434.
- —— Girl, The (Wycherley’s), vi. 68, 463; viii. 524; xi. 274, 276.
- —— People, Character of the, xi. 309.
- —— Scene (Cossé’s), xi. 246.
- —— Wife, The (Wycherley’s), viii. 29, 76; x. 108.
- Cour des Fontaines, The (an inn), ix. 177.
- Courier, The (newspaper), i. 388; iii. 47 n., 76, 97, 98, 107, 110, 122, 124, 126, 135, 148, 206, 211, 214, 284, 435–6; iv. 214, 218; vi. 196, 294 n.; viii. 332, 335, 336, 340; x. 158 n., 219; xi. 416, 417, 420, 547; xii. 133.
- —— and Times Newspapers, On the, iii. 58.
- —— and the Wat Tyler, The, iii. 200.
- Court of Honour, The (in The Tatler), i. 9; viii. 98.
- —— Influence, On, iii. 254, 259.
- —— Journal, The, a Dialogue, xii. 354.
- Courteney (? Courtenay, John), iii. 419.
- Courtney, Mr, ii. 205, 214, 217.
- Courtneys, The, vi. 367.
- Coutts, Thomas, xi. 496.
- Covenanters, vii. 180.
- Covent Garden Theatre, i. 65, 157, 194, 248; ii. 78, 100, 101, 111, 113, 116, 159, 162, 163, 182, 194, 196, 207; vi. 294; vii. 308; viii. 176, 190, 192, 193, 195, 227, 230, 234, 237, 247, 250, 252, 253, 256, 261, 266, 275, 276, 281, 291, 292, 297, 298, 302, 315, 317, 318, 319, 332, 334, 335, 336, 338, 341, 342, 345, 347, 353, 354, 355, 357, 358, 362, 370, 373, 374, 386, 391, 401, 410, 413, 422, 425, 426, 427, 428, 430, 431, 432, 436, 439, 442, 452, 464, 465, 466, 526, 529, 530, 531, 539; ix. 463; xi. 277, 303, 304, 359, 362, 365, 369, 370, 373, 375, 376, 381, 382, 386, 388, 394, 396, 401, 403, 407, 410, 419, 499; xii. 17, 120, 121, 122 n., 124, 140 n.
- Coventry, ii. 10, 11, 14; ix. 302.
- —— Cross, ii. 11.
- —— C., xi. 244.
- —— Emily, xii. 364.
- Coviello of the Carnival, the, x. 279.
- Covigliaijo, ix. 199, 209.
- Cowley, Abraham, i. 133; v. 84, 125, 300, 372; vi. 110, 236; viii. 24, 57–62, 94, 463, 496; ix. 326; x. 64, 98; xi. 574; xii. 34, 124.
- —— (Butler Suckling, Etherege, etc.), viii. 49.
- —— Mrs, viii. 163.
- Cowper, Lord, ii. 225.
- —— William, v. 85; also referred to in i. 40; iii. 243, 266, 271; iv. 217, 351; v. 63, 369, 376; vi. 210, 248; viii. 51; x. 162, 327; xi. 249, 305, 306, 486, 492, 495, 503; xii. 240, 251, 273, 346.
- Cowslip (O’Keefe’s Agreeable Surprise), vi. 417; viii. 167, 319, 468.
- Coy Mistress, To his (Marvell’s), v. 314, 372.
- Coypel (painter), ix. 397.
- Crab (a dog), iii. 109.
- Crabbe, George, iv. 343; xi. 603;
- Crabtree (in Sheridan’s School for Scandal), viii. 251; xi. 393; xii. 24.
- Cracovius, iii. 266.
- Craig Campbell (in Holcroft’s Love’s Frailties, or Precept against Practice), ii. 159.
- Craig-Crook, ii. 314.
- Craigie Burn Wood (in Scott’s Antiquary), viii. 413.
- Cranach, Lucas, ix. 354.
- Cranmer, Thomas, ix. 23.
- Crashaw, Richard, v. 311, 318; viii. 49, 53.
- Crawfurd, Mrs, viii. 393.
- Crayon, Geoffrey. See Irving, Washington.
- Crazy Kate (in Cowper’s Task), v. 92.
- Creation (Sir R. Blackmore’s), xi. 489.
- —— Haydn’s, viii. 298.
- —— The (Milton), v. 183.
- Crébillon, Prosper J. de, ii. 179; iv. 217; vi. 49; vii. 311.
- Credibility of the Gospel History (Lardner’s), iii. 266.
- Crellius, iii. 266.
- Cremona Fiddles, ii. 164.
- Creskeld, Mr (Member of Parliament), iii. 395.
- Crespi, Giuseppe Maria, ix. 20.
- Cressida (Chaucer’s), v. 20;
- (Shakespeare’s) xi. 295.
- Crete, x. 7.
- Crewe, Mrs, ii. 84, 86.
- —— Park, ii. 167.
- Cribb, Tom (pugilist), iv. 223, 334; vi. 50; ix. 242; xii. 7, 9, 12.
- Crichton, James (The Admirable Crichton), vi. 46; x. 335; xii. 277.
- Criminal Law (? Hazlitt’s), xi. p. viii.
- See also xii. 405.
- Crisis, The (Holcroft’s), ii. 83, 84, 85, 86.
- Cristall, Joshua, ix. 309.
- Crites (in Ben Jonson’s Cynthia’s Revels), v. 303.
- Critic, The (Sheridan’s), ii. 260; viii. 164.
- Critical Essays (Pope’s), v. 69;
- (Addison’s) viii. 99.
- —— Review, The (a periodical), ii. 269.
- Criticism, On, vi. 214.
- —— Essay on (Pope’s), i. 41; v. 73, 74, 373.
- Critics, Upon (Butler’s), viii. 68.
- Critique of Pure Reason, The (Kant’s), vii. 37; xii. 164 n.
- Critique de l’Ecole des Femmes (Molière’s), viii. 29, 77; x. 108.
- Crivelli, Signor, viii. 365; xi. 300.
- Crockery (in Jameson’s Exit by Mistake), iii. 304; viii. 322, 468.
- Croft, Herbert, v. 122, 123, 124.
- Croker, Right Hon. John Wilson, i. 379, 384; iii. 48, 103, 110, 162, 206, 230, 231, 278; iv. 241, 308; vi. 89, 212, 284, 360; vii. 100, 101 n., 102, 115, 123, 165, 376; viii. 453, 479; ix. 185, 244, 246; xi. 344, 384, 385, 547, 551; xii. 276 n., 294, 310.
- —— Mr. See Talking Potato.
- Croley (Croly, George), vii. 104, 105; xi. 360; xii. 283.
- Crompton, Mr, ii. 164.
- Cromwell, Oliver, i. 153, 428; ii. 157; iii. 168, 310, 390, 398; iv. 61; v. 83; vi. 38, 85, 93, 106, 110, 111, 177, 178, 303, 410, 411; viii. 61, 62, 233; x. 243; xi. 221; xii. 33, 310.
- —— Sonnet to (Milton’s), i. 428.
- —— Richard, iii. 399.
- Cropper, John (of Liverpool), vi. 190.
- Crosby House, viii. 514.
- Crossbite (Wycherley’s Love in a Wood), viii. 78.
- Crouch, Mrs Anna Maria, vi. 352.
- Crouchback, Edmund, x. 335.
- Crowdero (in Butler’s Hudibras), viii. 65, 67.
- Crown Prince of Poland, The (in Pocock’s John du Bart), viii. 254.
- Crowning with Thorns, The (in the Louvre), ix. 112.
- —— of the Virgin (Correggio’s), ix. 204.
- —— —— (Raphael’s), ix. 240, 273, 365.
- Crucified Jesus (Horneck’s), ii. 43.
- Crucifixion, xi. 312.
- —— the (Carraci’s), ii. 225.
- —— (Rubens’), ix. 299.
- Crudities (Coryate’s), v. 162; vii. 255.
- Cubit, Mr (singer), ii. 86, 259.
- Cuckold’s Point in Essex, vi. 167; vii. 240.
- Cuckoo, Lines to a (Wordsworth’s), v. 156.
- —— Song (in Shakespeare’s As You Like It), viii. 252, 337.
- Cudworth, Ralph, iv. 216.
- Culpepper, Nicholas, ii. 251.
- Cumberland, i. 53, 92; iv. 4; ix. 216, 393; xi. 200, 311, 512.
- —— Duchess of, The, vi. 449.
- —— Gate, xii. 134.
- —— Richard, i. 320; ii. 197, 207; v. 363; vii. 101 n.; viii. 164, 166; ix. 349; x. 16; xii. 276 n.
- Cunningham, John, ii. 80, 81; v. 122; vi. 448, 449.
- Cupid, v. 41; vi. 201; vii. 202.
- —— tormenting the Soul (after Chaudet), ix. 167.
- —— in search of Venus’ Doves (Prior’s), v. 106.
- —— at Whitehall (Rubens’), ix. 387.
- —— and Psyche (Gérard’s), ix. 137.
- —— —— (Raphael’s), ix. 239, 365.
- —— —— (Titian’s), ix. 74.
- Curate, The (in Still’s Gammer Gurton’s Needle), v. 286.
- Curfew, The (Tobin’s), v. 345.
- Curll, Edmund, vi. 418; xii. 330.
- Curran, John Philpot, xii. 353; also referred to in i. 393; iii. 312, 425; iv. 212, 319; vii. 41; viii. 21; ix. 34 n.; xi. 383 n.; xii. 349.
- Currie, Mr, xii. 405.
- Curtail (Holcroft’s), ii. 204.
- Curtis, Sir William, vi. 112; vii. 271; xi. 352, 474.
- Curzon Street, xii. 132.
- Cut Finger (Wilkie’s), viii. 140; xi. 252.
- Cuthbert, John, xii. 14.
- Cuthell (publisher), ii. 171.
- Cutter of Coleman Street (Cowley’s), viii. 61.
- Cuvier, Georges, ix. 120.
- Cuyp, Aelbert, ix. 19, 36, 51.
- Cymbeline (Shakespeare’s), i. 179;
- Cymon (Dryden’s), vi. 371;
- (Garrick’s) viii. 261.
- Cynthia (in Lyly’s Midas and Endymion), v. 199.
- Cynthia’s Revels (Ben Jonson’s), v. 265, 303, 306.
- Cyprus, i. 205; v. 55; xi. 294.
- Cyropædia (Greek prose romance), x. 16.