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Ancient legends, Mystic Charms & Superstitions of Ireland / With sketches of the Irish past cover

Ancient legends, Mystic Charms & Superstitions of Ireland / With sketches of the Irish past

Chapter 204: THE POET’S SPELL.
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About This Book

A compilation of Irish folk tradition gathering oral legends, fairy lore, charms, and superstitions, interwoven with short sketches of the island's past. It opens by situating folklore among language and monuments, then offers retellings of fairy encounters, banshee and changeling stories, ritual customs, festival practices (May, Candlemas, Midsummer, November rites), animal legends, and accounts of poets, warriors, and sacred sites. It records charms, popular remedies, and spells alongside tales of moral justice, death omens, and fairy interaction with humans, showing how pagan motifs and Christian belief coexist in popular imagination. Material derives largely from peasant testimony and aims to preserve vanished oral traditions.

THE POET’S SPELL.

A very ancient story, as old as the tenth century, is narrated, and firmly believed by the people, that once on a time when the reapers were at work, a fine handsome young married woman, who was in the field with them, suddenly fell down dead. This caused a great fear and consternation, especially as it was asserted that just before the fatal event, a fairy blast had passed over the field, carrying a cloud of dust and stones with it; and there could be no doubt but that the fairies had rushed by in the cloud, and struck the woman dead as they passed.

Then her people sent for the great wise poet of the tribe, who was reputed to have the power by his song to break the strongest fairy spells: and he chanted low music over her, and uttered mystic incantations, the words of which no man heard; but after a while the woman unclosed her eyes and rose up, restored to life.

When they questioned her, she told them all she knew.

“In sickness I was,” she said, “and I appeared to be dead, for I could neither speak nor move, till the song of the poet gave me power. Then the life rose up in me again, and the strength, and I was healed.”


CHARM FOR THE FAIRY STROKE.

There is a very ancient and potent charm which may be tried with great effect in case of a suspected fairy-stroke.

Place three rows of salt on a table in three lines, three equal measures to each row. The person performing the spell then encloses the rows of salt with his arm, leaning his head down over them, while he repeats the Lord’s Prayer three times over each row—that is, nine times in all. Then he takes the hand of the one who has been fairy-struck, and says over it, “By the power of the Father, and of the Son, and of the Holy Spirit, let this disease depart, and the spell of the evil spirits be broken! I adjure, I command you to leave this man [naming him]. In the name of God I pray; in the name of Christ I adjure; in the name of the Spirit of God I command and compel you to go back and leave this man free! Amen! Amen! Amen!


THE FARMER’S FATE.

The peasants have the greatest dread of the fairy-stroke, and consider it the most dangerous indication of fairy hostility. When a person is struck, he becomes wholly insensible to external things, as if his soul had been taken out of him and carried away.

A farmer once began to build a barn on a fairy circle, to the great horror of the neighbours, who warned him of the danger; but he only laughed at their nonsense, and built and finished his barn on the fairy rath.

However, riding home one evening after sunset, he was suddenly “struck,” and fell insensible to the ground. They carried him home and laid him on his bed, where he lay for several days, his eyes fixed and staring without any motion of the eyelids, and no indication of life remaining, except his colour which never changed.

All the doctors came and looked at him, but could do nothing. There was no fracture nor injury of any kind to his frame; so the doctors shook their heads and went their way, saying they would call again in a day or two. But the family objected to delay, and sent at once for the great fairy doctor of the district. The moment he came he threw herbs on the fire, when a fragrant smell filled the room like church incense. Then he pounded some herbs and mixed a liquid with them, but what the herbs were, no one knew. And with this mixture he touched the brow and the lips and the hands of the man, and sprinkled the rest over his insensible form. After this he told them to keep silence round him for two hours, when he would return and finish the cure. And so it happened, for in two hours the life came back to the man, though he could not speak. But strength came gradually; and by the next day he rose up, and said he had dreamed a dream, and heard a voice saying to him, “Pull down the barn, for ill-luck is on it.” Accordingly he gave orders to his men, and every stick and stone was carried away, and the fairy rath left free again for the fairies to dance on, as in the olden time, when they were the gods of the earth, long before men came to dispute their rights, and take possession of their ancient pleasure grounds—an indignity no high-spirited fairy could calmly endure. For in their councils they had decreed that the fairy rath, at least, should be sacred for all time, and woe to the man who builds his house thereon. An evil fate is on him and on the house for evermore. Down it must come, or the evil spell will never be lifted. There is no hope for it, for the most dangerous and subtle of all enemies is an angry fairy.

Nor should the paths even be crossed by work of human hand, which the fairies traverse from one palace to another. Their line of march must not be impeded. Finvarra and his men would resent such a gross insult to the royal fairy rights, and severely punish the audacious and offending mortal. Not even the Grand Jury would be allowed to interfere, for if they did, every man of them would be demolished in some way or other by fairy power.


THE FAIRY RATH.

The fairies, beside being revengeful, are also very arrogant, and allow no interference with their old-established rights.

There is a rath in the Queen’s County, only four yards in diameter, but held so sacred as the fairies’ dancing ground that no one dared to remove a handful of earth from the mound; and at night the sweetest low music may be heard floating round the hill, as if played by silver bagpipes.

One evening a boy lay down on the rath to listen to the music, and, without thinking, began to gather up balls of the clay and fling them hither and thither in sport, when suddenly he was struck down by a violent blow and became senseless.

There he was found by his people, who went to search for him; and when he came to himself he bleated like a calf, and it was a long time before he recovered his reason, for the power of the fairies is great, and none can resist it.