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Aquarium

Chapter 38: L’Impératrice des Pagodes
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About This Book

A sequence of vivid lyric poems juxtaposes urban modernity and sensual escapism, shifting between images of aquaria, industrial streets, cathedrals, cabarets and cultivated gardens. Rich sensory detail and decadent diction evoke crowded factories, neon-lit cafés, and intimate interiors while poems alternate social satire, melancholic reverie and pastoral relief. Several pieces use theatrical vignettes and musical rhythms to render characters and scenes indirectly, while others address sacred space, memory and longing through ornate imagery. The book’s structure groups shorter, imagistic poems into two parts that balance urban manners with curving, often erotic or elegiac, meditations.

L’Impératrice des Pagodes

A POOR, drab slattern washed a greasy plate
Daubed and besmeared with crumbs and margarine,
She had small time to think of tinsel Fate
And yet she sang a Fate that might have been.
When she, the Queen of distant Bangalore,
(She saw it on a coloured map at school)
Would lie with Bob upon a cushioned floor
And jeer at Liza, dubbing her a fool.
When she would bathe her limbs in ode-colone[2]
And promenade in parks with German bands,
When she’d no longer watch the stars alone,
But with Bob’s kisses on her melting hands.
When she could gallop down the Margate beach
And have her “photo” taken on the pier—
(Bob told her once her face was like a peach,
A dubious compliment! to witness here).
And the bank-holidays, the giddy nights
Of merry-goes and switch-backs at Earl’s Court—
The penny-in-the-slot machines, the sights
Of pygmies, men deformed of every sort,
Abnormal women, men with scaley skins
And Esmeraldas wise in magic lore
Would bow to stout Viziers, Moujiks and Djins
Encircling Winnie, Queen of Bangalore!
A poor, drab slattern washed a greasy plate
Daubed and besmeared with crumbs and margarine,    
She had small time to think of tinsel Fate
And yet she sang a Fate that might have been.

[2] Kitchen-English for “Eau de Cologne.”