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Aquarium

Chapter 39: Miss Fay the Trapezist
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About This Book

A sequence of vivid lyric poems juxtaposes urban modernity and sensual escapism, shifting between images of aquaria, industrial streets, cathedrals, cabarets and cultivated gardens. Rich sensory detail and decadent diction evoke crowded factories, neon-lit cafés, and intimate interiors while poems alternate social satire, melancholic reverie and pastoral relief. Several pieces use theatrical vignettes and musical rhythms to render characters and scenes indirectly, while others address sacred space, memory and longing through ornate imagery. The book’s structure groups shorter, imagistic poems into two parts that balance urban manners with curving, often erotic or elegiac, meditations.

Miss Fay the Trapezist

RED ostrich feathers in her hair,
She balances while people stare
At her pink tights through fœtid waves
Of pulsing awe; they are her slaves.
They are her slaves; she smiles and they
Are near-bewitched to see her sway
Along the slender wire trapeze
Into the card-board painted trees.
The sugared music stops, she stands
Upon her plump and milk-white hands.
Bird-like she rises, blows a kiss
To the spectators, moist with bliss.
The brass band plays a tepid valse
Of sickly syrup-sounds, the false
Pearls of a dowager keep time.
They too were pretty in their prime.
Then the spectators clap, they burst
Applause until a molten thirst
Tugs at their dewlaps, when Miss Fay
Flutters a curtsey to the day.