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Aquarium

Chapter 40: Sotie
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About This Book

A sequence of vivid lyric poems juxtaposes urban modernity and sensual escapism, shifting between images of aquaria, industrial streets, cathedrals, cabarets and cultivated gardens. Rich sensory detail and decadent diction evoke crowded factories, neon-lit cafés, and intimate interiors while poems alternate social satire, melancholic reverie and pastoral relief. Several pieces use theatrical vignettes and musical rhythms to render characters and scenes indirectly, while others address sacred space, memory and longing through ornate imagery. The book’s structure groups shorter, imagistic poems into two parts that balance urban manners with curving, often erotic or elegiac, meditations.

Sotie

(The lion-huntress accounts for one of her rather more unprepossessing guests)

SMALL crumbs of glass he had for eyes
That blinked, myopically wise.
Like midnight suns his laughter froze,
Suavely sterile and morose.
All bistre-brown, an eerie sight,
As shrivelled as a Cenobite
Long vagrant in the Thebaid,
He quite miraculously hid.
But after many years he came
To town, and found it just the same.
He had his hair cut in the Strand
And manicured each psychic hand.
He wrote a book on Cerements
Or some such furtive elements;
He got a title for his pains,
I’m told he has terrific brains!
He had his little eyes exchanged
For larger ones—Mix X. arranged
His skin (enamel so they say!)
And so I had him here to stay.
With eucalyptus in his hair,
He trims his beard if people stare.
He loves to sip beneath the shade
The languid green of lemonade.