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Aquarium

Chapter 41: Mr. Bedlam’s Sunday Breakfast
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About This Book

A sequence of vivid lyric poems juxtaposes urban modernity and sensual escapism, shifting between images of aquaria, industrial streets, cathedrals, cabarets and cultivated gardens. Rich sensory detail and decadent diction evoke crowded factories, neon-lit cafés, and intimate interiors while poems alternate social satire, melancholic reverie and pastoral relief. Several pieces use theatrical vignettes and musical rhythms to render characters and scenes indirectly, while others address sacred space, memory and longing through ornate imagery. The book’s structure groups shorter, imagistic poems into two parts that balance urban manners with curving, often erotic or elegiac, meditations.

Mr. Bedlam’s Sunday Breakfast

MELANCHOLILY he chipped his morning egg,
So human in its roundness that he felt
A murderer, then lifted the too-small spoon
Brimmed with slippery yolk. “Oh, no you shan’t
Fall on my Sunday best.” How like a woman’s kiss
It seemed to slither nudely down his throat.
Glutinous amber. The tea, when milk had flecked it,
Softening the vulgar cairngorm to a mere distinguished
Nebulosity (pompous), nubiferousness (more pompous still),
Was almost worth the drinking, although it lacked
The romance of being specified Chinese.
The fat round butter with the daisy on it,
The daisy that he would soon decapitate,
Looked over-salted, but then the bread was always
Doughy and void of flavour.
To-day the crust was black, as if the soot
Had fallen on a country thatch ... the marmalade,
Scotch and well streaked, smiled on in invitation.
“My headache’s better now. We won’t be late.
And Dr. Chitty’s preaching on Divorce.”

TRANSCRIBER’S NOTES:

Obvious typographical errors have been corrected.

Inconsistencies in hyphenation have been retained from the original.