| English publication |
American | |
| Peter Binney, Undergraduate | 1899 | . . . . |
| The House of Merrilees | 1905 | 1905 |
| Richard Baldock | 1906 | 1918 |
| Exton Manor | 1907 | 1908 |
| Many Junes | 1908 | 1919 |
| The Squire's Daughter | 1909 | 1912 |
| The Eldest Son | 1911 | 1911 |
| Sunny Australia (sketches of travel) | 1911 | . . . . |
| The Mystery of Redmarsh Farm | 1912 | . . . . |
| The Honour of the Clintons | 1913 | 1913 |
| The Terrors (short stories) | 1913 | . . . . |
| The Greatest of These (Roding Rectory) | 1914 | 1914 |
| The Old Order Changeth (Rank and Riches) | 1915 | 1915 |
| Upsidonia | 1915 | 1917 |
| Watermeads | 1916 | 1916 |
| Abington Abbey | 1917 | 1917 |
| The Graftons | 1918 | 1918 |
Archibald Marshall, a Realistic Novelist
About This Book
A literary lecturer offers a revised lecture-length study of a contemporary novelist, exploring the principles and practice of realistic fiction. The essay argues that a novel's power rests on story, character, and style rather than overt propaganda, and prefers works that let characters express ideas. Using conversations with established writers and examples from prominent contemporaries, it contrasts literary traditions, considers why early novels often endure, and examines how artistic impulse, restraint, and narrative technique combine to produce sustained realist achievement.