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Ardath: The Story of a Dead Self

Chapter 19: CHAPTER XVI.
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About This Book

A skeptical narrator takes refuge in an isolated mountain monastery and is drawn into a sequence of visionary episodes that unsettle his materialist certainties. He observes an unusual ascetic community and is guided into an allegorical realm where scenes of love, death, and transformation dramatize the collapse of an old identity. The narrative mixes romance, mysticism, and moral argument to probe the limits of reason and the appeal of transcendence. It culminates in a thematic turn toward self-surrender and inner renewal, proposing spiritual awakening as the antidote to cynicism and emotional sterility.

CHAPTER XVI.

THE PROPHET OF DOOM.

A few slow, dreadful minutes elapsed, . . and then,—then the first sharpness of his strange mental agony subsided. The strained tension of his nerves gave way, and a dull apathy of grief inconsolable settled upon him. He felt himself to be a man mysteriously accurst,—banished as it were out of life, and stripped of all he had once held dear and valuable. HOW HAD IT HAPPENED? Why was he set apart thus, solitary, poor, and empty of all worth, WHILE ANOTHER REAPED THE FRUITS OF HIS GENIUS? … He heard the loud plaudits of the assembled court shaking the vast hall as the Laureate ended his song—and, drooping his head, some stinging tears welled up in his eyes and fell scorchingly on his clasped hands—tears wrung from the very depth of his secretly tortured soul. At that moment the beautiful Sah-luma turned toward him smiling, as one who looked for more sympathetic approbation than that offered by a mixed throng,—and meeting that happy self-conscious, bland, half-inquiring gaze, he strove his best to return the smile. Just then Zephoranim's fiery glance swept over him with a curious expression of wonder and commiseration.

"By the gods, yon stranger weeps!" said the monarch in a half-bantering tone…then with more gentleness he added.. "Yet 'tis not the first time Sah-luma's voice hath unsealed a fountain of tears! No greater triumph can minstrel have than this,—to move the strong man's heart to woman's tenderness! We have heard tell of poets, who singing of death have persuaded many straightway to die,—but when they sing of sweeter themes, of lover's vows, of passion-frenzies, and languorous desires, cold is the blood that will not warm and thrill to their divinely eloquent allurements. Come hither, fair sir!" and he beckoned to Theos, who mechanically advanced in obedience to the command—"Thou hast thoughts of thine own, doubtless, concerning Love, and Love's fervor of delight, . . hast aught new to tell us of its bewildering spells whereby the most dauntless heroes in every age have been caught, conquered, and bound by no stronger chain than a tress of hair, or a kiss more luscious than all the honey hidden in lotus-flowers?"

Theos looked up dreamily…his eyes wandered from the King to Sah-luma as though in wistful search for some missing thing, . . his lips were parched and burning and his brows ached with a heavy weight of pain, … but he made an effort to speak and succeeded, though his words came slowly and without any previous reflection on his own part.

"Alas, most potent Sovereign!" he murmured.. "I am a man of sad memories, whose soul is like the desert, barren of all beauty! I may have sung of love in my time, but my songs were never new,—never worthy to last one little hour! And whatsoever of faith, passion, or heart-ecstasy my fancy could with devious dreams devise, Sah-luma knows, . . and in Sah-luma's song all my best thoughts are said!"

There was a ring of intense pathos in his voice as he spoke,—and the
King eyed him compassionately.

"Of a truth thou seemest to have suffered!" he observed in gentle accents.. "Thou hast a look as of one bereft of joy. Hast lost some maiden love of thine? … and dost thou mourn her still?"

A pang bitter as death shot through Theos's heart, . . had the monarch suddenly pierced him with his great sword he could scarcely have endured more anguish! For the knowledge rushed upon him that he had indeed lost a love so faithful, so unfathomable, so pure and perfect, that all the world weighed in the balance against it would have seemed but a grain of dust compared to its inestimable value! … but what that love was, and from whom it emanated, he could no more tell than the tide can tell in syllabled language the secret of its attraction to the moon. Therefore he made no answer, . . only a deep, half-smothered sigh broke from him, and Zephoranim apparently touched by his dejection continued good-naturedly:

"Nay, nay!—we will not seek to pry into the cause of thy spirit's heaviness…Enough! think no more of our thoughtless question,—there is a sacredness in sorrow! Nevertheless we shall strive to make thee in part forget thy grief ere thou leavest our court and city, . . meanwhile sit thou there"—and he pointed to the lower step of the dais, . . "And thou, Sah-luma, sing again, and this time let thy song he set to a less plaintive key."

He leaned hack in his throne, and Theos sat wearily down among the flowers at the foot of the dais as commanded. He was possessed by a strange, inward dread,—the dread of altogether losing the consciousness of his own identity,—and while he strove to keep a firm grasp on his mental faculties he at the same time abandoned all hope of ever extricating himself from the perplexing enigma in which he was so darkly involved. Forcing himself by degrees into comparative calmness, he determined to resign himself to his fate,—and the idea he had just had of boldly claiming the ballad sung by Sah-luma as his own, completely passed out of his mind.

How could he speak against this friend whom he loved, ..aye!—more than he had ever loved any living thing!—besides what could he prove? To begin with, in his present condition ho could give no satisfactory account of himself,—if he were asked questions concerning his nation or birth-place he could not answer them, . . he did not even know where he had come from, save that his memory persistently furnished him with the name of a place called "ARDATH." But what was this "Ardath" to him, he mused?—What did it signify? … what had it to do with his immediate position? Nothing, so far as he could tell! His intellect seemed to be divided into two parts—one a total blank, . . the other filled with crowding images that while novel were yet curiously familiar. And how could he accuse Sah-luma of literary theft, when he had none of his own dated manuscripts to bear out his case? Of course he could easily repeat his boyhood's verses word for word, … but what of that? He, a stranger in the city, befriended and protected by the Laureate, would certainly be considered by the people of Al-Kyris as far more likely to steal Sah-luma's thoughts than that Sah-luma should steal his!

No!—there was no help for it,—as matters stood he could say nothing,—he could only feel as though he were the sorrowful ghost of some long-ago dead author returned to earth to hear others claiming his works and passing them off as original compositions. And thus he was scarcely moved to any fresh surprise when Sah-luma, giving back the harp to his attendant, rose up, and standing erect in an attitude unequalled for grace and dignity, began to recite a poem he remembered to have written when he was about twenty years of age,—a poem daringly planned, which when published had aroused the bitterest animosity of the press critics on account of what they called its "forced sublimity." The sublimity was by no means "forced"—it was the spontaneous outcome of a fresh and ardent nature full of enthusiasm and high-soaring aspiration, but the critics cared nothing for this, . . all they saw was a young man presuming to be original, and down they came upon him accordingly.

He recollected all the heart-sore sufferings he had endured through that ill-fated and cruelly condemned composition,—and now he was listlessly amazed at the breathless rapture and excitement it evoked here in this marvellous city of Al-Kyris, where everything seemed more strange and weird than the strangest dream! It was a story of the gods before the world was made,—of love deep buried in far eternities of light, . . of vast celestial shapes whose wanderings through the blue deep of space were tracked by the birth of stars and suns and wonder-spheres of beauty, . . a fanciful legend of transcendent heavenly passion, telling how all created worlds throbbed amorously in the purple seas of pure ether, and how Love and Love alone was the dominant cloud of the triumphal march of the Universe…And with what matchless eloquence Sah-luma spoke the glowing lines! ..with what clear and rounded tenderness of accent! … how exquisitely his voice rose and fell in a rhythmic rush like the wind surging through many leaves, … while ever and anon in the very midst of the divinely entrancing joy that chiefly characterized the poem, his musicianly art infused a touch of minor pathos,—a suggestion of the eternal complaint of Nature which even in the happiest moments asserts itself in mournful under-tones. The effect of his splendid declamation was heightened by a few soft, running passages dexterously played on the harp by his attendant harpist and introduced just at the right moments; and Theos, notwithstanding the peculiar position in which he was placed, listened to every well-remembered word of his own work thus recited with a gradually deepening sense of peace,—he knew not why, for the verses, in themselves, were strangely passionate and wild. The various impressions produced on the hearers were curious to witness—the King moved restlessly, his bronzed cheeks alternately flushing and paling, his hand now grasping his sword, now toying with the innumerable jewels that blazed on his breast—the women's eyes at one moment sparkled with delight and at the next grew humid with tears,—the assembled courtiers pressed forward, awed, eager, and attentive,—the very soldiers on guard seemed entranced, and not even a small side-whisper disturbed the harmonious fall and flow of dulcet speech that rippled from the Laureate's lips.

When he ceased, there broke forth such a tremendous uproar of applause that the amber pendents of the lamps swung to and fro in the strong vibration of so many uplifted voices,—shouts of frenzied rapture echoed again and again through the vaulted roof like thuds of thunder,—shouts in which Theos joined,—as why should he not? He had as good a right as any one to applaud his own poem! It had been sufficiently abused heretofore,—he was glad to find it now so well appreciated, at least in Al-Kyris,—though he had no intention of putting forward any claim to its authorship. No,—for it was evident he had in some inscrutable way been made an outcast from all literary honor,—and a sort of wild recklessness grew up within him,—a bitter mirth, arising from curiously mingled feelings of scorn for himself and tenderness for Sah-luma,—and it was in this spirit that he loudly cheered the triumphant robber of his stores of poesy, and even kept up the plaudits long after they might possibly have been discontinued. Never perhaps did any poet receive a grander ovation, . . but the exquisitely tranquil vanity of the Laureate was not a whit moved by it, … his dazzling smile dawned like a gleam of sunshine all over his beautiful face, but, save for this, he gave no sign of even hearing the deafening acclamations that resounded about him on all sides.

"A new Ilyspiros!" cried the King enthusiastically, and, detaching a magnificently cut ruby from among the gems he wore, he flung it toward his favored minstrel. It flashed through the air like a bright spark of flame and fell, glistening redly, on the pavement just half-way between Theos and Sah-luma…Theos eyed it with faintly amused indifference, … the Laureate bowed gracefully, but did not stoop to raise it,—he left that task to his harp-bearer, who, taking it up, presented it to his master humbly on one knee. Then, and only then Sah-luma received it, kissed it lightly and placed it negligently among his other ornaments, smiling at the King as he did so with the air of one who graciously condescends to accept a gift out of kindly feeling for the donor. Zabastes meanwhile had witnessed the scene with an expression of mingled impatience, malignity, and disgust written plainly on his furrowed features, and as soon as the hubbub of applause had subsided, he struck his staff on the ground with an angry clang, and exclaimed irritably:

"Now may the god shield us from a plague of fools! What means this throaty clamor? Ye praise what ye do not understand, like all the rest of the discerning public! Many is the time, as the weariness of my spirit witnesseth, that I have heard Sah-luma rehearse,—but never in all my experience of his prolix multiloquence, hath he given utterance to such a senseless jingle-jangle of verse-jargon as to-night! Strange it is that the so-called 'poetical' trick of confusedly heaping words together regardless of meaning, should so bewilder men and deprive them of all wise and sober judgment! By my faith! … I would as soon listen to the gabble of geese in a farmyard as to the silly glibness of such inflated twaddle, such mawkish sentiment, such turgid garrulity, such ranting verbosity…"

A burst of laughter interrupted and drowned his harsh voice,—laughter in which no one joined more heartily than Sah-luma himself. He had resumed his seat in his ivory chair, and leaning back lazily, he surveyed his Critic with tolerant good-humor and complete amusement, while the King's stentorian "Ha, ha, ha!" resounded in ringing peals through the great audience-chamber.

"Thou droll knave!" cried Zephoranim at last, dashing away the drops his merriment had brought into his eyes—"Wilt kill me with thy bitter-mouthed jests? … of a truth my sides ache at thee! What ails thee now? … Come,—we will have patience, if so be our mirth can be restrained,—speak!—what flaw canst thou find in our Sah-luma's pearl of poesy?—what spots on the sun of his divine inspiration? As the Serpent lives, thou art an excellent mountebank and well deservest thy master's pay!"

He laughed again,—but Zabastes seemed in nowise disconcerted. His withered countenance appeared to harden itself into lines of impenetrable obstinacy,—tucking his long staff under his arm he put his fingers together in the manner of one who inwardly counts up certain numbers, and with a preparatory smack of his lips he began: "Free speech being permitted to me, O most mighty Zephoranim, I would in the first place say that the poem so greatly admired by your Majesty, is totally devoid of common sense. It is purely a caprice of the imagination,—and what is imagination? A mere aberration of the cerebral nerves,—a morbidity of brain in which the thoughts brood on the impossible,—on things that have never been, and never will be. Thus, Sah-luma's verse resembles the incoherent ravings of a moon-struck madman,—moreover, it hath a prevailing tone of FORCED SUBLIMITY…" here Theos gave an involuntary start,—then, recollecting where he was, resumed his passive attitude—"which is in every way distasteful to the ears that love plain language. For instance, what warrant is there for this most foolish line:

"'The solemn chanting of the midnight stars.'

'Tis vile, 'tis vile! for who ever heard the midnight stars or any other stars chant? … who can prove that the heavenly bodies are given to the study of music? Hath Sah-luma been present at their singing lesson?" Here the old critic chuckled, and warming with his subject, advanced a step nearer to the throne as he went on: "Hear yet another jarring simile:

"'The wild winds moan for pity of the world.'

Was ever a more indiscreet lie? A brazen lie!—for the tales of shipwreck sufficiently prove the pitilessness of winds,—and however much a verse-weaver may pretend to be in the confidence of Nature, he is after all but the dupe of his own frenetic dreams. One couplet hath most discordantly annoyed my senses—'tis the veriest doggerel:

     "'The sun with amorous clutch
      Tears off the emerald girdle of the rose!'

O monstrous piece of extravagance!—for how can the Sun (his Deity set apart) 'clutch' without hands?—and as for 'the emerald girdle of the rose'—I know not what it means, unless Sah-luma considers the green calyx of the flower a 'girdle,' in which case his wits must be far gone, for no shape of girdle can any sane man descry in the common natural protection of a bud before it blooms! There was a phrase too concerning nightingales,—and the gods know we have heard enough and too much of those over-praised birds! …" Here he was interrupted by one of his frequent attacks of coughing, and again the laughter of the whole court broke forth in joyous echoes.

"Laugh—laugh!" said Zabastes, recovering himself and eying the throng with a derisive smile—"Laugh, ye witless bantlings born of folly!—and cling as you will to the unsubstantial dreams your Laureate blows for you in the air like a child playing with soap-bubbles! Empty and perishable are they all,—they shine for a moment, then break and vanish,—and the colors wherewith they sparkled, colors deemed immortal in their beauty, shall pass away like a breath and be renewed no more!"

"Not so!" interposed Theos suddenly, unknowing why he spoke, but feeling inwardly compelled to take up Sah-luma's defence-"for the colors ARE immortal, and permeate the Universe, whether seen in the soap-bubble or the rainbow! Seven tones of light exist, co-equal with the seven tones in music, and much of what we call Art and Poesy is but the constant reflex of these never-dying tints and sounds. Can a Critic enter more closely into the secrets of Nature than a Poet? … nay!—for he would undo all creation were he able, and find fault with its fairest productions! The critical mind dwells too persistently on the mere surface of things, ever to comprehend or probe the central deeps and well-springs of thought. Will a Zabastes move us to tears and passion? … Will he make our pulses beat with any happier thrill, or stir our blood into a warmer glow? He may be able to sever the petals of a lily and name its different sections, its way of growth and habitude,—but can he raise it from the ground alive and fair, a perfect flower, full of sweet odors and still sweeter suggestions? No!—but Sah-luma with entrancing art can make us see, not one lily but a thousand lilies, all waving in the light wind of his fancy,—not one world but a thousand worlds, circling through the empyrean of his rhythmic splendor,—not one joy but a thousand joys, all quivering song-wise through the radiance of his clear illumined inspiration. The heart,—the human heart alone is the final touchstone of a poet's genius,—and when that responds, who shall deny his deathless fame!"

Loud applause followed these words, and the King, leaning forward, clapped Theos familiarly on the shoulder:

"Bravely spoken, sir stranger!" he exclaimed—"Thou hast well vindicated thy friend's honor! And by my soul!—thou hast a musical tongue of thine own!—who knows but that thou also may be a poet yet in time to come!—And thou, Zabastes—" here he turned upon the old Critic, who, while Theos spoke, had surveyed him with much cynical disdain—"get thee hence! Thine arguments are all at fault, as usual! Thou art thyself a disappointed author—hence thy spleen! Thou art blind and deaf, selfish and obstinate,—for thee the very sun is a blot rather than a brightness,—thou couldst, in thine own opinion, have created a fairer luminary doubtless had the matter been left to thee! Aye, aye!—we know thee for a beauty hating fool,—and though we laugh at thee, we find thee wearisome! Stand thou aside and be straightway forgotten!—we will entreat Sah-luma for another song."

The discomfited Zabastes retired, grumbling to himself in an undertone,—and the Laureate, whose dreamy eyes had till now rested on Theos, his self constituted advocate, with an appreciative and almost tender regard, once more took up his harp, and striking a few rich, soft chords was about to sing again, when a great noise as of clanking armor was heard outside, mingled with a steadily increasing, sonorous hum of many voices and the increased tramp, tramp of marching feet. The doors were flung open,—the Herald-in-Waiting entered in hot haste and excitement, and prostrating himself before the throne exclaimed:

"O great King, may thy name live forever! Khosrul is taken!"

Zephoranim's black brows drew together in a dark scowl and he set his lips hard.

"So! For once thou art quick tongued in the utterance of news!" he said half-scornfully—"Bring hither the captive,—an he chafes at his bonds we will ourselves release him…" and he touched his sword significantly—"to a wider freedom than is found on earth!"

A thrill, ran through the courtly throng at these words, and the women shuddered and grew pale. Sah-luma, irritated at the sudden interruption that had thus distracted the general attention from his own fair and flattered self, gave an expressively petulant glance toward Theos, who smiled back at him soothingly as one who seeks to coax a spoilt child out of its ill-humor, and then all eyes were turned expectantly toward the entrance of the audience-chamber.

A band of soldiers clad from head to foot in glittering steel armor, and carrying short drawn swords, appeared, and marched with quick, ringing steps, across the hall toward the throne—arrived at the dais, they halted, wheeled about, saluted, and parted asunder in two compact lines, thus displaying in their midst the bound and manacled figure of a tall, gaunt, wild-looking old man, with eyes that burned like bright flames beneath the cavernous shadow of his bent and shelving brows,—a man whose aspect was so grand, and withal so terrible, that an involuntary murmur of mingled admiration and affright broke from the lips of all assembled, like a low wind surging among leaf-laden branches. This was Khosrul,—the Prophet of a creed that was to revolutionize the world,—the fanatic for a faith as yet unrevealed to men,—the dauntless foreteller of the downfall of Al-Kyris and its King!

Theos stared wonderingly at him.. at his funereal, black garments which clung to him with the closeness of a shroud,—at his long, untrimmed beard and snow-white hair that fell in disordered, matted locks below his shoulders,—at his majestic form which in spite of cords and feathers he held firmly erect in an attitude of fearless and composed dignity. There was something supernaturally grand and awe-inspiring about him, … something commanding as well as defiant in the straight and steady look with which he confronted the King,—and for a moment or so a deep silence reigned,—silence apparently born of superstitious dread inspired by the mere fact of his presence. Zephoranim's glance rested upon him with cold and supercilious indifference,—seated haughtily upright in his throne, with one hand resting on the hilt of his sword, he showed no sign of anger against, or interest in, his prisoner, save that, to the observant eye of Theos, the veins in his forehead seemed to become suddenly knotted and swollen, while the jewels on his bare chest heaved restlessly up and down with the unquiet panting of his quickened breath.

"We give thee greeting, Khosrul!" he said slowly and with a sinister smile—"The Lion's paw has struck thee down at last! Too long hast thou trifled with our patience,—thou must abjure thy heresies, or die! What sayest thou now of doom,—of judgment,—of the waning of glory? Wilt prophesy? … wilt denounce the Faith? … Wilt mislead the people? … Wilt curse the King? … Thou mad sorcerer!—devil bewitched and blasphemous! … What shall hinder me from at once slaying thee?" And he half drew his formidable sword from its sheath.

Khosrul met his threatening gaze unflinchingly.

"Nothing shall hinder thee, Zephoranim," he replied, and his voice, deeply musical and resonant, struck to Theos's heart with a strange, foreboding chill—"Nothing—save thine own scorn of cowardice!"

The monarch's hand fell from his sword-hilt,—a flush of shame reddened his dark face. He bent his fiery eyes full on the captive—and there was something in the sorrowful grandeur of the old man's bearing, coupled with his enfeebled and defenceless condition, that seemed to touch him with a sense of compassion, for, turning suddenly to the armed guard, he raised his hand with a gesture of authority …

"Unloose his fetters!" he commanded.

The men hesitated, apparently doubting whether they had heard aright.

Zephoranim stamped his foot impatiently.

"Unloose him, I say! … By the gods! must I repeat the same thing twice? Since when have soldiers grown deaf to the voice of their sovereign? … And why have ye bound this aged fool with such many and tight bonds? His veins and sinews are not of iron,—methinks ye might have tied him with thread and met with small resistance! I have known many a muscular deserter from the army fastened less securely when captured! Unloose him—and quickly too!—Our pleasure is that, ere he dies, he shall speak an he will, in his own defence as a free man."

In trembling haste and eagerness the guards at once set to work to obey this order. The twisted cords were untied, the heavy iron fetters wrenched asunder,—and in a very short space Khosrul stood at comparative liberty. At first he did not seem to understand the King's generosity toward him in this respect, for he made no attempt to move,—his limbs were rigidly composed as though they were still bound,—and so stiff and motionless was his weird, attenuated figure that Theos beholding him, began to wonder whether he were made of actual flesh and blood, or whether he might not more possibly be some gaunt spectre, forced back by mystic art from another world in order to testify, of things unknown, to living men. Zephoranim meanwhile called for his cup-bearer, a beautiful youth radiant as Ganymede, who at a sign from his royal master approached the Prophet, and pouring wine from a jewelled flagon into a goblet of gold, offered it to him with a courteous salute and smile. Khosrul started violently like one suddenly wakened from a deep dream,—shading his eyes with his lean and wrinkled hand he stared dubiously at the young and gayly attired servitor,—then pushed the goblet aside with a shuddering gesture of aversion.

"Away … Away!" he muttered in a thrilling whisper that penetrated to every part of the vast hall—"Wilt force me to drink blood?" He paused,—and in the same low, horror-stricken tone, continued. "Blood … Blood! It stains the earth and sky! … its red, red waves swallow up the land! … The heavens grow pale and tremble,—the silver stars blacken and decay, and the winds of the desert make lament for that which shall come to pass ere ever the grapes be pressed or the harvest gathered! Blood … blood! The blood of the innocent! … 'tis a scarlet sea, wherein, like a broken and empty ship, Al-Kyris founders … founders … never to rise again!"

These words, uttered with such hushed yet passionate intensity produced a most profound impression. Several courtiers exchanged uneasy glances, and the women half rose from their seats, looking toward the King as though silently requesting permission to retire. But an imperious negative sign from Zephoranim obliged them to resume their places, though they did so with obvious nervous reluctance.

"Thou art mad, Khosrul"—then said the monarch in calmly measured accents—"And for thy madness, as also for thine age, we have till now retarded justice, out of pity. Nevertheless, excess of pity in great Kings too oft degenerates into weakness—and this we cannot suffer to be said of us, not even for the sake of sparing thy few poor remaining years. Thou hast overstepped the limit of our leniency,—and madman as thou art, thou showest a madman's cunning,—thou dost break the laws and art dangerous to the realm,—thou art proved a traitor, and must straightway die. Thou art accused…"

"Of honesty!" interrupt Khosrul suddenly, with a touch of melancholy satire in his tone. "I have spoken Truth in an age of lies! 'Tis a most death-worthy deed!"

He ceased, and again seemed to retire within himself as though he were a Voice entering at will into the carven image of man. Zephoranim frowned angrily, yet answered nothing—and a brief pause ensued. Theos grew more and more painfully interested in the scene,—there was something in it that to his mind seemed fatefully suggestive and fraught with impending evil. Suddenly Sah-luma looked up, his bright face alit with laughter.

"Now by the Sacred Veil,"—he said gayly, addressing himself to the King—"Your Majesty considers this venerable gentleman with too much gravity! I recognize in him one of my craft,—a poet, tragic and taciturn of humor, and with a taste for melodramatic simile, . . marked you not the mixing of his word-colors in the picture he drew of Al-Kyris, foundering like a wrecked ship in a blood-red sea, whilst overhead trembled a white sky set thick with blackening stars? As I live, 'twas not ill-devised for a madman's brain! … and so solemn a ranter should serve your Majesty to make merriment withal, in place of my poor Zabastes, whose peevish jests grow somewhat stale owing to the Critic's chronic want of originality! Nay, I myself shall be willing to enter into a rhyming joust with so disconsolately morose a contemporary, and who knows whether, betwixt us twain, the chords of the major and minor may not be harmonized in some new and altogether marvellous fashion of music such as we wot not of!" And turning to Khosrul he added—"Wilt break a lance of song with me, sir gray-beard? Thou shalt croak of death, and I will chant of love,—and the King shall pronounce judgment as to which melody hath the most potent and lasting sweetness!"

Khosrul lifted his head and met the Laureate's half-mirthful, half-mocking smile with a look of infinite compassion in his own deep, solemnly penetrating eyes.

"Thou poor deluded singer of a perishable day!" he said mournfully—"Alas for thee, that thou must die so, soon, and be so soon forgotten! Thy fame is worthless as a grain of sand blown by the breath of the sea! … thy pride and thy triumph evanescent as the mists of the morning that vanish in the heat of the sun! Great has been the measure of thine inspiration,—yet thou hast missed its true teaching,—and of all the golden threads of poesy placed freely in thy hands thou hast not woven one clew whereby thou shouldst find God! Alas, Sah-lum! Bright soul unconscious of thy fate! … Thou shalt be suddenly and roughly slain, and THERE sits thy destroyer!"

And as he spoke he raised his shrunken, skeleton-like hand and pointed steadfastly to—the King! There was a momentary hush…a stillness as of stupefied amazement and horror, . . then, to the apparent relief of all present, Zephoranim burst out laughing.

"By all the virtues of Nagaya!" he cried—"This is most excellent fooling! I, Zephoranim, the destroyer of my friend and first favorite in the realm? … Old man, thy frenzy exceeds belief and exhausts patience,—though of a truth I am sorry for the shattering of thy wits,—'tis sad that reason should be lacking to one so revered and grave of aspect. Dear to me as my royal crown is the life of Sah-luma, through whose inspired writings alone my name shall live in the annals of future history—for the glory of a great poet must ever surpass the renown of the greatest King. Were Al-Kyris besieged by a thousand enemies, and these strong palace-walls razed to the ground by the engines of warfare, we would ourselves defend Sah-luma!—aye, even cry aloud in the heat of combat that he, the Chief Minstrel of our land, should be sheltered from fury and spared from death, as the only one capable of chronicling our vanquishment of victory!"

Sah-luma smiled and bowed gracefully in response to this enthusiastic assurance of his sovereign's friendship,—but nevertheless there was a slight shadow of uneasiness on his bold, beautiful brows. He had evidently been uncomfortably impressed by Khosrul's words, and the restless anxiety reflected in his face communicated itself by a sort of electric thrill to Theos, whose heart began to beat heavily with a sense of vague alarm. "What is this Khosrul?" he thought half resentfully—"and how dares he predict for the adored, the admired Sah-luma so dark and unmerited an end? … "Hark! … what was that low, far-off rumbling as of underground wheels rolling at full speed? … He listened,—then glanced at those persons who stood nearest to him, . . no one seemed to hear anything unusual. Moreover all eyes were fixed fearfully on Khosrul, whose before rigidly sombre demeanor had suddenly changed, and who now with raised head, tossed hair, outstretched arms, and wild gestures looked like a flaming Terror personified.

"Victory… Victory!" he cried, catching at the King's last word … "There shall be no more victory for thee, Zephoranim! … Thy conquests are ended, and the flag of thy glory shall cease to wave on the towers of thy strong citadels! Death stands behind thee! … Destruction clamors at thy palace-gates! … and the enemy that cometh upon thee unawares is an enemy that none shall vanquish or subdue, not even they who are mightiest among the mighty! Thy strong men of war shall be trodden down as wheat,—thy captains and rulers shall tremble and wail as children bewildered with fear:—thy great engines of battle shall be to thee as naught,—and the arrows of thy skilled archers shall be useless as straws in the gathering tempest of fire and fury! Zephoranim! Zephoranim! …" and his voice shrilled with terrific emphasis through the vaulted chamber … "The days of recompense are come upon thee,—swift and terrible as the desert-wind! … The doom of Al-Kyris is spoken, and who shall avert its fulfilment! Al-Kyris the Magnificent shall fall.. shall fall! … its beauty, its greatness, its pleasantness, its power, shall be utterly destroyed.. and ere the waning of the midsummer moon not one stone of its glorious buildings shall be left to prove that here was once a city? Fire! … Fire! …" and here he ran abruptly to the foot of the royal dais, his dark garments brushing against Theos as he passed,—and springing on the first step, stood boldly within hand-reach of the King, who, taken aback by the suddenness of his action, stared at him with a sort of amazed and angry fascination.. "To arms, Zephoranim! … To arms! … take up thy sword and shield.. get thee forth and fight with fire! Fire! … How shall the King quench it? … how shall the mighty monarch defend his people against it? See you not how it fills the air with red devouring tongues of flame! … the thick smoke reeks of blood! … Al-Kyris the Magnificent, the pleasant city of sin, the idolatrous city, is broken in pieces and is become a waste of ashes! Who will join with me in a lament for Al-Kyris? I will call upon the desert of the sea to hear my voice, . . I will pour forth my sorrows on the wind, and it shall carry the burden of grief to the four quarters of the earth,—all nations shall shudder and be astonished at the direful end of Al-Kyris, the city beautiful, the empress of kingdoms! Woe unto Al-Kyris, for she hath suffered herself to be led astray by her rulers! … she hath drunken deep of the innocent blood and hath followed after idols, . . her abominations are manifold and the hearts of her young men and maidens are full of evil! Therefore because Al-Kyris delighteth in pride and despiseth repentance, so shall destruction descend furiously upon her, even as a sudden tempest in the mid-watches of the night,—she shall be swept away from the surface of the earth, … wolves shall make their lair in her pleasant gardens, and the generations of men shall remember her no more! Oh ye kings, princes, and warriors!—Weep, weep for the doom of Al-Kyris!" and now his wild voice sank by degrees into a piteous plaintiveness—"Weep!—for never again on earth shall be found a fairer dwelling-place for the lovers of joy! … never again shall be builded a grander city for the glory and wealth of a people! Al-Kyris! Al-Kyris! Thou that boastest of ancient days and long lineage! … thou art become a forgotten heap of ruin! … the sands of the desert shall cover thy temples and palaces, and none hereafter shall inquire concerning thee! None shall bemoan thee, . . none shall shed tears for the grievous manner of thy death, . . none shall know the names of thy mighty heroes and men of fame,—for thou shalt vanish utterly and be lost far out of memory even as though thou hadst never been!"

Here he stopped abruptly and caught his breath hard,—his blazing eyes preternaturally large and brilliant fixed themselves steadfastly on the sculptured ivory shield that surmounted the back of the King's throne, and over his drawn and wrinkled features came an expression of such ghastly horror that instinctively every one present turned their looks in the same direction. Suddenly a shriek, piercing and terrible, broke from his lips,—a shriek that like a swiftly descending knife seemed to saw the air discordantly asunder.

"See … See!" he cried in fierce haste and eagerness … "See how the crested head gleams! … How the soft, shiny throat curves and glistens! … how the lithe body twists and twines! … Hence!—Hence, accursed Snake! ..thou poisoner of peace! … thou quivering sting in the flesh!—thou destroyer of the strength of manhood! What hast thou to do with Zephoranim, that thou dost wind thy many coils about his heart? … Lysia … Lysia! …" here the King started violently, his face flushing darkly red, "Thou delicate abomination! … Thou tyrannous treachery.. what shall be done unto thee in the hour of darkness! Put off, put off the ornaments of gold and the jewels wherewith thou adornest thy beauty, and crown thyself with the crown of an endless affliction! … for thou shalt be girdled round about with flame, and fire shall be thy garment! … thy lips that have drunken sweet wine shall be steeped in bitterness!—vainly shalt thou make thyself fair and call aloud on thy legion of lovers, . . they shall be as dead men, deaf to thine entreaties, and none shall answer thee,—no, not one! None shall hide thee from shame or offer thee comfort,—in the midst of thy lascivious delights shalt thou suddenly perish! … and my soul shall be avenged on thy sins, thou unvirgined Virgin!—thou Queen-Courtesan!"

Scarcely had he uttered the last word, when the King with a furious oath sprang upon him, grasped him by the throat, and thrusting him fiercely down on the steps of the dais, placed one foot on his prostrate body. Then drawing his gigantic sword he lifted it on high, … the blight blade glittered in air…an audible gasp of terror broke from the throng of spectators, … another second and Khosrul's life would have paid the forfeit for his temerity…when crash! … a sudden and tremendous clap of thunder shook the hall, and every lamp was extinguished! Impenetrable darkness reigned, . . thick, close, suffocating darkness, . . the thunder rolled away in sullen, vibrating echoes, and there was a short, impressive silence. Then piercing through the profound gloom came the clamorous cries and shrieks of frightened women, . . the horrible, selfish scrambling, pushing and struggling of a bewildered, panic-stricken crowd, . . the helpless, nerveless, unreasoning distraction that human beings exhibit when striving together for escape from some imminent deadly peril,—and though the King's stentorian voice could be heard above all the tumult loudly commanding order, his alternate threats and persuasions were of no avail to calm the frenzy of fear into which the whole court was thrown. Groans and sobs, . . wild entreaties to Nagaya and the Sun-God.. curses from the soldiery, who intent on saving themselves were brutally trying to force a passage to the door regardless of the wailing women, whose frantic appeals for rescue and assistance were heart-rending to hear, . . all these sounds increased the horror of the situation,—and Theos, blind, giddy, and confused, listened to the uproar around him with something of the affrighted compassion that a stranger in Hell might be supposed to feel when hearkening to the ceaseless plaints of the self-tortured wicked. He endeavored to grope his way to Sah-luma's side,—and just then lights appeared, . . lights that were not of earth's kindling, . . strange, wandering flames that danced and flitted along the tapestried walls like will-o'-the-wisps on a dark morass, and flung a ghastly blue glare on the pale, uneasy faces of the scared people, till gathering in a sort of lurid ring round the throne, they outlined in strong relief the enraged, Titanesque figure of Zephoranim whose upraised sword looked in itself like an arrested flash of lightning. Brighter and brighter grew the weird lustre, illumining the whole scene.. the vast length of the splendid hall, . . the shining armor of the soldiers…the white robes of the women…the flags and pennons that hung from the roof and swayed to and fro as though blown by a gust of wind.. every object near and distant was soon as visible as in broad day,—and then…a terrible cry of rage burst from the King,—the cry of a maddened wild beast.

"Death and fury!" he shouted, striking his sword with a fierce clang against the silver pedestal of the throne, . . "Where is Khosrul?"

The silence of an absolute dismay answered him, … Khosrul had fled! Like a cloud melting in air, or a ghost vanishing into the nether-world, he had mysteriously disappeared! … he had escaped, no one knew how, from under the very feet and out of the very grasp of the irate monarch, whose baffled wrath now knew no bounds.

"Dolts, idiots, cowards!".. and he hurled these epithets at the timorous crowd with all the ferocity of a giant hurling stones at a swarm of pigmies.. "Babes that are frighted by a summer thunder-storm! … Ye have let yon accursed heretic slip from my hands ere I had choked him with his own lie! O ye fools! Ye puny villains! … I take shame to myself that I am King of such a race of weaklings! Lights! … Bring lights hither, ye whimpering slaves,—ye shivering poltroons! … What! call yourselves men! Nay, ye are feeble girls prankt out in men's attire, and your steel corselets cover the faintest hearts that ever failed for dastard fear! Shut fast the palace-gates! … close every barrier! … search every court and corner, lest haply this base false Prophet be still here in hiding,—he that blasphemed with ribald tongue the High Priestess of our Faith, the holy Virgin Lysia! … Are ye all turned renegades and traitors that ye will suffer him to go free and triumph in his lawless heresy? Ye shameless knaves! Ye milk-veined rascals! … What abject terror makes ye thus quiver like aspen-leaves in a storm? … this darkness is but a conjurer's trick to scare women, and Khosrul's followers can so play with the strings of electricity that ye are duped into accepting the witch-glamour as Heaven's own cloud-flame! By the gods! If Al-Kyris falls, as yon dotard pronounceth, her ruins shall bury but few heroes! O superstitious and degraded souls! … I would ye were even as I am—a man dauntless,—a soldier unafraid."

His powerful and indignant voice had the effect of partially checking the panic and restoring something like order,—the pushing and struggling for an immediate exit ceased,—the armed guards in shamed silence began to marshal themselves together in readiness to start on the search for the fugitive,—and several pages rushed in with flaring torches, which cast a wondrous fire-glow on the surging throng of eager and timid faces, the brilliant costumes, the flash of jewels, the glimmer of swords and the dark outlines of the fluttering tapestry,—all forming together a curious chiaroscuro, from which the massive figure of Zephoranim stood out in bold and striking prominence against the white and silver background of his throne. Vaguely bewildered and lost in a dim stupefaction of wonderment, Theos looked upon everything with an odd sense of strained calmness, . . the glittering saloon whirled before his eyes like a passing picture in a magic glass…and then…an imperative knowledge forced itself upon his mind,—HE HAD WITNESSED THIS SELF-SAME SCENE BEFORE! Where? and when? … Impossible to say,—but he distinctly remembered each incident! This impression however left him as rapidly as it had come, before he had any time to puzzle himself about it, . . and just at that moment Sah-luma's hand caught his own,—Sah-luma's voice whispered in his ear:

"Let us away, my friend,—there will be naught now but mounting of guards and dire confusion,—the King is as a lion roused, and will not cease growling till his vengeance be satisfied! A plague on this shatter-pated Prophet!—he hath broken through my music, and jarred poesy into discord!—By the Sacred Veil!—Didst ever hear such a hideous clamor of contradictory tongues! … all striving to explain what defies explanation, namely, Khosrul's flight, for which, after all, no one is to blame so much as Zephoranim himself,—but 'tis the privilege of monarchs to shift their own mistakes and follies on to the shoulders of their subjects! Come! Lysia awaits us, and will not easily pardon our tardy obedience to her summons,—let us hence ere the gates of the palace close."

Lysia! … The "unvirgined Virgin"—the "Queen Courtesan"! So had said Khosrul. Nevertheless her name, like a silver clarion, made the heart of Theos bound with indescribable gladness and feverish expectation, and without an instant's pause he readily yielded to Sah-luma's guidance through the gorgeously colored confusion of the swaying crowd. Arm-in-arm, the twain,—one a POET RENOWNED, the other a POET FORGOTTEN,—threaded their rapid way between the ranks of nobles, officers, slaves, and court-lacqueys, who were all excitedly discussing the recent scare, the Prophet's escape, and the dread wrath of the King,—and hurrying along the vast Hall of the Two Thousand Columns, they passed together out into the night.

CHAPTER XVII.

A VIRGIN UNSHRINED.

Under the cloudless, star-patterned sky, in the soft, warm air that brimmed with the fragrance of roses, they drove once more together through the spacious streets of Al-Kyris—streets that were now nearly deserted save for a few late passers-by whose figures were almost as indistinct and rapid in motion as pale, flitting shadows. There was not a sign of storm in the lovely heavens, though now and again a sullen roll as of a distant cannonade hinted of pent-up anger lurking somewhere behind that clear and exquisitely dark-blue ether, in which a million worlds blazed luminously like pendulous drops of white fire. Sah-luma's chariot whirled along with incredible swiftness, the hoofs of the galloping horses occasionally striking sparks of flame from the smooth mosaic-pictured pavement; but Theos now began to notice that there was a strange noiselessness in their movements—that the whole CORTEGE appeared to be environed by a magic circle of silence—and that the very night itself seemed breathlessly listening in entranced awe to some unlanguaged warning from the gods invisible.

Compared with the turbulence and terror just left behind at the King's palace, this weird hush was uncomfortably impressive, and gave a sense of fantastic unreality to the scene. The sleepy, mesmeric radiance of the full moon, shining on the delicate traceries of the quaintly sculptured houses on either hand, made them look brittle and evanescent; the great heavy, hanging orange-boughs and the feathery frondage of the tall palms seemed outlined in mere mist against the sky; and the glimpses caught from time to time of the broad and quietly flowing river were like so many flashes of light seen through a veil of cloud. Theos, standing beside his friend with one hand resting familiarly on his shoulder, dreamily admired the phantom-like beauty of the city thus transfigured in the moonbeams, and though he vaguely wondered a little at the deep, mysterious stillness that everywhere prevailed, he scarcely admitted to himself that there was or could be anything unusual in it. He took his position as he found it—indeed he could not well do otherwise, since he felt his fate was ruled by some resolute, unseen force, against which all resistance would be unavailing. Moreover, his mind was now entirely possessed by the haunting vision of Lysia—a vision half-human, half-divine—a beautiful, magical, irresistible Sweetness that allured his soul, and roused within him a wordless passion of infinite desire.

He exchanged not a syllable with Sah-luma—an indefinable yet tacit understanding existed between them,—an intuitive foreknowledge and subtle perception of each other's character, intentions, and aims, that for the moment rendered speech unnecessary. And there was something, after all, in the profound silence of the night that, while strange, was also eloquent—eloquent of meanings, unutterable, such as lie hidden in the scented cups of flowers when lovers gather them on idle summer afternoons and weave them into posies for one another's wearing. How fleetly the gilded, shell-shaped car sped on its way!—trees, houses, bridges, domes, and cupolas, seemed to fly past in a varied whirl of glistening color! Now and again a cluster of fire-flies broke from some thicket of shade and danced drowsily by in sparkling tangles of gold and green; here and there from great open squares and branch-shadowed gardens gleamed the stone face of an obelisk, or the white column of a fountain; while over all things streamed the long prismatic rays flung forth from the revolving lights in the Twelve Towers of the Sacred Temple, like flaming spears ranged lengthwise against the limitless depth of the midnight horizon. With straining necks, tossed manes, and foam flying from their nostrils, Sah-luma's fiery coursers dashed onward at almost lightning speed, and the journey became a wild, headstrong rush through the dividing air—a rush toward some voluptuous end, dimly discerned, yet indefinite!

At last they stopped. Before them rose a lofty building, crested with fantastic pinnacles such as are formed by ice on the roof in times of intense cold; a great gate stood open, and pacing slowly up and down in front of it was a tall slave in white tunic and turban, who, turning his gleaming eyeballs on Sah-luma, nodded by way of salutation, and then uttered a sharp, peculiar whistle. This summons brought out two curious, dwarfish figures of men, whose awkward misshapen limbs resembled the contorted branches of wind-blown trees, and whose coarse and repulsive countenances betokened that malignant delight in evil-doing which only demons are supposed to know. These ungainly servitors possessed themselves of the Laureate's chafing steeds, and led them and the chariot away into some unseen courtyard; while the Laureate himself, still saying no word, kept fast hold of his companion's arm, and hurried him along a dark avenue overshadowed with thick boughs that drooped heavily downward to the ground—a solitary place where the intense quiet was disturbed only by the occasional drip, drip of dewy moisture trickling tearfully from the leaves, or the sweet, faint, gurgling sound of fountains playing somewhere in the distance.

On they went for several paces, till at a sharp bend in the moss-grown path, an amethystine light broke full between the arched green branches; directly in front of them glimmered a broad piece of water, and out of the purple-tinted depths rose the white, nude, lovely form of a woman, whose rounded, outstretched arms appeared to beckon them, . . whose mouth smiled in mingled malice and sweetness, . . and round whose looped-up tresses sparkled a diadem of sapphire flame. With a cry of astonishment and ecstacy Theos sprang forward: Sah-luma held him back in laughing remonstrance.

"Wilt drown for a statue's sake?" he inquired mirthfully. "By my soul, good Theos, if thy wits thus wander at sight of a witching, marble nymph illumed by electric glamours, what will become of thee when thou art face to face with living, breathing loveliness! Come, thou hotheaded neophyte! thou shalt not waste thy passion on images of stone, I warrant thee! Come!"

But Theos stood still. His eyes roved from Sah-luma to the glittering statue and from the statue back again to Sah-luma in mingled doubt and dread. A vague foreboding filled his mind, he fancied that a bevy of mocking devils peered at him from out the wooded labyrinth, … and that Sin was the name of the white siren yonder, whose delicate body seemed to palpitate with every slow ripple of the surrounding waters. He hesitated,—with that often saving hesitation a noble spirit may feel ere willfully yielding to what it instinctively knows to be wrong,—and for the briefest possible space an imperceptible line was drawn between his own self-consciousness and the fascinating personality of his lately found friend—a line that parted them asunder as though by a gulf of centuries.

"Sah-luma," he said, in a tremulous, low tone, "tell me truly,—is it good for us to be here?"

Sah-luma regarded him in wide-eyed amazement.

"Good? good?" he repeated with a sort of impatient disdain. "What dost thou mean by 'good'? What is good? What is evil? Canst thou tell? If so, thou art wiser than I! Good to be here? If it is good to drown remembrance of the world in draughts of pleasure; if it is good to love and be beloved; if it is good to ENJOY, aye! enjoy with burning zest every pulsation of the blood and every beat of the heart, and to feel that life is a fiery delight, an exquisite dream of drained-off rapture, then it is good to be here! If," and he caught Theos's hand in his own warm palm and pressed it, while his voice sank to a soft and infinitely caressing sweetness, "if it is good to climb the dizzy heights of joy and drowse in the deep sunshine of amorous eyes, . . to slip away on elfin wings into the limitless freedom of Love's summerland, … to rifle rich kisses from warm lips even as rosebuds are rifled from the parent rose, and to forget! …—to forget all bitter things that are best forgotten—"

"Enough, enough!" cried Theos, fired with a reckless impulse of passionate ardor. "On, on, Sah-luma! I follow thee! On! let us delay no more!"

At that moment a far-off strain of music saluted his ears—music evidently played on stringed instruments. It was accompanied by a ringing clash of cymbals; he listened, and listening, saw a smile lighten Sah-luma's features—a smile sweet, yet full of delicate mockery. Their eyes met; a wanton impetuosity flashed like reflected flame from one face to the other, and then, without another instant's pause, they hurried on.

Across a broad, rose-marbled terrace garlanded with a golden wealth of orange-trees and odorous oleanders….. under a trellis-work covered with magnolias whose half-shut, ivory-tinted buds glistened in the moonlight like large suspended pearls, . . then through a low-roofed stone-corridor, close and dim, lit only by a few flickering oil-lamps placed at far intervals, . . then on they went, till at last, ascending three red granite steps on which were carved some curious hieroglyphs, they plunged into what seemed to be a vast jungle enclosed in some dense tropical forest. What a strange, unsightly thicket of rank verdure was here, thought Theos! … it was as though Nature, grown tired of floral beauty, had, in a sudden malevolent mood, purposely torn and blurred the fair green frondage and twisted every bud awry! Great, jagged leaves covered with prickles and stained all over with blotches as of spilt poison, . . thick brown stems glistening with slimy moisture and coiled up like the sleeping bodies of snakes, . . masses of purple and blue fungi, . . and blossoms seemingly of the orchid species, some like fleshy tongues, others like the waxen yellow fingers of a dead hand, protruded spectrally through the matted foliage,—while all manner of strange, overpowering odors increased the swooning oppressiveness of the sultry, languorous air.

This uncouth botanical garden was apparently roofed in by a lofty glass dome, decorated with hangings of watery-green silk, but the grotesque trees and plants grew to so enormous a height that it was impossible to tell which were the falling draperies and which the straggling leaves. Curious birds flew hither and thither, voiceless creatures, scarlet and amber winged; a huge gilded brazier stood in one corner from whence ascended the constant smoke of burning incense, and there were rose-shaded lamps all about, that shed a subdued mysterious lustre on the scene, and bestowed a pale glitter on a few fantastic clumps of arums and nodding lotus-flowers that lazily lifted themselves out of a greenish pool of stagnant water sunk deeply in on one side of the marble flooring. Theos, holding Sah-luma's arm, stepped eagerly across the threshold; he was brimful of expectation: . . and what mattered it to him whether the weed-like things that grew in this strange pavilion were pure or poisonous, provided he might look once more upon the witching face that long ago had so sweetly enticed him to his ruin! … Stay! what was he thinking of? Long ago? Nay, that was impossible,—since he had only seen the Priestess Lysia for the first time that very morning! How piteously perplexing it was to be thus tormented with these indistinct ideas!—these half-formed notions of previous intimate acquaintance with persons and places he never could have known before!

All at once he drew back with a startled exclamation; an enormous tigress, sleek and jewel-eyed, bounded up from beneath a tangled mass of red and yellow creepers and advanced toward him with a low savage snarl.

"Peace, Aizif, peace;" said Sah-luma, carelessly patting the animal's head. "Thou art wont to be wiser in distinguishing 'twixt thy friends and foes." Then turning to Theos he added—"She is harmless as a kitten, this poor Aizif! Call her, good Theos, she will come to thy hand—see!" and he smiled, as Theos, not to be outdone by his companion in physical courage, bent forward and stroked the cruel-looking beast, who, while submitting to his caress, never for a moment ceased her smothered snarling. Presently, however, she was seized with a sudden fit of savage playfulness,—and throwing herself on the ground before him, she rolled her lithe body to and fro with brief thirsty roars of satisfaction, . . roars that echoed through the whole pavilion with terrific resonance: then rising, she shook herself vigorously and commenced a stealthy, velvet-footed pacing up and down, lashing her tail from side to side, and keeping those sly, emerald-like eyes of hers watchfully fixed on Sah-luma, who merely laughed at her fierce antics. Leaning against one of the dark, gnarled trees, he tapped his sandaled foot with some impatience on the marble pavement, while Theos, standing close beside him, wondered whether the mysterious Lysia knew of their arrival.

Sah-luma appeared to guess his thoughts, for he answered them as though they had been spoken aloud.

"Yes," he said, "she knows we are here—she knew the instant we entered her gates. Nothing is or can be hidden from her! He who would have secrets must depart out of Al-Kyris and find some other city to dwell in, . . for here he shall be unable to keep even his own counsel. To Lysia all things are made manifest; she reads human nature as one reads an open scroll, and with merciless analysis she judges men as being very poor creatures, limited in their capabilities, disappointing and monotonous in their passions, unproductive and circumscribed in their destinies. To her ironical humor and icy wit the wisest sages seem fools; she probes them to the core, and discovers all their weaknesses; . . she has no trust in virtue, no belief in honesty. And she is right! Who but a madman would be honest in these days of competition and greed of gain? And as for virtue, 'tis a pretty icicle that melts at the first touch of a hot temptation! Aye! the Virgin Priestess of Nagaya hath a most profound comprehension of mankind's immeasurable brute stupidity; and, strong in this knowledge, she governs the multitude with iron will, intellectual force, and dictative firmness: . . when she dies I know not what will happen."

Here he interrupted himself, and a dark shadow crossed his brows. "By my soul!" he muttered, "how this thought of death haunts me like the unburied corpse of a slain foe! I would there were no such thing as Death; 'tis a cruel and wanton sport of the gods to give us life at all if life must end so utterly and so soon!"

He sighed deeply. Theos echoed the sigh, but answered nothing. At that moment the restless Aizif gave another appalling roar, and pounced swiftly toward the eastern side of the pavilion, where a large painted panel could be dimly discerned, the subject of the painting being a hideous idol, whose long, half-shut, inscrutable eyes leered through the surrounding foliage with an expression of hateful cunning and malevolence. In front of this panel the tigress lay down, licking the pavement thirstily from time to time and giving vent to short purring sounds of impatience: . . then all suddenly she rose with ears pricked, in an attitude of attention. The panel slowly moved, it glided back,—and the great brute leaped forward, flinging her two soft paws on the shoulders of the figure that appeared—the figure of a woman, who, clad in glistening gold from head to foot, shone in the dark aperture like a gilded image in a shrine of ebony. Theos beheld the brilliant apparition in some doubt and wonder. Was this Lysia? He could not see her face, as she wore a thick white veil through which only the faintest sparkle of dark eyes glimmered like flickering sunbeams; nor was he able to discern the actual outline of her form, as it was completely enveloped and lost in the wide, shapeless folds of her stiff, golden gown. Yet every nerve in his body thrilled at her presence! … every drop of blood seemed to rush from his heart to his brain in a swift, scorching torrent that for a second blinded his eyes with a red glare and made him faint and giddy.

Woman and tigress! They looked strangely alike, he thought, as they stood mutually caressing each other under the great drooping masses of fantastic leaves. Yet where was the resemblance? What possible similarity could there be between a tawny, treacherous brute of the forests, full of sly malice and voracious cruelty, and that dazzling, gold-garmented creature, whose small white hand, flashing with jewels, now tenderly smoothed the black, silken stripes on the sleek coat of her savage favorite?

"Down, sweet Aizif, down!" she said, in a grave, dulcet voice as softly languorous as the last note of a love-song. "Down, my gentle one! thou art too fond, down! so!" this as the tigress instantly removed its embracing paws from her neck, and, trembling in every limb, crouched on the ground in abjectly submissive obedience. Another moment, and she advanced leisurely into the pavilion, Aizif slinking stealthily along beside her and seeming to imitate her graceful gliding movements, till she stood within a few paces of Theos and Sah-luma, just near the spot where the lotus-flowers swayed over the grass-green, stagnant pool. There she paused, and apparently scrutinized her visitors intently through the folds of her snowy veil. Sah-luma bent his head before her in a half haughty, half humble salutation.

"The tardy Sah-luma!" she said, with an undercurrent of laughter in her musical tones, "the poet who loves the flattery of a foolish king, and the applause of a still more foolish court! And so Khosrul disturbed the flood of thine inspiration to-night, good minstrel? Nay, for that he should die, if for no other crime! And this," here she turned her veiled features toward Theos, whose heart beat furiously as he caught a luminous flash from those half-hidden, brilliant eyes, "this is the unwitting stranger who honored me by so daring a scrutiny this morning! Verily, thou hast a singularly venturesome spirit of thine own, fair sir! Still, we must honor courage, even though it border on rashness, and I rejoice to see that the wrathful mob of Al-Kyris hath yet left thee man enough to deserve my welcome! Nevertheless thou were guilty of most heinous presumption!" Here she extended her jewelled hand. "Art thou repentant? and wilt thou sue for pardon?"

Scarcely conscious of what he did, Theos approached her, and kneeling on one knee took that fair, soft hand in his own and kissed it with passionate fervor.

"Criminal as I am," he murmured tremulously, "I glory in my crime, nor will I seek forgiveness? Nay, rather will I plead, with thee that I may sin so sweet a sin again, and blind myself with beauty unreproved!"

Slowly she withdrew her fingers from his clasp.

"Thou art bold!" she said, with a touch of indolent amusement in her accents. "But in thy boldness there is something of the hero. Knowest thou not that I, Lysia, High Priestess of Nagaya, could have thee straightway slain for that unwise speech of thine?—unwise because over-hasty and somewhat over-familiar. Yes, I could have thee slain!" and she laughed,—a rippling little laugh like that of a pleased child. "Howbeit thou shalt not die this time for thy foolhardiness—thy looks are too much in thy favor! Thou art like Sah-luma in his noblest moods, when tired of verse-stringing and sonnet-chanting he condescends to remember that he is not quite divine! See how he chafes at that!" and plucking a lotus-bud she threw it playfully at the Laureate, whose handsome face flushed vexedly at her words. "And thou art prudent, Sir Theos—do I not pronounce thy name aptly?—thou wilt be less petulant than he, and less absorbed in self-adoration, for here men—even poets —are deemed no more than men, and their constant querulous claim to be considered as demi-gods meets with no acceptance! Wilt 'blind thyself with beauty' as thou say'st? Well then, lose thine eyes, but guard thy heart!"

And with a careless movement she loosened her veil; it fell from her like a soft cloud, and Theos, springing to his feet, gazed upon her with a sense of enraptured bewilderment and passionate pain. It was as though he saw the wraith of some fair, dead woman he had loved of old, risen anew to redemand from him his former allegiance. O, unfamiliar yet well-known face! … O, slumbrous, starry eyes that seemed to hold the memory of a thousand love-thoughts! … O, sweet curved lips whereon a delicious smile rested as softly as sunlight on young rose-petals! Where, . . where, in God's name, had he seen all this marvelous, witching, maddening loveliness BEFORE? His heart beat with heavy, laboring thuds, . . his brain reeled, . . a dim, golden, suffused radiance seemed to hover like an aureole above that dazzling white brow, adorned with a clustering wealth of raven-black tresses, whose massive coils were crowned with the strangest sort of diadem—a wreath of small serpents' heads cunningly fashioned in rubies and rose brilliants, and set in such a manner that they appeared to lift themselves erect from out the dusky hair as though in darting readiness to sting. Full of a vague, wild longing, he instinctively stretched out his arms, . . then on a sudden impulse turned swiftly away, in a dizzy effort to escape from the basilisk fire-gleam of those sombre, haunting eyes that plunged into his inmost soul, and there aroused such dark desires, such retrospective evil, such wild weakness as shamed the betterness of his nature! Sah-luma's clear, mocking laugh just then rang sharply through the perfumed stillness.

"Thou mad Theos! Whither art thou bound?" cried the Laureate mirthfully. "Wilt leave our noble hostess ere the entertainment has begun? Ungallant barbarian! What frenzy possesses thee?"

These words recalled him to himself. He came back slowly step by step, and with bowed head, to where Lysia stood—Lysia, whose penetrating gaze still rested upon him with strangely fixed intensity.

"Forgive me," he said, in a low, unsteady voice that to his own ears sounded full of suppressed yet passionate appeal. "Forgive me, lady, that for one moment I have seemed discourteous. I am not so, in very truth. Sad fancies fret my brain at times, and—and there is that within thine unveiled beauty which sword-like wounds my soul! I am not joyous natured: …unlike Sah-luma, chosen favorite of fortune, I have lost all, all that made my life once seem fair. I am dead to those that loved me, … forgotten by those that honored me, . . a wanderer in strange lands, a solitary wayfarer perplexed with many griefs to which I cannot give a name! Nevertheless," and he drew a quick, hard breath, "if I may serve thee, fairest Lysia,—as Sah-luma serves thee,—subject to thy sovereign favor,—thou shalt not find me lacking in obedience! Command me as thou wilt; let me efface myself to worship thee! Let me, if it be possible, drown thought,—slay memory,—murder conscience,—so that I may once more, as in the old time, be glad with the gladness that only love can give and only death can take away!"

As he finished this unpremeditated, uncontrollable outburst his eyes wistfully sought hers. She met his look with a languid indifference and a half-disdainful smile.

"Enough! restrain thine ardor!" she said coldly, her dark dilating orbs shining like steel beneath the velvet softness of her long lashes. "Thou dost speak ignorantly, unknowing what thy words involve—words to which I well might bind thee, were I less forbearing to thine inconsiderate rashness. How like all men thou art! How keen to plunge into unfathomed deeps, merely to snatch the pearl of present pleasure! How martyr-seeming in thy fancied sufferings, as though THY little wave of personal sorrow swamped the world! O wondrous human Egotism! that sees but one great absolute 'I' scrawled on the face of Nature! 'I' am afflicted, let none dare to rejoice! 'I' would be glad, let none presume to grieve!" … She laughed, a little low laugh of icy satire, and then resumed: "I thank thee for thy proffered service, sir stranger, albeit I need it not,—nor do I care to claim it at thy hands. Thou art my guest—no more! Whether thou wilt hereafter deserve to be enrolled my bondsman depends upon thy prowess and—my humor!"

Her beautiful eyes flashed scornfully, and there was something cruel in her glance. Theos felt it sting him like a sharp blow. His nerves quivered,—his spirit rose in arms against the cynical hauteur of this woman whom he loved; yes,—LOVED, with a curious sense of revived passion—passion that seemed to have slept in a tomb for ages, and that now suddenly sprang into life and being, like a fire kindled anew on dead ashes!

Acting on a sudden proud impulse he raised his head and looked at her with a bold steadfastness,—a critical scrutiny,—a calmly discriminating valuation of her physical charms that for the moment certainly appeared to startle her self-possession, for a deep flush colored the fairness of her face and then faded, leaving her pale as marble. Her emotion, whatever it was, lasted but a second,—yet in that second he had measured his mental strength against hers, and had become aware of his own supremacy! This consciousness filled him with peculiar satisfaction. He drew a long breath like one narrowly escaped from close peril. He had now no fear of her—only a great, all-absorbing, all-evil love, and to that he was recklessly content to yield. Her eyes dwelt glitteringly first upon him and then on Sah-luma, as the eyes of a falcon dwell on its prey, and her smile was touched with a little malice, as she said, addressing them both:

"Come, fair sirs! we will not linger in this wilderness of wild flowers. A feast awaits us yonder—a feast prepared for those who, like yourselves obey the creed of sweet self indulgence, … the world-wide creed wherein men find no fault, no shadow of inconsistency! The truest wisdom is to enjoy,—the only philosophy that which teaches us how best to gratify our own desires! Delight cannot satiate the soul, nor mirth engender weariness! Follow me!—" and with a lithe movement she swept toward the door, her pet tigress creeping closely after her; then suddenly looking back she darted a lustiously caressing glance over her shoulder at Sah-luma and stretched out her hand. He at once caught it in his own and kissed it with an almost brusque eagerness.

"I thought you had forgotten me!" he murmured in a vexed, half-reproachful tone.

"Forgotten you? Forgotten Sah-luma? Impossible!" and her silvery laughter shook the air into little throbs of music. "When the greatest poet of the age is forgotten, then fall Al-Kyris! … for there shall be no more need of kingdoms!"

Laughing still and allowing her hand to remain in his, she passed out of the pavilion, and Theos followed them both as a man might follow the beckoning sylphs in a fairy dream.

A mellow, luminous, witch-like radiance seemed to surround them as they went—two dazzling figures gliding on before him with the slow, light grace of moonbeams flitting over a smooth ocean. They seemed made for each other, … he could not separate them in his thoughts; but the strangest part of the matter was the feeling he had, that he himself somehow belonged to them and they to him. His ideas on the subject, however, were very indefinite; he was in a condition of more or less absolute passiveness, save when strong shudders of grief, memory, remorse or roused passion shook him with sudden force like a storm blast shaking some melancholy cypress whose roots are in the grave. He mused on Lysia's scornful words with a perplexed pain. Was he then so selfish? "The one great absolute 'I' scrawled on the face of Nature!" Could that apply to him? Surely not! since in his present state of mind he could hardly lay claim to any distinct personality, seeing that that personality was forever merging itself and getting lost in the more clearly perfect identity of Sah-luma, whom he regarded with a species of profound hero-worship such as one man seldom feels for another. To call himself a Poet NOW seemed the acme of absurdity; how should such an one as he attempt to conquer fame with a rival like Sah-luma already in the field and already supremely victorious?

Full of these fancies, he scarcely heeded the wonders through which he passed, as he followed his two radiant guides along. His eyes were tired, and rested almost indifferently on the magnificence that everywhere surrounded him, though here and there certain objects attracted his attention as being curiously familiar. These lofty corridors, gorgeously frescoed, . . these splendid groups of statuary, . . these palm-shaded nooks of verdure where imprisoned nightingales warbled plaintive songs that were all the sweeter for their sadness, … these spacious marble loggias cooled by the rising and falling spray of myriad fountains—did he not dimly recognize all these things? He thought so, yet was not sure,—for he had arrived at a pass when he could neither rely on his reason nor his memory. Naught of deeper humiliation could he have than this, to feel within himself that he was still AN INTELLECTUAL, THINKING, SENTIENT HUMAN BEING, and that yet at the same time, his INTELLIGENCE COULD DO NOTHING TO EXTRICATE HIM from the terrific mystery which had engulfed him like a huge flood, and wherein he was now tossed to and fro as helplessly as a floating straw.