"Come!" he said, pushing his hair off his brows with a languid gesture, . . "The afternoon wears onward, and the very heavens seem to smoke with heat,—let us seek cooler air beneath the shade of yonder cypresses, whose dark-green boughs shut out the glaring sky. We'll talk of love and poesy and tender things till sunset, . . I will recite to thee a ballad of mine that Niphrata loved,—'tis called 'An Idyl of Roses,'…and it will lighten this hot and heavy silence, when even birds sleep, and butterflies drowse in the hollowed shelter of the arum-leaves. Come, wilt thou? … To-night perchance we shall have little time for pleasant discourse!"
As he spoke, Theos obediently went toward him with the dazed sensations of one under the influence of mesmerism, … the dazzling face and luminous eyes of the Laureate exercised over him an indescribable yet resistless authority,—and it was certain that, wherever Sah-luma led the way, he was bound to follow. Only, as he mechanically descended from the terrace into the garden, and linked his arm within that of his companion, he was conscious of a vague feeling of pity for himself…pity that he should have dwindled into such a nonentity, when Sah-luma was so renowned a celebrity, . . pity too that he should have somehow never been able to devise anything original in the Art of Poetry!
This last was evident, . . for he knew already that the "Idyl of Roses" Sah-luma purposed reciting could be no other than what he had fancied was HIS "Idyl of Roses" … a poem he had composed, or rather had plagiarized in some mysterious fashion before he had even dreamt of the design of "Nourhalma"…However he had become in part resigned to the peculiar position he occupied,—he was just a little sorry for himself, and that was all. Even as the parted spirit of a dead man might hover ruthfully above the grave of its perished mortal body, so he compassionated his own forlorn estate, and heaved a passing sigh of regret, not only for all HE ONCE HAD BEEN, but also for all HE COULD NEVER BE!
CHAPTER XXVII.
IN THE TEMPLE OF NAGAYA.
The hours wore on with stealthy rapidity,—but the two friends, reclining together under a deep-branched canopy of cypress-boughs, paid little or no heed to the flight of time. The heat in the garden was intense—the grass was dry and brittle as though it had been scorched by passing flames,—and a singularly profound stillness reigned everywhere, there being no wind to stir the faintest rustle among the foliage. Lying lazily upon his back, with his arms clasped above his head, Theos looked dreamily up at the patches of blue sky seen between the dark-green gnarled stems and listened to the measured cadence of the Laureate's mellow voice as he recited with much tenderness the promised poem.
Of course it was perfectly familiar,—the lines were precisely the same as those which he, Theos, remembered to have written out, thinking them his own, in an old manuscript book he had left at home. "At-home!" … Where was that? It must be a very long way off! … He half-closed his eyes,—a sense of delightful drowsiness was upon him, . . the rise and fall of his friend's rhythmic utterance soothed him into a languid peace, . . the "Idyl of Roses" was very sweet and musical, and, though he knew it of old, he heard it now with special satisfaction, inasmuch as, it being no longer his, he was at liberty to bestow upon it that full measure of admiration which he felt it deserved!
Yet every now and then his thoughts wandered,—and though he anxiously strove to concentrate his attention on the lovely stanzas that murmured past his ears like the gentle sound of waves flowing beneath the mesmerism of the moon, his brain was in a continual state of ferment, and busied itself with all manner of vague suggestions to which he could give no name.
A great weariness weighed down his spirit—a dim consciousness of the futility of all ambition and all endeavor—he was haunted, too, by the sharp hiss of Lysia's voice when she had said, "KILL SAH-LUMA!"…Her look, her attitude, her murderous smile, troubled his memory and made him ill at ease,—the thing she had thus demanded at his hands seemed more monstrous than if she had bidden him kill himself! For there had been one moment, when, mastered by her beauty and the force of his own passion, he WOULD have killed himself had she requested it…but to kill his adored, his beloved friend! … ah no! not for a thousand sorceress-queens as fair as she!
He drew a long breath, . . an irresistible desire for rest came over him, . . the air was heavy and warm and fragrant,—his companion's dulcet accents served as a lullaby to his tired mind,—it seemed a long time since he had enjoyed a pleasant slumber, for the previous night he had not slept at all. Lower and lower drooped his aching lids, . . he was almost beginning to slip away slowly into a blissful unconsciousness, . . when all at once Sah-luma ceased reciting, and a harsh, brazen clang of bells echoed through the silence, storming to and fro with a violent, hurried uproar suggestive of some sudden alarm. He sprang to his feet, rubbing his eyes,—Sah-luma rose also, a slightly petulant expression on his face.
"Canst thou do no better than sleep"—he queried complainingly, "when thou art privileged to listen to an immortal poem?"
Impulsively Theos caught his hand and pressed it fervently.
"Nay, dost thou deem me so indifferent, my noble friend?" he cried … "Thou art mistaken, for though perchance mine eyes were closed, my ears were open; I heard thy every word,—I loved thy every line! What dost thou need of praise? … thou, who canst do naught but work which, being perfect, is beyond all criticism!"
Sah-luma smiled, well satisfied, and the little lines of threatening ill-humor vanished from his countenance.
"Enough!" he said.. "I know that thou dost truly honor me above all poets, and that thou wouldst not willingly offend. Hearest thou how great a clamor the ringers of the Temple make to-night?—'tis but the sunset chime, . . yet one would think they were pealing forth an angry summons to battle."
"Already sunset!" exclaimed Theos, surprised.. "Why, it seems scarce a minute since, that we came hither!"
"Aye!—such is the magic charm of poesy!" rejoined Sah-luma complacently.. "It makes the hours flit like moments, and long days seemed but short hours! … Nevertheless 'tis time we were within doors and at supper,—for if we start not soon for the Temple, 'twill be difficult to gain an entrance, and I, at any rate, must be early in my place beside the King."
He heaved a short, impatient sigh,—and as he spoke, all Theos's old misgivings came rushing back upon him and in full force, filling him with vague sorrow, uneasiness, fear. But he knew how useless it was to try and impart any of his inward forebodings to Sah-luma,—Sah-luma, who had so lightly explained Lysia's treacherous conduct to his own entire satisfaction, . . Sah-luma, on whom neither the prophecies of Khosrul nor the various disastrous events of the day had taken any permanent effect, . . while no attempt could now be made to deter him from attending the Sacrificial Service in the Temple, seeing he had been so positively commanded thither by Lysia, through the medium of the priest Zel.
Feeling bitterly his own incompetency to exercise any protective influence on the fate of his companion, Theos said nothing, but silently followed him, as he thrust aside the drooping cypress boughs and made his way out to more open ground, his lithe, graceful figure looking even more brilliant and phantom-like than ever, contrasted with the deep green gloom spread about him by the hoary moss-covered trees that were as twisted and grotesque in shape as a group of fetich idols. As he bent back the last branchy barrier however, and stepped into the full light, he stopped short,—and, uttering a loud exclamation, lifted his hand and pointed westward, his dark eyes dilating with amazement and awe.
Theos at once came swiftly up beside him, and looked where he looked, . . what a scene of terrific splendor he beheld! … Right across the horizon, that glistened with a pale green hue like newly frozen water, a cloud, black as the blackest midnight, lay heavy and motionless, in form resembling an enormous leaf, fringed at the edges with tremulous lines of gold.
This nebulous mass was absolutely stirless, . . it appeared as though it had been thrown, a ponderous weight, into the vault of heaven, and having fallen, there purposed to remain. Ever and anon beamy threads of lightning played through it luridly, veining it with long, arrowy flashes of orange and silver,—while poised immediately above it was the sun, looking like a dull scarlet seal, … a ball of dim fire destitute of rays.
On all sides the sky was crossed by wavy flecks of pearl and sudden glimpses as of burning topaz,—and down toward the earth drooped a thin azure fog,—filmy curtain, through which the landscape took the strangest tints and unearthly flushes of color. A moment,—and the spectral sun dropped suddenly into the lower darkness, leaving behind it a glare of gold and green,—lowering purple shadows crept over across the heavens, darkening them as smoke darkens flame,—but the huge cloud, palpitating with lightning, moved not at all nor changed its shape by so much as a hair's breadth, . . it appeared like a vast pall spread out in readiness for the solemn state-burial of the world.
Fascinated by the aspect of the weird sky-phenomenon, Theos was at the same time curiously impressed by a sense of its UNREALITY, . . indeed he found himself considering it with the calm attentiveness of one who is brought face to face with a remarkable picture effectively painted. This peculiar sensation, however, was, like many others of his experience, very transitory, . . it passed, and he watched the lightnings come and go with a certain hesitating fear mingled with wonder. Sah-luma was the first to speak.
"Storm at last!" … he said, forcing a smile though his face was unusually pale,—"It has threatened us all day…'twill break before the night is over. How sullenly yonder heavens frown! … they have quenched the sun in their sable darkness as though it were a beaten foe! This will seem an ill sign to those who worship him as a god,—for truly he doth appear to have withdrawn himself in haste and anger. By my soul! 'Tis a dull and ominous eve!" … and a slight shudder ran through his delicate frame, as he turned toward the white-pillared loggia garlanded with its climbing vines, roses, and passion-flowers, through which there now floated a dim golden, suffused radiance reflected from lamps lit within, . . "I would the night were past and that the new day had come!"
With these words, he entered the house, Theos accompanying him, and together they went at once to the banqueting-hall. There they supped royally, served by silent and attentive slaves,—they themselves, feeling mutually depressed, yet apparently not wishing to communicate their depression one to the other, conversed but little. After the repast was finished, they set forth on foot to the Temple, Sah-luma informing his companion, as they went, that it was against the law to use any chariot or other sort of conveyance to go to the place of worship, the King himself being obliged to dispense with his sumptuous car on such occasions, and to walk thither as unostentatiously as any one of his poorest subjects.
"An excellent rule!" … observed Theos reflectively,—"For the pomp and glitter of an earthly potentate's display assorts ill with the homage he intends to offer to the Immortals,—and Kings are no more than commoners in the sight of an all-supreme Divinity."
"True, if there WERE an all-supreme Divinity!" rejoined Sah-luma dryly,—"But in the present state of well-founded doubt regarding the existence of any such omnipotent personage, thinkest thou there is a monarch living, who is sincerely willing to admit the possibility of any power superior to himself? Not Zephoranim, believe me! … his enforced humility on all occasions of public religious observance serves him merely as a new channel wherein to proclaim his pride. Certes, in obedience to the Priests, or rather let us say in obedience to the High Priestess, he paces the common foot-path in company with the common folk, uncrowned and simply clad,—but what avails this affectation of meekness? All know him for the King—all make servile way for him,—all flatter him! … and his progress to the Temple resembles as much a triumphal procession as though he were mounted in his chariot and returning from some wondrous victory. Besides, humility in my opinion is more a weakness than a virtue, . . and even granting it were a virtue, it is not possible to Kings,—not as long as people continue to fawn on royalty like grovelling curs, and lick the sceptred hand that often loathes their abject touch."
He spoke with a certain bitterness and impatience as though he were suffering from some inward nervous irritation, and Theos, observing this, prudently made no attempt to continue the conversation. They were just then passing down a narrow, rather dark street, lined on both sides by lofty buildings of quaint and elaborate architecture. Long, gloomy shadows had gathered in this particular spot, where for a short space the silence was so intense that one could almost hear one's own heart beat. Suddenly a yellowish-green ray of light flashed across the pavement, and lo! the upper rim of the moon peered above the house-tops, looking strangely large and rosily brilliant, . . the air seemed all at once to grow suffocating and sulphurous, and between whiles there came the faint plashing sound of water lapping against stone with a monotonous murmur as of continuous soft whispers.
The vast silence, the vast night, were full of a solemn weirdness,—the moon, curiously magnified to twice her ordinary size, soared higher and higher, firing the lofty solitudes of heaven with long, shooting radiations of rose and green, while still in the purple hollow of the horizon lay that immense, immovable Cloud, nerved as it were with living lightning which leaped incessantly from its centre like a thousand swords drawn and re-drawn from as many scabbards.
Presently the deep booming noise of a great bell smote heavily on the stillness, . . a sound that Theos, oppressed by the weight of unutterable forebodings, welcomed with a vague sense of relief, while Sah-luma, hearing it, quickened his pace. They soon reached the end of the street, which terminated in a spacious quadrangular court guarded on all sides by gigantic black statues, and quickly crossing this place, which was entirely deserted, they came out at once into a dazzling blaze of light, . . the Temple of Nagaya in all its stately magnificence towered before them, a stupendous pile of marvellously delicate architecture so fine as to seem like lace-work rather than stone.
It was lit up from base to summit with glittering lamps of all colors, . . the twelve revolving stars on its twelve tall turrets cast forth wide beams of penetrating radiance into the deepening darkness of the night, . . aloft in its topmost crown of pinnacles swung the prayer-commanding bell, . . while the enormous crowds swarming thick about it gave it the appearance of a brilliant Pharos set in the midst of a surging sea. The steps leading up to it were strewn ankle-deep with flowers, . . the doors stood open, and a thunderous hum of solemn music vibrated in wave-like pulsations through the heavy, heated air.
Half blinded by the extreme effulgence, and confused by the jostling to and fro of a multitude immeasurably greater than any he had ever seen or imagined, Theos instinctively stretched out his hand in the helpless fashion of one not knowing whither next to turn, . . Sah-luma immediately caught it in his own, and hurried him along without saying a word.
How they managed to glide through the close ranks of pushing, pressing people, and effect an entrance he never knew,—but when he recovered from his momentary dazed bewilderment, he found himself inside the Temple, standing near a pillar of finely fluted white marble that shot up like the stem of a palm-tree and lost its final point in the dim yet sparkling splendor of the immense dome above. Lights twinkled everywhere,—there was the odor of faint perfumes mingled with the fresher fragrance of flowers,—there were distant glimpses of jewelled shrines, and the leering faces of grotesque idols clothed in draperies of amber, purple, and green,—and between the multitudinous columns that ringed the superb fane with snowy circles, one within the other, hung glittering lamps, set with rare gems and swinging by long chains of gold.
But the crowning splendor of the whole was concentrated on the place of the secret Inner Shrine. There an Arch of pale-blue fire spanned the dome from left to right, . . there, from huge bronze vessels mounted on tall tripods the smoke of burning incense arose in thick and odorous clouds,—there children clad in white, and wearing garlands of vivid scarlet blossoms, stood about in little groups as still as exquisitely modelled statuettes, their small hands folded, and their eyes downcast, . . there, the steps were strewn with branches of palm, flowering oleander, rose-laurel, and olive-sprays,—but the Sanctuary itself was not visible.
Before that Holy of Holies hung the dazzling folds of the "Silver Veil," a curtain of the most wonderfully woven silver tissue, that seen in the flashing azure light of the luminous arch above it, resembled nothing so much as a suddenly frozen sheet of foam. Across it was emblazoned in large characters:
I AM THE PAST, THE PRESENT, THE FUTURE,
THE MIGHT-HAVE-BEEN, AND THE SHALL-NOT-BE,
THE EVER, AND THE NEVER,
NO MORTAL KNOWETH MY NAME.
As Theos with some difficulty, owing to the intense brilliancy of the Veil, managed to decipher these words, he heard a solitary trumpet sounded,—a clear-blown note that echoed itself many times among the lofty arches before it finally floated into silence. Recognizing this as an evident signal for some new and important phase in the proceedings, he turned his eyes away from the place of the Shrine, and looking round the building was surprised to see how completely the vast area was filled with crowds upon crowds of silent and expectant people. It seemed as though not the smallest wedge could have been inserted between the shoulders of one man and another, yet where he stood with Sah-luma there was plenty of room. The reason of this however was soon apparent,—they were in the place reserved for the King and the immediate officers of the Royal Household,—and scarcely had the sweet vibration of that clear trumpet-blast died away, when Zephoranim himself appeared, walking slowly and majestically in the midst of a select company of his nobles and courtiers.
He wore the simple white garb of an ordinary citizen of Al-Kyris, together with a silver belt and plain-sheathed dagger, . . not a jewel relieved the classic severity of his costume, and not even the merest fillet of gold in his rough dark hair denoted his royal rank. But the pride of precedence spoke in his flashing eyes,—the arrogance of authority in the self-conscious poise of his figure and haughtiness of his step,—his brows were knitted in something of a frown, and his face looked pale and slightly careworn. He spied out Sah-luma at once and smiled kindly,—there was not a trace of coldness in his manner toward his favored minstrel, and Theos noted this with a curious sense of sudden consolation and encouragement. "Why should I have feared Zephoranim?" he thought. "Sah-luma has no greater friend, . . except myself! The King would be the last person in the world to do him any injury!"
Just then a magnificent burst of triumphal music rolled through the Temple,—the music of some mighty instrument, organ-like in sound, but several tones deeper than the grandest organ ever made, mingled with children's voices singing. The King seated himself on a cushioned chair directly in front of the Silver Veil, . . Sah-luma took a place at his right hand, giving Theos a low bench close beside him, while the various distinguished personages who had attended Zephoranim disposed themselves indifferently wherever they could find standing-room, only keeping as near to their monarch as they were able to do in the extreme pressure of so vast a congregation.
For now every available inch of space was occupied,—as far as eye could see there were rows upon rows of men and white-veiled women, . . Theos imagined there must have been more then five thousand people present. On went the huge pulsations of melody, surging through the incense-laden air like waves thudding incessantly on a rocky shore, and presently out of a side archway near the Sanctuary-steps came with slow and gliding noiselessness a band of priests, walking two by two, and carrying branches of palm. These were all clad in purple and crowned with ivy-wreaths,—they marched sedately, keeping their eyes lowered, while their lips moved constantly, as though they muttered inaudible incantations. Waving their palm-boughs to and fro, they paced along past the King and down the centre aisle of the Temple,—then turning, they came back again to the lowest step of the Shrine and there they all prostrated themselves, while the children who stood near the incense-burners flung fresh perfumes on the glowing embers and chanted the following recitative:
"O Nagaya, great, everlasting and terrible!
Thou who dost wind thy coils of wisdom into the heart!
Thou, whose eyes, waking and sleeping, do behold all things!
Thou who art the joy of the Sun and the Master of Virgins!
Hear us, we beseech thee, when we call upon thy name!"
Their young treble voices were clear and piercing, and pealed up to the dome to fall again like the drops of distinct round melody from a lark's singing-throat,—and when they ceased there came a short impressive pause. The Silver Veil quivered from end to end as though swayed by a faint wind, and the flaming Arch above turned from pale blue to a strange shimmering green. Then, in mellow unison, the kneeling priests intoned:
"O thou who givest words of power to the dumb mouth of the
soul in Hades; hear us, Nagaya!
O thou who openest the grave and givest peace to the heart;
plead for us, Nagaya!
O thou who art companion of the Sun and controller of the
East and of the West; comfort us, Nagaya!
Here they ended, and the children began again, not to chant but to sing.. a strange and tristful tune, wilder than any that vragrant winds could play on the strings of an aeolian lyre:
"O Virgin of Virgins, Holy Maid, to what shall we resemble thee?
Chaste Daughter of the Sun, how shall we praise thy peerless
beauty!
Thou art the Gate of the House of Stars!—thou art the first of
the Seven Jewels of Nagaya!
Thou dost wield the sceptre of ebony, and the Eye of Raphon
beholds thee with love and contentment!
Thou art the Chiefest of Women, … thou hast the secrets of earth
and heaven, thou knowest the dark mysteries!
Hail, Lysia! Queen of the Hall of Judgment!
Hail, pure Pearl in the Sea of the Sun's glory!
Declare unto us, we beseech thee, the Will of Nagaya!"
They closed this canticle softly and slowly, . . then flinging themselves prone, they pressed their faces to the earth, . . and again the glittering Veil waved to and fro suggestively, while Theos, his heart beating fast, watched its shining woof with straining eyes and a sense of suffocation in his throat, . . what ignorant fools, what mad barbarians, what blind blasphemers were these people, he indignantly thought, who could thus patiently hear the praise of an evil woman like Lysia publicly proclaimed with almost divine honors!
Did they actually intend to worship her, he wondered? If so, he at any rate would never bend the knee to one so vile! He might have done so once, perhaps, … but now …! At that instant a flute like murmur of melody crept upward as it seemed from the ground, with a plaintive whispering sweetness like the lament of some exiled fairy,—so exquisitely tender and pathetic, and yet withal so heart-stirring and passionate, that, despite himself, he listened with a strange, swooning sense of languor stealing insidiously over him,—a dreamy lassitude, that while it made him feel enervated and deprived of strength, was still not altogether unpleasing, . . a faint sigh escaped his lips,—and he kept his gaze fixed on the Silver Veil as pertinaciously as though behind it lay the mystery of his soul's ruin or salvation.
How the light flashed on its shimmering folds like the rippling phosphorescence on southern seas! … as green and clear and brilliant as rays reflected from thousands and thousands of glistening emeralds! … And that haunting, sorrowful, weird music! … How it seemed to eat into his heart and there waken a bitter remorse combined with an equally bitter despair!
Once more the Veil moved, and this time it appeared to inflate itself in the fashion of a sail caught by a sudden breeze,—then it began to part in the middle very slowly and without sound. Further and further back on each side it gradually receded, and … like a lily disclosed between folding leaves—a Figure, white, wonderful and angelically fair, shone out, the centre jewel of the stately shrine,—a shrine whose immense carven pillars, grotesque idols, bronze and gold ornaments, jewelled lamps and dazzling embroideries, only served as a sort of neutral-tinted background to intensify with a more lustrous charm the statuesque loveliness revealed! O Lysia, UNvirgined Priestess of the Sun and Nagaya, how gloriously art thou arrayed in sin! … O singular Sweetness whose end must needs be destruction, was ever woman fairer than thou! … O love, love, lost in the dead Long-Ago, and drowned in the uttermost darkness of things evil, wilt thou drag my soul with thee again into everlasting night!
Thus Theos inwardly raved, without any real comprehension of his own thoughts, but only stricken anew by a feverish passion of mingled love and hatred as he stared on the witching sorceress whose marvellous beauty was such wonder and torture to his eyes, . . what mattered it to him that King, Laureate, and people had all prostrated themselves before her in reverent humility? … HE knew her nature, . . he had fathomed her inborn wickedness, . . and though his senses were attracted by her, his spirit loathingly repelled her, . . he therefore remained seated stiffly upright, watching her with a sort of passive, immovable intentness. As she now appeared before him, her loveliness was absolutely and ideally perfect,—she looked the embodiment of all grace,—the model of all chastity.
She stood quite still, . . her hands folded on her breast, . . her head slightly lifted, her dark eyes upturned, . . her unbound black hair streamed over her shoulders in loose glossy waves, and above her brows her diadem of serpents' heads sparkled like a coronal of flame. Her robe was white, made of some silky shining stuff that glistened with soft pearly hues; it was gathered about her waist by a twisted golden girdle. Her arms were bare, decked as before with the small jewelled snakes that coiled upward from wrist to shoulder,—and when after a brief pause she unfolded her hands and raised them with a slow, majestic movement above her head, the great Symbolic Eye flared from her bosom like a darting coal, seeming to turn sinister glances on all sides as though on the search for some suspected foe.
Fortunately no one appeared to notice Theos's deliberate non-observance of the homage due to her,—no one except.. Lysia, herself. She met the open defiance, scorn, and reluctant admiration of his glance, . . and a cold smile dawned on her features, . . a smile more dreadful in its very sweetness than any frown, . . then, turning away her beautiful, fathomless, slumberous eyes and still keeping her arms raised, she lifted up her voice, a voice mellow as a golden flute, that pierced the silence with a straight arrow of pure sound, and chanted:
"Give glory to the Sun, O ye people! for his Light doth illumine your darkness!"
And the murmur of the mighty crowd surged back in answer:
"We give him glory!"
Here came a brief clash of brazen bells, and when the clamor ceased,
Lysia continued:
"Give glory to the Moon, O ye people! … for she is the servant of the
Sun and the Ruler of the House of Sleep!"
Again the people responded;
"We give her glory!'.. and again the bells jangled tempestuously.
"Give glory to Nagaya, O ye people! for he alone can turn aside the wrath of the Immortals!"
"We give him glory!".. rejoined the multitude,—and "We give him glory! seemed to be shouted high among the arches of the Temple with a strange sound as of the mocking laughter of devils."
This preliminary over, there came out of unseen doors on both sides of the Sanctuary twenty priests in companies of ten each; ten advancing from the left, ten from the right. These were clad in flowing garments of carnation-colored silk, heavily bordered with gold, and the leader of the right-hand group was the priest Zel. His demeanor was austere and dignified, . . he carried a square cushion covered in black, on which lay a long, thin cruel-looking knife with a jewelled hilt. The chief of the priests, who stood on the left, bore a very tall and massive staff of polished ebony, which he solemnly presented to the High Priestess, who grasped it firmly in one slight hand and allowed it to rest steadily on the ground, while its uppermost point reached far above her head.
Then followed the strangest, weirdest scene that even the pen of poets or brush of painter devised, . . a march round and round the Temple of all the priests, bearing lighted flambeaux and singing in chorus a wild Litany,—a confused medley of supplications to the Sun and Nagaya, which, accompanied as it was by the discordant beating drums and the clanging of bells, had an evidently powerful effect on the minds of the assembled populace, for presently they also joined in the maddening chant, and growing more and more possessed by the contagious fever of fanaticism, began to howl and shriek and clap their hands furiously, creating a frightful din suggestive of some fiendish clamor in hell.
Theos, half deafened by the horrible uproar, as well as roused to an abnormal pitch of restless excitement, looked round to see how Sah-luma comported himself. He was sitting quite still, in a perfectly composed attitude,—a faint, derisive smile played on his lips, . . his profile, as it just then appeared, had the firmness and the pure soft outline of a delicately finished cameo, . . his splendid eyes now darkened, now lightened with passion, as he gazed at Lysia, who, all alone in the centre of the Shrine, held her ebony staff as perpendicularly erect as though it were a tree rooted fathoms deep in earth, keeping herself too as motionless as a figure of frozen snow.
And the King? … what of him? … Glancing at that bronze-like brooding countenance, Theos was startled and at the same time half fascinated by its expression. Such a mixture of tigerish tenderness, servile idolatry, intemperate desire, and craven fear he had never seen delineated on the face of any human being. In the black thirsty eyes there was a look that spoke volumes,—a look that betrayed what the heart concealed,—and reading that featured emblazonment of hidden guilt, Theos knew beyond all doubt that the rumors concerning the High Priestess and the King were true, . . that the dead Khosrul had spoken rightly, . . that Zephoranim loved Lysia! … Love? … it seemed too tame a word for the pent-up fury of passion that visibly and violently consumed the man! What would be the result? …
"When the High Priestess Is the King's mistress Then fall Al-Kyris!"
These foolish doggerel lines! … why did they suggest themselves? … they meant nothing. The question did not concern Al-Kyris at all,—let the city stand or fall as it list, who cared, so long as Sah-luma escaped injury! Such, at least, was the tenor of Theos's thoughts, as he rapidly began to calculate certain contingencies that now seemed likely to occur. If, for instance, the King were made aware of Sah-luma's intrigue with Lysia, would not his rage and jealousy exceed all bounds? … and if, on the other hand, Sah-luma were convinced of the King's passion for the same fatally fair traitress, would not his wrath and injured self-love overbear all loyalty and prudence?
And between the two powerful rivals who thus by stealth enjoyed her capricious favors, what would Lysia's own decision be?—Like a loud hissing in his ears, he heard again the murderous command,—a command which was half a menace: "KILL SAH-LUMA!"
Faint shudders as of icy cold ran through him,—he nerved himself to meet some deadly evil, though he could not guess what that evil might be,—he was willing to throw away all the past that haunted him, and cut off all hope of a future, provided he could only baffle the snares of the pitiless beauty to whom the torture of men was an evident joy, and rescue his beloved and gifted friend from her perilous attraction! Making a strong effort to master the inward conflict of fear and pain that tormented him, he turned his attention anew to the gorgeous ceremony that was going on, . . the march of the priests had come to an abrupt end. They stood now on each side of the Shrine, divided in groups of equal numbers, tossing their flambeaux around and above them to the measured ringing of bells. At every upward wave of these flaring torches, a tongue of fire leaped aloft, to instantly break and descend in a sparkling shower of gold,—the effect of this was wonderful in the extreme, as by the dexterous way in which the flames were flung forth, it appeared to the spectator's eyes as though a luminous Snake were twisting and coiling itself to and fro in mid-air.
All loud music ceased, . . the multitude calmed down by degrees and left off their delirious cries of frenzy or rapture, . . there was nothing heard but a monotonous chanting in undertone, of which not a syllable was distinctly intelligible. Then from out a dark portal unperceived in the shadowed gloom of a curtained niche, there advanced a procession of young girls,—fifty in all, clad in pure white and closely veiled.
They carried small citherns, and arriving in front of the shrine, they knelt down in a semicircle, and very gently began to strike the short, responsive strings. The murmur of a lazy rivulet among whispering reeds, . . the sighing suggestions of leaves ready to fall in autumn,—the low, languid trilling of nightingales just learning to sing,—any or all these might be said to resemble the dulcet melody they played; while every delicate arpeggio, every rippling chord was muffled with a soft pressure of their hands ere the sound had time to become vehement. This elf-like harping continued for a short interval, during which the priests, gathering in a ring round a huge bronze font-shaped vessel hard by, dipped their flambeaux therein and suddenly extinguished them.
At the same moment the lights in the body of the Temple were all lowered, . . only the Arch spanning the Shrine blazed in undiminished brilliancy, its green tint appearing more intense in contrast with the surrounding deepening shadow. And now with a harsh clanging noise as of the turning of heavy bolts and keys, the back of the Sanctuary parted asunder in the fashion of a revolving double doorway,—and a golden grating was disclosed, its strong glistening bars welded together like knotted ropes and wrought with marvellous finish and solidity. Turning toward this semblance of a prison-cell Lysia spoke aloud—her clear tones floating with mellifluous slowness above the half-hushed quiverings of the cithern-choir:
"Come forth, O Nagaya, thou who didst slumber in the bosom of Space ere ever the world was made!
"Come forth, O Nagaya, thou who didst behold the Sun born out of Chaos, and the Earth enriched with ever-producing life!
"Come forth, O Nagaya, Friend of the gods and the people, and comfort us with the Divine Silence of thy Wisdom supernal!"
While she pronounced these words, the golden grating ascended gradually inch by inch, with the steady clank as of the upward winding of a chain,—and when she ceased, there came a mysterious, rustling, slippery sound, suggestive of some creeping thing forcing its way through wet and tangled grass, or over dead leaves, . . one instant more, and a huge Serpent—a species of python some ten feet in length—glided through the round aperture made by the lifted bars, and writhed itself slowly along the marble pavement straight to where Lysia stood.
Once it stopped, curving back its glistening body in a strange loop as though in readiness to spring—but it soon resumed its course, and arrived at the High Priestess's feet. There, its whole frame trembled and glowed with extraordinary radiance, . . the prevailing color of its skin was creamy white, marked with countless rings and scaly bright spots of silver, purple, and a peculiar livid blue,—and all these tints came into brilliant prominence, as it crouched before Lysia and twisted its sinuous neck to and fro with an evidently fawning and supplicatory gesture; while she, keeping her sombre dark eyes fixed full upon it, moved not an inch from her position, but, majestically serene, continued to hold the tall staff of ebony straight and erect as a growing palm.
The cithern-playing had now the soothing softness of a mother's lullaby to a tired child, and as the liquid notes quavered delicately on the otherwise deep stillness, the formidable reptile began to coil itself ascendingly round and round the ebony rod, . . higher and higher,—one glistening ring after another,—higher still, till its eyes were on a level with the "Eye of Raphon" that flamed on Lysia's breast, . . there it paused in apparent reflectiveness, and seemed to listen to the slumberous strains that floated toward it in wind-like breaths of sound, . . then, starting afresh on its upward way, it carefully, and with almost human tenderness, avoided touching Lysia's hand, which now rested on the staff between two thick twists of its body, . . and finally it reached the top, where fully raising its crested head, it displayed the prismatic tints of its soft, restless, wavy throat, which was adorned furthermore by a flexible circlet of magnificent diamonds.
Nothing more striking or more singular could Theos imagine than the scene now before him, . . the beautiful woman, still as sculptured marble, and the palpitating Snake coiled on that mast-like rod and uplifted above her,—while round the twain knelt the Priests, their faces covered in their robes, and from all parts of the Temple the loud shout arose:
"ALL HAIL, NAGAYA!"
"Praise, Honor, and Glory be unto thee forever and ever!"
Then it was that the proud King flung himself to earth and kissed the dust in abject submission,—then Sah-luma, carelessly complaisant, bent the knee and smiled to himself mockingly as he performed the act of veneration, … then the enormous multitude with clasped hands and beseeching looks fell down and worshipped the glittering beast of the field, whose shining, emerald-like, curiously sad eyes roved hither and thither with a darting yet melancholy eagerness over all the people who called it Lord!
To Theos's imagination it looked a creature more sorrowful than fierce,—a poor charmed brute, that while netted in the drowsy woofs of its mistress Lysia's magnetic spell, seemed as though it dimly wondered why it should thus be raised aloft for the adoration of infatuated humankind. Its brilliant crest quivered and emitted little arrowy scintillations of lustre—the "god" was ill at ease in the midst of all his splendor, and two or three times bent back his gleaming neck as though desirous of descending to the level ground.
But when these hints of rebellion declared themselves in the tremors running through the scaly twists of his body, Lysia looked up, and at once, compelled as it were by involuntary attraction, "Nagaya the Divine" looked down. The strange, subtle, mesmeric, sleepy eyes of the woman met the glittering green, mournful eyes of the snake,—and thus the two beautiful creatures regarded each other steadfastly and with an apparent vague sympathy, till the "deity," evidently overcome by a stronger will than his own, and resigning himself to the inevitable, twisted his radiant head back again to the top of the ebony staff, and again surveyed the kneeling crowds of worshippers.
Presently his glistening jaws opened,—his tongue darted forth vibratingly,—and he gave vent to a low hissing sound, erecting and depressing his crest with extraordinary rapidity, so that it flashed like an aigrette of rare gems. Then, with slow and solemn step, the Priest Zel advanced to the front of the Shrine, and spreading out his hands in the manner of one pronouncing a benediction, said loudly and with emphasis:
"Nagaya the Divine doth hear the prayers of his people!
"Nagaya the Supreme doth accept the offered Sacrifice!
"BRING FORTH THE VICTIM!"
The last words were spoken with stern authoritativeness, and scarcely had they been uttered when the great entrance doors of the Temple flew open, and a procession of children appeared, strewing flowers and singing:
"O happy Bride, we bring thee unto joy and peace!
"To thee are opened the Palaces of the Air,
"The beautiful silent Palaces where the bright stars dwell
"O happy Bride of Nagaya! how fair a fate is thine!"
Pausing, they flung wreaths and garlands among the people, and continued:
"O happy Bride! for thee are past all Sorrows and Sin,
"Thou shalt never know shame, or pain or grief or the
weariness of tears;
"For thee no husband shall prove false, no children prove
ungrateful;
"O happy Bride of Nagaya! how glad a fate is thine.
"O happy Bride! when thou art wedded to the beautiful god, the
god of Rest,—
"Thou shalt forget all trouble and dwell among sweet dreams for
ever!
"Thou art the blessed one, chosen for the love-embraces of
Nagaya!
"O happy Bride! … how glorious a fate is thine!"
Thus they sang in the soft, strange vowel-language of Al-Kyris, and tripped along with that innocent, unthinking gayety usual to such young creatures, up to the centre aisle toward the Sanctuary. They were followed by four priests in scarlet robes and closely masked, . . and walking steadfastly between these, came a slim girl clad in white, veiled from head to foot and crowned with a wreath of lotus lilies. All the congregation, as though moved by an impulse, turned to look at her as she passed,—but her features were not as yet discernible through the mist-like draperies that enfolded her.
The singing children, always preceding her and scattering flowers, having arrived at the steps of the Shrine, grouped themselves on either side,—and the red garmented Priests, after having made several genuflections to the glittering Python that now, with reared neck and quivering fangs, seemed to watch everything that was going on with absorbed and crafty vigilance, proceeded to unveil the maiden martyr, and also to tie her slight hands behind her back by means of a knotted silver cord. Then in a firm voice the Priest Zel proclaimed:
"Behold the elected Bride of the Sun and the Divine Nagaya!
"She bears away from the city the burden of your sins, O ye people, and by her death the gods are satisfied!
"Rejoice greatly, for ye are absolved,—and by the Silver Veil and the Eye of Raphon we pronounce upon all here present the blessing of pardon and peace!"
As he spoke the girl turned round as though in obedience to some mechanical impulse, and fully confronted the multitude, . . her pale, pure face, framed in a shining aureole of rippling fair hair, floated before Theos's bewildered eyes like a vision seen indistinctly in a magic crystal, and he was for a moment uncertain of her identity; but quick as a flash Sah-luma's glance lighted upon her, and, with a cry of horror that sent desolate echoes through and through the arches of the Temple, he started from his seat, his arms outstretched, his whole frame convulsed and quivering.
"Niphrata! … Niphrata! …" and his rich voice shook with a passion of appeal, "O ye gods! … what mad, blind, murderous cruelty! Zephoranim!" … and he turned impetuously on the astonished monarch: "As thou livest crowned King I say this maid is MINE! … and in the very presence of Nagaya, I swear she shall NOT die!"
CHAPTER XXVIII.
THE SACRIFICE.
A solemn silence ensued. Consternation and wrath were depicted on every countenance. The Sacred Service was interrupted! … a defiance had been hurled as it were in the very teeth of the god Nagaya! … and this horrible outrage to Religion and Law had been actually committed by the Laureate of the realm! It was preposterous, … incredible! … and the gaping crowds reached over each other's shoulders to stare at the offender, pressing forward eager, wondering, startled faces, which to Theos looked far more spectral than real, seen in the shimmering green radiance that was thrown flickering upon them from the luminous Arch above the Altar. The priests stood still in speechless indignation, . . Lysia moved not at all, nor raised her eyes; only her lips parted in a very slight cold smile.
Seized with mortal dread, Theos gazed helplessly at his reckless, beautiful poet friend, who with head erect and visage white as a waning moon, haughtily confronted his Sovereign and audaciously asserted his right to be heard, even in the Holy place of worship! The King was the first to break the breathless stillness: his words came harshly from his throat, . . and the great muscles in his neck seemed to swell visibly with his hardly controlled anger.
"Peace! … Thou art suddenly distraught, Sah-luma! …" he said, in half-smothered, fierce accents—"How darest thou uplift thy clamorous tongue thus wantonly before Nagaya, and interrupt the progress of his Sacred Ritual? … check thy mad speech! … if ever yonder maid were thine, 'tis certain she is thine no longer; … she hath offered herself, a voluntary sacrifice, and the gods are pleased to claim what thou perchance hast failed to value!"
For all answer, Sah-luma flung himself desperately at the monarch's feet. "Zephoranim!" he cried again … "I tell thee she is mine! … mine, as truly mine as Love can make her! Oh, she is chaster than lily-buds in her sweet body! … but in her spirit she is wedded—wedded to me, Sah-luma, whom thou, O King, hast ever delighted to honor! And now must I kneel to thee in vain?—thou whose victories I have sung, whose praises I have chanted in burning words that shall carry thy name forever with triumph, down to unborn generations? … Wilt thou become inglorious? … a warrior stricken strengthless by the mummeries of priestcraft,—the juggleries of a perishing creed? Thou art the ruler of Al-Kyris,—thou and thou only! Restore to me this innocent virgin-life that has scarcely yet begun to bloom! … speak but the word and she is saved! … and her timely rescue shall add lustre to the record of thy noblest deeds!"
His matchless voice, full of passionate pulsations, exercised for a moment a resistless influence and magnetic charm. The King's lowering brows relaxed,—and a gleam of pity passed like light across his countenance. Instinctively he extended his hand to raise Sah-luma from his humble attitude, as though, even in his wrath, he were conscious of the immense intellectual superiority of a great Poet to ever so great a King; and a thrill of involuntary compassion seemed at the same time to run sympathetically through the vast congregation. Theos drew a quick breath of relief, and glanced at Niphrata, … how cold and unconcerned was her demeanor! … Did she not hear Sah-luma's pleading in her behalf? … No matter!—she would be saved, he thought, and all would yet be well!
And truly it now appeared as if mercy, and not cruelty, were to be the order of the hour, . . for just then the Priest Zel, after having exchanged a few inaudible words with Lysia, advanced again to the front of the Shrine and spoke in distinct tones of forced gentleness and bland forbearance:
"Hear me, O King, Princes and People! … Whereas it has unhappily occurred, to the wonder and sorrow of many, that the holy Spouse of the divine Nagaya is delayed in her desired departure, by the unforeseen opposition and unedifying contumacy of Sah-luma, Poet Laureate of this realm; and lest it may be perchance imagined by the uninitiated, that the maiden is in any way unwilling to fulfil her glorious destiny, the High and Immaculate Priestess of the Shrine doth bid me here pronounce a respite; a brief interval wherein, if the King and the People be willing, he who is named Sah-luma shall, by virtue of his high renown, be permitted to address the Virgin-victim and ascertain her own wishes from her own lips. Injustice cannot dwell within this Sacred Temple,—and if, on trial, the maiden chooses the transitory joys of Earth in preference to the everlasting joys of the Palaces of the Sun, then in Nagaya's name shall she go free!—inasmuch as the god loves not a reluctant bride, and better no Sacrifice at all, than one that is grudgingly consummated!"
He ceased,—and Sah-luma sprang erect, his eyes sparkling, his whole demeanor that of a man unexpectedly disburdened from some crushing grief.
"Thanks be unto the benevolent destinies!" he exclaimed, flashing a quick glance of gratitude toward Lysia, . . the statuesque Lysia, on whose delicately curved lips the faintly derisive smile still lingered … "And in return for the life of my Niphrata I will give a thousand jewels rare beyond all price to deck Nagaya's tabernacle!—and I will pour libations to the Sun for twenty days and nights, in token of my heart's requital for mercy well bestowed!"
Stooping he kissed the King's hand,—whereupon at a sign from Zel, one of the priests attired in scarlet unfastened Niphrata's bound hands, and led her, as one leads a blind child, straight up to where Sah-luma and Theos stood, close beside the King, who, together with many others, stared curiously upon her. How fixed and feverishly brilliant were her large dark-blue eyes! … how set were the sensitive lines of her mouth!—how indifferent she seemed, how totally unaware of the Laureate's presence! The priest who brought her retired into the background, and she remained where he left her, quite mute and motionless. Oh, how every nerve in Theos's body throbbed with inexpressible agony as he beheld her thus! The wildest remorse possessed him, . . it was as though he looked on the dim picture of a ruin which he himself had recklessly wrought, . . and he could have groaned aloud in the horrible vagueness of his incomprehensible despair! Sah-luma caught the girl's hand, and peered into her white, still face.
"Niphrata! .. .Niphrata!" he said in a tremulous half-whisper, "I am here,—Sah-luma! … Dost thou not know me!"
She sighed, . . a long, shivering sigh,—and smiled, . . what a strange, wistful, dying smile it was! … but she made no answer.
"Niphrata!"—continued the Laureate, passionately pressing the little, cold fingers that lay so passively in his grasp.. "Look at me! … I have come to save thee! … to take thee home again, . . home to thy flowers, thy birds, thy harp, . . thy pretty chamber with its curtained nook, where thy friend Zoralin waits and weeps all day for thee! … O ye gods!—how weak am I!".. and he fiercely dashed away the drops that glistened on his black silky lashes, . . "Come with me, sweet one! …" he resumed tenderly—"Come!—Why art thou thus silent? … thou whose voice hath many a time outrivalled the music of the nightingales! Hast thou no word for me, thy lord?—Come!".. and Theos, struggling to repress his own rising tears, heard his friend's accents sink into a still lower, more caressing cadence … "Thou shalt never again have cause for grief, my Niphrata, never! … We will never part! … Listen! … am I not he whom thou lovest?"
The poor child's set mouth trembled,—her beautiful sad eyes gazed at him uncomprehendingly.
"He whom I love is not here!".. she said in tired, soft tones; "I left him, but he followed me; and now, he waits for me…yonder!".. And she turned resolutely toward the Sanctuary, as though compelled to do so by some powerful mesmeric attraction, . . "See you not how fair he is!"…and she pointed with her disengaged hand to the formidable python, through whose huge coils ran the tremors of impatient and eager breathing, . . "How tenderly his eyes behold me! … those eyes that I have worshipped so patiently, so faithfully, and yet that never lightened into love for me till now! O thou more than beloved!—How beautiful thou art, my adored one, my heart's idol!" and a look of pale exaltation lightened her features, as she fixed her wistful gaze, like a fascinated bird, on the shadowy recess whence the Serpent had emerged—"There,—there thou dost rest on a couch of fadeless roses!—how softly the moonlight enfolds thee with a radiance as of outspread wings!—I hear thy voice charming the silence! … thou dost call me by my name, . . O once poor name made rich by thy sweet utterance! Yes, my beloved, I am ready! … I come! I shall die in thy embraces, . . nay, I shall not die but sleep! … and dream a dream of love that shall last forever and ever! No more sorrow … no more tears, . . no more heartsick longings …"
Here she stopped in her incoherent speech, and strove to release her hand from Sah-luma's, her blue eyes filling with infinite anxiety and distress.
"I pray thee, good stranger," she entreated with touching mildness,—"whosoever thou art, delay me not, but let me go! … I am but a poor love-sorrowful maid on whom Love hath at last taken pity!—be gentle therefore, and hinder me not on my way to Sah-luma. I have waited for happiness so long! … so long!"
Her young, plaintive voice quavered into a half sob,—and again she endeavored to break away from the Laureate's hold. But he, overcome by the excess of his own grief and agitation, seized her other hand, and drew her close up to him.
"Niphrata, Niphrata!" he cried despairingly. "What evil hath befallen thee? Where is thy sight.. thy memory? … LOOK! … Look straight in these eyes of mine, and read there my truth and tenderness! … I am Sah-luma, thine own Sah-luma! … thy poet, thy lover, thy master, thy slave, . . all that thou wouldst have me be, I am! Whither wouldst thou wander in search of me? Thou hast no further to go, dear heart, than these arms, . . thou art safe with me, my singing bird, . . come! ..Let me lead thee hence, and home!"
She watched him while he spoke, with a strange expression of distrust and uneasiness. Then, by a violent effort, she wrenched her hands from his clasp, and stood aloof, waving him back with an eloquent gesture of amazed reproach.
"Away!" she said, in firm accents of sweet severity,—"Thou art a demon that dost seek to tempt my soul to ruin! THOU Sah-luma!".. and she lifted her lily-crowned head with a movement of proud rejection.. "Nay! … thou mayst wear his look, his smile, . . thou mayst even borrow the clear heaven-lustre of his eyes,—but I tell thee thou art fiend, not angel, and I will not follow thee into the tangled ways of sin! Oh, thou knowest not the meaning of true love, thou! … There is treachery on thy lips, and thy tongue is trained to utter honeyed falsehood! Methinks thou hast wantonly broken many a faithful heart!—and made light jest of many a betrayed virgin's sorrow! And thou darest to call thyself MY Poet, . . MY Sah-luma, in whom there is no guile, and who would die a thousand deaths rather than wound the frailest soul that trusted him! … Depart from me, thou hypocrite in Poet's guise! … thou cruel phantom of my love! … Back to that darkness where thou dost belong, and trouble not my peace!"
Sah-luma recoiled from her, amazed and stupefied. Theos clenched his hands together in a sort of physical effort to keep down the storm of emotions working within him,—for Niphrata's words burnt into his brain like fire, ..too well, too well he understood their full intensity of meaning! She loved the IDEAL Sah-luma, . . the Sah-luma of her own pure fancies and desires, . . NOT the REAL man as he was, with all his haughty egotism, vainglory, and vice,—vice in which he took more pride than shame. Perhaps she had never known him in his actual character,—she, like other women of her lofty and ardent type, had no doubt set up the hero of her life as a god in the shrine of her own holy and enthusiastic imagination, and had there endowed him with resplendent virtues, which he had never once deemed it worth his while to practise. Oh the loving hearts of women!—How much men have to answer for, when they voluntarily break these clear mirrors of affection, wherein they, all unworthy, have been for a time reflected angel-wise, with all the warmth and color of an innocently adoring passion shining about them like the prismatic rays in a vase of polished crystal! To Niphrata, Sah-luma remained as a sort of splendid divinity, for whom no devotion was too vast, too high, or too complete, . . better, oh surely far better that she should die in her beautiful self-deception, than live to see her elected idol descend to his true level, and openly display all the weaknesses of his volatile, flippant, godless, sensual, yet, alas! most fascinating and genius-gifted nature, . . a nature, which, overflowing as it was with potentialities of noble deeds, yet lacked sufficient intrinsic faith and force to accomplish them! This thought stung Theos like a sharp arrow-prick, and filled him with a strange, indescribable penitence; and he stood in dumb misery, remorsefully eyeing his friend's consternation, disappointment, and pained bewilderment, without being able to offer him the slightest consolation.
Sah-luma was indeed the very picture of dismay, . . if he had never suffered in his life before, surely he suffered now! Niphrata, the tender, the humbly adoring Niphrata, positively rejected him!—refused to recognize his actual presence, and turned insanely away from him toward some dream-ideal Sah-luma whom she fancied could only be found in that unexplored country bordered by the cold river of Death! Meanwhile, the silence in the Temple was intense,—the Priests were like so many wax figures fastened in fixed positions; the King, leaning slightly forward in his chair, had the appearance of a massively moulded image of bronze,—and to Theos's overwrought condition of mind, the only actually living things present seemed to be the monster Serpent whose scaly folds palpitated visibly in the strong light, . . and the hideous "Eye of Raphon," that blazed on Lysia's breast with a menacing stare, as of a wrathful ghoul. All at once a flash of comprehension lightened the Laureate's sternly perplexed face,—a bitter laugh broke from his lips.
"She has been drugged!" he cried fiercely, pointing to Niphrata's white and rigid form, . . "Poisoned by some deadly potion devised of devils, to twist and torture the quivering centres of the brain! Accursed work!—Will none undo it?" and springing forward nearer the Shrine, he raised his angry, impassioned eyes to the dark, inscrutable ones of the High Priestess, who met his troubled look with serene and irresponsive gravity … "Is there no touch of human pity in things divine? … no mercy in the icy fate that rules our destinies? … This child knows naught of what she does; she hath been led astray in a moment of excitement and religious exaltation, . . her mind hath lost its balance,—her thoughts float disconnectedly on a sea of vague illusions, … Ah! … by the gods! … I understand it all now!" and he suddenly threw himself on his knees, his appealing gaze resting, not on the Snake-Deity, but on the lovely countenance of Lysia, fair and brilliant as a summer morn, with a certain waving light of triumph about it, like the reflected radiance of sunbeams, … "She is under the influence of Raphon! … O withering madness! … O cureless misery.. She is ruled by that most horrible secret force, unknown as yet to the outer world of men! … and she hears things that are not, and sees what has no existence! O Lysia, Daughter of the Sun! … I do beseech thee, by all the inborn gentleness of womanhood, unwind the Mystic Spell!"
A serious smile of feigned, sorrowful compassion parted the beautiful lips of the Priestess; but she gave no word or sign in answer,—and the weird Jewel on her breast at that moment shot forth a myriad scintillations as of pointed sharp steel. Some extraordinary power in it, or in Lysia herself, was manifestly at work,—for with a violent start Sah-luma rose from his knees, and staggered helplessly backward, . . one hand pressed to his eyes as though to shut out some blinding blaze of lightning! He seemed to be vaguely groping his way to his former place beside the King, and Theos, seeing this, quickly caught him by the arm and drew him thither, whispering anxiously the while:
"Sah-luma!-Sah-luma! … What ails thee?"
The Laureate turned upon him a bewildered, piteous face, white with an intensity of speechless anguish.
"Nothing!"…he faltered,—"Nothing! … 'tis over, . . the child must die!"…Then all suddenly the hard, drawn lines of his countenance relaxed,—great tears gathered in his eyes, and fell slowly one by one, . . and moving aside, he shrank away as far as possible into the shadow cast by a huge column close by.. "O Niphrata! … Niphrata!".. Theos heard him say in a voice broken by despair.. "Why do I love thee only now, . . NOW, when thou art lost to me forever!"
The King looked after him half-compassionately, half-sullenly; but presently paid no further heed to his distress. Theos, however, kept near him, whispering whatever poor suggestions of comfort he could, in the extremity of his own grief, devise, . . a hopeless task,—for to all his offered solace Sah-luma made but the one reply:
"Oh let me weep! … Let me weep for the untimely death of Innocence!"
And now the cithern-playing, which had ceased, commenced again, accompanied by the mysterious thrilling bass notes of the invisible organ-like instrument, whose sound resembled the roll and rush of huge billows breaking into foam. As the rich and solemn strains swept grandly through the spacious Temple, Niphrata stretched out her hands toward the High Priestess, a smile of wonderful beauty lighting up her fair child-face.
"Take me, O ye immortal gods!" she cried, her voice ringing in clear tune above all the other music.. "Take me and bear me away on your strong, swift wings to the Everlasting Palaces of Air, wherein all sorrows have end, and patient love meets at last its long-delayed reward! Take me.. for lo! I am ready to depart! My soul is wounded and weary of its prison,—it struggles to be free! O Destiny, I thank thee for thy mercy! … I praise thee for the glory thou dost here unveil before mine eyes! Pardon my sins! … accept my life! … sanctify my love!"
A murmur of relief and rejoicing ran rippling through the listening crowds,—a weight seemed lifted from their minds, . . the victim was willing to die after all! … the Sacrifice would be proceeded with. There was a slight pause,—during which the priests crossed and re-crossed the Sanctuary many times, one of them descending the steps to tie Niphrata's hands behind her back as before. In the immediate interest of the moment, Sah-luma and his hot interference seemed to be almost forgotten, . . a few people, indeed, cast injured and indignant looks toward the corner where he dejectedly leaned, and once the wrinkled, malicious head of old Zabastes peered at him, with an expression of incredulous amazement,—but otherwise no sympathy was manifested by any one for the popular Laureate's suffering and discomfiture. He was the nation's puppet, . . its tame bird, whose business was to sing when bidden, . . but he was not expected to have any voice in matters of religion or policy,—and still less was he supposed to intrude any of his own personal griefs on the public notice. Let him sing!—and sing well,—that was enough; but let him dare to be afflicted, and annoy others with his wants and troubles, why then he at once became uninteresting! … he might even die for all anybody cared! This was the unspoken sullen thought that Theos, sensitive to the core on his friend's behalf, instinctively felt to be smouldering in the heart of the mighty multitude,—and he resented the half-implied, latent ungratefulness of the people with all his soul.
"Fools!".. he muttered under his breath,—"For you, and such as you, the wisest sages toil in vain! … on you Art wastes her treasures of suggestive loveliness! … low grovellers in earth, ye have no eyes for heaven! O ignorant, ungenerous, fickle hypocrites, whose ruling passion is the greed of gold!—Why should great men perish, that YE may live! … And yet.. your acclamations make up the thing called Fame! Fame? … Good God!—'tis a brief shout in the universal clamor, scarce heard and soon forgotten!"
And filled with strange bitterness, he gazed disconsolately at Niphrata, who stood like one in a trance of ecstasy, patiently awaiting her doom, her lovely, innocent blue eyes gladly upturned to the long, jewel-like head of Nagaya, which twined round the summit of the ebony staff, seemed to peer down at her in a sort of drowsy reflectiveness. Then, all suddenly, Lysia spoke, . . how enchanting was the exquisite modulation of that slow, languid, silvery voice!
"Come hither, O Maiden fair, pure, and faithful!
The desire of thy soul is granted!
Before thee are the Gates of the Unknown World!
Already they open to admit thee;
Through their golden bars gleams the glory of thy future!
Speak! … What seest thou?"
A moment of breathless silence ensued,—all present seemed to be straining their ears to catch the victim's answer. It came,—soft and clear as a bell:
"I see a wondrous land o'er-canopied with skies of gold and azure: . . white flowers grow in the fragrant fields, . . there are many trees, . . I hear the warbling of many birds; . . I see fair faces that smile upon me and gentle hands that beckon! … Figures that wear glistening robes, and carry garlands of roses and myrtle, pass slowly, singing as they go! … How beautiful they are! How strange! … how sweet!"
And as she uttered these words, in accents of dreamy delight, she ascended the first step of the Shrine. Theos, looking, held his breath in wonder and fear, while Sah-luma with a groan turned himself resolutely away, and, pressing his forehead against the great column where he stood, hid his eyes in his clasped hands.
The High Priestess continued:
"Come hither, O Maiden of chaste and patient life!
Rejoice greatly, for thy virtue hath pleased the gods:
The undiscovered marvels of the Stars are thine,
Earth has no more control over thee:
Heaven is thine absolute Heritage! …
Behold! the Ship of the Sun awaits thee!
Speak! … What seest thou?"
A soft cry of rapture came from the girl's lips.
"Oh, I see glory everywhere!".. she exclaimed.. "Light everywhere! … Peace everywhere! … O joy, joy! … The face of my beloved shines upon me,—he calls, . . he bids me come to him! … Ah! we shall be together at last, . . we twain shall be as one never to part, never to doubt, never to suffer more! O let me hasten to him! … Why should I linger thus, when I would fain, be gone!"
And she sprang eagerly up the second and third steps of the Sanctuary, and faced Lysia,—her head thrown back, her blue eyes ablaze with excitement, her bosom heaving, and her delicate features transfigured and illumined by unspeakable inward delirious bliss. Just then the Priest Zel lifted the long, jewel-hilted knife from the black cushion where it had lain till now, and, crouching stealthily in the shadow behind Lysia, held it in both bands, pointed straight forward in a level line with Niphrata's breast. Thus armed, he waited, silent and immovable.
A slight shudder of morbid expectancy seemed to quiver through the vast congregation, . . but Theos's nerves were strung up to such a high pitch of frenzied horror that he could neither speak nor sigh,—motionless as a statue, he could only watch, with freezing blood, each detail of the extraordinary scene. Once more the High Priestess spoke:
"Come hither, O happy Maiden whose griefs are ended:
The day of thy triumph and reward has dawned!
For thee the Immortals unveiled the mysteries of being,—
To thee, they openly declare all secrets …
To thee the hidden things of Wisdom are made manifest:
For the last time ere thou leavest us, hear, and answer, . .
Speak!—What seest thou?"
"LOVE!" replied Niphrata in a tone of thrilling and solemn tenderness.. "LOVE, the Eternal All, in which dark things are made light!—Love, that is never served in vain! … LOVE wherein lost happiness is rediscovered and perfected! … O DIVINE LOVE, by whom the passion of my heart is sanctified! Absorb me in the quenchless glory of thine Immortality! … Draw me to Thyself, and let me find in Thee my Soul's completion!"
Her voice sank to a low prayerful emphasis, . . her look was as of a rapt angel waiting for wings. Lysia's gaze dwelt upon her with slow-dilating wonder and contempt.. such a devout and earnest supplication was evidently not commonly heard from the lips of Nagaya's victims. At that instant, too, Nagaya himself seemed curiously excited and disturbed,—his great glittering coils quivered so violently, as to shake the rod on which he was twined, . . and when his Priestess raised her mesmeric reproving eyes toward him, he bent back his head rebelliously, and sent a vehement hiss through the silence, like the noise made by the whirl of a scimitar.
Suddenly, and with deafening abruptness, a clap of thunder, short and sharp as a quick volley of musketry, crashed overhead,—accompanied by a strange circular sweep of lightning that blazed through the windows of the Temple, illumining it from end to end with a brilliant blue glare. The superstitious crowd exchanged startled looks of terror, . . the King moved uneasily and glanced frowningly about him,—it was plainly manifest that no one had forgotten the disastrous downfall of the Obelisk, ..and there seemed to be a contagion of alarm in the very air. But Lysia was perfectly self-possessed, . . in fact she appeared to accept the threat of a storm as an imposing, and by no means undesirable, adjunct to the mysteries of the Sacrificial Rite, for riveting her basilisk eyes on Niphrata, she said in firm, clear, decisive accents:
"The gods grow impatient! … Wherefore, O Princess and People of Al-Kyris, let us hasten to appease their anger! Depart, O stainless Maid! … depart hence, and betake thee to the Golden Throne of the Sun, our Lord and Ruler, . . and in the Name of Nagaya, may the shedding of thy virginal blood avert from us and ours the wrath of the Immortals! Linger no longer, . . Nagaya accepts thee! … and the Hour strikes Death!"
With the last word a sullen bell boomed heavily through and through the Temple.. and, at once, . . like a frenzied bird or butterfly winging its way into scorching flame, . . Niphrata rushed forward with swift, unhesitating, dreadful precision straight on the knife outheld by the untrembling ruthless hands of the Priest Zel! One second,—and Theos sick with horror, saw her speeding thus, . . the next,—and the whole place was enveloped in dense darkness!