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Armadale

Chapter 25: X. THE HOUSE-MAID’S FACE.
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About This Book

The narrative intertwines a mystery of mistaken identity and inherited guilt, following two men who share a name and the family secrets that tie them to a deadly past. Their lives are shadowed by a calculating woman whose manipulations, a hidden murder plot involving a distinctive purple flask, and a chain of revelations recorded in journals unspool across social settings and legal reckonings. Themes of fate, duplicity, moral responsibility, and the clash between private confession and public scandal drive the plot, which progresses through coincidences, disguises, investigations, and a final reckoning that exposes motives and consequences.





X. THE HOUSE-MAID’S FACE.

All was quiet at Thorpe Ambrose. The hall was solitary, the rooms were dark. The servants, waiting for the supper hour in the garden at the back of the house, looked up at the clear heaven and the rising moon, and agreed that there was little prospect of the return of the picnic party until later in the night. The general opinion, led by the high authority of the cook, predicted that they might all sit down to supper without the least fear of being disturbed by the bell. Having arrived at this conclusion, the servants assembled round the table, and exactly at the moment when they sat down the bell rang.

The footman, wondering, went up stairs to open the door, and found to his astonishment Midwinter waiting alone on the threshold, and looking (in the servant’s opinion) miserably ill. He asked for a light, and, saying he wanted nothing else, withdrew at once to his room. The footman went back to his fellow-servants, and reported that something had certainly happened to his master’s friend.

On entering his room, Midwinter closed the door, and hurriedly filled a bag with the necessaries for traveling. This done, he took from a locked drawer, and placed in the breast pocket of his coat, some little presents which Allan had given him—a cigar case, a purse, and a set of studs in plain gold. Having possessed himself of these memorials, he snatched up the bag and laid his hand on the door. There, for the first time, he paused. There, the headlong haste of all his actions thus far suddenly ceased, and the hard despair in his face began to soften: he waited, with the door in his hand.

Up to that moment he had been conscious of but one motive that animated him, but one purpose that he was resolute to achieve. “For Allan’s sake!” he had said to himself, when he looked back toward the fatal landscape and saw his friend leaving him to meet the woman at the pool. “For Allan’s sake!” he had said again, when he crossed the open country beyond the wood, and saw afar, in the gray twilight, the long line of embankment and the distant glimmer of the railway lamps beckoning him away already to the iron road.

It was only when he now paused before he closed the door behind him—it was only when his own impetuous rapidity of action came for the first time to a check, that the nobler nature of the man rose in protest against the superstitious despair which was hurrying him from all that he held dear. His conviction of the terrible necessity of leaving Allan for Allan’s good had not been shaken for an instant since he had seen the first Vision of the Dream realized on the shores of the Mere. But now, for the first time, his own heart rose against him in unanswerable rebuke. “Go, if you must and will! but remember the time when you were ill, and he sat by your bedside; friendless, and he opened his heart to you—and write, if you fear to speak; write and ask him to forgive you, before you leave him forever!”

The half-opened door closed again softly. Midwinter sat down at the writing-table and took up the pen.

He tried again and again, and yet again, to write the farewell words; he tried, till the floor all round him was littered with torn sheets of paper. Turn from them which way he would, the old times still came back and faced him reproachfully. The spacious bed-chamber in which he sat, narrowed, in spite of him, to the sick usher’s garret at the west-country inn. The kind hand that had once patted him on the shoulder touched him again; the kind voice that had cheered him spoke unchangeably in the old friendly tones. He flung his arms on the table and dropped his head on them in tearless despair. The parting words that his tongue was powerless to utter his pen was powerless to write. Mercilessly in earnest, his superstition pointed to him to go while the time was his own. Mercilessly in earnest, his love for Allan held him back till the farewell plea for pardon and pity was written.

He rose with a sudden resolution, and rang for the servant, “When Mr. Armadale returns,” he said, “ask him to excuse my coming downstairs, and say that I am trying to get to sleep.” He locked the door and put out the light, and sat down alone in the darkness. “The night will keep us apart,” he said; “and time may help me to write. I may go in the early morning; I may go while—” The thought died in him uncompleted; and the sharp agony of the struggle forced to his lips the first cry of suffering that had escaped him yet.

He waited in the darkness.

As the time stole on, his senses remained mechanically awake, but his mind began to sink slowly under the heavy strain that had now been laid on it for some hours past. A dull vacancy possessed him; he made no attempt to kindle the light and write once more. He never started; he never moved to the open window, when the first sound of approaching wheels broke in on the silence of the night. He heard the carriages draw up at the door; he heard the horses champing their bits; he heard the voices of Allan and young Pedgift on the steps; and still he sat quiet in the darkness, and still no interest was aroused in him by the sounds that reached his ear from outside.

The voices remained audible after the carriages had been driven away; the two young men were evidently lingering on the steps before they took leave of each other. Every word they said reached Midwinter through the open window. Their one subject of conversation was the new governess. Allan’s voice was loud in her praise. He had never passed such an hour of delight in his life as the hour he had spent with Miss Gwilt in the boat, on the way from Hurle Mere to the picnic party waiting at the other Broad. Agreeing, on his side, with all that his client said in praise of the charming stranger, young Pedgift appeared to treat the subject, when it fell into his hands, from a different point of view. Miss Gwilt’s attractions had not so entirely absorbed his attention as to prevent him from noticing the impression which the new governess had produced on her employer and her pupil.

“There’s a screw loose somewhere, sir, in Major Milroy’s family,” said the voice of young Pedgift. “Did you notice how the major and his daughter looked when Miss Gwilt made her excuses for being late at the Mere? You don’t remember? Do you remember what Miss Gwilt said?”

“Something about Mrs. Milroy, wasn’t it?” Allan rejoined.

Young Pedgift’s voice dropped mysteriously a note lower.

“Miss Gwilt reached the cottage this afternoon, sir, at the time when I told you she would reach it, and she would have joined us at the time I told you she would come, but for Mrs. Milroy. Mrs. Milroy sent for her upstairs as soon as she entered the house, and kept her upstairs a good half-hour and more. That was Miss Gwilt’s excuse, Mr. Armadale, for being late at the Mere.”

“Well, and what then?”

“You seem to forget, sir, what the whole neighborhood has heard about Mrs. Milroy ever since the major first settled among us. We have all been told, on the doctor’s own authority, that she is too great a sufferer to see strangers. Isn’t it a little odd that she should have suddenly turned out well enough to see Miss Gwilt (in her husband’s absence) the moment Miss Gwilt entered the house?”

“Not a bit of it! Of course she was anxious to make acquaintance with her daughter’s governess.”

“Likely enough, Mr. Armadale. But the major and Miss Neelie don’t see it in that light, at any rate. I had my eye on them both when the governess told them that Mrs. Milroy had sent for her. If ever I saw a girl look thoroughly frightened, Miss Milroy was that girl; and (if I may be allowed, in the strictest confidence, to libel a gallant soldier) I should say that the major himself was much in the same condition. Take my word for it, sir, there’s something wrong upstairs in that pretty cottage of yours; and Miss Gwilt is mixed up in it already!”

There was a minute of silence. When the voices were next heard by Midwinter, they were further away from the house—Allan was probably accompanying young Pedgift a few steps on his way back.

After a while, Allan’s voice was audible once more under the portico, making inquiries after his friend; answered by the servant’s voice giving Midwinter’s message. This brief interruption over, the silence was not broken again till the time came for shutting up the house. The servants’ footsteps passing to and fro, the clang of closing doors, the barking of a disturbed dog in the stable-yard—these sounds warned Midwinter it was getting late. He rose mechanically to kindle a light. But his head was giddy, his hand trembled; he laid aside the match-box, and returned to his chair. The conversation between Allan and young Pedgift had ceased to occupy his attention the instant he ceased to hear it; and now again, the sense that the precious time was failing him became a lost sense as soon as the house noises which had awakened it had passed away. His energies of body and mind were both alike worn out; he waited with a stolid resignation for the trouble that was to come to him with the coming day.

An interval passed, and the silence was once more disturbed by voices outside; the voices of a man and a woman this time. The first few words exchanged between them indicated plainly enough a meeting of the clandestine kind; and revealed the man as one of the servants at Thorpe Ambrose, and the woman as one of the servants at the cottage.

Here again, after the first greetings were over, the subject of the new governess became the all-absorbing subject of conversation.

The major’s servant was brimful of forebodings (inspired solely by Miss Gwilt’s good looks) which she poured out irrepressibly on her “sweetheart,” try as he might to divert her to other topics. Sooner or later, let him mark her words, there would be an awful “upset” at the cottage. Her master, it might be mentioned in confidence, led a dreadful life with her mistress. The major was the best of men; he hadn’t a thought in his heart beyond his daughter and his everlasting clock. But only let a nice-looking woman come near the place, and Mrs. Milroy was jealous of her—raging jealous, like a woman possessed, on that miserable sick-bed of hers. If Miss Gwilt (who was certainly good-looking, in spite of her hideous hair) didn’t blow the fire into a flame before many days more were over their heads, the mistress was the mistress no longer, but somebody else. Whatever happened, the fault, this time, would lie at the door of the major’s mother. The old lady and the mistress had had a dreadful quarrel two years since; and the old lady had gone away in a fury, telling her son, before all the servants, that, if he had a spark of spirit in him, he would never submit to his wife’s temper as he did. It would be too much, perhaps, to accuse the major’s mother of purposely picking out a handsome governess to spite the major’s wife. But it might be safely said that the old lady was the last person in the world to humor the mistress’s jealousy, by declining to engage a capable and respectable governess for her granddaughter because that governess happened to be blessed with good looks. How it was all to end (except that it was certain to end badly) no human creature could say. Things were looking as black already as things well could. Miss Neelie was crying, after the day’s pleasure (which was one bad sign); the mistress had found fault with nobody (which was another); the master had wished her good-night through the door (which was a third); and the governess had locked herself up in her room (which was the worst sign of all, for it looked as if she distrusted the servants). Thus the stream of the woman’s gossip ran on, and thus it reached Midwinter’s ears through the window, till the clock in the stable-yard struck, and stopped the talking. When the last vibrations of the bell had died away, the voices were not audible again, and the silence was broken no more.

Another interval passed, and Midwinter made a new effort to rouse himself. This time he kindled the light without hesitation, and took the pen in hand.

He wrote at the first trial with a sudden facility of expression, which, surprising him as he went on, ended in rousing in him some vague suspicion of himself. He left the table, and bathed his head and face in water, and came back to read what he had written. The language was barely intelligible; sentences were left unfinished; words were misplaced one for the other. Every line recorded the protest of the weary brain against the merciless will that had forced it into action. Midwinter tore up the sheet of paper as he had torn up the other sheets before it, and, sinking under the struggle at last, laid his weary head on the pillow. Almost on the instant, exhaustion overcame him, and before he could put the light out he fell asleep.

He was roused by a noise at the door. The sunlight was pouring into the room, the candle had burned down into the socket, and the servant was waiting outside with a letter which had come for him by the morning’s post.

“I ventured to disturb you, sir,” said the man, when Midwinter opened the door, “because the letter is marked ‘Immediate,’ and I didn’t know but it might be of some consequence.”

Midwinter thanked him, and looked at the letter. It was of some consequence—the handwriting was Mr. Brock’s.

He paused to collect his faculties. The torn sheets of paper on the floor recalled to him in a moment the position in which he stood. He locked the door again, in the fear that Allan might rise earlier than usual and come in to make inquiries. Then—feeling strangely little interest in anything that the rector could write to him now—he opened Mr. Brock’s letter, and read these lines:

“Tuesday.

“MY DEAR MIDWINTER—It is sometimes best to tell bad news plainly, in few words. Let me tell mine at once, in one sentence. My precautions have all been defeated: the woman has escaped me.

“This misfortune—for it is nothing less—happened yesterday (Monday). Between eleven and twelve in the forenoon of that day, the business which originally brought me to London obliged me to go to Doctors’ Commons, and to leave my servant Robert to watch the house opposite our lodging until my return. About an hour and a half after my departure he observed an empty cab drawn up at the door of the house. Boxes and bags made their appearance first; they were followed by the woman herself, in the dress I had first seen her in. Having previously secured a cab, Robert traced her to the terminus of the North-Western Railway, saw her pass through the ticket office, kept her in view till she reached the platform, and there, in the crowd and confusion caused by the starting of a large mixed train, lost her. I must do him the justice to say that he at once took the right course in this emergency. Instead of wasting time in searching for her on the platform, he looked along the line of carriages; and he positively declares that he failed to see her in any one of them. He admits, at the same time, that his search (conducted between two o’clock, when he lost sight of her, and ten minutes past, when the train started) was, in the confusion of the moment, necessarily an imperfect one. But this latter circumstance, in my opinion, matters little. I as firmly disbelieve in the woman’s actual departure by that train as if I had searched every one of the carriages myself; and you, I have no doubt, will entirely agree with me.

“You now know how the disaster happened. Let us not waste time and words in lamenting it. The evil is done, and you and I together must find the way to remedy it.

“What I have accomplished already, on my side, may be told in two words. Any hesitation I might have previously felt at trusting this delicate business in strangers’ hands was at an end the moment I heard Robert’s news. I went back at once to the city, and placed the whole matter confidentially before my lawyers. The conference was a long one, and when I left the office it was past the post hour, or I should have written to you on Monday instead of writing to-day. My interview with the lawyers was not very encouraging. They warn me plainly that serious difficulties stand in the way of our recovering the lost trace. But they have promised to do their best, and we have decided on the course to be taken, excepting one point on which we totally differ. I must tell you what this difference is; for, while business keeps me away from Thorpe Ambrose, you are the only person whom I can trust to put my convictions to the test.

“The lawyers are of opinion, then, that the woman has been aware from the first that I was watching her; that there is, consequently, no present hope of her being rash enough to appear personally at Thorpe Ambrose; that any mischief she may have it in contemplation to do will be done in the first instance by deputy; and that the only wise course for Allan’s friends and guardians to take is to wait passively till events enlighten them. My own idea is diametrically opposed to this. After what has happened at the railway, I cannot deny that the woman must have discovered that I was watching her. But she has no reason to suppose that she has not succeeded in deceiving me; and I firmly believe she is bold enough to take us by surprise, and to win or force her way into Allan’s confidence before we are prepared to prevent her.

“You and you only (while I am detained in London) can decide whether I am right or wrong—and you can do it in this way. Ascertain at once whether any woman who is a stranger in the neighborhood has appeared since Monday last at or near Thorpe Ambrose. If any such person has been observed (and nobody escapes observation in the country), take the first opportunity you can get of seeing her, and ask yourself if her face does or does not answer certain plain questions which I am now about to write down for you. You may depend on my accuracy. I saw the woman unveiled on more than one occasion, and the last time through an excellent glass.

“1. Is her hair light brown, and (apparently) not very plentiful? 2. Is her forehead high, narrow, and sloping backward from the brow? 3. Are her eyebrows very faintly marked, and are her eyes small, and nearer dark than light—either gray or hazel (I have not seen her close enough to be certain which)? 4. Is her nose aquiline? 5 Are her lips thin, and is the upper lip long? 6. Does her complexion look like an originally fair complexion, which has deteriorated into a dull, sickly paleness? 7 (and lastly). Has she a retreating chin, and is there on the left side of it a mark of some kind—a mole or a scar, I can’t say which?

“I add nothing about her expression, for you may see her under circumstances which may partially alter it as seen by me. Test her by her features, which no circumstances can change. If there is a stranger in the neighborhood, and if her face answers my seven questions, you have found the woman! Go instantly, in that case, to the nearest lawyer, and pledge my name and credit for whatever expenses may be incurred in keeping her under inspection night and day. Having done this, take the speediest means of communicating with me; and whether my business is finished or not, I will start for Norfolk by the first train.

“Always your friend, DECIMUS BROCK.”

Hardened by the fatalist conviction that now possessed him, Midwinter read the rector’s confession of defeat, from the first line to the last, without the slightest betrayal either of interest or surprise. The one part of the letter at which he looked back was the closing part of it. “I owe much to Mr. Brock’s kindness,” he thought; “and I shall never see Mr. Brock again. It is useless and hopeless; but he asks me to do it, and it shall be done. A moment’s look at her will be enough—a moment’s look at her with his letter in my hand—and a line to tell him that the woman is here!”

Again he stood hesitating at the half-opened door; again the cruel necessity of writing his farewell to Allan stopped him, and stared him in the face.

He looked aside doubtingly at the rector’s letter. “I will write the two together,” he said. “One may help the other.” His face flushed deep as the words escaped him. He was conscious of doing what he had not done yet—of voluntarily putting off the evil hour; of making Mr. Brock the pretext for gaining the last respite left, the respite of time.

The only sound that reached him through the open door was the sound of Allan stirring noisily in the next room. He stepped at once into the empty corridor, and meeting no one on the stairs, made his way out of the house. The dread that his resolution to leave Allan might fail him if he saw Allan again was as vividly present to his mind in the morning as it had been all through the night. He drew a deep breath of relief as he descended the house steps—relief at having escaped the friendly greeting of the morning, from the one human creature whom he loved!

He entered the shrubbery with Mr. Brock’s letter in his hand, and took the nearest way that led to the major’s cottage. Not the slightest recollection was in his mind of the talk which had found its way to his ears during the night. His one reason for determining to see the woman was the reason which the rector had put in his mind. The one remembrance that now guided him to the place in which she lived was the remembrance of Allan’s exclamation when he first identified the governess with the figure at the pool.

Arrived at the gate of the cottage, he stopped. The thought struck him that he might defeat his own object if he looked at the rector’s questions in the woman’s presence. Her suspicions would be probably roused, in the first instance, by his asking to see her (as he had determined to ask, with or without an excuse), and the appearance of the letter in his hand might confirm them.

She might defeat him by instantly leaving the room. Determined to fix the description in his mind first, and then to confront her, he opened the letter; and, turning away slowly by the side of the house, read the seven questions which he felt absolutely assured beforehand the woman’s face would answer.

In the morning quiet of the park slight noises traveled far. A slight noise disturbed Midwinter over the letter.

He looked up and found himself on the brink of a broad grassy trench, having the park on one side and the high laurel hedge of an inclosure on the other. The inclosure evidently surrounded the back garden of the cottage, and the trench was intended to protect it from being damaged by the cattle grazing in the park.

Listening carefully as the slight sound which had disturbed him grew fainter, he recognized in it the rustling of women’s dresses. A few paces ahead, the trench was crossed by a bridge (closed by a wicket gate) which connected the garden with the park. He passed through the gate, crossed the bridge, and, opening a door at the other end, found himself in a summer-house thickly covered with creepers, and commanding a full view of the garden from end to end.

He looked, and saw the figures of two ladies walking slowly away from him toward the cottage. The shorter of the two failed to occupy his attention for an instant; he never stopped to think whether she was or was not the major’s daughter. His eyes were riveted on the other figure—the figure that moved over the garden walk with the long, lightly falling dress and the easy, seductive grace. There, presented exactly as he had seen her once already—there, with her back again turned on him, was the Woman at the pool!

There was a chance that they might take another turn in the garden—a turn back toward the summer-house. On that chance Midwinter waited. No consciousness of the intrusion that he was committing had stopped him at the door of the summer-house, and no consciousness of it troubled him even now. Every finer sensibility in his nature, sinking under the cruel laceration of the past night, had ceased to feel. The dogged resolution to do what he had come to do was the one animating influence left alive in him. He acted, he even looked, as the most stolid man living might have acted and looked in his place. He was self-possessed enough, in the interval of expectation before governess and pupil reached the end of the walk, to open Mr. Brock’s letter, and to fortify his memory by a last look at the paragraph which described her face.

He was still absorbed over the description when he heard the smooth rustle of the dresses traveling toward him again. Standing in the shadow of the summer-house, he waited while she lessened the distance between them. With her written portrait vividly impressed on his mind, and with the clear light of the morning to help him, his eyes questioned her as she came on; and these were the answers that her face gave him back.

The hair in the rector’s description was light brown and not plentiful. This woman’s hair, superbly luxuriant in its growth, was of the one unpardonably remarkable shade of color which the prejudice of the Northern nations never entirely forgives—it was red! The forehead in the rector’s description was high, narrow, and sloping backward from the brow; the eyebrows were faintly marked; and the eyes small, and in color either gray or hazel. This woman’s forehead was low, upright, and broad toward the temples; her eyebrows, at once strongly and delicately marked, were a shade darker than her hair; her eyes, large, bright, and well opened, were of that purely blue color, without a tinge in it of gray or green, so often presented to our admiration in pictures and books, so rarely met with in the living face. The nose in the rector’s description was aquiline. The line of this woman’s nose bent neither outward nor inward: it was the straight, delicately molded nose (with the short upper lip beneath) of the ancient statues and busts. The lips in the rector’s description were thin and the upper lip long; the complexion was of a dull, sickly paleness; the chin retreating and the mark of a mole or a scar on the left side of it. This woman’s lips were full, rich, and sensual. Her complexion was the lovely complexion which accompanies such hair as hers—so delicately bright in its rosier tints, so warmly and softly white in its gentler gradations of color on the forehead and the neck. Her chin, round and dimpled, was pure of the slightest blemish in every part of it, and perfectly in line with her forehead to the end. Nearer and nearer, and fairer and fairer she came, in the glow of the morning light—the most startling, the most unanswerable contradiction that eye could see or mind conceive to the description in the rector’s letter.

Both governess and pupil were close to the summer-house before they looked that way, and noticed Midwinter standing inside. The governess saw him first.

“A friend of yours, Miss Milroy?” she asked, quietly, without starting or betraying any sign of surprise.

Neelie recognized him instantly. Prejudiced against Midwinter by his conduct when his friend had introduced him at the cottage, she now fairly detested him as the unlucky first cause of her misunderstanding with Allan at the picnic. Her face flushed and she drew back from the summerhouse with an expression of merciless surprise.

“He is a friend of Mr. Armadale’s,” she replied sharply. “I don’t know what he wants, or why he is here.”

“A friend of Mr. Armadale’s!” The governess’s face lighted up with a suddenly roused interest as she repeated the words. She returned Midwinter’s look, still steadily fixed on her, with equal steadiness on her side.

“For my part,” pursued Neelie, resenting Midwinter’s insensibility to her presence on the scene, “I think it a great liberty to treat papa’s garden as if it were the open park!”

The governess turned round, and gently interposed.

“My dear Miss Milroy,” she remonstrated, “there are certain distinctions to be observed. This gentleman is a friend of Mr. Armadale’s. You could hardly express yourself more strongly if he was a perfect stranger.”

“I express my opinion,” retorted Neelie, chafing under the satirically indulgent tone in which the governess addressed her. “It’s a matter of taste, Miss Gwilt; and tastes differ.” She turned away petulantly, and walked back by herself to the cottage.

“She is very young,” said Miss Gwilt, appealing with a smile to Midwinter’s forbearance; “and, as you must see for yourself, sir, she is a spoiled child.” She paused—showed, for an instant only, her surprise at Midwinter’s strange silence and strange persistency in keeping his eyes still fixed on her—then set herself, with a charming grace and readiness, to help him out of the false position in which he stood. “As you have extended your walk thus far,” she resumed, “perhaps you will kindly favor me, on your return, by taking a message to your friend? Mr. Armadale has been so good as to invite me to see the Thorpe Ambrose gardens this morning. Will you say that Major Milroy permits me to accept the invitation (in company with Miss Milroy) between ten and eleven o’clock?” For a moment her eyes rested, with a renewed look of interest, on Midwinter’s face. She waited, still in vain, for an answering word from him—smiled, as if his extraordinary silence amused rather than angered her—and followed her pupil back to the cottage.

It was only when the last trace of her had disappeared that Midwinter roused himself, and attempted to realize the position in which he stood. The revelation of her beauty was in no respect answerable for the breathless astonishment which had held him spell-bound up to this moment. The one clear impression she had produced on him thus far began and ended with his discovery of the astounding contradiction that her face offered, in one feature after another, to the description in Mr. Brock’s letter. All beyond this was vague and misty—a dim consciousness of a tall, elegant woman, and of kind words, modestly and gracefully spoken to him, and nothing more.

He advanced a few steps into the garden without knowing why—stopped, glancing hither and thither like a man lost—recognized the summer-house by an effort, as if years had elapsed since he had seen it—and made his way out again, at last, into the park. Even here, he wandered first in one direction, then in another. His mind was still reeling under the shock that had fallen on it; his perceptions were all confused. Something kept him mechanically in action, walking eagerly without a motive, walking he knew not where.

A far less sensitively organized man might have been overwhelmed, as he was overwhelmed now, by the immense, the instantaneous revulsion of feeling which the event of the last few minutes had wrought in his mind.

At the memorable instant when he had opened the door of the summer-house, no confusing influence troubled his faculties. In all that related to his position toward his friend, he had reached an absolutely definite conclusion by an absolutely definite process of thought. The whole strength of the motive which had driven him into the resolution to part from Allan rooted itself in the belief that he had seen at Hurle Mere the fatal fulfillment of the first Vision of the Dream. And this belief, in its turn, rested, necessarily, on the conviction that the woman who was the one survivor of the tragedy in Madeira must be also inevitably the woman whom he had seen standing in the Shadow’s place at the pool. Firm in that persuasion, he had himself compared the object of his distrust and of the rector’s distrust with the description written by the rector himself—a description, carefully minute, by a man entirely trustworthy—and his own eyes had informed him that the woman whom he had seen at the Mere, and the woman whom Mr. Brock had identified in London, were not one, but Two. In the place of the Dream Shadow, there had stood, on the evidence of the rector’s letter, not the instrument of the Fatality—but a stranger!

No such doubts as might have troubled a less superstitious man, were started in his mind by the discovery that had now opened on him.

It never occurred to him to ask himself whether a stranger might not be the appointed instrument of the Fatality, now when the letter had persuaded him that a stranger had been revealed as the figure in the dream landscape. No such idea entered or could enter his mind. The one woman whom his superstition dreaded was the woman who had entwined herself with the lives of the two Armadales in the first generation, and with the fortunes of the two Armadales in the second—who was at once the marked object of his father’s death-bed warning, and the first cause of the family calamities which had opened Allan’s way to the Thorpe Ambrose estate—the woman, in a word, whom he would have known instinctively, but for Mr. Brock’s letter, to be the woman whom he had now actually seen.

Looking at events as they had just happened, under the influence of the misapprehension into which the rector had innocently misled him, his mind saw and seized its new conclusion instantaneously, acting precisely as it had acted in the past time of his interview with Mr. Brock at the Isle of Man.

Exactly as he had once declared it to be an all-sufficient refutation of the idea of the Fatality, that he had never met with the timber-ship in any of his voyages at sea, so he now seized on the similarly derived conclusion, that the whole claim of the Dream to a supernatural origin stood self-refuted by the disclosure of a stranger in the Shadow’s place. Once started from this point—once encouraged to let his love for Allan influence him undividedly again, his mind hurried along the whole resulting chain of thought at lightning speed. If the Dream was proved to be no longer a warning from the other world, it followed inevitably that accident and not fate had led the way to the night on the Wreck, and that all the events which had happened since Allan and he had parted from Mr. Brock were events in themselves harmless, which his superstition had distorted from their proper shape. In less than a moment his mobile imagination had taken him back to the morning at Castletown when he had revealed to the rector the secret of his name; when he had declared to the rector, with his father’s letter before his eyes, the better faith that was in him. Now once more he felt his heart holding firmly by the bond of brotherhood between Allan and himself; now once more he could say with the eager sincerity of the old time, “If the thought of leaving him breaks my heart, the thought of leaving him is wrong!” As that nobler conviction possessed itself again of his mind—quieting the tumult, clearing the confusion within him—the house at Thorpe Ambrose, with Allan on the steps, waiting, looking for him, opened on his eyes through the trees. A sense of illimitable relief lifted his eager spirit high above the cares, and doubts, and fears that had oppressed it so long, and showed him once more the better and brighter future of his early dreams. His eyes filled with tears, and he pressed the rector’s letter, in his wild, passionate way, to his lips, as he looked at Allan through the vista of the trees. “But for this morsel of paper,” he thought, “my life might have been one long sorrow to me, and my father’s crime might have parted us forever!”

Such was the result of the stratagem which had shown the housemaid’s face to Mr. Brock as the face of Miss Gwilt. And so—by shaking Midwinter’s trust in his own superstition, in the one case in which that superstition pointed to the truth—did Mother Oldershaw’s cunning triumph over difficulties and dangers which had never been contemplated by Mother Oldershaw herself.





XI. MISS GWILT AMONG THE QUICKSANDS.

1. From the Rev. Decimus Brock to Ozias Midwinter.

“Thursday.

“MY DEAR MIDWINTER—No words can tell what a relief it was to me to get your letter this morning, and what a happiness I honestly feel in having been thus far proved to be in the wrong. The precautions you have taken in case the woman should still confirm my apprehensions by venturing herself at Thorpe Ambrose seem to me to be all that can be desired. You are no doubt sure to hear of her from one or other of the people in the lawyer’s office, whom you have asked to inform you of the appearance of a stranger in the town.

“I am the more pleased at finding how entirely I can trust you in this matter; for I am likely to be obliged to leave Allan’s interests longer than I supposed solely in your hands. My visit to Thorpe Ambrose must, I regret to say, be deferred for two months. The only one of my brother-clergymen in London who is able to take my duty for me cannot make it convenient to remove with his family to Somersetshire before that time. I have no alternative but to finish my business here, and be back at my rectory on Saturday next. If anything happens, you will, of course, instantly communicate with me; and, in that case, be the inconvenience what it may, I must leave home for Thorpe Ambrose. If, on the other hand, all goes more smoothly than my own obstinate apprehensions will allow me to suppose, then Allan (to whom I have written) must not expect to see me till this day two months.

“No result has, up to this time, rewarded our exertions to recover the trace lost at the railway. I will keep my letter open, however, until post time, in case the next few hours bring any news.

“Always truly yours,

“DECIMUS BROCK.

“P. S.—I have just heard from the lawyers. They have found out the name the woman passed by in London. If this discovery (not a very important one, I am afraid) suggests any new course of proceeding to you, pray act on it at once. The name is—Miss Gwilt.”

2. From Miss Gwilt to Mrs. Oldershaw.

The Cottage, Thorpe Ambrose, Saturday, June 28.

“If you will promise not to be alarmed, Mamma Oldershaw, I will begin this letter in a very odd way, by copying a page of a letter written by somebody else. You have an excellent memory, and you may not have forgotten that I received a note from Major Milroy’s mother (after she had engaged me as governess) on Monday last. It was dated and signed; and here it is, as far as the first page: ‘June 23d, 1851. Dear Madam—Pray excuse my troubling you, before you go to Thorpe Ambrose, with a word more about the habits observed in my son’s household. When I had the pleasure of seeing you at two o’clock to-day, in Kingsdown Crescent, I had another appointment in a distant part of London at three; and, in the hurry of the moment, one or two little matters escaped me which I think I ought to impress on your attention.’ The rest of the letter is not of the slightest importance, but the lines that I have just copied are well worthy of all the attention you can bestow on them. They have saved me from discovery, my dear, before I have been a week in Major Milroy’s service!

“It happened no later than yesterday evening, and it began and ended in this manner:

“There is a gentleman here, (of whom I shall have more to say presently) who is an intimate friend of young Armadale’s, and who bears the strange name of Midwinter. He contrived yesterday to speak to me alone in the park. Almost as soon as he opened his lips, I found that my name had been discovered in London (no doubt by the Somersetshire clergyman); and that Mr. Midwinter had been chosen (evidently by the same person) to identify the Miss Gwilt who had vanished from Brompton with the Miss Gwilt who had appeared at Thorpe Ambrose. You foresaw this danger, I remember; but you could scarcely have imagined that the exposure would threaten me so soon.

“I spare you the details of our conversation to come to the end. Mr. Midwinter put the matter very delicately, declaring, to my great surprise, that he felt quite certain himself that I was not the Miss Gwilt of whom his friend was in search; and that he only acted as he did out of regard to the anxiety of a person whose wishes he was bound to respect. Would I assist him in setting that anxiety completely at rest, as far as I was concerned, by kindly answering one plain question—which he had no other right to ask me than the right my indulgence might give him? The lost ‘Miss Gwilt’ had been missed on Monday last, at two o’clock, in the crowd on the platform of the North-western Railway, in Euston Square. Would I authorize him to say that on that day, and at that hour, the Miss Gwilt who was Major Milroy’s governess had never been near the place?

“I need hardly tell you that I seized the fine opportunity he had given me of disarming all future suspicion. I took a high tone on the spot, and met him with the old lady’s letter. He politely refused to look at it. I insisted on his looking at it. ‘I don’t choose to be mistaken,’ I said, ‘for a woman who may be a bad character, because she happens to bear, or to have assumed, the same name as mine. I insist on your reading the first part of this letter for my satisfaction, if not for your own.’ He was obliged to comply; and there was the proof, in the old lady’s handwriting, that, at two o’clock on Monday last, she and I were together in Kingsdown Crescent, which any directory would tell him is a ‘crescent’ in Bayswater! I leave you to imagine his apologies, and the perfect sweetness with which I received them.

“I might, of course, if I had not preserved the letter, have referred him to you, or to the major’s mother, with similar results. As it is, the object has been gained without trouble or delay. I have been proved not to be myself; and one of the many dangers that threatened me at Thorpe Ambrose is a danger blown over from this moment. Your house-maid’s face may not be a very handsome one; but there is no denying that it has done us excellent service.

“So much for the past; now for the future. You shall hear how I get on with the people about me; and you shall judge for yourself what the chances are for and against my becoming mistress of Thorpe Ambrose.

“Let me begin with young Armadale—because it is beginning with good news. I have produced the right impression on him already, and Heaven knows that is nothing to boast of! Any moderately good-looking woman who chose to take the trouble could make him fall in love with her. He is a rattle-pated young fool—one of those noisy, rosy, light-haired, good-tempered men whom I particularly detest. I had a whole hour alone with him in a boat, the first day I came here, and I have made good use of my time, I can tell you, from that day to this. The only difficulty with him is the difficulty of concealing my own feelings, especially when he turns my dislike of him into downright hatred by sometimes reminding me of his mother. I really never saw a man whom I could use so ill, if I had the opportunity. He will give me the opportunity, I believe, if no accident happens, sooner than we calculated on. I have just returned from a party at the great house, in celebration of the rent-day dinner, and the squire’s attentions to me, and my modest reluctance to receive them, have already excited general remark.

“My pupil, Miss Milroy, comes next. She, too, is rosy and foolish; and, what is more, awkward and squat and freckled, and ill-tempered and ill-dressed. No fear of her, though she hates me like poison, which is a great comfort, for I get rid of her out of lesson time and walking time. It is perfectly easy to see that she has made the most of her opportunities with young Armadale (opportunities, by-the-by, which we never calculated on), and that she has been stupid enough to let him slip through her fingers. When I tell you that she is obliged, for the sake of appearances, to go with her father and me to the little entertainments at Thorpe Ambrose, and to see how young Armadale admires me, you will understand the kind of place I hold in her affections. She would try me past all endurance if I didn’t see that I aggravate her by keeping my temper, so, of course, I keep it. If I do break out, it will be over our lessons—not over our French, our grammar, history, and globes—but over our music. No words can say how I feel for her poor piano. Half the musical girls in England ought to have their fingers chopped off in the interests of society, and, if I had my way, Miss Milroy’s fingers should be executed first.

“As for the major, I can hardly stand higher in his estimation than I stand already. I am always ready to make his breakfast, and his daughter is not. I can always find things for him when he loses them, and his daughter can’t. I never yawn when he proses, and his daughter does. I like the poor dear harmless old gentleman, so I won’t say a word more about him.

“Well, here is a fair prospect for the future surely? My good Oldershaw, there never was a prospect yet without an ugly place in it. My prospect has two ugly places in it. The name of one of them is Mrs. Milroy, and the name of the other is Mr. Midwinter.

“Mrs. Milroy first. Before I had been five minutes in the cottage, on the day of my arrival, what do you think she did? She sent downstairs and asked to see me. The message startled me a little, after hearing from the old lady, in London, that her daughter-in-law was too great a sufferer to see anybody; but, of course, when I got her message, I had no choice but to go up stairs to the sick-room. I found her bedridden with an incurable spinal complaint, and a really horrible object to look at, but with all her wits about her; and, if I am not greatly mistaken, as deceitful a woman, with as vile a temper, as you could find anywhere in all your long experience. Her excessive politeness, and her keeping her own face in the shade of the bed-curtains while she contrived to keep mine in the light, put me on my guard the moment I entered the room. We were more than half an hour together, without my stepping into any one of the many clever little traps she laid for me. The only mystery in her behavior, which I failed to see through at the time, was her perpetually asking me to bring her things (things she evidently did not want) from different parts of the room.

“Since then events have enlightened me. My first suspicions were raised by overhearing some of the servants’ gossip; and I have been confirmed in my opinion by the conduct of Mrs. Milroy’s nurse.

“On the few occasions when I have happened to be alone with the major, the nurse has also happened to want something of her master, and has invariably forgotten to announce her appearance by knocking, at the door. Do you understand now why Mrs. Milroy sent for me the moment I got into the house, and what she wanted when she kept me going backward and forward, first for one thing and then for another? There is hardly an attractive light in which my face and figure can be seen, in which that woman’s jealous eyes have not studied them already. I am no longer puzzled to know why the father and daughter started, and looked at each other, when I was first presented to them; or why the servants still stare at me with a mischievous expectation in their eyes when I ring the bell and ask them to do anything. It is useless to disguise the truth, Mother Oldershaw, between you and me. When I went upstairs into that sickroom, I marched blindfold into the clutches of a jealous woman. If Mrs. Milroy can turn me out of the house, Mrs. Milroy will; and, morning and night, she has nothing else to do in that bed prison of hers but to find out the way.

“In this awkward position, my own cautious conduct is admirably seconded by the dear old major’s perfect insensibility. His wife’s jealousy of him is as monstrous a delusion as any that could be found in a mad-house; it is the growth of her own vile temper, under the aggravation of an incurable illness. The poor man hasn’t a thought beyond his mechanical pursuits; and I don’t believe he knows at this moment whether I am a handsome woman or not. With this chance to help me, I may hope to set the nurse’s intrusions and the mistress’s contrivances at defiance—for a time, at any rate. But you know what a jealous woman is, and I think I know what Mrs. Milroy is; and I own I shall breathe more freely on the day when young Armadale opens his foolish lips to some purpose, and sets the major advertising for a new governess.

“Armadale’s name reminds me of Armadale’s friend. There is more danger threatening in that quarter; and, what is worse, I don’t feel half as well armed beforehand against Mr. Midwinter as I do against Mrs. Milroy.

“Everything about this man is more or less mysterious, which I don’t like, to begin with. How does he come to be in the confidence of the Somersetshire clergyman? How much has that clergyman told him? How is it that he was so firmly persuaded, when he spoke to me in the park, that I was not the Miss Gwilt of whom his friend was in search? I haven’t the ghost of an answer to give to any of those three questions. I can’t even discover who he is, or how he and young Armadale first became acquainted. I hate him. No, I don’t; I only want to find out about him. He is very young, little and lean, and active and dark, with bright black eyes which say to me plainly, ‘We belong to a man with brains in his head and a will of his own; a man who hasn’t always been hanging about a country house, in attendance on a fool.’ Yes; I am positively certain Mr. Midwinter has done something or suffered something in his past life, young as he is; and I would give I don’t know what to get at it. Don’t resent my taking up so much space in my writing about him. He has influence enough over young Armadale to be a very awkward obstacle in my way, unless I can secure his good opinion at starting.

“Well, you may ask, and what is to prevent your securing his good opinion? I am sadly afraid, Mother Oldershaw, I have got it on terms I never bargained for I am sadly afraid the man is in love with me already.

“Don’t toss your head and say, ‘Just like her vanity!’ After the horrors I have gone through, I have no vanity left; and a man who admires me is a man who makes me shudder. There was a time, I own—Pooh! what am I writing? Sentiment, I declare! Sentiment to you! Laugh away, my dear. As for me, I neither laugh nor cry; I mend my pen, and get on with my—what do the men call it?—my report.

“The only thing worth inquiring is, whether I am right or wrong in my idea of the impression I have made on him.

“Let me see; I have been four times in his company. The first time was in the major’s garden, where we met unexpectedly, face to face. He stood looking at me, like a man petrified, without speaking a word. The effect of my horrid red hair, perhaps? Quite likely; let us lay it on my hair. The second time was in going over the Thorpe Ambrose grounds, with young Armadale on one side of me, and my pupil (in the sulks) on the other. Out comes Mr. Midwinter to join us, though he had work to do in the steward’s office, which he had never been known to neglect on any other occasion. Laziness, possibly? or an attachment to Miss Milroy? I can’t say; we will lay it on Miss Milroy, if you like; I only know he did nothing but look at me. The third time was at the private interview in the park, which I have told you of already. I never saw a man so agitated at putting a delicate question to a woman in my life. But that might have been only awkwardness; and his perpetually looking back after me when we had parted might have been only looking back at the view. Lay it on the view; by all means, lay it on the view! The fourth time was this very evening, at the little party. They made me play; and, as the piano was a good one, I did my best. All the company crowded round me, and paid me their compliments (my charming pupil paid hers, with a face like a cat’s just before she spits), except Mr. Midwinter. He waited till it was time to go, and then he caught me alone for a moment in the hall. There was just time for him to take my hand, and say two words. Shall I tell you how he took my hand, and what his voice sounded like when he spoke? Quite needless! You have always told me that the late Mr. Oldershaw doted on you. Just recall the first time he took your hand, and whispered a word or two addressed to your private ear. To what did you attribute his behavior that occasion? I have no doubt, if you had been playing on the piano in the course of the evening, you would have attributed it entirely to the music!

“No! you may take my word for it, the harm is done. This man is no rattle-pated fool, who changes his fancies as readily as he changes his clothes. The fire that lights those big black eyes of his is not an easy fire, when a woman has once kindled it, for that woman to put out. I don’t wish to discourage you; I don’t say the changes are against us. But with Mrs. Milroy threatening me on one side, and Mr. Midwinter on the other, the worst of all risks to run is the risk of losing time. Young Armadale has hinted already, as well as such a lout can hint, at a private interview! Miss Milroy’s eyes are sharp, and the nurse’s eyes are sharper; and I shall lose my place if either of them find me out. No matter! I must take my chance, and give him the interview. Only let me get him alone, only let me escape the prying eyes of the women, and—if his friend doesn’t come between us—I answer for the result!

“In the meantime, have I anything more to tell you? Are there any other people in our way at Thorpe Ambrose? Not another creature! None of the resident families call here, young Armadale being, most fortunately, in bad odor in the neighborhood. There are no handsome highly-bred women to come to the house, and no persons of consequence to protest against his attentions to a governess. The only guests he could collect at his party to-night were the lawyer and his family (a wife, a son, and two daughters), and a deaf old woman and her son—all perfectly unimportant people, and all obedient humble servants of the stupid young squire.

“Talking of obedient humble servants, there is one other person established here, who is employed in the steward’s office—a miserable, shabby, dilapidated old man, named Bashwood. He is a perfect stranger to me, and I am evidently a perfect stranger to him, for he has been asking the house-maid at the cottage who I am. It is paying no great compliment to myself to confess it, but it is not the less true that I produced the most extraordinary impression on this feeble old creature the first time he saw me. He turned all manner of colors, and stood trembling and staring at me, as if there was something perfectly frightful in my face. I felt quite startled for the moment, for, of all the ways in which men have looked at me, no man ever looked at me in that way before. Did you ever see the boa constrictor fed at the Zoological Gardens? They put a live rabbit into his cage, and there is a moment when the two creatures look at each other. I declare Mr. Bashwood reminded me of the rabbit.

“Why do I mention this? I don’t know why. Perhaps I have been writing too long, and my head is beginning to fail me. Perhaps Mr. Bashwood’s manner of admiring me strikes my fancy by its novelty. Absurd! I am exciting myself, and troubling you about nothing. Oh, what a weary, long letter I have written! and how brightly the stars look at me through the window, and how awfully quiet the night is! Send me some more of those sleeping drops, and write me one of your nice, wicked, amusing letters. You shall hear from me again as soon as I know a little better how it is all likely to end. Good-night, and keep a corner in your stony old heart for

“L. G.”

3. From Mrs. Oldershaw to Miss Gwilt.

“Diana Street, Pimlico, Monday.

“MY DEAR LYDIA—I am in no state of mind to write you an amusing letter. Your news is very discouraging, and the recklessness of your tone quite alarms me. Consider the money I have already advanced, and the interests we both have at stake. Whatever else you are, don’t be reckless, for Heaven’s sake!

“What can I do? I ask myself, as a woman of business, what can I do to help you? I can’t give you advice, for I am not on the spot, and I don’t know how circumstances may alter from one day to another. Situated as we are now, I can only be useful in one way. I can discover a new obstacle that threatens you, and I think I can remove it.

“You say, with great truth, that there never was a prospect yet without an ugly place in it, and that there are two ugly places in your prospect. My dear, there may be three ugly places, if I don’t bestir myself to prevent it; and the name of the third place will be—Brock! Is it possible you can refer, as you have done, to the Somersetshire clergyman, and not see that the progress you make with young Armadale will be, sooner or later, reported to him by young Armadale’s friend? Why, now I think of it, you are doubly at the parson’s mercy! You are at the mercy of any fresh suspicion which may bring him into the neighborhood himself at a day’s notice; and you are at the mercy of his interference the moment he hears that the squire is committing himself with a neighbor’s governess. If I can do nothing else, I can keep this additional difficulty out of your way. And oh, Lydia, with what alacrity I shall exert myself, after the manner in which the old wretch insulted me when I told him that pitiable story in the street! I declare I tingle with pleasure at this new prospect of making a fool of Mr. Brock.

“And how is it to be done? Just as we have done it already, to be sure. He has lost ‘Miss Gwilt’ (otherwise my house-maid), hasn’t he? Very well. He shall find her again, wherever he is now, suddenly settled within easy reach of him. As long as she stops in the place, he will stop in it; and as we know he is not at Thorpe Ambrose, there you are free of him! The old gentleman’s suspicions have given us a great deal of trouble so far. Let us turn them to some profitable account at last; let us tie him, by his suspicions, to my house-maid’s apron-string. Most refreshing. Quite a moral retribution, isn’t it?

“The only help I need trouble you for is help you can easily give. Find out from Mr. Midwinter where the parson is now, and let me know by return of post. If he is in London, I will personally assist my housemaid in the necessary mystification of him. If he is anywhere else, I will send her after him, accompanied by a person on whose discretion I can implicitly rely.

“You shall have the sleeping drops to-morrow. In the meantime, I say at the end what I said at the beginning—no recklessness. Don’t encourage poetical feelings by looking at the stars; and don’t talk about the night being awfully quiet. There are people (in observatories) paid to look at the stars for you; leave it to them. And as for the night, do what Providence intended you to do with the night when Providence provided you with eyelids—go to sleep in it. Affectionately yours,

“MARIA OLDERSHAW.”

4. From the Reverend Decimus Brock to Ozias Midwinter.

“Bascombe Rectory, West Somerset, Thursday, July 8.

“MY DEAR MIDWINTER—One line before the post goes out, to relieve you of all sense of responsibility at Thorpe Ambrose, and to make my apologies to the lady who lives as governess in Major Milroy’s family.

The Miss Gwilt—or perhaps I ought to say, the woman calling herself by that name—has, to my unspeakable astonishment, openly made her appearance here, in my own parish! She is staying at the inn, accompanied by a plausible-looking man, who passes as her brother. What this audacious proceeding really means—unless it marks a new step in the conspiracy against Allan, taken under new advice—is, of course, more than I can yet find out.

“My own idea is, that they have recognized the impossibility of getting at Allan, without finding me (or you) as an obstacle in their way; and that they are going to make a virtue of necessity by boldly trying to open their communications through me. The man looks capable of any stretch of audacity; and both he and the woman had the impudence to bow when I met them in the village half an hour since. They have been making inquiries already about Allan’s mother here, where her exemplary life may set their closest scrutiny at defiance. If they will only attempt to extort money, as the price of the woman’s silence on the subject of poor Mrs. Armadale’s conduct in Madeira at the time of her marriage, they will find me well prepared for them beforehand. I have written by this post to my lawyers to send a competent man to assist me, and he will stay at the rectory, in any character which he thinks it safest to assume under present circumstances.

“You shall hear what happens in the next day or two.

“Always truly yours, DECIMUS BROCK.”