BOOK LIST
Ambros, Wilhelm August, The Boundaries of Music and Poetry, translated by J. H. Cornell. Pp. xiii + 187. G. Schirmer, New York, 1893.
Anderson, Rasmus B., Norse Mythology. Pp. 473. S. C. Griggs & Co., Chicago, 1875.
Anderson, Rasmus B. (translator), The Younger Edda. Pp. 302. S. C. Griggs & Co., Chicago, 1880.
Aristotle, The Poetic, translated by Theodore Buckley, pp. 405-500 in volume with Aristotle’s Rhetoric. Bohn Library, George Bell & Sons, London, 1890.
Arnold, Matthew, The Study of Poetry, pp. 1-55 in Essays in Criticism, second series. The Macmillan Co., New York, 1906.
Baldwin, James, The Book-Lover. Pp. 201. Jansen, McClurg & Co., Chicago, 1885.
Bascom, John, Philosophy of English Literature. Pp. xii + 318. G. P. Putnam’s Sons, New York, 1886.
Bates, Arlo, Talks on the Study of Literature. Pp. 260. Houghton, Mifflin & Co., Boston, 1898.
Beeching, H. C., The Study of Poetry. Pp. 57. University Press, Cambridge, 1901.
Bradley, A. C., Poetry for Poetry’s Sake. Pp. 32. Clarendon Press, Oxford, 1901.
Brown, G. Baldwin, The Fine Arts. Pp. xii + 321. Charles Scribner’s Sons, New York, 1906.
Browning, Robert, Abt Vogler; With Charles Avison (in Parleyings with Certain People); Master Hugues of Saxe-Gotha; Saul, in Works. Camberwell edition, T. Y. Crowell & Co., New York, 1898.
Bulfinch, Thomas, The Age of Chivalry. Pp. viii + 414. Crosby, Nichols & Co., Boston, 1859.
Bulfinch, Thomas, The Age of Fable, edited by E. E. Hale. New edition. Pp. xxi + 568. S. W. Tilton & Co., Boston, 1894.
Caffin, Charles H., How to Study Pictures. Pp. xv + 513. The Century Co., New York, 1906.
Carlyle, Thomas, The Hero as Divinity, pp. 1-41 in Heroes and Hero-Worship. Centenary edition. Charles Scribner’s Sons, New York, 1897.
Carpenter, Edward, Angels’ Wings: A Series of Essays on Art and Its Relation to Life. Pp. 248. Swan Sonnenschein & Co., London, 1898.
Collins, John Churton, The True Functions of Poetry, pp. 263-291 in Studies in Poetry and Criticism. George Bell & Sons, London, 1905.
Corson, Hiram, The Aims of Literary Study. Pp. 153. The Macmillan Co., New York, 1895.
Cox, George W., An Introduction to the Science of Comparative Mythology and Folk-Lore. Pp. xvi + 380. Henry Holt & Co., New York, 1881.
Cox, George W., The Mythology of the Aryan Nations. 2 vols., pp. xx + 460 and xv + 397. Longmans, Green, & Co., London, 1870.
Crawshaw, W. H., The Interpretation of Literature. Pp. x + 235. The Macmillan Co., New York, 1902.
Crawshaw, W. H., Literary Interpretation of Life. Pp. viii + 266. The Macmillan Co., New York, 1900.
Dabney, J. P., The Musical Basis of Verse. Pp. x + 269. Longmans, Green, & Co., London, 1901.
Davies, Henry M., The Musical Consciousness. (In Music, vol. XII, pp. 25-38, 171-180, 329-341, 462-472.)
Donaldson, John William, The Theatre of the Greeks. Pp. xii + 435. George Bell & Sons, London, 1891.
Dwight, John S., Intellectual Influence of Music. (In The Atlantic Monthly, vol. XXVI, pp. 614-625.) Boston, Nov., 1870.
Dwight, John S., Music as a Means of Culture. (In The Atlantic Monthly, vol. XXVI, pp. 321-331.) Boston, Sept., 1870.
Eastman, Edith V., Musical Education and Musical Art. Pp. 171. Damrell & Upham, Boston, 1893.
Emerson, Ralph Waldo, Art, pp. 325-343 in Essays, first series. Houghton, Mifflin & Co., Boston, 1883.
Emerson, Ralph Waldo, Art, pp. 39-59 in Society and Solitude. Houghton, Mifflin & Co., Boston, 1898.
Engel, Carl, Introduction to the Study of National Music. Pp. x + 435. Longmans, Green, & Co., London, 1886.
Fairbanks, Arthur, The Mythology of Greece and Rome, with Special Reference to its Influence on Literature. Pp. xvii + 408. D. Appleton & Co., New York, 1907.
Gayley, C. M. (editor), Classic Myths in English Literature. Pp. xlv + 540. Ginn & Co., Boston, 1894.
Goddard, Joseph, Reflections upon Musical Art Considered in its Wider Relations. Pp. viii + 87. Goddard & Co., London, 1893.
Goethe, Conversations with Eckermann and Soret, translated by John Oxenford. Pp. xxvii + 583. Bohn Library, George Bell & Sons, London, 1901.
Goethe, The Maxims and Reflections of, translated by T. Bailey Saunders. Pp. 223. The Macmillan Co., New York, 1893.
Goethe, Travels in Italy, translated by A. J. W. Morrison and Charles Nesbit. Pp. 589. Bohn Library, George Bell & Sons, London, 1892.
Goldziher, Ignaz, Mythology among the Hebrews and its Historical Development, translated by Russell Martineau. Pp. xxxv + 457. Longmans, Green, & Co., London, 1877.
Grosse, Ernest, The Beginnings of Art. Pp. xiv + 327. D. Appleton & Co., New York, 1897.
Guerber, H. A., Myths of Greece and Rome. Pp. 428. American Book Co., New York, 1893.
Guerber, H. A., Myths of Northern Lands. Pp. 319. American Book Co., New York, 1895.
Gummere, Francis B., The Beginnings of Poetry. Pp. x + 483. The Macmillan Co., New York, 1901.
Gummere, Francis B., A Handbook of Poetics. Pp. vi + 250. Ginn & Co., Boston, 1885.
Gurney, Edmund, The Power of Sound. Pp. xi + 559. Smith, Elder, & Co., London, 1880.
Hamerton, Philip Gilbert, The Intellectual Life. Pp. xix + 455. Roberts Bros., Boston, 1891.
Hamerton, Philip Gilbert, Thoughts About Art. Pp. xxiv + 383. Roberts Bros., Boston, 1878.
Hanchett, Henry G., The Art of the Musician: A Guide to the Intellectual Appreciation of Music. Pp. viii + 327. The Macmillan Co., New York, 1905.
Hand, Ferdinand, Æsthetics of Musical Art; or, the Beautiful in Music, translated from the German by Walter E. Lawson. Pp. xviii + 187. London, 1880.
Hanslick, Dr. Eduard, The Beautiful in Music, translated by Gustav Cohen. Novello, Ewer & Co., New York, 1891.
Hegel, Georg Wilhelm Friedrich, Introduction to the Philosophy of Fine Art, translated by B. Bosanquet. Pp. xxxiii + 175. Kegan Paul, Trench & Co., London, 1886.
Helmholtz, Hermann L. F., On the Sensations of Tone as a Physiological Basis for the Theory of Music, translated by Alexander J. Ellis. Pp. xix + 576. Longmans, Green, & Co., London, 1885.
Henderson, W. J., What is Good Music? Pp. xiii + 205. Charles Scribner’s Sons, New York, 1905.
Holden, Florence P., Audiences: A Few Suggestions to Those Who Look and Listen. A. C. McClurg & Co., Chicago, 1896.
Holmes, Edmond, What is Poetry? Pp. 98. Lane, New York, 1900.
Hugo, Victor, William Shakespeare, translated by Melville B. Anderson. Pp. 24 + 424. A. C. McClurg & Co., Chicago, 1899.
Kerst, Friedrich (compiler and annotator), Beethoven: The Man and the Artist, as Revealed in His Own Words, translated and edited by Henry Edward Krehbiel. Pp. 110. B. W. Huebsch, New York, 1905.
Kerst, Friedrich (compiler and annotator), Mozart: The Man and the Artist, as Revealed in His Own Words, translated and edited by Henry Edward Krehbiel. Pp. 143. B. W. Huebsch, New York, 1905.
Knight, William, The Philosophy of the Beautiful. 2 vols. Pp. xv + 288 and xii + 281. John Murray, London, 1891-3.
Kobbé, Gustav, How to Appreciate Music. Pp. 275. Moffat, Yard & Co., New York, 1906.
Krehbiel, Henry Edward, How to Listen to Music. Pp. xv + 36l. Charles Scribner’s Sons, New York, 1897.
Kufferath, M., Rhythm, Melody and Harmony. (In Music, vol. XVII, pp. 31-39, 155-163.) Chicago, 1899, 1900.
LaFarge, J., Considerations on Painting. Pp. vi + 270. The Macmillan Co., New York, 1901.
Lanier, Sidney, Music and Poetry. Pp. viii + 248. Charles Scribner’s Sons, New York, 1899.
Lanier, Sidney, The Science of English Verse. Pp. 315. Charles Scribner’s Sons, New York, 1901.
Leighton, Lord, Addresses Delivered to the Students of the Royal Academy. Pp. 310. Kegan Paul, Trench, Trübner & Co., London, 1896.
Lessing, G. E., Laokoön, pp. 1-169 in Laokoön, etc., translated by E. C. Beasley and Helen Zimmern. Bohn Library, George Bell & Sons, London, 1900.
Lewes, George Henry, The Principles of Success in Literature. Pp. xv + 235. Walter Scott, London, n. d.
Mabie, Hamilton Wright, Books and Culture. Pp. 279. Dodd, Mead & Co., New York, 1896.
Mabie, Hamilton Wright, Essays on Nature and Culture. Pp. 326. Dodd, Mead & Co., New York, 1896.
Mabie, Hamilton Wright, Short Studies in Literature. Pp. vi + 201. Dodd, Mead & Co., New York, 1892.
Mach, Edmund von, Greek Sculpture; Its Spirit and Principles. Pp. xviii + 359 + xl. Ginn & Co., Boston, 1903.
Malory, Sir Thomas, Le Morte Darthur, edited with introduction by Sir Edward Strachey. Pp. lvi + 509. The Macmillan Co., New York, 1901.
Mathews, W. S. B., How to Understand Music. 2 vols., pp. 216 + 87 and viii + 208. Theodore Presser, Philadelphia, 1886, 1888.
Mathews, W. S. B., Music: Its Ideals and Methods. Pp. iii + 225. Theodore Presser, Philadelphia, 1897.
Morison, John H., The Great Poets as Religious Teachers. Pp. 200. Harper & Bros., New York, 1886.
Morris, William, Hopes and Fears for Art. Pp. 217. Roberts Bros., Boston, 1882.
Moyse, Charles E., Poetry, as a Fine Art. Pp. 79. Elliot Stock, London, 1883.
Münsterberg, Hugo, The Principles of Art Education. Pp. 114. The Prang Educational Co., New York, 1905.
Newman, John Henry, Poetry, with Reference to Aristotle’s Poetics. Pp. x + 36. Ginn & Co., Boston, 1891.
Norton, Edwin Lee, The Intellectual Element in Music, pp. 167-201 in Studies in Philosophy and Psychology. Houghton, Mifflin & Co., Boston, 1906.
Noyes, Carleton, The Enjoyment of Art. Pp. xiii + 101. Houghton, Mifflin & Co., Boston, 1903.
Palgrave, Francis Turner (editor), The Golden Treasury of the Best Songs and Lyrical Poems in the English Language. Series I, pp. 381; series II, pp. xii + 275. The Macmillan Co., New York, 1896, 1897.
Palgrave, Francis Turner, Poetry Compared with the Other Fine Arts. (In Littell’s Living Age, vol. CLXXI, pp. 259-267; vol. CLXXIII, pp. 579-589.) Boston, 1886, 1887.
Parry, C. Hubert H., The Evolution of the Art of Music. Pp. x + 342. D. Appleton & Co., New York, 1906.
Parry, T. Gambier, The Ministry of Fine Art to the Happiness of Life. Pp. viii + 368. John Murray, London, 1886.
Partridge, William Ordway, Art for America. Pp. 192. Roberts Bros., Boston, 1894.
Plato, The Republic, translated by B. Jowett. Books II and III. Oxford University Press, 1892.
Poe, Edgar Allen, The Rationale of Verse and The Poetic Principle, pp. 209-292 in vol. XIV of Works, edited by James A. Harrison. Thomas Y. Crowell & Co., New York, 1902.
Posnett, Hutcheson Macauley, Comparative Literature. Pp. x + 402. D. Appleton & Co., New York, 1886.
Pryde, David, Highways of Literature. Pp. 156. Funk & Wagnalls, New York, n. d.
Puffer, Ethel D., The Psychology of Beauty. Pp. vii + 286. Houghton, Mifflin & Co., Boston, 1906.
Raymond, George Lansing, Art in Theory. Pp. xviii + 266. G. P. Putnam’s Sons, New York, 1894.
Raymond, George Lansing, The Essentials of Æsthetics. Pp. xix + 404. G. P. Putnam’s Sons, New York, 1906.
Raymond, George Lansing, The Genesis of Art-Form. Pp. xxii + 311. G. P. Putnam’s Sons, New York, 1893.
Raymond, George Lansing, Painting, Sculpture, and Architecture as Representative Arts. Pp. xxxv + 431. G. P. Putnam’s Sons, New York, 1895.
Raymond, George Lansing, Poetry as a Representative Art. Pp. xv + 346. G. P. Putnam’s Sons, New York, 1886.
Raymond, George Lansing, Rhythm and Harmony in Poetry and Music. Pp. xxxvi + 344. G. P. Putnam’s Sons, New York, 1904.
Ritter, Frederic Louis, Music in Its Relation to Intellectual Life; Romanticism in Music. Pp. 98. Edward Schuberth & Co., New York, 1891.
Ruskin, John, Aratra Pentelici; Elements of Sculpture. Pp. xi + 181. John Wiley & Sons, New York, 1886.
Ruskin, John, Lectures on Art. Pp. 202. Merrill & Baker, New York, n. d.
Ruskin, John, Modern Painters. 5 vols., pp. lxxiii + 429, xiii + 230, xii + 341, 403, and xiv + 390. Merrill & Baker, New York, n. d.
Ruskin, John, The Two Paths: Lectures on Art. Pp. xvii + 270. Maynard, Merrill & Co., New York, 1893.
Saint-Saëns, Camille, The Nature and Object of Music. (In Music, vol. V, pp. 557-572.) Chicago, March, 1894.
Santayana, George, The Elements and Function of Poetry, pp. 251-290 in Interpretations of Poetry and Religion. Charles Scribner’s Sons, New York, 1900.
Schiller, Friedrich, Essays Æsthetical and Philosophical, translated from the German. Pp. 435. Bohn Library, George Bell & Sons, London, 1905.
Schopenhauer, Arthur, The Art of Literature, translated by T. Bailey Saunders. Pp. xiv + 149. The Macmillan Co., New York, 1891.
Schopenhauer, Arthur, The Metaphysics of Fine Art, pp. 125-140 in Religion and Other Essays, translated by T. Bailey Saunders. Swan Sonnenschein & Co., London, 1891.
Schopenhauer, Arthur, On the Metaphysics of Music, pp. 155-177 in Wagner’s Beethoven. William Reeves, London, 1880.
Shairp, John Campbell, Aspects of Poetry. Pp. x + 401. Houghton, Mifflin & Co., Boston, 1882.
Shairp, John Campbell, Poetic Interpretation of Nature. Pp. x + 279. Houghton, Mifflin & Co., Boston, 1882.
Shelley, Percy Bysshe, A Defence of Poetry, pp. 1-41 in Essays and Letters, edited by Ernest Rhys. Walter Scott, London, 1886.
Sidney, Philip, Defense of Poesy, edited by Albert S. Cook. Pp. xlv + 143. Ginn & Co., Boston, 1890.
Spencer, Herbert, The Origin and Function of Music, pp. 401-451 in Essays, vol. II. D. Appleton & Co., New York, 1892.
Stedman, Edmund Clarence, The Nature and Elements of Poetry. Pp. xx + 338. Houghton, Mifflin & Co., Boston, 1892.
Sturgis, Russell, The Appreciation of Pictures. Pp. 308. The Baker & Taylor Co., New York, 1905.
Sturgis, Russell, The Appreciation of Sculpture. Pp. 235. The Baker & Taylor Co., New York, 1904.
Surette, Thoman Whitney, and Mason, Daniel Gregory, The Appreciation of Music. Pp. xi + 222. The Baker & Taylor Co., New York, 1906.
Taine, H., Lectures on Art, translated by John Durand. 2 vols., pp. 354 and 540. Henry Holt & Co., New York, 1889.
Tolstoy, L. N., What is Art?, translated by Charles Johnston. Pp. iii + 298. Henry Altemus, Philadelphia, 1898.
Van Dyke, John C., Art for Art’s Sake. Pp. xii + 249. Charles Scribner’s Sons, New York, 1893.
Van Dyke, John C., How to Judge of a Picture. Pp. 168. Chautauqua Press, Chautauqua, N. Y., 1888.
Van Dyke, John C., The Meaning of Pictures. Pp. xiv + 161. Charles Scribner’s Sons, New York, 1903.
Van Dyke, John C., Principles of Art. Pp. 291. Fords, Howard & Hulbert, New York, 1887.
Vinci, Leonardo da, Leonardo da Vinci’s Note-Books, arranged and rendered into English with introductions by Edward McCurdy. Pp. xiv + 289. Charles Scribner’s Sons, New York, 1908.
Vinci, Leonardo da, A Treatise on Painting, translated by J. F. Rigand. Pp. lxvii + 238. George Bell & Sons, London, 1906.
Wagner, Richard, Art Life and Theories of, selected from his writings and translated by Edward L. Burlingame. Pp. xiii + 305. Henry Holt & Co., New York, 1904.
Wagner, Richard, Beethoven, translated by Edward Dannreuther. Pp. viii + 177. William Reeves, London, 1880.
Warner, Charles Dudley, The Relation of Literature to Life. Pp. 320. Harper & Bros., New York, 1897.
Waterhouse, C. H., The Signification and Principles of Art. Pp. 154. J. S. Virtue & Co., London, 1886.
Wilde, Oscar, The Critic as Artist, pp. 85-196 in Intentions. Thomas B. Mosher, Portland, Me., 1904.
Wilde, Oscar, The Soul of Man Under Socialism. Pp. 90. Thomas B. Mosher, Portland, Me., 1905.
Winchester, C. T., Some Principles of Literary Criticism. Pp. xii + 352. The Macmillan Co., New York, 1899.
Witt, Robert Clermont, How to Look at Pictures. Pp. xviii + 173. George Bell & Sons. London, 1902.