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Arthur Machen: Weaver of Fantasy

Chapter 3: ACKNOWLEDGMENTS
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About This Book

A critical and biographical survey that combines life narrative, close readings, and personal reminiscence to reassess the subject's literary output. The author re-examines short fiction and essays, identifies recurring motifs of the uncanny, myth and pattern, and discusses publication history and the long period of neglect. Individual chapters treat distinct phases of the career, offer stylistic and thematic analysis, and include bibliographical and contextual material. The tone balances admiration with critical appraisal and argues for renewed attention to overlooked works.

ACKNOWLEDGMENTS

I cannot recall whether it was James Branch Cabell or Vincent Starrett who first directed me to the works of Arthur Machen. I am deeply grateful to both, not only for this, but for their encouraging letters concerning my book.

To Montgomery Evans and Paul Jordan-Smith for their enthusiasm and interest, their intimate sketches of Machen, and for facts not available elsewhere. To Carl Van Vechten and Robert Hillyer for their articles on Machen, parts of which are quoted herein.

To Joseph Kelly Vodrey and Paul Seybolt for their informative and helpful letters, and to Nathan Van Patten whose bibliographical labors lightened my own. To Meyer Berger for his notes on the Mons affair, and to Harper’s Bazaar for permission to quote from them. To the late Alfred Goldsmith and his delightful reminiscences of Machen. To all of these I am deeply grateful.

To Alfred A. Knopf for permission to quote from the Machen books bearing the Borzoi imprint, and for having published them in the first place. To Robert McBride & Co. for permission to quote from The Terror, and to Dodd, Mead & Co. for permission to quote from More Authors and I.

To Hilary Machen for his courtesy in handling my proofs at Amersham and, finally, to Arthur Machen for the ‘plenary blessing’ he gave this book.