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Barbara Blomberg — Volume 06 cover

Barbara Blomberg — Volume 06

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A young singer captivates an emperor and becomes the center of court intrigue as nobles, clerics, and attendants weigh the consequences of her favor. Admirers alternate with wary counselors who suspect her of Protestant connections, prompting surveillance, whispered reports, and manipulative schemes by figures seeking influence or revenge. Tensions between personal affection and political-religious authority unfold through guarded meetings, social maneuvering, and the contest to control reputation and access to power.

Barbara knew the sovereign, and when she saw him thrust his lower lip slightly forward she was sure that something vexed him.

Perhaps she ought not to venture to irritate the lion that day.

Was his anger roused by the boldness of the city magistrates, who dared to favour the Saxon escutcheon and banners so openly? It seemed to her exasperating, punishable insolence. But perhaps in his greatness he did not grudge this distinction to a guest so much his inferior, and it was only the gout again inflicting its pangs upon his poor tortured foot.

The way was strewn with leaves and green branches, and the Saxon was leading her lord directly over the hard little boughs in the middle of the path. Barbara would fain have called to him to look at the ground and not up at the banners and escutcheons bearing his colours, whose number seemed to flatter him. Had Charles been leaning on her arm, she would have performed the office of guide better.

At last the distinguished pair, with the companions who followed them, reached the tent and took their seats upon the thrones. Again Maurice gazed eagerly around him, but Charles vouchsafed the Lindenplatz and stands only a few careless glances. He had no time to do more, for the young Landgravines of Leuchtenber; and several other newcomers at court were presented to him by the Count of Nassau, and, after greeting the occupants of the tent by a gracious gesture, the monarch addressed a few kind words to each.

Barbara was obliged to content herself with the others, yet her heart ached secretly that he gave her no word of welcome.

Then, when the performances began and the chamberlains and major-domo seated the aristocratic ladies and older dignitaries according to their sex and rank, and she was thus placed very far in the rear, she felt it as a grievous injustice. Was she no longer the love of the man who reigned over everything here? And since no one could deny this claim, why need she be satisfied with a place beside the insignificant ladies of honour of the princelings who were present?

How forsaken and ill-treated she seemed to herself!

But there was Don Luis Quijada already making his way to her to bring a greeting from his Majesty and escort her to a place from which she could have a better view of what the city had arranged for the entertainment of the distinguished guest.

So she was not wholly forgotten by her lover, but with what scanty alms he fed her!

What did she care for the exhibition which was about to begin?

The minutes dragged on at a snail's pace while the lanterns on the lindens and poles, the torches, and pitch pans were lighted.

Had not the gentlemen and ladies been so completely separated, it might perhaps have been a little gay. But, as it was, no one of the aristocratic women who surrounded her granted her even one poor word; but the number of glances, open and secret, cast at her became all the greater as one noble dame whispered to another that she was the singer whom his Majesty condescended to distinguish in so remarkable a manner.

To know that she was thus watched might be endured, as she was aware that she could be satisfied with her appearance, but vanity compelled her to assume an expression and bearing which would not disappoint the gazers, and after the performances began this imposed a wearisome restraint.

Once only was her solitude in the midst of this great company pleasantly interrupted, for the Bishop of Arras, without troubling himself about the separation of the sexes, had sought her out and whispered that he had something to ask of her, whose details they would discuss later. On the evening of the day after to-morrow his Majesty's most distinguished guests, with their ladies, were to assemble at his house. If she desired to place him under the deepest obligations, she would join them there and adorn the festival with her singing. Barbara asked in a low tone whether the Emperor would also be present, and the statesman, smiling, answered that court etiquette prohibited such things. Yet it was not impossible that, as a special favour, his Majesty might listen for a short time in the festal hall, only he feared that the gout might interpose—the evil guest was already giving slight warnings of its approach.

Then, without waiting for a reply, the young minister went back to his royal master; but his invitation exerted a disturbing influence upon Barbara. She would have been more than glad to accept, for the entertainments of the Bishop of Arras were unequalled in varied attractions, magnificence, and gaiety, and what a satisfaction to her ambition it would be to sing before such an audience, dine at the same table with such ladies and gentlemen! She knew also how heavily this man's favour would weigh in the scales with the Emperor, yet to appear at the banquet without her lover's knowledge was utterly impossible, and just now she felt reluctant to ask his permission. What heavy chains loaded the favoured woman who possessed the love of this greatest of sovereigns!

However, reflections concerning Granvelle's invitation passed away the time until the lighting of the Lindenplatz was completed. Then the shrill blare of trumpets again rent the air, the city pipers in the towers struck up a gay march, and the entertainment began.

The gods of Olympus, led by Fame and Fortune, offered their homage to the Emperor. A youth from the school of poets, attired as the goddess of Fame, bewailed in well-rhymed verses that for a long time no one had given her so much to do as the Emperor Charles. His comrade, who, bearing a cornucopia in his arms, represented Fortune, assured her companion, in still more bombastic verse, that she should certainly expect far more from her, the goddess of Fame, in favour of his Majesty. This would continue until her own end and that of all the Olympians, because the Emperor Charles himself was an immortal. He had made them both subject to him. Fortune as well as Fame must obey his sign. But there was another younger friend of the gods for whom, on account of the shortness of his life, they had been able to do less, but for whom they also held in readiness their best and greatest gifts. He, too, would succeed in rendering them his subjects. While speaking, Fortune pointed with the cornucopia and Fame with the trumpet to Duke Maurice, and besought their indulgent lord and master, the Emperor Charles, to be permitted to show some of their young favourite's possessions, by whose means he, too, would succeed in retaining them in his service.

Then Pallas Athene appeared with the university city of Leipsic, the latter laden with all sorts of symbols of knowledge. Next came Plutus, the god of Wealth, followed by Freiberg miners bearing large specimens of silver ore in buckets and baskets; and, lastly, Mars, the god of War, leading by a long chain two camels on which rode captive and fettered Turks.

During these spectacles, which were followed by other similar ones, Barbara had been thinking of her own affairs, and gazed more frequently at her lover and his distinguished guests than at the former.

But the next group interested her more because it seemed to honour the
Emperor's taste for astronomy, of which he had often talked with her.

On a long cart, drawn by powerful stallions, appeared a gigantic firmament in the shape of a hemisphere, on whose upper surface the sun, moon, and stars were seen shining in radiant light. The moon passed through all her changes, the sun and planets moved, and from the dome echoed songs and lute-playing, which were intended to represent the music of the spheres. Another chorus was heard from a basket of flowers of stupendous size. Among the natural and artificial blossoms sat and lay upon leaves and in the calyxes of the flowers child genii, who flung to the Emperor beautiful bouquets, and into the laps and at the feet of the ladies in the tent smaller ones and single flowers.

Barbara, too, did not go with empty hands. The Cupid who had thrown his to her was the little Maltese Hannibal, who sang with other boys as "Voices of the Flowers," and later was to take part in the great chorus.

This friendly remembrance of her young fellow-artist cheered Barbara, and when a fight began, which was carried on by a dozen trained champions brought from Strasburg expressly for this purpose, she turned her attention to it.

At first this dealing blows at one another with blunt weapons offered her little amusement; but when shouts from the tent and the stands cheered the men from the Mark, and powerful blows incensed to fury those who were struck, the scene began to enthral her.

A handsome, agile youth, to her sincere regret, had just fallen, but swiftly recovered his elasticity, and, springing to his feet, belaboured his opponent, a clumsy giant, so skilfully and vigorously that the bright blood streamed down his ugly face and big body. Barbara's cheeks flushed with sympathy. That was right. Skill and grace ought everywhere to conquer hideous rude force.

If she had been a man she would have found her greatest happiness, as her father did, in battle, in measuring her own strength with another's. Now she was obliged to defend herself with other weapons than blunt swords, and when she saw the champions, six against six, again rush upon one another, and one side drive the other back, her vivid imagination transported her into the midst of the victors, and it seemed as if the marquise and the whole throng of arrogant dames in the tent, as well as the Ratisbon women on the stands who had insulted her by their haughty airs of virtue, were fleeing from her presence.

How repulsive these envious, hypocritical people were! How she hated everything that threatened to estrange her lover's heart! To them also belonged the scoundrel who, she supposed, had betrayed the sale of the star to the Emperor. She resolved to confess to Charles how she had been led to commit this offence, which was indeed hard to forgive. Perhaps all would then be well again, for in this unfortunate action she could recognise the sole wrong which she had ever inflicted upon her lover. She could not help attributing his humiliating manner to it alone, for her love had always remained the same, and only yesterday, after she had sung before the Duke of Saxony, Appenzelder, who never flattered, had assured her that her voice had gained in power, her expression in depth, and she herself felt that it was so.

Music was still the firmest bond that united her to her lover. So long as her art remained faithful, he could not abandon her. This conviction was transformed into certainty when the final performance began, and the Ratisbon choir, under the direction of Damian Feys, commenced the mighty hymn with which the composer, Jean Courtois, had greeted the Emperor Charles in Cambray:

"Venite populi terrai"—"Come hither, ye nations of the earth"—this motet for four voices called imperiously to all mankind like a joyous summons.

"Ave Cesar, ave majestas sacra," sounded in solemn, religious tones the greeting to the greatest of monarchs. It seemed to transport the listener to the summit of the cathedral, as the choir now called to the ruler that the earth was full of his renown. The Ratisbon singers and the able Feys did their best, and this mighty act of homage of all the nations of the earth by no means failed to produce its effect upon him to whom it was addressed.

While Barbara listened, deeply agitated, she did not avert her eyes from her lover's face, which was brightly illumined by a pyramid of candles on each side of the two thrones.

Every trace of weariness, indifference, and discomfort had vanished from Charles's features. His heart, like hers—she knew it—was now throbbing higher. If he had just been enduring pain, this singing must have driven it away or lessened it, and he had certainly felt gratefully what power dwells in the divine art.

This noble composition, Barbara realized it, would again draw her near her lover, and the confirmation of this hope was not delayed, for as soon as the last notes of the motet and the storm of applause that followed had died away, the Emperor, amid the renewed roar of the artillery, rose and looked around him—surely for her.

The good citizens of Ratisbon! No matter how much more bunting they had cut up in honour of the Saxon duke than of the Emperor, how bombastic were the verses composed and repeated in praise of Maurice, this paean of homage put all their efforts to shame. It suited only one, lauded a grandeur and dignity which stood firm as indestructible cliffs, and which no one here possessed save the Emperor Charles.

Who would have ventured to apply this motet to the brave and clever Saxon, high as he, too, towered above most of his peers? What did the nations of the earth know about him? How small was the world still that was full of his renown!

This singing had reminded both princes of Barbara, and they looked for her. The Emperor perceived her first, beckoned kindly to her, and, after conversing with her for a while so graciously that it aroused the envy of the other ladies in the tent, he said eagerly: "Not sung amiss for your Ratisbon, I should think. But how this superb composition was sung six years ago at Catnbray, under the direction of Courtois himself!—that, yes, that is one of the things never to be forgotten. Thirty-four singers, and what power, what precision, and, moreover, the great charm of novelty! I have certainly been permitted to hear many things——"

Here he paused; the Cardinal of Trent was approaching with the Bishop of
Arras.

The younger Granvelle, with his father, had also been present at the performance of this motet of homage at Cambray, and respectfully confirmed his Majesty's remark, speaking with special warmth of the fervour and delicacy with which Jean Courtois had conducted the choir.

The cardinal had no wish to detract from the merits of the Netherland maestro, but he called the Emperor's attention to young Orlando di Lasso, the leader of the orchestra in the Lateran at Rome, who, in his opinion, was destined as a composer and conductor to cast into the shade all the musicians of his time. He was born in Hennegau. The goddess of Music continued to honour the Netherlands with her special favour.

During this conversation Barbara had stepped modestly aside. Charles glanced toward her several times to address her again, but when the Bishop of Arras whispered that, before the commencement of the festival, the cardinal had received despatches from the Council and from Rome, he motioned to both prelates to follow him, and, paying no further heed to Barbara—nay, without even vouchsafing her a farewell wave of the hand— conducted them to the rear of the tent.

Again the girl's heart ached in her abandonment. Duke Maurice, too, had vanished. When he saw the Emperor address her he had left the tent.

Dancing had begun, and he was now accepting the invitation of the magistrate Ambrosius Ammann to inaugurate the young people's pleasure as leader of the Polish dance.

For a time Barbara stood as if spellbound to the spot where her lover had so suddenly turned away from her.

She was again experiencing what Adrian had predicted—politics made Charles forget everything else, even love. How would it be when war actually came?

Now, after the Emperor had showed her that he still deemed her worthy of regard, she felt for the first time thoroughly neglected, and with difficulty restrained her tears. She would have liked to follow Charles, and at every peril whisper softly, so that he alone could hear, yet with all the sharpness of her resentment, that it was unchivalrous to leave her standing here like an outcast, and that she demanded to learn why she had forfeited his love.

The wild throbbing of her heart impeded her breathing, and, in the indignation of her soul, she longed to escape fresh humiliation and to leave the festival.

But again Baron Malfalconnet appeared as a preserver in the hour of need, and, with the profound submissiveness bordering upon mockery which he always showed her, asked why she had so speedily deprived his Majesty of the pleasure of her society. Barbara gave way to her wrath and, while vehemently forbidding the unseemly jibe, glanced with a bitter smile toward the Emperor, who, in conversation with the two dignitaries, seemed to have forgotten everything around him.

"The destiny of the world," observed the baron, "can not be set to dance music. The domain of your obedient admirer, Malfalconnet, on the contrary, obeys solely the heart throbs in this loyal breast; and if you, fairest of women, will allow yourself to be satisfied with so small a realm of sovereignty, it is at your disposal, together with these tolerably agile feet, which still wait in vain for the well-merited imperial gout."

The sharp refusal which this proposition received amused the baron instead of offending him, and passing into a more conversational tone, he proposed to her to leave this abode of ennui, where even the poor satyrs on the hangings were holding their big hands over their mouths to hide their yawns, and go with him to the dancing floor.

Barbara laid her hand on his arm and followed him to the pleasure ground under the lindens, where the pretty daughters of the Ratisbon noble families had just commenced a dance with the gentlemen belonging to their circle.

Barbara had gone to school, exchanged kisses, and was a relative or friend of most of these young girls in light gala dresses, adorned with coloured flowers, whose names Malfalconnet asked, yet, after an interval of these few weeks, she met them like a stranger.

The love which united her to the Emperor had raised her far above them.

Accustomed to give herself up entirely to the gifts which the present offered, she had turned her back on Ratisbon and its inhabitants, with whom, during this period of happiness she could easily dispense, as if they were a forgotten world. There was no one in her native city whom she seriously missed or to whom she was strongly drawn. That she, too, offered these people little, and was of small importance, self-love had never permitted her to realize, and therefore she felt an emotion of painful surprise when she perceived the deep gulf which separated her from her fellow-citizens of both sexes.

Now her old friends and acquaintances showed her plainly enough how little they cared for her withdrawal.

Pretty Elspet Zohrer, with whom she had contended for the recruiting officer, Pyramus Kogel, was standing opposite to her, by her partner's side, in the same row with charming little Mietz Schiltl, Anne Mirl Woller, her cousin, Marg Thun, and the others.

The Zauner, which they were dancing with a solemn dignity that aroused the baron's mirth, afforded them an opportunity to look around them, and they eagerly availed themselves of it; nay, they almost all glanced at Barbara, and then, with evident intention, away from her, after Elspet Zohrer, with a contemptuous elevation of her dainty little snub nose, had ignored her schoolmate's greeting.

Barbara drew herself up, and the air of unapproachable dignity which she assumed well suited the aristocratic gentleman at her side, whom every one knew as the most brilliant, witty, and extravagant noble at the Emperor's court. At the same time she addressed the baron, whom she had hitherto kept at a distance, with unconstrained familiarity, and as the eyes of the mothers also rested upon her, remarks which might have driven the blood to her cheeks were made upon the intimate terms existing between the "Emperor's sweetheart" and the profligate and spendthrift Malfalconnet.

True, Barbara could not understand what they were saying, but it was easy enough to perceive in what way they were talking about her.

Yet what gave these women the right to condemn her?

They bore her a grudge because she had distinguished herself by her art, while their little geese were idle at home or, at most, busied themselves in the kitchen, at the spinning wheel, in dancing, and whatever was connected with it while waiting for their future husbands. The favour which the most illustrious of mortals showed her they imputed to her as a crime.

How could they know that she was more to the Emperor than the artist whose singing enraptured him?

The girls yonder—her Woller cousins certainly—merely held aloof because their mothers commanded them to do it. Only in the case of a few need she fear that jealousy and envy had taken possession of them. Yet what did she care for them and their behaviour? She looked over their heads with the air of a queen.

But what was the meaning of this?

As soon as the dance was over, a pretty young girl, scarcely seventeen years old, with blue forget-me-nots in her fair hair and on her breast, left her partner and came directly toward Barbara.

Her head drooped and she hesitated shyly as she did so, but her modest timidity was so charming that the dissolute courtier at Barbara's side felt a throb of sympathy, and gazed down at her like a benevolent fatherly friend as she held out her hand to his companion.

He did not think Martina Hiltner actually beautiful as she stood close before him, but, on the other hand, inexpressibly charming in her modest grace.

That it was she who came to Barbara so confidingly increased his good opinion of the self-reliant, hot-blooded girl who had won the Emperor's love, and therefore he was deeply angered when the latter answered Martina's greeting curtly and coldly, and, without vouchsafing her any further words, requested him to summon one of the attendants who were serving refreshments.

Malfalconnet glanced significantly toward Martina, and, while offering Barbara a goblet of lemonade, said, "There is candied lemon and other seasoning in it, so it will probably suit your taste, exacting beauty, since you appear to dislike what is pure."

"Only when poison is mixed with it," she answered quickly, tossing her head arrogantly. Then, controlling herself, she added in an explanatory tone: "In this case, Baron, your far-famed penetration deceived you. It gave me more pain than you will believe to reject the friendly advances of this lovely child, but her father is the head of the Lutheran heresy here, and the almoner——"

"Then that certainly alters the case," the other interrupted. "Where the Holy Inquisition threatens, I should be capable of denying a friend thrice ere the cock crew. But what a number of charming young faces there are on this Lindenplatz! Here one can understand why Ratisbon, like the French Arles, is famed for the beauty of her daughters. It was not easy for you to earn the reputation of the greatest beauty here. You have also gained that of the most cruel one. You make me feel it. But if you wish to cast into oblivion the poisoned cup proffered just now, do me the favour to trust yourself to my guidance in the next dance."

"Impossible," answered Barbara firmly. "If I were really cruel, I would yield to your skill in tempting, and render you the base betrayer of the greatest and noblest of masters."

"Does not every one who gazes at your beauty or listens to your song become such a monster, at least in thought?" asked the baron gaily. "Are you really so inexorable about the dance?"

"As this statue," Barbara answered with mirthful resolution, pointing to a plaster figure which was intended to represent the goddess Flora or the month of May. "But let us stay here a few minutes longer, though only as spectators."

Barbara expressed this wish because a group of young gentlemen, who had always been among those who sought her most eagerly for a partner at the dances in the New Scales, had attracted her attention. They were engaged in an animated discussion, which from their glances and gestures evidently concerned Barbara.

Bernhard Trainer, the tall son of an old and wealthy family, who loved Martina Hiltner, and had been incensed by Barbara's treatment of her, seemed to gain his point, and when the city pipers began to play again, all of them—probably a dozen in number—passed by her arm-in-arm in couples, with their eyes studiously fixed upon the opposite side of the dancing floor.

Barbara could entertain no doubt that this insulting act was intended to wound her. The "little castle," as it was called in Prebrunn, owned by Bernhard Trainer's family, was near the bishop's house which she occupied. Therefore the Trainers had probably heard more than others about the visits she received. Or did the gentlemen consider that she deserved punishment for not treating Martina more kindly?

Whatever might have caused the unseemly act, in Barbara's eyes it was a base trick, which filled her with furious rage against the instigators. Had she shared the Emperor's power, it would have been a delight to her in this hour to repay the malignant insult in the same or far heavier coin. But, on Malfalconnet's account, she must submit in silence to what had been inflicted upon her.

So, in a muffled tone, she requested the baron to take her back to the tent, but while fulfilling her wish he wondered at the long strides of the capricious young lady at his side, and the mortifying inattention with which she received his questions.

Meanwhile the Emperor had returned to the throne, and Maurice of Saxony was again standing beside him, while the chamberlain Andreas Wolff was humbly, inviting the monarch to make the Ratisbon young people happy by visiting the scene of the dancing.

After a dance of inquiry at the duke, Charles assented to this request. But they must pardon him if he remained a shorter time than he himself would desire, as the physician was urging his return home.

While the chamberlain was retiring, Charles saw Barbara leaning on Malfalconnet's arm, beckoned to them, and asked her whether she had yielded to her love for dancing.

A brief "No, your Majesty," assured him of the contrary, and led him to make the remark that whoever exercised a noble art so admirably as she would be wise to refrain from one which could afford nobody any higher pleasure than the peasant and his sweetheart, if they only had sound feet.

The counsel sounded harsh, almost warning, and the already irritated girl with difficulty restrained a sharp reply; but the Emperor was already rising, that, leaning on Quijada's arm, he might seek the dancing ground.

Meantime the young Saxon duke had approached Barbara, and expressed his admiration of the successful festival, but she scarcely heard what he said. Yet when she turned her face toward him, and his ardent gaze rested yearningly upon her, she felt that the opportunity had now come to carry out her half-forgotten intention of arousing the jealousy of her royal lover.

Whatever it might cost, she must undertake the risk.

Summoning all her strength of will, she silenced the bitter resentment which filled her heart, and a sunny glance told Duke Maurice how much his escort pleased her. Malfalconnet had watched every look of the lady on his arm, as well as the duke's, and as they approached the scene of the dance he asked the latter if his Highness would condescend to relieve him for a short time of a delightful duty. An important one in the service of his imperial Majesty——

Here the duke's eager assent interrupted him, and the next moment Barbara was leaning on the arm of the handsome young prince.

She had found in him the tool which she needed, and Maurice entered into her design only too readily, for the baron had scarcely retired ere he changed his tone of voice and began an attack upon her heart.

He had no need to respect the older rights of his imperial host, for Charles had distrustfully concealed from him the bond which united him to the beautiful singer. So, with glowing eloquence, he described to Barbara how quickly and powerfully the spell of her beauty and her wonderful art had fired his brain, and besought her to aid him not to commence one of the most important periods of his life with a sore heart and sick with longing; but she allowed him to speak, without interrupting him by a single word.

She could not misunderstand what he desired, and many a glance permitted him to interpret it in his favour; but resentment still continued to stir in her soul, growing and deepening as the Emperor, seated on the throne erected for him, without noticing her appearance, sometimes listened to the chamberlain, who mentioned the names of the handsomest dancers, sometimes addressed a question to the Bishop of Arras and the other gentlemen who had followed him.

Her royal lover deprived her of even the possibility of rousing him by jealousy from the consciousness of the secure possession of her person. Besides, the flushed faces of the young men who had so shamelessly insulted her were beaming before her with the joy of the festival.

But the expression of their features was already changing. Duke Maurice had been recognised, and now all who felt entitled to do so approached him, among them her foes, at their head Bernhard Trainer, who were obliged to bend low before him, and therefore before her also.

Just then the city pipers struck up a gagliarde, and the music was the air of the dancing-master's song by Baldassaro Donati, which had roused the Emperor's indignation a few days ago. In imagination she again heard his outburst of anger, again saw him rise from his seat in wrath at the innocent "Chi la gagliarda vuol imparare."

The time of reckoning had come, and he should pay her for the bitterness of that hour! Yonder malevolent fellows, who now looked bewildered and uneasy, should be forced to retreat before her and perceive what power she had obtained by her beauty and her art.

With fevered blood and panting breath she listened to the gay music of the enlarged band of city pipers, and watched the movements of the couples who had already commenced the gagliarde, and—how was it possible in such a mood?—a passionate desire to dance took possession of her.

Without heeding the many persons who stood around them, she whispered softly to the duke, "It would be a pleasure to keep time to the music of the gagliarde with you, your Highness."

An ardent love glance accompanied this invitation, and the bold Saxon duke was a man to avail himself of every advantage.

He instantly expressed to the Ratisbon gentlemen his desire to try the gagliarde himself to such excellent music, and at a sign from the master of ceremonies the dance stopped.

Several members of the Council requested the couples to make way, and
Maurice took his partner's hand and led her on the stage.

The sudden cessation of the music attracted the Emperor's attention also. In an instant he perceived what was about to take place, and looked at Barbara. Her eyes met his, and such a glow of indignation, nay, wrath, so imperious a prohibition flashed from his glance that her flushed cheeks paled, and she strove to withdraw her hand from the duke's.

But Maurice held it firmly, and at the same moment the city pipers began to play again, and the music streamed forth in full, joyous tones.

The wooing notes fell into her defiant soul like sparks on dry brushwood. She could not help dancing, though it should be her death. Already she had begun, and with mischievous joy the thought darted through her mind that now Charles, too, would perceive what anguish lay in the fear of losing those whom we love.

If this grief brought him back to her, she thought, while eagerly following the figures of the dance, she would tend him all her life like a maidservant; if his pride severed the bond between them—that could not be done, because he loved her—she must bear it. Doubtless the conviction forced itself upon her superstitious mind that Fate would be ready to ruin her by the dance, yet she executed what must bring misfortune upon her; to retreat was no longer possible.

These thoughts darted in wild confusion in a few moments through her burning brain, and while Maurice swung her around it seemed as if the music reached her through the roar and thunder of breakers. The words "Chi la gagliarda vuol imparare" constantly echoed in her ears, mocking, reckless, urging her to retaliation.

The dancing-master, Bernandelli, whom the Council had summoned from Milan to the Danube, had taught her and the other young people of Ratisbon the gagliarde. The sensible teacher, to suit the taste of the German burghers, had divested the gay dance of its recklessness. But he had showed his best pupils with how much more freedom the Italians performed the gagliarde, and Barbara had not forgotten the lesson. Duke Maurice moved and guided her with the same unfettered ease that the little maestro had displayed in former days. Willing or not, she was obliged to follow his lead, and she did so, carried away by the demands of her excited blood and the pleasure of dancing, so long denied, yet with the grace and perfect ear for time which were her special characteristics.

Neither the Ratisbon citizens nor Charles, who had been a good dancer himself, had ever seen the gagliarde danced in this way by either the gentleman or the lady. A better-matched couple could scarcely be imagined than the tall, powerful, chivalrous young prince and the beautiful, superbly formed, golden-haired girl who seemed, as it were, carried away by the music.

But Charles did not appear to share the pleasure which the sight of this rare couple and their dancing awakened even in the most envious and austere of the Ratisbon spectators, for when, in a pause, Barbara, with sparkling eyes, glanced first into the duke's face and then, with a merry look of inquiry, at her lover, she found his features no longer distorted by anger, but disgusted, as though he were witnessing an unpleasant spectacle.

Nevertheless she danced a short time longer without looking at him, until suddenly the remembrance of his reproving glance spoiled her pleasure in this rare enjoyment.

She whispered to the duke that she was satisfied.

A wave of his hand stopped the music but, ere returning the bow of her distinguished partner, Barbara looked for the Emperor.

Her eyes sought him in vain-he had left the turf under the lindens before the close of the dance. The Bishop of Arras, Malfalconnet, and several of the ladies and gentlemen who had left the tent in no small number and gone to the scene of the dancing after learning what was taking place there, had remained after the monarch's departure. Most of them joined in the applause which the younger Granvelle eagerly commenced when the city pipers lowered their instruments.

Barbara heard it, and saw that Bernhard Trainer and other young citizens of Ratisbon were following the courtiers' example, but she seemed scarcely to notice the demonstration.

The doubt whether Charles had merely not waited till the end of the dance, or had already left the festival, made her forget everything else. Through the Bishop of Arras she learned that his Majesty had gone home.

No one, not even the baron and Quijada, had received a message for her.

This fresh humiliation pierced her heart like a knife.

On every similar occasion hitherto he had sent her a few kind words, or, if Don Luis was the messenger, tender ones.

Yet she was obliged to force herself to smile, in order not to betray what was passing in her mind. Besides, she could not shake off the Duke of Saxony like the poor, handsome recruiting officer, Pyramus Kogel.

Fortunately, some of the most prominent Ratisbon citizens now crowded around Maurice to thank him for the honour which he had done the city.

She availed herself of the favourable opportunity to beg Granvelle, in a low tone, to keep the duke away from her the next morning until his departure at noon, and, if possible, now."

"One service for another," replied the statesman. "I will rid you of the most desirable admirer in Germany. But, on the day after to-morrow, you will adorn my modest banquet with the singing of the most gifted artist in the world."

"Gladly, unless his Majesty forbids me to do so," replied Barbara.

A few minutes later she informed her passionate young ducal lover, who wished to call upon her in her own home that very evening, that it would be utterly impossible. With an air of the greatest regret, she said that her little castle was guarded like an endangered citadel; and when the duke proposed a meeting, he was interrupted by the Bishop of Arras, who desired to speak to him about "important business."

In spite of the late hour, the minister, even without the girl's request, would have sought an audience with the duke, and to the ambitious Maurice politics and the important plans being prepared for immediate execution were of infinitely greater value than a love adventure, no matter what hours of pleasure it promised to afford.

So Barbara succeeded in taking leave of the duke without giving him offence.

The marquise was waiting for her with ill-repressed indignation. The weary old woman had wanted to return home long before, but the command of the grand chamberlain compelled her to wait for Barbara and accompany her the short distance to the house.

With an angry glance and a few bitter-sweet words of greeting, the old dame entered the litter. Barbara preferred to walk beside hers, for clouds had darkened the sky; it had become oppressively sultry, and she felt as if she would stifle in the close, swaying box.

Four torch-bearers accompanied the litters. She ordered the knight and the two lackeys whom Quijada had commissioned to attend her to remain behind, and also refused the service of the little Maltese, who—oh, how gladly!—would have acted as a page and carried her train.

As the shipwrecked man on a plank amid the endless surges longs for land, Barbara longed to get away, far away from the noise of the festival. Yet she dreaded the solitude which she was approaching, for she now perceived how foolishly she had acted, and with what sinful recklessness she had perhaps forfeited the happiness of her life on this luckless evening.

But need she idly wait for the doom to which she was condemned? He whose bright eyes could beam on her so radiantly had just wounded her with angry glances, like a foe or a stern judge, and his indignation had not been groundless.

What had life to offer her without his love? The wantonly bold venture had been baffled. Yet no! All was not yet lost!

Suppose she should summon courage to steal back to him and on her knees repentantly beseech him to forgive her?

But she cherished this desire only a few moments. Then the angry, wronged heart rebelled against such humiliation. She had not so shame fully offended the Emperor, but the lover, and it was his place to entreat her not to withdraw the love which made him happy.

The young girl raised her head with fresh courage. What had happened more than she had expected?

Because he loved her, he had become jealous, and made her feel his anger. But if she should now persistently withdraw from him, and let him realize how deeply he had offended her, she could not fail to win the game. In spite of all his crowns and kingdoms, he was only a man, and must not she, who in a few brief hours had forced a Maurice of Saxony to sue yearningly for her love, succeed by the might of her art and her beauty in transforming the wrath of the far older man, Charles, into his former passion?

If the Italian novels with which she was familiar did not lie, not only jealousy, but apparent indifference on the part of the beloved object, fanned the heart of man to burst into fresh flames.

It was only necessary to hold her impetuous temper in check, and profit by the jealousy which had now been aroused in Charles's mind. Hitherto she had always obeyed hasty impulses. Why should not she, too, succeed in accomplishing a well-considered plan? With the torturing emotions of failure, mortification, desertion, remorse, and yearning for forgiveness, now blended the hope of yet bringing to a successful conclusion the hazardous enterprise which she had already given up as hopeless, and, while walking on, her brain toiled diligently over plans for the campaign which would compel the great general to return with twofold devotion the love of which he had deprived her.

So, in the intense darkness, she followed the light which the torches cast upon the uneven path. At first she had taken up the train of her dress; now it was sweeping the dusty road.

What did she care for the magnificent robe if she regained Charles's love? Of what use would it be if she had lost it, lost it forever?

Before the litters reached the little castle a gust of wind rose, driving large drops of rain, straw, and withered leaves-Barbara could not imagine whence they came in the month of May—into her face. She was obliged to struggle against these harbingers of the coming tempest, and her heart grew lighter during the conflict. She was not born to endure, but to contend.

The scene of the festivities emptied rapidly. The duke and Granvelle drove back to the city in the minister's carriage. Malfalconnet and Quijada, in spite of the gathering storm, went home on foot.

"What a festival!" said Don Luis scornfully.

"In former days such things presented a more superb spectacle even here. But now! No procession, no scarlet save on the cardinals, no golden cross, no venerable priest's head on the whole pleasure ground, and, moreover, neither consecration nor the pious exhortation to remember Heaven, whence comes the joy in which the crowd is rejoicing."

"I, too, missed something here," cried the baron eagerly, "and now I learn through you what it is."

"Will not the heretics themselves gradually feel that they are robbing the pasty of faith of its truffles—what am I saying?—of its salt? May their dry black bread choke them! The only thing that gave the unseasoned meal a certain charm was the capitally performed gagliarde.

"Which angered his Majesty more deeply than you imagine," replied Don Luis. "The singer's days are probably numbered. It is a pity! She was wonderfully successful in subduing the spirits of melancholy."

"The war, on which we can now depend, will do that equally well, if not better," interrupted the baron. "Within a short time I, too, have lost all admiration for this fair one. Cold-hearted and arrogant. Capable of the utmost extremes when her hot blood urges her on. Unpopular with the people to whom she belongs, and, in spite of her bold courage, surprisingly afraid of the Holy Inquisition. Here, among the heretics, that gives cause for thought."

"Enough!" replied Don Luis. "We will let matters take their course. If the worst comes, I, at least, will not move a finger in her behalf."

"Nor will I," said Malfalconnet, and both walked quietly on.

[The End of: Volume One of the Print Edition, Volume 6 of the PG Edition]

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Attain a lofty height from which to look down upon others