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Batik and other pattern dyeing

Chapter 3: THE ACKNOWLEDGMENTS
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About This Book

The authors present a practical guide to pattern dyeing that begins with the historical character of batik and related textile traditions and proceeds through dyeing principles, wax-resist techniques, and methods for producing illuminated textiles. Subsequent sections address adaptations for theatrical costuming and pageants, tie-dye, stick printing, block printing, and stencil dyeing, with clear instruction on materials, processes, and design planning. The text emphasizes classroom and studio application, combining technical directions, illustrative examples, and design guidance to help makers translate surface-decoration techniques into functional and decorative textiles.

THE authors are pleased to express grateful indebtedness to a number of friends in Indianapolis.

To Miss Roda E. Selleck, Shortridge High School, for her advanced high school projects in the development and application of batik designs; also in the application of tie-dyeing and blown stenciling.

To Miss Carolyn S. Ashbrook, Shortridge High School, for her projects with an elementary high school class.

To Miss Olive Rush, who designed and executed “The Capture” for the frontispiece.

To Miss Blanche Stillson for assistance in illustrating the wax resist processes; also for her designs, the blouse, page 80, and the pattern, page 87.

To Mr. Charles E. Rush, Librarian of the Public Library, for securing valuable publications of the Dutch Government.

To Mr. George Somnes, Director of The Little Theater, and Mrs. Eugene Fife, Little Theater, for their work revealed in Chapter V.

For the loan of old textiles, Miss Eliza Niblack, Curator of Textiles, John Herron Art Institute, the sarong, page 76, and the chundri, page 110; Mrs. Clifton A. Wheeler, the Javanese patterns, page 95; Mrs. William O. Bates, the sarong design used for the end papers; Miss Florence Fitch, Director of Art, Public Schools, the Indian block printing, page 126.

For permission to photograph their own handicraft, Miss Mary Overbeck (Cambridge City, Ind.) the tie-dyed patterns, pages 113 and 115; Mrs. James Thompson, the costume jewelry, page 78, and the tie-dyed scarf, page 115; Mrs. J. R. Brant, the blouse, page 82; Miss Mary Janet O’Reilly, the camisole, page 78.