About This Book
A sequence of poems juxtaposes the pageantry and menace of soldiers with quiet scenes of towns, fields, and interior reflection. Martial images—parades, busbies, and advancing ranks—alternate with evocations of evening, church bells, grass and last hours, producing tensions between public spectacle and private feeling. Recurrent motifs of movement, loss, and suspended time examine how landscape and ritual absorb or repel human violence, while lyric voice ranges from detached observation to intimate nostalgia.
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