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Beyond the Hills of Dream

Chapter 37: How One Winter Came
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About This Book

A sequence of lyrical poems moves between meditations on nature and elegy, intimate love lyrics, classical and historical sketches, and reflections on public life. Seasonal and landscape imagery—shorelines, woods, hills, and morning light—frames explorations of loss, memory, longing, and the consolations of fancy; several elegies mourn vanished friends or past ages while narrative pieces recall antiquity and voyages. The voice shifts from private yearning and pastoral observation to occasional public-address poems that honor places and figures, blending mythic allusion with local scenery and contemplative religious tones. The collection combines late‑Victorian musicality with restrained moral and reflective temper.

IN THE LAKE REGION

For weeks and weeks the autumn world stood still,
Clothed in the shadow of a smoky haze;
The fields were dead, the wind had lost its will,
And all the lands were hushed by wood and hill,
In those gray, withered days.
Behind a mist the blear sun rose and set,
At night the moon would nestle in a cloud;
The fisherman, a ghost, did cast his net;
The lake its shores forgot to chafe and fret,
And hushed its caverns loud.
From day to day still hushed the season’s mood,
The streams stayed in their runnels shrunk and dry;
Suns rose aghast by wave and shore and wood,
And all the world, with ominous silence, stood
In weird expectancy:
When one strange night the sun like blood went down,
Flooding the heavens in a ruddy hue;
Red grew the lake, the sere fields parched and brown,
Red grew the marshes where the creeks stole down,
But never a wind-breath blew.
That night I felt the winter in my veins,
A joyous tremor of the icy glow;
And woke to hear the north’s wild vibrant strains,
While far and wide, by withered woods and plains,
Fast fell the driving snow.

ELECTROTYPED AND PRINTED
BY H. O. HOUGHTON AND CO.

The Riverside Press

CAMBRIDGE, MASS., U. S. A.