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Bibliographic Notes on One Hundred Books Famous in English Literature

Chapter 31: SIR THOMAS BROWNE (1605-1682)
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About This Book

The book presents concise bibliographical essays on one hundred significant works of English literature, summarizing authorship, publication histories, typographical features, editional variants, and illustration and collation details. A prefatory explanation outlines the selection criteria and editorial practices used for handling early spelling and printing peculiarities. Individual entries vary in length depending on existing scholarship and rarity, and the volume includes a list of corrections, a contents list, and an index to aid reference. Overall, it documents the physical and textual histories of landmark volumes to assist readers in identifying and understanding important variant issues.

SIR THOMAS BROWNE

(1605-1682)

26. Religio, | Medici. | Printed for Andrew Crooke.  1642. Will: Marſhall. ſcu.

This is thought to be the earlier of two anonymous editions published in the same year, and without the author's sanction, as we learn from the third edition published in the following year, entitled A true and full coppy of that which was moſt | imperfectly and Surreptitiously printed before | under the name of: Religio Medici. In the preface Browne says over his signature: "... I have at preſent repreſented into the world a ful and intended copy of that Peece which was moſt imperfectly and surreptitiouſly publiſhed before." He repeats the complaint of surreptitious publication in a letter to Sir Kenelm Digby, in which he begs the latter to delay the publication of his "Animadversions upon ... the Religio Medici" which "the liberty of these times committed to the Press."

The chief points of difference between the two surreptitious editions have been pointed out by Mr. W. A. Greenhill in his facsimile edition of the book, printed in 1883. The form of some of the capital letters is occasionally different; the issue which he calls A, and to which our copy belongs, has pp. 190, the other, B, 159; A has 25 lines to a page—B, 26; and the lines in A are shorter than those in B. After comparing these with the authorized version, Mr. Greenhill says:

"It will appear from the above collection of various readings that the alterations made by the Author in the authorized edition consisted chiefly in the correction of positive blunders, made (as we know from an examination of the existing MSS.) quite as often by the copyist as by the printer. But he also took the opportunity of modifying various positive and strongly worded propositions by the substitution of less dogmatic expressions, or the insertion of the qualifying words, I think, as some will have it, in some sense, upon some grounds, and the like." "Upon the whole," Mr. Greenhill thinks Browne "had good reason to complain bitterly that the book was published, not only without his knowledge and consent, but also in a "depraved and 'imperfect' form."

The curious coincidence that all three editions, spurious and authorized, were issued by the same publisher, who used the engraved title-page by William Marshall for each, only changing the imprint, gave rise to the hypothesis that, if Sir Thomas did not authorize, he did not prevent the publication of the early editions. In fact, Dr. Johnson (though he professes to acquit him) favored the view "that Browne procured the anonymous publication of the treatise in order to try its success with the public before openly acknowledging the authorship."

The effect of the work certainly justified any fears the author may have had. It excited much controversy and was placed in the Index Expurgatorius of the Roman Church. But from the publisher's point of view, it was a great success. Eleven editions appeared during Browne's lifetime, it was reprinted over and over again, and it provoked over thirty imitations of its scope or title. It was translated into Latin, Dutch, French and German.

The emblematic fancy of Marshall has represented on the engraved title-page of this volume, a hand from the clouds catching a man to hinder his falling from a rock into the sea. The picture bears the legend "à coelo salus," which was afterward erased, not, we will hope, because of lack of faith in the sentiment expressed. The title was also rubbed out.

Duodecimo.

Collation:  Engraved title, one leaf; A-M, in eights.