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Billy Budd

Chapter 24: XX
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About This Book

A central novella follows an innocent, charismatic young sailor pressed into service aboard a warship whose natural goodness collides with strict naval discipline and a calculating superior, producing a moral and legal crisis with tragic consequences. The volume also collects sketches and short essays that range from literary criticism and humorous tales to reflective fragments and social satire, unified by vivid maritime imagery, acute observation, and recurring concerns about conscience, authority, and human fallibility.

XX

In a seventy-four of the old order the deck known as the upper gun-deck was the one covered over by the spar-deck, which last, though not without its armament, was for the most part exposed to the weather. In general it was at all hours free from hammocks; those of the crew swinging on the lower gun-deck and berth-deck, the latter being not only a dormitory but also the place for the stowing of the sailors’ bags, and on both sides lined with the large chests or movable pantries of the many messes of the men.

On the starboard side of the Indomitable’s upper gun-deck, behold Billy Budd under sentry lying prone in irons in one of the bays formed by the regular spacing of the guns comprising the batteries on either side. All these pieces were of the heavier calibre of that period. Mounted on lumbering wooden carriages, they were hampered with cumbersome harness of breeching and strong side-tackles for running them out. Guns and carriages, together with the long rammers and shorter lintstocks lodged in loops overhead—all these, as customary, were painted black; and the heavy hempen breechings tarred to the same tint, wore the like livery of the undertaker. In contrast with the funereal tone of these surroundings the prone sailor’s exterior apparel, white jumper and white duck trowsers, each more or less soiled, dimly glimmered in the obscure light of the bay like a patch of discoloured snow in early April lingering at some upland cave’s black mouth. In effect he is already in his shroud or the garments that shall serve him in lieu of one. Over him, but scarce illuminating him, two battle-lanterns swing from two massive beams of the deck above. Fed with the oil supplied by the war-contractors (whose gains, honest or otherwise, are in every land an anticipated portion of the harvest of death) with flickering splashes of dirty yellow light they pollute the pale moonshine all but ineffectually struggling in obstructed flecks through the open ports from which the tompioned cannon protrude. Other lanterns at intervals serve but to bring out somewhat the obscurer bays which, like small confessionals or side-chapels in a cathedral, branch from the long, dim-vistaed, broad aisle, between the two batteries of that covered tier.

Such was the deck where now lay the Handsome Sailor. Through the rose-tan of his complexion, no pallor could have shown. It would have taken days of sequestration from the winds and the sun to have brought about the effacement of that. But the skeleton in the cheek-bone at the point of its angle was just beginning delicately to be defined under the warm-tinted skin. In fervid hearts self-contained some brief experiences devour our human tissue as secret fire in a ship’s hold consumes cotton in the bale.

But now, lying between the two guns, as nipped in the vice of fate, Billy’s agony, mainly proceeding from a generous young heart’s virgin experience of the diabolical incarnate and effective in some men—the tension of that agony was over now. It survived not the something healing in the closeted interview with Captain Vere. Without movement he lay as in a trance, that adolescent expression, previously noted as his, taking on something akin to the look of a slumbering child in the cradle when the warm hearth-glow of the still chamber of night plays on the dimples that at whiles mysteriously form in the cheek, silently coming and going there. For now and then in the gyved one’s trance, a serene happy light born of some wandering reminiscence or dream would diffuse itself over his face, and then wane away only anew to return.

The chaplain coming to see him and finding him thus, and perceiving no sign that he was conscious of his presence, attentively regarded him for a space, then slipping aside, withdrew for the time, peradventure feeling that even he, the minister of Christ, though receiving his stipend from wars, had no consolation to proffer which could result in a peace transcending that which he beheld. But in the small hours he came again. And the prisoner, now awake to his surroundings, noticed his approach, and civilly, all but cheerfully, welcomed him. But it was to little purpose that in the interview following the good man sought to bring Billy Budd to some Godly understanding that he must die, and at dawn. True, Billy himself freely referred to his death as a thing close at hand; but it was something in the way that children will refer to death in general, who yet among their other sports will play a funeral with hearse and mourners. Not that like children Billy was incapable of conceiving what death really is. No, but he was wholly without irrational fear of it, a fear more prevalent in highly civilised communities than those so-called barbarous ones which in all respects stand nearer to unadulterate Nature. And, as elsewhere said, a barbarian Billy radically was; quite as much so (for all the costume) as his countrymen the British captives, living trophies made to march in the Roman triumph of Germanicus. Quite as much so as those later barbarians, young men probably, and picked specimens among the earlier British converts to Christianity, at least nominally such, and taken to Rome (as to-day converts from lesser isles of the sea may be taken to London), of whom the Pope of that time, admiring the strangeness of their personal beauty, so unlike the Italian stamp, their clear, ruddy complexions and curled flaxen locks, exclaimed, ‘Angles’ (meaning English, the modern derivative), ‘Angles do you call them? And is it because they look so like Angels?’ Had it been later in time one would think that the Pope had in mind Fra Angelico’s seraphs, some of whom, plucking apples in gardens of Hesperides, have the faint rosebud complexion of the more beautiful English girls.