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Biographical catalogue of the portraits at Weston, the seat of the Earl of Bradford

Chapter 1: BIOGRAPHICAL CATALOGUE OF THE PORTRAITS AT WESTON THE SEAT OF THE EARL OF BRADFORD
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A room-by-room catalogue of a country-house portrait collection presenting numbered entries that describe each painting's sitter, artist attribution, provenance, physical appearance, and brief biographical sketches. Entries trace family relationships, inheritances, and historical context, and include anecdotal and documentary notes on sitters and artists. An introductory preface recounts the author's research methods, obstacles, and gratitude for assistance, and occasional commentary stresses the importance of preserving portrait records for family memory and local history.

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Title: Biographical catalogue of the portraits at Weston, the seat of the Earl of Bradford

Author: Mary Louisa Boyle

Release date: April 3, 2021 [eBook #64984]
Most recently updated: October 18, 2024

Language: English

Credits: Fay Dunn, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK BIOGRAPHICAL CATALOGUE OF THE PORTRAITS AT WESTON, THE SEAT OF THE EARL OF BRADFORD ***

ARISE ✤ PRAY ✤ WORK


BIOGRAPHICAL CATALOGUE
OF THE PORTRAITS AT WESTON
THE SEAT OF THE EARL OF BRADFORD



BIOGRAPHICAL
CATALOGUE
OF THE PORTRAITS
AT WESTON
THE SEAT OF
THE EARL OF BRADFORD

A true delineation, even of the smallest man, and his scene of pilgrimage through life, is capable of interesting the greatest man; for all men are to an unspeakable degree brothers, each man’s life a strange emblem of every man’s, and human portraits faithfully drawn are, of all pictures, the welcomest on human walls.Carlyle.

LONDON: ELLIOT STOCK
1881.

TO
LORD AND LADY BRADFORD,
THESE PAGES,
WRITTEN UNDER THE PRESSURE OF MANY DIFFICULTIES,
ARE AFFECTIONATELY INSCRIBED
BY THEIR FAITHFUL KINSWOMAN
MARY BOYLE.

IN completing the last contribution I shall make to the Biographical Catalogues of the Portrait Galleries of four English noblemen, I must make a few personal remarks. I began the pleasant task, which I undertook at the request of my dear cousin, Lord Sandwich, now many years ago, before my defective sight rendered the work difficult. The respective collections of Lords Bath and Cowper at Longleat and Panshanger next occupied my attention, but the increasing malady in my eyesight rendered every fresh step more arduous. In this last work, to other stumbling-blocks has been added the pressure of ill-health and deep sorrow; against these obstacles I have fought as stoutly as I could, cheered on by the hope of giving satisfaction to Lord and Lady Bradford, to whose family my own for many generations has been connected by ties of relationship and friendship. But I am well aware that in spite of my best endeavours errors may have crept into this work, and shortcomings must be but too evident. On the indulgence of the owners of Weston, I must, therefore, rely for pardon; proffering at the same time my best thanks to Lord Bradford himself for the kind help he has afforded me; while to Mr. George Griffiths of Weston Bank I can scarcely say enough to express my gratitude for his unwearied and valuable assistance. I wish that, in relinquishing a task in which I have found great delight, I could persuade some members of noble and gentle families to follow my example in rescuing from oblivion the records of portraits which adorn the walls of their homes. It has often been a subject of deep concern to me, while staying in some beautiful country-house, to find that the younger portion of the family, at least, were often entirely ignorant of any details respecting the lives of the men and women who look down upon them from the walls, and who in some cases have lived, loved, enjoyed, suffered, and died in those very apartments. To the dear old traditions of home such acquaintance with our predecessors and their surroundings lends many a charm, and I have found so much pleasure in my work that I cannot but regret my inability to the further prosecution thereof; but I have reaped a rich reward in the acquaintance I have made with particulars of the lives of the great, the good, and the celebrated; and as I wander through a portrait-gallery, the paintings of which are, alas! now but a closed book to me, the names which my more fortunate companions read aloud conjure up a whole host of delightful and interesting recollections.

22 South Audley Street,
August 9th, 1888.