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Birds Every Child Should Know

Chapter 22: THE MOCKINGBIRD
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About This Book

The volume introduces young readers to common backyard and woodland birds through brief, approachable accounts that emphasize appearance, song, nesting habits, diet, and seasonal movements. Species are organized into family groups and illustrated with numerous photographs and plates; short, descriptive passages teach field identification by plumage, voice, and behavior while encouraging quiet observation and respect for wildlife. Practical notes on attracting and protecting birds, along with anecdotes and simple natural-history explanations, reinforce appreciation of bird life and train both ear and eye for recognizing species in the field.



Young nuthatches learning their first lesson in balancing on a horizontal bar.

TUFTED TITMOUSE

Called also: Peto Bird; Crested Tomtit; Crested Titmouse

Don't expect to meet the tufted titmouse if you live very far north of Washington. He is common only in the South and West.

This pert and lively cousin of the lovable little chickadee is not quite so friendly and far more noisy. Peto-peto-peto comes his loud, clear whistle from the woods and clearings where he and his large family are roving restlessly about all through the autumn and winter. A famous musician became insane because he heard one note ringing constantly in his overwrought brain. If you ever hear a troupe of titmice whistling Peto over and over again for hours at a time, you will pity poor Schumann and fear a similar fate for the birds. But they seem to delight in the two tiresome notes, uttered sometimes in one key, sometimes in another. Another call—day-day-day—reminds you of the chickadee's, only the tufted titmouse's voice is louder and a little hoarse, as it well might be from such constant use.

Few birds that we see about our homes wear a top knot on their heads. The big cardinal has a handsome red one, the larger blue jay's is bluish gray, the cedar waxwing's is a Quaker {24} drab; but the little titmouse, who is the size of an English sparrow, may be named at once by the gray pointed crest that makes him look so pert and jaunty. When he hangs head downward from the trapeze on the oak tree, this little gray acrobat's peaked cap seems to be falling off; whereas the black skull cap on the smaller chickadee fits close to his head no matter how much he turns over the bar and dangles.

Neither one of these cousins is a carpenter like the woodpecker. The titmouse has a short, stout bill without a chisel on it, which is why it cannot chip out a hole for a nest in a tree trunk or old stump unless the wood is much decayed. You see why these birds are so pleased to find a deserted woodpecker's hole. Not alone are they saved the trouble of making one, but a deep tunnel in a tree-trunk means security for their babies against hawks, crows, jays, and other foes, as well as against wind and rain.

When you find a flock of either chickadees or titmice, you may be sure it is made up chiefly, if not entirely, of the birds of one or two broods of the same parents. Their families are usually large and the members devoted to one another. Titmice nest in April so that you cannot tell the brothers and sisters from the father and mother when the troupe of acrobats leave the woods in {25} early autumn and whistle lustily about your home.


WHITE-BREASTED NUTHATCH

Called also: Tree Mouse; Devil Downhead.

When it comes to acrobatic performances in the trees, neither the chickadee nor the titmouse can rival their relatives, the little bluish gray nuthatches. Indeed, any circus might be glad to secure their expert services. Hanging fearlessly from the topmost branches of the tallest pine, running along the under side of horizontal limbs as comfortably as along the top of them, or descending the trunk head foremost, these wonderful little gymnasts keep their nerves as cool as the thermometer in January. From the way they travel over any part of the tree they wish, from top and tip to the bottom of it, no wonder they are sometimes called Tree Mice. Only the fly that walks across the ceiling, however, can compete with them in clinging to the under side of boughs.

Why don't they fall off? If you ever have a chance, examine their claws. These, you will see, are very much curved and have sharp little hooks that catch in any crack or rough place in the bark and easily support the bird's weight. As a general rule the chickadee keeps to the {26} end of the twigs and the smaller branches; the tufted titmouse rids the larger boughs of insects, eggs, and worms hidden in the scaly bark; but the nuthatches can climb to more inaccessible places. With the help of the hooks on their toes it does not matter to them whether they run upward, downward, or sidewise; and they can stretch their bodies away from their feet at some very queer angles. Their long bills penetrate into deep holes in the thick bark of the tree trunks and older limbs and bring forth from their hiding places insects that would escape almost every other bird except the brown creeper and the woodpecker. Of course, when you see any feathered acrobat performing in the trees, you know he is working hard to pick up a dinner, not exercising merely for fun. The most familiar nuthatch, in the eastern United States, is the one with the white breast; but in the Northern States and Canada there is another common winter neighbour, a smaller compactly feathered, bluish gray gymnast with a pale rusty breast, a conspicuous black line running apparently through his eye from the base of his bill to the nape of his neck, and heavy white eyebrows. This is the hardy little red-breasted nuthatch. His voice is pitched rather high and his drawling notes seem to come from a lazy bird instead of one of the most vigorous and spry little creatures in the wood. The {27} nasal ank-ank of his white-breasted cousin is uttered, too, without expression, as if the bird were compelled to make a sound once in a while against his will. Both of these cousins have similar habits. Both are a trifle smaller than the English sparrow. In summer they merely hide away in the woods to nest, for they are not migrants. It is only when nesting duties are over in the autumn that they become neighbourly.

Who gave them their queer name? A hatchet would be a rather clumsy tool for us to use in opening a nut, but these birds have a convenient, ever-ready one in their long, stout, sharply pointed bills with which they hack apart the small thin-shelled nuts like beech nuts and hazel nuts, chinquapins and chestnuts, kernels of corn and sunflower seeds. These they wedge into cracks in the bark just big enough to hold them. During the summer and early autumn when insects are plentiful, the nuthatches eat little else; and then they thriftily store away the other items on their bill of fare, squirrel fashion, so that when frost kills the insects, they may vary their diet of insect eggs and grubs with nuts and the larger grain. Flying to the spot where a nut has been securely wedged, perhaps weeks before, the bird scores and hacks and pecks it open with his sharp little hatchet, whose hard blows may be heard far away.

Although this tool is a great help to the nuthatches in making their nests, they appear to be quite as ready to accept a deserted woodpecker's hole as the chickadee with a smaller bill. A natural cavity will answer, or, if they must, they will make one in some forest tree. The red-breasted nuthatches have a curious habit of smearing the entrance to the hole with fir-balsam or pitch. Why do you suppose they do it? Perhaps they think this will discourage egg suckers, like snakes, mice, or squirrels; but, in effect, the sticky gum often pulls the feathers from their own breasts as they go in and out attending to the wants of their family.


RUBY-CROWNED KINGLET

Count that a red-letter day on your calendar when first you see either this tiny, dainty sprite, or his next of kin, the golden-crowned kinglet, fluttering, twinkling about the evergreens. In republican America we don't often have the chance to meet two crowned heads. Energetic as wrens, restless as warblers, and as perpetually looking for insect food, the kinglets flit with a sudden, jerking motion from twig to twig among the trees and bushes, now on the lawn, now in the orchard and presently in the hedgerow down the lane. They have a pretty {29} trick of lifting and flitting their wings every little while. The bluebird and pine grosbeak have it too, but their much larger, trembling wings seem far less nervous.

Happily the kinglets are not at all shy; no bird is that is hatched out so far north that it never sees a human being until it travels southward to spend the winter. Alas! It is the birds that know us too well that are often the most afraid. When the leaves are turning crimson and russet and gold in the autumn, keep a sharp look out for the plump little grayish, olive green birds that are even smaller than wrens, and not very much larger than hummingbirds. Although members of quite a different family—the kinglets are exclusive—they condescend to join the nuthatches and chickadees in the orchard to help clean the farmer's fruit trees or pick up a morsel at the free lunch counter in zero weather. Love or war is necessary to make the king show us his crown. But vanity or anger is sufficient excuse for lifting the dark feathers that nearly conceal the beauty spot on the top of his head when the midget's mind is at ease. If you approach very near—and he will allow you to almost touch him—you may see the little patch of brilliant red feathers, it is true, but you will probably get an unexpected, chattering scolding from the little king as he flies away.

In the spring his love song is as surprisingly strong in proportion to his size as the wren's. It seems impossible for such a volume of mellow flute-like melody to pour from a throat so tiny. Before we have a chance to hear it again the singer is off with his tiny queen to nest in some spruce tree beyond the Canadian border.


The noisy contents of a soap box: a family of house wrens.



The marsh wren's round cradle swung among the rushes.


CHAPTER III

A GROUP OF LIVELY SINGERS

House Wren
Carolina Wren
Marsh Wren
Brown Thrasher
Catbird
Mockingbird




THE HOUSE WREN

If you want some jolly little neighbours for the summer, invite the wrens to live near you year after year by putting up small, one-family box-houses under the eaves of the barn, the cow-shed, or the chicken-house, on the grape arbour or in the orchard. Beware of a pair of nesting wrens in a box nailed against a piazza post: they beat any alarm clock for arousing the family at sunrise.

Save the starch boxes, cover them with strips of bark, or give them two coats of paint to match the building they are to be nailed on. Cut a hole that you have marked on one end of each box by drawing a lead pencil around a silver quarter of a dollar. A larger hole would mean that English sparrows, who push themselves everywhere where not invited, would probably take possession of each house as fast as you nailed it up. Of course the little one-roomed cottages should have a number of small holes bored on the sides near the top to give the wrens plenty of fresh air. Have the boxes in place not later than the first of April—then watch. Would it not be a pity for any would-be tenants to pass by your home because they could {34} not find a house to let? Wrens really prefer boxes to the holes in stumps and trees they used to occupy before there were any white people with thoughtful children on this continent. But the little tots have been known to build in tin cans, coat pockets, old shoes, mittens, hats, glass jars, and even inside a human skull that a medical student hung out in the sun to bleach!

When you are sound asleep some April morning, a tiny brown bird, just returned from a long visit south of the Carolinas, will probably alight on the perch in front of one of your boxes, peep in the doorhole, enter—although his pert little cocked-up-tail has to be lowered to let him through—look about with approval, go out, spring to the roof and pour out of his wee throat a gushing torrent of music. The song seems to bubble up faster than he can sing. "Foive notes to wanst" was an Irishman's description of it. After the wren's happy discovery of a place to live, his song will go off in a series of musical explosions all day long, now from the roof, now from the clothesposts, the fence, the barn, or the wood-pile. There never was a more tireless, spirited, brilliant singer. From the intensity of his feelings, he sometimes droops that expressive little tail of his, which is usually so erect and saucy.


Like "Brer Rabbit" the catbird is usually "bred and bawn in a brier patch."



Another tragedy of the nests: what villain ate the catbird's eggs?

With characteristic energy, he frequently begins to carry twigs into the house before he finds a mate. The day little Jenny Wren appears on the scene, how he does sing! Dashing off for more twigs, but stopping to sing to her every other minute, he helps furnish the cottage quickly, but, of course, he overdoes—he carries in more twigs and hay and feathers than the little house can hold, then pulls half of them out again. Jenny gathers too, for she is a bustling housewife and arranges matters with neatness and despatch. Neither vermin nor dirt will she tolerate within her well-kept home. Everything she does to suit herself pleases her ardent little lover. He applauds her with song; he flies about after her with a nervous desire to protect; he seems beside himself with happiness. Let any one pass too near his best beloved, and he begins to chatter excitedly: "Chit-chit-chit-chit" as much as to say, "Oh, do go away; go quickly! Can't you see how nervous and fidgety you make me?"

If you fancy that Jenny Wren, who is patiently sitting on the little pinkish chocolate spotted eggs in the centre of her feather bed, is a demure, angelic creature, you have never seen her attack the sparrow, nearly twice her size, that dares put his impudent head inside her door. Oh, how she flies at him! How she chatters and scolds! What a plucky little shrew she is, after all! Her piercing, chattering, {36} scolding notes are fairly hissed into his ears until he is thankful enough to escape.


THE LITTLE BROWN WREN
From "Boy's Book of Rhyme," by Clinton Scollard

There's a little brown wren that has built in our tree,
And she's scarcely as big as a big bumble-bee;
She has hollowed a house in the heart of a limb,
And made the walls tidy and made the floors trim
With the down of the crow's foot, with tow, and with straw
The cosiest dwelling that ever you saw.


This little brown wren has the brightest of eyes
And a foot of a very diminutive size.
Her tail is as trig as the sail of a ship.
She's demure, though she walks with a hop and a skip;
And her voice—but a flute were more fit than a pen
To tell of the voice of the little brown wren.

One morning Sir Sparrow came sauntering by
And cast on the wren's house an envious eye;
With a strut of bravado and toss of his head,
"I'll put in my claim here," the bold fellow said;
So straightway he mounted on impudent wing,
And entered the door without pausing to ring.

An instant—and swiftly that feathery knight
All towsled and tumbled, in terror took flight,
While there by the door on her favourite perch,
As neat as a lady just starting for church.
With this song on her lips, "He will not call again
Unless he is asked," sat the little brown wren.


If the bluebirds had her courage and hot, quick temper, they would never let the sparrows drive them away from their boxes. Unfortunately a hole large enough to admit a {37} bluebird will easily admit those grasping monopolists; but Jenny Wren is safe, if she did but know it, in her house with its tiny front door. It is amusing to see a sparrow try to work his shoulders through the small hole of an empty wren house, pushing and kicking madly, but all in vain.

What rent do the wrens pay for their little houses? No man is clever enough to estimate the vast numbers of insects on your place that they destroy. They eat nothing else, which is the chief reason why they are so lively and excitable. Unable to soar after flying insects because of their short, round wings, they keep, as a rule, rather close to the ground which their finely barred brown feathers so closely match. Whether hunting for grubs in the wood-pile, scrambling over the brush heap after spiders, searching among the trees to provide a dinner for their large families, or creeping, like little feathered mice, in queer nooks and crannies among the outbuildings on the farm, they are always busy in your interest which is also theirs. It certainly pays, in every sense, to encourage wrens.


THE CAROLINA WREN

The house wrens have a tiny cousin, a mite of a bird, called the winter wren, that is so shy {38} and retiring you will probably never become well acquainted with it. It delights in mossy, rocky woods near running water. But a larger chestnut brown cousin, the Carolina wren, with a prominent white eyebrow, a bird which is quite common in the Middle and Southern States, sometimes nests in outbuildings and in all sorts of places about the farm. However, he too really prefers the forest undergrowths near water, fallen logs, half decayed stumps, and mossy rocks where insects lurk but cannot hide from his sharp, peering eyes. Now here, now there, appearing and disappearing, never at rest, even his expressive tail being in constant motion, he seems more nervously active than Jenny Wren's fidgety husband.

Some people call him the mocking wren, but I think he never deliberately tries to imitate other birds. Why should he? It is true that his loud-ringing, three-syllabled whistle, "Tea-ket-tle, Tea-ket-tle, Tea-ket-tle" suggests the crested titmouse's "peto" of two syllables, but in quality only; and some have thought that his whistled notes are difficult to distinguish from the one-syllabled, but oft-repeated, long-drawn quoit of the cardinal. These three birds are frequently to be heard in the same neighbourhood and you may easily compare their voices; but if you listen carefully, I think you will not accuse the wren of trying to mock either of the {39} others. In addition to his ringing, whistled notes, he can make other sounds peculiarly his own: trills and quavers, scolding cacks, rattling kringggs, something like the tree toad's, besides the joyful, lyrical melody that has given him his reputation as a musician. Even these do not complete his repertoire. To deliver his famous song, he chooses a conspicuous position in the top of some bush or low tree; then, with head uplifted and tail drooping—a favourite posture of all these lively singers—he makes us very glad indeed that we heard him. Happily he sings almost as many months in the year as the most cheerful bird we have, the song sparrow.


THE MARSH WREN

Hidden among the tall grasses and reeds along the creeks and rivers, lives the long-billed marsh wren, a nervous, active little creature that you know at a glance. With tail cocked up and even tilted forward toward her head in the extreme of wren fashion, or suddenly jerked downward to help keep her balance, she sways with the grass as it blows in the wind—a dainty little sprite. With no desire to make your acquaintance, she flies with a short, jerky motion (because of her short wings) a few rods away, {40} then drops into the grasses which engulf her as surely as if she had dropped into the sea. You may search in vain to find her now. Like the rails, she has her paths and runways among the tall sedges and cat-tails, where not even a boy in rubber boots may safely follow.

But she does not live alone. Withdraw, sit down quietly for awhile and wait for the excitement of your visit to subside; for every member of the wren colony, peering sharply at you through the grasses, was watching you long before you saw the first wren. Presently you hear a rippling, bubbling song from one of her neighbours; then another and another and still another from among the cat-tails which, you now suspect, conceal many musicians. The song goes off like a small explosion of melody whose force often carries the tiny singer up into the air. One explosion follows another, and between them there is much wren talk—a scolding chatter that is as great a relief to the birds' nervous energy as the exhaust from its safety valve is to a steam engine. The rising of a red-winged blackbird from his home in the sedges, the rattle of the kingfisher on his way up the creek, or the leisurely flapping of a bittern over the marshes is enough to start the chattering chorus.

Why are the birds so excited? This is their nesting season, May, and really they are too {41} busy to be bothered by visitors. Most birds are content to make one nest a year but not these, who, in their excess of wren energy, keep on building nest after nest in the vicinity of the one preferred for their chocolate brown eggs. Bending down the tips of the rushes they somehow manage to weave them, with the weeds and grasses they bring, into a bulky ball suspended between the rushes and firmly attached to them. In one side of this green grassy globe they leave an entrance through which to carry the finer grasses for the lining and the down from last season's bursted cat-tails. When a nest is finished, its entrance is often cleverly concealed. If there are several feet of water below the high and dry cradle, so much the better, think the wrens—fewer enemies can get at them; but they do sometimes build in meadows that are merely damp. In such meadows the short-billed marsh wren, a slightly smaller sprite, prefers to live.


THE BROWN THRASHER

Called also: Brown Thrush; Long Thrush; Ground Thrush; Red Thrush; French Mocking-bird; Mavis.

People who are not very well acquainted with the birds about them usually mistake the {42} long-tailed brown thrasher for a thrush because he has a rusty back and a speckled white breast, which they seem to think is an exclusive thrush characteristic, which it certainly is not. The oven-bird and several members of the sparrow tribe, among other birds, have speckled and streaked breasts, too. The brown thrasher is considerably larger than a thrush and his habits are quite different. Watch him nervously twitch his long tail, or work it up and down like one end of a see-saw, or suddenly jerk it up erect while he sits at attention in the thicket, then droop it when, after mounting to a conspicuous perch, he lifts his head to sing, and you will probably "guess right the very first time" that he is a near relative of the wrens, not a thrush at all. As a little sailor-boy once said to me, "He carries his tell-tail on the stern."

Like his cousin, the catbird, the brown thrasher likes to live in bushy thickets overgrown with vines. Here, running over the ground among the fallen leaves, he picks up with his long slender bill, worms, May beetles and scores of other kinds of insects that, but for him, would soon find their way to the garden, orchard, and fields. Yet few farmers ever thank him. Because they don't often see him picking up the insects in their cultivated land, they wrongly conclude that he does them no benefit, only mischief, {43} because, occasionally, he does eat a little fruit. It seems to be a dreadful sin for a fellow in feathers to help himself to a strawberry or a cherry or a little grain now and then, although, having eaten quantities of insects that, but for him, would have destroyed them, who has earned a better right to a share of the profits?

Do you think the brown thrasher looks any more like a cuckoo than he does like a thrush? Simply because he is nearly as long as the dull brownish cuckoo and has a brown back, though of quite a different tawny shade, some boys and girls say it is difficult to tell the two birds apart. The cuckoo glides through the air as easily as if he were floating down stream, whereas the thrasher's flight, like the wren's, is tilting, uneven, flapping, and often jerky. If you make good use of your sharp eyes, you will be able to tell many birds by their flight alone, long before you can see the colour of their feathers. The passive cuckoo has no speckles on his light breast, and the yellow-billed cuckoo, at least, has white thumb-nail spots on his well-behaved tail, which he never thrashes, twitches, and balances as the active, suspicious thrasher does his. Moreover the cuckoo's notes sound like a tree-toad's rattle, while the thrasher's song—a merry peal of music—entrances every listener. He seems rather proud of it, to tell the truth, for although at {44} other times he may keep himself concealed among the shrubbery, when about to sing, he chooses a conspicuous perch as if to attract attention to his truly brilliant performance.

The thrasher has been called a ground "thrush" because it so often chooses to place its nest at the roots of tall weeds in an open field; but a low bush frequently suits it quite as well. Its bulky nest is not a very choice piece of architecture. Twigs, leaves, vine tendrils, and bits of bark form its walls, and the speckled, greenish blue eggs within are usually laid upon a lining of fine black rootlets.


THE CATBIRD

Slim, lithe, elegant, dainty, the catbird, as he runs lightly over the lawn or hunts among the shrubbery, appears to be a fine gentleman among his kind—a sort of Beau Brummel in smooth, gray feathers who has preened and prinked until his toilet is quite faultless. You would not be surprised to hear that he slept on rose petals and manicured his claws. He is among the first to discover the bathing dish or drinking pan that you have set up in your garden, for he is not too squeamish, in spite of his fine appearance, to drink from his bath. With well-poised, black-capped head erect, and {45} tail up too, wren fashion, he stands at attention on the rim of the dish, alert, listening, tense—the neatest, trimmest figure in birddom.

After he has flown off to the nearest thicket, what a change suddenly comes over him! Can it be the same bird? With puffed out, ruffled feathers, hanging head, and drooping tail, he now suggests a fat, tousled schoolboy, just tumbled out of bed. Was ever a bird more contradictory? One minute, from the depths of the bushy undergrowth where he loves to hide, he delights you with the sweetest of songs, not loud like the brown thrasher's, but similar; only it is more exquisitely finished, and rippling. "Prut! Prut! coquillicot!" he begins. "Really, really, coquillicot! Hey, coquillicot! Hey, victory!" his inimitable song goes on like a rollicking recitative. The next minute you would gladly stop your ears when he utters the disagreeable cat-call that has given him his name. "Zeay, Zeay"—whines the petulant cry. Now you see him on the ground calmly looking for grasshoppers, or daintily helping himself to a morsel from the dog's plate at the kitchen door. Suddenly, with a jerk and a jump, he has sprung into the air to seize a passing moth. There is always the pleasure of variety and the unexpected about the catbird.

He is very intelligent and friendly, like his cousin, the mockingbird. One catbird that {46} comes to visit me at least ten times every day, can scarcely wait for the milk to be poured into the dog's bowl before he has flown to the brim for the first drink. Once, in his eagerness, he alighted on the pitcher in my hand. He has a pretty trick of flying to the sun dial as if he wished to learn the time of day. From this point of vantage, he will sail off suddenly, like a flycatcher, to seize an insect on the wing. He has a keen appetite for so many pests of the garden and orchard—moths, grasshoppers, beetles, caterpillars, spiders, flies and other insects—that his friendship, you see, is well worth cultivating. Five catbirds, whose diet was carefully watched by scientific men in Washington, ate thirty grasshoppers each for one meal.

Yet how many people ignorantly abuse the catbird! Because he has the good taste to like strawberries and cherries as well as we do, is he to be condemned on that account? If he kills insects for us every waking hour from April to October, don't you think he is entitled to a little fruit in June? The ox that treadeth out the corn is not to be muzzled, so that he cannot have a taste of it, you remember. A good way to protect our strawberry patches and cherry trees from catbirds, mockingbirds, and robins, is to provide fruit that they like much better—the red mulberry. Nothing attracts so many birds to a place. A mulberry tree in the chicken {47} yard provides a very popular restaurant, not only for the song birds among the branches, but for the scratchers on the ground floor.

Like the yellow-breasted chat, the catbird likes to hide its nest in a tangle of cat brier along the roadside undergrowth and in bushy, woodland thickets. Last winter, when that vicious vine had lost every leaf, I counted in it eighteen catbird nests within a quarter of a mile along a country lane. Long before the first snowstorm, the inmates of those nests were enjoying summer weather again from the Gulf States to Panama. If one nest should be disturbed in May or June, when the birds are raising their families, all the catbird neighbours join in the outcry of mews and cat-calls. Should a disaster happen to the parents, the orphans will receive food and care from some devoted foster-mother until they are able to fly. You see catbirds are something far better than intelligent, musical dandies.


THE MOCKINGBIRD

What child is there who does not know the mockingbird, caged or free? In the North you very rarely see one now-a-days behind prison bars, for, happily, several enlightened states have made laws to punish people who keep our wild birds in cages or offer them for sale, dead or {48} alive. When all the states make and enforce similar laws, there will be an end to the barbaric slaughter of many birds for no more worthy end than the trimming of hats for thoughtless girls and women. Birds of bright plumage have suffered most, of course, but the mocking-birds' nests have been robbed for so many generations to furnish caged fledglings for both American and European bird dealers, that shot guns could have done no work more deadly. Where the people are too ignorant to understand what mockingbirds are doing for them every day in the year by eating insects in their gardens, fields, parks, and public squares, they are shot in great numbers for the sole offence of helping themselves to a small fraction of the very fruit they have helped to preserve. Even the birds ought to have a "square deal" in free America: don't you think so?

Although not afflicted with "the fatal gift of beauty," at least not the gaudy kind, like the cardinal's and scarlet tanager's, the mocking-bird's wonderful voice has brought upon him an equal quantity of troubles. Keenly intelligent though he is, he does not know enough to mope and refuse to sing in a cage, but whiles away the tedious hours of his captivity by all manner of amusing and delightful sounds. Indeed it has been found that the household pet is apt to be a better mocker than the wild bird—a {49} most unfortunate discovery. Not only does he imitate the notes of birds about him, but he invents all manner of quips and vocal jugglery.

His love song is entrancing. "Oft in the stilly night," when the moonlight sheds a silvery radiance about every sleeping creature, the mockingbird sings to his mate such delicious music as only the European nightingale can rival. Perhaps the stillness of the hour, the beauty and fragrance of the place where the singer is hidden among the orange blossoms or magnolia, increase the magic of his almost pathetically sweet voice; but surely there is no lovelier sound in nature on this side of the sea. Our poet Lanier declared that this "heavenly bird" will be hailed as "Brother" by Beethoven and Keats when he enters the choir invisible in the spirit world.

Ever alert, on the qui vive, the mockingbird can no more suppress the music within him, night or day, than he can keep his nervous, high-strung body at rest. From his restlessness alone you might know he is the cousin of the catbird and brown thrasher and is closely related to the wrens. Flitting from perch to perch (fluttering is one of his chief amusements even in a cage), taking short flights from tree to tree, and so displaying the white signals on his wings and tail, hopping lightly, swiftly, gracefully over the ground, bounding into the air, {50} or the next minute shooting his ashy gray body far across the garden and leaving a wake of music behind as he flies, he seems to be perpetually in motion. If you live in the South you can encourage no more delightful neighbour than this star performer in the group of lively singers.



"MAMMA!"
Young mockingbird calling for breakfast



All is well with this yellow warbler's nest



Dinner for one: a black-and-white warbler feeding her baby





CHAPTER IV

THE WARBLERS

Yellow Warbler
Black and White Creeping Warbler
Oven-bird
Maryland Yellow-throat
Yellow-breasted Chat
Redstart

YELLOW WARBLER

Called also: Summer Yellowbird; Wild Canary.

Rather than live where the skies are gray and the air is cold, this adventurous little warbler will travel two thousand miles or more to follow the sun. A trip from Panama to Canada and back again within five months does not appall him. By living in perpetual sunshine his feathers seemed to have absorbed some of it, so that he looks like a stray sunbeam playing among the shrubbery on the lawn, the trees in the orchard, the bushes in the roadside thicket, the willows and alders beside the stream. He is shorter than the English sparrow by an inch. Although you may not get close enough to see that his yellow breast is finely streaked with reddish brown, you may know by these marks that he is not what you at first suspected he was—somebody's pet canary escaped from a cage. It is not he but the goldfinch—the yellow bird with the black wings—who sings like a canary. Happily he is so neighbourly that every child may easily become acquainted with this most common member of the large warbler family.

I don't believe there is anybody living who could name at sight every one of the seventy warblers that visit the United States. Some are very gaily coloured and exquisitely marked, as birds coming to us from the tropics have a right to be. Some are quietly clad; some, like the redstart, are dressed quite differently from their mates and young; others, like the yellow warbler, are so nearly alike that you could see no difference between the male and female from the distance of a few feet. Some live in the tops of evergreens and other tall trees; others, like the Maryland yellow-throat, which seems to prefer low trees and shrubbery, are rarely seen over twelve feet from the ground. A few, like the oven-bird, haunt the undergrowth in the woods or live most of the time on the earth. With three or four exceptions all the warblers dwell in woodlands, and it is only during the spring and autumn migrations that we have an opportunity to become acquainted with them; when they come about the orchard and shrubbery for a few days' rest and refreshment during their travels. Fortunately the cheerful little yellow warbler stays around our homes all summer long. Did you ever know a family so puzzling and contradictory as the Warblers?

The great majority of these fascinating and exasperating relatives are nervous, restless little sprites, constantly flitting from branch to {55} branch and from twig to twig in a never-ending search for small insects. As well try to catch a weasel asleep as a warbler at rest. People who live in the tropics, even for a little while, soon become lazy. Not so the warblers, whose energy, like a steam engine's, seems to be increased by heat. Of course they do not undertake long journeys merely for pleasure, as wealthy human tourists do. They must migrate to find food; and as insects are most plentiful in warm weather, you see why these atoms of animation keep in perpetual motion. They are among the last migrants to come north in the spring and among the first to leave in the autumn because insects don't hatch out in cool weather, and the birds must always be sure of plenty to eat. Travelling as they do, chiefly by night, they are killed in numbers against the lighthouses and electric light towers which especially fascinate these poor little victims.

Who first misled us by calling these birds warblers? The truth is there is not one really fine singer, like a thrush, in the whole family. The yellow-breasted chat has remarkable vocal ability, but he is not a real musician like the mockingbird, who also likes to have fun with his voice. The warblers, as a rule, have weak, squeaky, or wiry songs and lisping tseep call notes, neither of which ought to be called a warble. The yellow warbler sings as acceptably {56} as most of his kin. Seven times he rapidly repeats "Sweet—sweet—sweet—sweet—sweet—sweeter—sweeter" to his sweetheart, but this happy little lovemaker's incessant song is apt to become almost tiresome to everybody except his mate.

What a clever little creature she is! More than any other bird she suffers from the persecutions of that dusky rascal, the cowbird. In May, with much help from her mate, she builds an exquisite little cradle of silvery plant fibre, usually shreds of milkweed stalk, grass, leaves, and caterpillars' silk, neatly lined with hair, feathers, and the downy felt of fern fronds. The cradle is sometimes placed in the crotch of an elder bush, sometimes in a willow tree; preferably near water where insects are abundant, but often in a terminal branch of some orchard tree.

Scarcely is it finished before the skulking cowbird watches her chance to lay an egg in it that she may not be bothered with the care of her own baby. She knows that the yellow warbler is a gentle, amiable, devoted mother, who will probably work herself to death, if necessary, rather than let the big baby cowbird starve. But she sometimes makes a great mistake in her individual. Not all yellow warblers will permit the outrage. They prefer to weave a new bottom to their nest, over the {57} cowbird's egg, although they may seal up their own speckled treasures with it. Suppose the wicked cowbird comes back and lays still another egg in the two-storied nest: what then? The little Spartan yellow bird has been known to weave still another layer of covering rather than hatch out an unwelcome, greedy interloper to crowd and starve her own precious babies. Two and even three-storied nests are to be found by bright-eyed boys and girls.


BLACK AND WHITE CREEPING WARBLER

You may possibly mistake this little warbler for a downy woodpecker when first you see him creeping rapidly over the bark of trees, or hanging from the under side of the branches. But when he flits restlessly from twig to twig and from tree to tree without taking time to examine spots thoroughly; especially when he calls a few thin wiry notes—zee-zee-zee-zee—you may know he is no woodpecker, but a warbler. Woodpeckers have thick set, high shouldered bodies which they flatten against the tree trunks; the males wear red in their caps, and all have larger, stouter bills than the warbler's. Moreover, no woodpecker is so small as this streaked and speckled little creature who is usually too intent {58} on feeding to utter a single zee. You could not possibly confuse him with the diligent, placid brown creeper or with the slate-blue nuthatch which also creeps along the branches on the under or upper side. Some children I know call this black and white warbler the little zebra bird. Would that all warblers were so easily identified!


OVEN-BIRD

Called also: The Teacher; Golden-crowned Thrush; The Accentor.

"Teacher—Teacher—TEACHER—TEACHER—TEACHER!" resounds a penetrating, accented voice from the woods. Who calls? Not an impatient scholar, as you might suppose, but a shy little thrush-like warbler who has no use whatever for any human being, especially at the nesting season in May and June, when he calls most loudly and frequently. Beginning quite softly, he gradually increases the intensity of each pair of notes in a crescendo that seems to come from a point much nearer than it really does. Once heard it is never forgotten, and you can always be sure of naming at least one bird by his voice alone. However, his really exquisite love song—a clear, ringing, vivacious melody, uttered while the singer is fluttering, hovering, high among the tree-tops—is rarely heard, or if heard is not recognised as the teacher's aerial serenade. He is a warbler, let it be recorded, who really can sing, and beautifully, however rarely.



The ovenbird who calls
"Teacher, Teacher, TEACHER, TEACHER, TEACHER!"



Ovenbird in her cleverly hidden nest. Some of the leaves and sticks have been pulled away from the front to secure her picture.



Young ovenbirds on day of leaving nest.


Why is he called the oven-bird? A little girl I know was offered five dollars by her father if she could find the bird's nest in the high dry woods near her home. ''Teacher!'' was the commonest sound that came from them. It rang in her ears all day, so of course she thought it would be "too easy" to earn the money. Every afternoon, when school was out, she tramped through the woods hour after hour, poking about among the dead leaves, the snapping twigs, the velvety moss, the fallen logs, the young spring growth of the little plants and creepers, always keeping her eyes on the ground where she knew the nest would be found. Day after day she continued the search. Every time she saw a little hump of dead leaves or twigs and grasses her heart bounded with hope, but on closer examination she found no nest at all. Finally, one day when she was becoming discouraged, she spied in the path a little brownish olive bird, about the size of an English sparrow, but with a speckled, thrush-like breast and a dull orange V-shaped patch, bordered by black lines, on the top of his head. He was walking about on the ground, nodding his head as if {60} marking time, not hopping, sparrow-fashion; and he took very dainty, pretty steps that suggested a French dancing master. Occasionally he would scratch the path for insects, like a tiny chicken. Although she had never seen the teacher, and had expected that the loud voice came from a much larger bird, she felt sure that this must be he, so she sat down on a log and watched and waited. Presently she saw him tug at a fine black hair-like root that lay across the path, and, snapping it off, quickly fly away, away—oh, where did he go with it? She ran stumbling after him through the undergrowth to a little clearing. There another bird, just like him, whom she instantly guessed was his mate, flew straight toward her, dropped to the ground, ran about distractedly, dragging one wing as if it were broken, and uttering sharp, piteous notes of alarm. The little girl didn't like to distress the birds, of course, but how could she resist the temptation to find their nest? So on she tramped around and around in an ever widening circle, the excited birds still hovering near and sharply scolding her. You may be sure she was quite as excited as they.

At last, a little dome-shaped mound of grasses, half hidden among the dry brown oak leaves and wild geranium, gladdened her eyes. Running around to the opposite side she knelt down on the grass, peeped under the arched roof {61} and into the nest, which was shaped like an old-fashioned Dutch oven. Was ever a sight so welcome? She almost screamed with joy. Through the opening on one side, that was about three inches high, she could see the lining of fine black rootlets, just like the one she had watched the bird snap off and carry away. Then she flew home, as if she too had wings, and, calling breathlessly "Oh Father! Father! I've found it!" burst into the house. A week before even one white speckled egg had been laid in the oven-bird's nest, there was a golden half eagle in a happy little girl's palm. A fortnight later a man with a camera took a picture of the patient mother-bird, whose pretty striped head you see peeping out from under the dome.